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“When in . . .”

he Roman —or Rite—of the phonic song, and non-instrumental vocal music was Church is the most widespread liturgical rite enriched by the addition of organs and other instruments. used in the Western . It’s the one In other countries, local instruments were incorporated most people think of when they are talking about into , including the instruments of indig- “”T or “the .” In fact, most people reading enous peoples in the Americas and the gongs and drums this are probably . Its home base is the of Oriental nations. : It is, quite literally, the rite used by the With all of the continuing change, of course, people Catholics of Rome. And the rest of us, outside the bounds still recognized the basic structure of the Mass. Despite of that diocese and its suburban sees, have adopted it as postconciliar attempts to rein in this variety (in this case, our standard for ritual worship. “postconciliar” means “after the ”), the Because it is so widespread, and because it has official Roman Rite retained much of its diversity within an books and standards of practice, we tend to think that essential unity. There is a saying, attributed to various the rituals of the Roman or are conducted authors (especially to writers in the European Reforma- universally pretty much the same way. Those who have tion) but quoted affirmatively by John XXIII in his had an opportunity to travel, of course, know that this is first encyclical: “In essentials, unity; in doubtful matters, not the case. Certainly the language of the rite changes, liberty; in all things, charity” (Ad Petri Cathedram [June 29, as does the music, from one country to another. Liturgi- 1959], 72). That is the goal of celebrations of the Roman cal colors may also vary, as may church decoration and Rite throughout the world. forms of participation. That is why, when you talk and think about “sung We would all be willing to agree that this has certainly liturgy,” you’ll find that people mean different things, been the case since the reforms following the Second but they’re all working toward the same goal. In Sing to Vatican Council, but we forget that before those changes the Lord: Music in Divine Worship (STL, 2007), the United there is a whole history of change in the Roman Rite. The States Conference of Catholic Bishops pointed to two main earliest form of the Eucharist practiced at Rome devel- reasons why “sung liturgy” may mean different things in oped from the practices of older Christian communities different communities, and even different things within in the East, the birthplace of . By the end of the same community, from time to time. The first is the the fourth century, there were differences in the way the diversity of liturgical assemblies: “Factors such as the age, liturgy was practiced in Rome and in what was then the spiritual heritage, and cultural and ethnic background of imperial capital, , where St. was bishop. a given liturgical assembly be considered [since they When St. Augustine arrived in Milan, he noticed that influence] the ways in which a particular group finds it there was a different practice in fasting from what he best to join their hearts and minds to the liturgical action” had experienced in Rome. He asked Ambrose about it, (STL, 70). and the bishop replied: “When I am in Rome, I fast on a The second reason is that sung liturgy varies from Saturday; when I am in Milan, I do not. Follow the custom to feast, from season to season. Decisions about of the church where you are.” what is to be sung and how it is to be sung are governed This advice came at a time when what people knew by the principle of “progressive solemnity.” This means as the Roman Rite was itself beginning to change. By the that “between the solemn, fuller form of liturgical celebra- sixth century, under the influence of how Christians were tion, in which everything that demands singing is in fact worshiping at Antioch and Alexandria, even the heart of sung, and the simplest form, in which singing is not used, the Eucharist—the Eucharistic —had undergone there can be various degrees according to the greater or a dramatic change. In the seventh century (and for some lesser place allotted to singing” (STL, 111, quoting the considerable time thereafter), the liturgy of the Church General Instruction of the ). of Rome continued to go through changes in text, music, So, as in other parts of our shared life as Catholic and ritual under the influence of the Church in Gaul Christians, when it comes to sung worship, we need to (where the center of political power in Western Europe observe three things: unity in essentials (the importance was then centered). of sung worship); liberty in doubtful matters (the amount The music of the Roman Rite has its own history of and style of music for particular communities and occa- change. In Europe, monophonic chant yielded to poly- sions); and, in all things, charity.

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