Pentagons in Medieval Architecture
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Euclid's Elements - Wikipedia, the Free Encyclopedia
Euclid's Elements - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Euclid's_Elements Euclid's Elements From Wikipedia, the free encyclopedia Euclid's Elements (Ancient Greek: Στοιχεῖα Stoicheia) is a mathematical and geometric treatise Elements consisting of 13 books written by the ancient Greek mathematician Euclid in Alexandria c. 300 BC. It is a collection of definitions, postulates (axioms), propositions (theorems and constructions), and mathematical proofs of the propositions. The thirteen books cover Euclidean geometry and the ancient Greek version of elementary number theory. The work also includes an algebraic system that has become known as geometric algebra, which is powerful enough to solve many algebraic problems,[1] including the problem of finding the square root of a number.[2] With the exception of Autolycus' On the Moving Sphere, the Elements is one of the oldest extant Greek mathematical treatises,[3] and it is the oldest extant axiomatic deductive treatment of mathematics. It has proven instrumental in the development of logic and modern science. The name 'Elements' comes from the plural of 'element'. The frontispiece of Sir Henry Billingsley's first According to Proclus the term was used to describe a English version of Euclid's Elements, 1570 theorem that is all-pervading and helps furnishing proofs of many other theorems. The word 'element' is Author Euclid, and translators in the Greek language the same as 'letter'. This Language Ancient Greek, translations suggests that theorems in the Elements should be seen Subject Euclidean geometry, elementary as standing in the same relation to geometry as letters number theory to language. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Low-Res-Fourvière and Lyon Booklet-4 Print Ready
2015 2016 Fourvière Our Lady of Fourvière and Lyon Our Lady of Fourvière and Lyon Now that same day two of them were going to a village called Emmaus, about seven miles from Jerusalem. They were talking with each other about everything that had happened. As they talked and discussed these things with each other, Jesus himself came up and walked along with them; but they were kept from recognizing him. He asked them, “What are you discussing together as you walk along?” They stood still, their faces downcast. One of them, named Cleopas, asked him, “Are you the only one visiting Jerusalem who does not know the things that have happened there in these days?” “What things?” he asked. “About Jesus of Nazareth,” they replied. “He was a prophet, powerful in word and deed before God and all the people. The chief priests and our rulers handed him over to be sentenced to death, and they crucified him; but we had hoped that he was the one who was going to redeem Israel. And what is more, it is the third day since all this took place. In addition, some of our women amazed us. They went to the tomb early this morning but didn’t find his body. They came and told us that they had seen a vision of angels, who said he was alive. Then some of our companions went to the tomb and found it just as the women had said, but they did not see Jesus.” He said to them, “How foolish you are, and how slow to believe all that the prophets have spoken! Did not the Messiah have to suffer these things and then enter his glory?” And beginning with Moses and all the Prophets, he explained to them what was said in all the Scriptures concerning himself. -
The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE)
ABSTRACT MARY ELIZABETH BLUME The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE) The Gothic Revival of the nineteenth century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying quandary of how to define or identify “Gothic” structures, the Victorian revivalists fought vehemently over the national birthright of the style. Although Gothic has been traditionally acknowledged as having French origins, English revivalists insisted on the autonomy of English Gothic as a distinct and independent style of architecture in origin and development. Surprisingly, nearly two centuries later, the debate over Gothic’s nationality persists, though the nationalistic tug-of-war has given way to the more scholarly contest to uncover the style’s authentic origins. Traditionally, scholarship took structural or formal approaches, which struggled to classify structures into rigidly defined periods of formal development. As the Gothic style did not develop in such a cleanly linear fashion, this practice of retrospective labeling took a second place to cultural approaches that consider the Gothic style as a material manifestation of an overarching conscious Gothic cultural movement. Nevertheless, scholars still frequently look to the Isle-de-France when discussing Gothic’s formal and cultural beginnings. Gothic historians have entered a period of reflection upon the field’s historiography, questioning methodological paradigms. This -
Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork*
$UFKLWHFWXUDO Bork, R 2014 Dynamic Unfolding and the Conventions of Procedure: Geometric +LVWRULHV Proportioning Strategies in Gothic Architectural Design. Architectural Histories, 2(1): 14, pp. 1-20, DOI: http://dx.doi.org/10.5334/ah.bq RESEARCH ARTICLE Dynamic Unfolding and the Conventions of Procedure: Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork* This essay explores the proportioning strategies used by Gothic architects. It argues that Gothic design practice involved conventions of procedure, governing the dynamic unfolding of successive geometrical steps. Because this procedure proves difficult to capture in words, and because it produces forms with a qualitatively different kind of architectural order than the more familiar conventions of classical design, which govern the proportions of the final building rather than the logic of the steps used in creating it, Gothic design practice has been widely misunderstood since the Renaissance. Although some authors in the nineteenth and twentieth centuries attempted to sympathetically explain Gothic geometry, much of this work has been dismissed as unreliable, especially in the influential work of Konrad Hecht. This essay seeks to put the study of Gothic proportion onto a new and firmer foundation, by using computer-aided design software to analyze the geometry of carefully measured buildings and original design drawings. Examples under consideration include the parish church towers of Ulm and Freiburg, and the cross sections of the cathedrals of Reims, Prague, and Clermont-Ferrand, and of the Cistercian church at Altenberg. Introduction of historic monuments to be studied with new rigor. It is Discussion of proportion has a curiously vexed status in finally becoming possible, therefore, to speak with reason- the literature on Gothic architecture. -
The Geodetic Sciences in Byzantium
The geodetic sciences in Byzantium Dimitrios A. Rossikopoulos Department of Geodesy and Surveying, Aristotle University of Thessaloniki [email protected] Abstract: Many historians of science consider that geodeasia, a term used by Aristotle meaning "surveying", was not particularly flourishing in Byzantium. However, like “lo- gistiki” (practical arithmetic), it has never ceased to be taught, not only at public universi- ties and ecclesiastical schools, as well as by private tutors. Besides that these two fields had to do with problems of daily life, Byzantines considered them necessary prerequisite for someone who wished to study philosophy. So, they did not only confine themselves to copying and saving the ancient texts, but they also wrote new ones, where they were ana- lyzing their empirical discoveries and their technological achievements. This is the subject of this paper, a retrospect of the numerous manuscripts of the Byzantine period that refer to the development of geodesy both in teaching and practices of surveying, as well as to mat- ters relating to the views about the shape of the earth, the cartography, the positioning in travels and generally the sciences of mapping. Keywords: Geodesy, geodesy in Byzantium, history of geodesy, history of surveying, history of mathematics. Περίληψη: Πολλοί ιστορικοί των επιστημών θεωρούν ότι η γεωδαισία, όρος που χρησι- μοποίησε ο Αριστοτέλης για να ορίσει την πρακτική γεωμετρία, την τοπογραφία, δεν είχε ιδιαίτερη άνθιση στο Βυζάντιο. Ωστόσο, όπως και η “λογιστική”, δεν έπαψε ποτέ να διδά- σκεται όχι μόνο στα κοσμικά πανεπιστήμια, αλλά και στις εκκλησιαστικές σχολές, καθώς επίσης και από ιδιώτες δασκάλους. Πέρα από το ότι οι δύο αυτοί κλάδοι είχαν να κάνουν με προβλήματα της καθημερινής ζωής των ανθρώπων, οι βυζαντινοί θεωρούσαν την διδα- σκαλία τους απαραίτητη προϋπόθεση ώστε να μπορεί κανείς να παρακολουθήσει μαθήμα- τα φιλοσοφίας. -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Architectural Resourcesresources
CHAPTER2 ARCHITECTURALARCHITECTURAL RESOURCESRESOURCES Key features of historic resources should be preserved. This chapter presents a historic overview and identifies the key features of architectural styles found in San Jose: • Vernacular or National p. 17 • Italianate and Italianate Cottage p. 18 • Greek Revival p. 19 • Carpenter Gothic or Folk Victorian p. 19 • Queen Anne p. 20 • Stick p. 21 • Shingle p. 22 • Neoclassical p. 23 • Colonial Revival p. 24 • Dutch Colonial Revival p. 24 • Craftsman p. 25 • Bungalow p. 26 • Prairie p. 27 • Tudor Revival p. 28 • Mission Revival p. 28 • Spanish Eclectic or Spanish Colonial Revival or Mediterranean Revival p. 29 • Italian Renaissance p. 30 • Art Deco p. 30 • Art Moderne p. 31 • International p. 31 • Mid-Century Modern p. 32 Guide for Preserving San Jose Homes Chapter 2: Architectural Resources CHAPTER 2 ARCHITECTURALARCHITECTURAL RESOURCESRESOURCES Individual building features are important to the character of San Jose. The mass and scale, form, materials and architectural details of the buildings are the elements that distinguish one architectural style from another, or even older neighborhoods from newer developments. This chapter presents an overview of those important elements of the built environment which make up San Jose. This includes a brief history of development, as well as a summary of the different types and styles of architecture found in its neighborhoods. Brief History Vendome neighborhood, just to the northwest of the The settlement of the Santa Clara Valley by Euro- present-day Hensley Historic District. This original site Americans began in 1769 with an initial exploration was subjected to severe winter flooding during the first of the valley by Spanish explorers. -
L'o S S E Rvator E Romano
Price € 1,00. Back issues € 2,00 L’O S S E RVATOR E ROMANO WEEKLY EDITION IN ENGLISH Unicuique suum Non praevalebunt Fifty-third year, number 27 (2.654) Vatican City Friday, 3 July 2020 The Holy Father celebrates Mass on the Solemnity of Saints Peter and Paul, Apostles A mid-year day’s reflection Unity and Prophecy Living in between risks and hopes On Monday, 29 June, Solem- ANDREA MONDA nity of Saints Peter and Paul, Pope Francis celebrated Mass The first half of this year 2020 is at the Altar of the Chair in passing, and perhaps it is a good Saint Peter’s Basilica, where he moment to summarize, to collect blessed the Pallia that will be our thoughts. It may be that each bestowed upon the 54 Metro- year, at the end of the month of June, the community of L’Osser- politan Archbishops appointed vatore Romano feels this passage over the past year. In his particularly, seeing that the first of homily the Holy Father reflec- July 1861 is the date recalled in ted on the themes of “unity” documents and by historians as and “p ro p h e c y ”, observing that the birth of this daily newspaper the source of unity is prayer and thus today too, “aged” 159 while “prophecy is born years, we feel like stopping the whenever we allow ourselves to flow of time for a moment in or- be challenged by God”. Due der to look in both directions, to Covid-19 restrictions, only a backwards and forwards, and try small number of faithful atten- to say something, take stock, in- ded the Mass, and unlike the dicate a perspective. -
Medieval Mathematics
Medieval Mathematics The medieval period in Europe, which spanned the centuries from about 400 to almost 1400, was largely an intellectually barren age, but there was significant scholarly activity elsewhere in the world. We would like to examine the contributions of five civilizations to mathematics during this time, four of which are China, India, Arabia, and the Byzantine Empire. Beginning about the year 800 and especially in the thirteenth and fourteenth centuries, the fifth, Western Europe, also made advances that helped to prepare the way for the mathematics of the future. Let us start with China, which began with the Shang dynasty in approximately 1,600 B. C. Archaeological evidence indicates that long before the medieval period, the Chinese had the idea of a positional decimal number system, including symbols for the digits one through nine. Eventually a dot may have been used to represent the absence of a value, but only during the twelfth century A. D. was the system completed by introducing a symbol for zero and treating it as a number. Other features of the Shang period included the use of decimal fractions, a hint of the binary number system, and the oldest known example of a magic square. The most significant book in ancient Chinese mathematical history is entitled The Nine Chapters on the Mathematical Art. It represents the contributions of numerous authors across several centuries and was originally compiled as a single work about 300 B. C. at the same time that Euclid was writing the Elements. However, in 213 B. C., a new emperor ordered the burning of all books written prior to his assumption of power eight years earlier. -
Amazing Danube River Cruise with the Bolingbrook Area Chamber of Commerce Offered in Partnership with the West Suburban Chamber of Commerce Executive Group
DISCOVER & EXPLORE AMAZING DANUBE RIVER CRUISE WITH THE BOLINGBROOK AREA CHAMBER OF COMMERCE OFFERED IN PARTNERSHIP WITH THE WEST SUBURBAN CHAMBER OF COMMERCE EXECUTIVE GROUP Act now and save up to BOOK $2,200 PER CABIN &SAVE if deposited by November 1st!* Click here to Cruise the 5-star MS Amadeus Queen BOOK NOW STARTING AT $3,849 PER PERSON w/air & taxes INCLUDES ROUNDTRIP AIRFARE AND BONUS NIGHT IN MUNICH! Departing October 12-21, 2022 Welcome aboard the MS Amadeus Imperial for a 7 night cruise visiting 4 European countries along the Danube. Our ports of call include Budapest, Bratislava, Vienna, Melk and Linz. We have chartered the entire ship and would love to have you join us on our Journey of Discovery as we cruise the Danube. Our cruise is not only a “Memory in the Making” but a great value as well. For additional information or questions please contact: Kevin O’Keeffe at (630) 226-8420 HIGHLIGHTS & PORTS DAY 1 (Oct 12): USA – Munich Depart the USA for Munich today. (in-flight meals) Day 2 (Oct 13): Munich Upon arrival in Munich you will be greeted at the airport and transported to your Munich area hotel. Located at the river Isar in the south of Bavaria, is famous for its beautiful architecture, fine culture, and the annual Oktoberfest beer celebration. Munich’s cultural scene is second to none and the city center appears mostly as it did in the late 1800s. Day 3 (Oct 14): Munich - Passau Today you will enjoy a tour of the city of Munich.