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Hello, Ladies and Gentlemen. It's Great to Be Here in Cleveland, Ohio, Or In
Hello, ladies and gentlemen. It's great to be here in Cleveland, Ohio, or in Ohio. And today I'm going to share a message of resilience and redemption, a message of hope, a message that will hopefully rejuvenate you. How many of you parked out? No, no red need your hands. But a lot of you that I seek a lot for child welfare as Foster Paris and Department of Social Services and such as a lot of people that I meet at this time of the year is burnt out time, and it's all right. That tells me it's all right to be burnt out. That tells me you are on fire at one point. So I'm about to get to fire back. And also a lot of you that became false apparent with social workers that I found. Don't try to get rich. It's not something you chose like a get rich doing this. I've met the most special people that are fought er person social workers, and I realized they're not doing it for the outcome. They're doing it for the outcome. And I'm here to share with you the outcome of what is possible from a great social worker and great, loving, committed foster parents that were so dedicated to me growing up to becoming the man I am. See how I came in the story, how I came in this life is a crazy story my mother won't tell to my face. They to me, to my face all the issues that happened. -
Tablas 41 Tablas II Escribe Eltexto Pomos Vacíosdeciegomontero Quedebemosreciclar
4/10 tercera época tablas Vol. XCV La revista cubana de artes escénicas octubre-diciembre En portada: Reverso de portada: Ayer dejé de matarme gracias a Convocatoria Premios Caricatos ti Heiner Müller Contraportada: de Mario Guerra Hecho en Perú, de Yuyachkani Foto: Luis Ernesto Doñas Foto: Abel Carmenate Reverso de contraportada: Casa Editorial Tablas-Alarcos Sumario 3 Visiones de un hombre de la danza 63 Cristóbal Peláez: pensar al teatro entre la ficción y el Karina Pino documento Lilián Broche Moreno y Laura González La selva oscura 67 Miguel Rubio:«mirar hacia adentro» para inventar un teatro necesario 5 José Antonio Ramos: ciudadano y dramaturgo Eugenia Álvarez García y Martha L. Ileana Mendoza Ferraz Hernández Cadenas 9 Ramos dentro de la crítica teatral de su tiempo Marivel Hernández Suárez Oficio de la crítica 14 Ludwig Schajowicz, precursor del teatro moderno en Cuba 69 Fui a Perú para recordar y terminé recordándome Pe- Petra Röhler dro Enrique Villarreal Sosa Traducir una másca- ra, atravesar un carnaval Lilián Broche Moreno Veinte años de Teatro El Público Kay Punku: memoria histórica y sentido político en el discurso teatral de Yuyachkani Yohayna Hernández Encrucijadas Josefina la viajera: otra historia teatral de la nación Yoimel González Hernández Anotaciones sobre 17 Un clóset tan amplio como el mundo. Sujetos nóma- el observatorio desde el cual Anna y Martha contemplan das en el teatro de Carlos Díaz el mundo Habey Hechavarría Prado Protection: William Ruiz Morales un espacio seguro para compartir Pedro Enrique Villarreal Sosa Y aunque te cueste la muerte hazlo: 22 Veinte años de tango queer mira por primera vez Martha L. -
Thèse De Doctorat
THÈSE DE DOCTORAT Archéologie galactique du disque de la Voie Lactée avec la mission spatiale Gaia Pablo SANTOS-PERAL Laboratoire J-L. Lagrange – Observatoire de la Côte d’Azur Présentée en vue de l’obtention Devant le jury, composé de : du grade de docteur en Vardan Adibekyan, Chercheur, Institut d’Astrophysique Sciences de la Planète et de l’Univers et Sciences de l’Espace de Porto de l’Université Côte d’Azur Francesca Matteucci, Professeur, Université de Trieste Alejandra Recio-Blanco, Astronome, OCA Dirigée par : Alejandra Recio-Blanco Nils Ryde, Professeur, Université de Lund Soutenue le : 18 février 2021 Caroline Soubiran, Directrice de Reserche, Université de Bordeaux – CNRS Archéologie galactique du disque de la Voie Lactée avec la mission spatiale Gaia Jury: Présidente du jury et examinateur: Mme. Caroline Soubiran, Directrice de Reserche, Université de Bordeaux - CNRS Rapporteurs: Mme. Francesca Matteuci, Professeur, Université de Trieste M. Nils Ryde, Professeur, Université de Lund Examinateurs: M. Vardan Adibekyan, Chercheur, Institut d’Astrophysique et Sciences de l’Espace de Porto \Sans d´econner." Chef Khaled, philosophe Fran¸cais (Toulon, quelque si`ecle) i R´esum´e L'Arch´eologieGalactique a pour objectif de r´ev´elerl'histoire de la Voie Lact´eegr^ace`al'analyse de diff´erentes propri´et´esstellaires: des abondances chimiques, de la cin´ematique, de la dynamique et de l'^age.En particulier, l'abondance d'´el´ements α (e.g. O, Mg, Si, S, Ca, Ti) par rapport au fer ([α/Fe]) est une importante signature fossile pour tracer l'´evolution chimique des populations du disque Galactique, i.e. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City
DOCUMENT. RESUME ED 313 194 RC 017 330 AUTHOR Arnow, Pat, Ed. TITLE Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City. Center for Appalachian Sttdies and Services. PUB DATE 89 NOTE 49p.; Photographs will not reproduce well. AVAILABLE FROMNow and Then, CASS, Box 19180A, ETSU, Johnson City, TN 37614-0002 ($3.50 each; subscription $9.00 individual and $12.00 institution). PUB TYPE Collected Works -Serials (022) -- Viewpoints (120) -- Creative Works (Literature,Drama,Fine Arts) (030) JOURNAL CIT Now and Then; v6 n2 Sum 1989 EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Essays; Interviews; *Novels; Photographs; Poetry; *Regional Attitudes; Regional Characteristics; *Rural Areas; Short Stories IDENTIFIERS *Appalachia; Appalachian Literature; Appalachian People; *Place Identity; Regionalism; Rural Culture ABSTRACT This journal issue contains interviews, essays, short stc-ies, and poetry focusing on sense of place in Appalachia. In iLterviews, author Wilma Dykeman discussed past and recent novels set in Appalachia with interviewer Sandra L. Ballard; and novelist Lee Smith spoke with interviewer Pat Arnow about how Appalachia has shaped her writing. Essays include "Eminent Domain" by Amy Tipton Gray, "You Can't Go Home If You Haven't Been Away" by Pauline Binkley Cheek, and "Here and Elsewhere" by Fred Waage (views of regionalism from writers Gurney Norman, Lou Crabtree, Joe Bruchac, Linda Hogan, Penelope Schott and Hugh Nissenson). Short stories include "Letcher" by Sondra Millner, "Baptismal" by Randy Oakes, and "A Country Summer" by Lance Olsen. Poems include "Honey, You Drive" by Jo Carson, "The Widow Riley Tells It Like It Is" by P. J. Laska, "Words on Stone" by Wayne-Hogan, "Reeling In" by Jim Clark, "Traveler's Rest" by Walter Haden, "Houses" by Georgeann Eskievich Rettberg, "Seasonal Pig" by J. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Emotion, Ethics and Intimate Spectacle in Peruvian Huayno Music
Andean Divas: Emotion, Ethics and Intimate Spectacle in Peruvian Huayno Music James Robert Butterworth Music Department Royal Holloway, University of London Thesis Submitted for the Degree of Doctor of Philosophy 2014 1 Declaration of Authorship I, James Robert Butterworth, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ________________________ Date: ________________________ 2 Abstract This thesis examines the self-fashioning and public images of star divas that perform Peruvian huayno music. These divas are both multi-authored stories about a person as well as actually existing individuals, occupying a space between myth and reality. I consider how huayno divas inhabit and perform a range of subject positions as well as how fans and detractors fashion their own sense of self in relation to such categories of experience. I argue that the ways in which divas and fans inhabit and reject different subject positions carry strong emotional and ethical implications. Combining multi-sited fieldwork in the music industry with analyses of songs, media representations and public discourses, I locate huayno divas in the context of Andean migration and attendant narratives about suffering, struggle, empowerment and success. I analyse huayno performances as intimate spectacles, which generate acts of both empathy and voyeurism towards the genre’s star performers (Chapter 2). The tales of romantic suffering and moral struggle contained in huayno songs, which provide a key source of audience engagement, are brought to life through the voices and bodies of huayno divas (Chapter 3). -
Cancionero Oficial Festival Nacional Colombiana XVIII Concurso Nacional De Duetos "Príncipes De La Canción"
Cancionero oficial Festival Nacional Colombiana XVIII CONCURSO NACIONAL DE DUETOS "Príncipes de la Canción" XV CONCURSO NACIONAL DE COMPOSICIÓN "Leonor Buenaventura" HOMENAJE A LOS COMPOSITORES: John Jairo Torres de la Pava y Leonardo Laverde Pulido ejia M ohan Convivencia: Jardines musicales que cantan a las aves J partir de del dibujo original A IBAGUÉ, DEL 12 AL 19 DE MARZO DE 2012 Patrocinador Oficial Gobernación del Tolima Alcaldía de Ibagué Camino a la Construyendo el futuroMR Ley 851 de 2003 1 (Noviembre 19) “Por medio de la cual la República de Colombia rinde Homenaje a la música colombiana, se declara patrimonio cultural y artístico de la Nación al Festival Nacional de la Música Colombiana y Concurso Nacional de Duetos “Príncipes de la Canción“, de la Fundación Musical de Colombia y al Festival Folclórico Colombiano; con sede en Ibagué, departamento del Tolima y se dictan otras disposiciones“ MR El Congreso de Colombia Construyendo el futuro DECRETA Artículo Primero: Declárese el día 21 de Artículo Tercero: La Nación a través del marzo como día Nacional de la Música Ministerio de Cultura contribuirá al fo- Colombiana. mento, internacionalización, promoción, protección, divulgación, financiación y Parágrafo. Para tal efecto el Gobierno Na- desarrollo de los valores culturales que se cional, Departamental y Municipal, rendi- originan alrededor de nuestra identidad rán en cada región, tributo a los composi- musical. tores en intérpretes de la música vernácula y expresarán público reconocimiento a su Artículo Cuarto: La República de Colombia obra y obra, al igual que se divulgarán por honra y exalta la memoria de Darío Garzón los diferentes medios de comunicación y Eduardo Collazos, eximios intérpretes de sus respectivos aires musicales. -
“The Face of Christ, the Face of Man” MEDITATIONS by H.E. Msgr
“The Face of Christ, the Face of Man” MEDITATIONS by H.E. Msgr. Giancarlo Maria Bregantini, Archbishop of Campobasso-Boiano INTRODUCTION INTRODUCCIÓN «El que lo vio da testimonio, y su testimonio es He who saw this has testified so that you also may verdadero, y él sabe que dice verdad, para que también believe. His testimony is true, and he knows that he tells vosotros creáis. Esto ocurrió para que se cumpliera la the truth. These things occurred so that the Scripture Escritura: “No le quebrarán un hueso”; y en otro lugar la might be fulfilled: “None of his bones shall be broken”. Escritura dice: “Mirarán al que atravesaron”» (Jn 19,35- And again another passage of Scripture says: “They will 37). look on the one whom they have pierced” (Jn 19:35-37). Dulce Jesús, Loving Jesus, subiste al Gólgota sin titubear, como gesto de amor, you went up to Golgotha without hesitation, in utter y te dejaste crucificar sin lamento. love, Humilde hijo de María, and let yourself be crucified without complaint. cargaste con nuestra noche Lowly Son of Mary, para mostrarnos con cuánta luz you shouldered the burden of our night querías henchir nuestro corazón. to show us the immense light En tu dolor, reside nuestra redención, with which you wanted to fill our hearts. en tus lágrimas, se bosqueja la «hora» In your suffering is our redemption; en la que se desvela el amor gratuito de Dios. in your tears we see “the hour” Siete veces perdonados when God’s gracious love is revealed. en tus últimos suspiros de hombre entre los hombres, In your final breath, as a man among men, nos devuelves a todos al corazón del Padre, you lead us back, seven times forgiven, para indicarnos en tus últimas palabras to the heart of the Father, la vía redentora para todo nuestro dolor. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Sojourner Adjustment : a Diary Study
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1992 Sojourner Adjustment : A Diary Study Susan Elizabeth Hemstreet Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Applied Linguistics Commons Let us know how access to this document benefits ou.y Recommended Citation Hemstreet, Susan Elizabeth, "Sojourner Adjustment : A Diary Study" (1992). Dissertations and Theses. Paper 4377. https://doi.org/10.15760/etd.6261 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Susan Elizabeth Hemstreet for the Master of Arts in Teaching English to Speakers of Other Languages presented January 21, 1992. Title: Sojourner Adjustment: A Diary Study. APPROVED BY THE MEMBERS OF THE THESIS COMMITTEE: Maqone ~. Terdal, Chair Suwako Watanabe The focus of the ethnographic diary study is introduced and contextualized in the opening chapter with a site description. The thesis examines the diaries written during a sojourn of over two years in Japan . and proposes to answer the question, "How did the sojourner's initial maladjustment subsequently develop into satisfactory adjustment?" 2 The literature on diary studies, culture shock and sojourner adjustment is reviewed in order to establish standards of the diary study genre and a framework from which to analyze the diary. Using the qualitative methods of a diary study, salient themes of the adjustment are examined. The diarist's progression through the adjustment stages as proposed by the literature is supported, and the coping strategies of escapism, reaching out to people, writing, positive thinking, religious beliefs, compulsive behaviors, goal-setting and seeing the experience as finite are discussed in depth. -
Adult Contemporary
ADULT CONTEMPORARY Click to open ‘bookmarks’ on left side for easier search Song Title Artist Song Title Artist TURN THE BEAT AROUND GLORIA ESTEFAN POMP & CIRCUMSTANCE BOSTON POPS FADE INTO YOU MAZZY STAR NOBODY DOES IT BETTER CARLY SIMON DREAM ON AEROSMITH POWER OF LOVE CELINE DION ALL OUT OF LOVE AIR SUPPLY BEHIND CLOSED DOORS CHARLIE RICH HEAD OVER FEET ALANIS MORISSETTE THE MOST BEAUTIFUL GIRL CHARLIE RICH IRONIC ALANIZ MORISSETTE WICKED GAME CHRIS ISAAK EVERY HEARTBEAT AMY GRANT I WILL TAKE YOU FOREVER CHRISTOPHER CROSS LOVE STORY ANDY WILLIAMS SAILING CHRISTOPHER CROSS MAY EACH DAY ANDY WILLIAMS LONGER DAN FOGELBERG MOON RIVER ANDY WILLIAMS SOMETIMES WHEN WE TOUCH DAN HILL MORE ANDY WILLIAMS GOOD TIMES DAN SEALS THEME FROM THE GODFATHER ANDY WILLIAMS WHERE ARE YOU GOING DAVE MATTHEWS WISHIN & HOPIN ANI DEFRANCO WAIT A LITTLE WHILE DAVEKOZ I ONLY HAVE EYES FOR YOU ART GARFUNKEL LADY IS A TRAMP DAVID HUNTSINGER EVERGREEN BARBARA STREISAND THAT'S WHAT FRIENDS ARE FOR DIONNE WARWICK MEMORY BARBARA STREISAND NEVER ON A SUNDAY DON COSTA BARBRA STREISAND / HEARTACHE TONIGHT EAGLES I FINALLY FOUND SOMEONE BRYAN ADAMS SHINING STAR EARTH WIND & FIRE BARBRA STREISAND / NEIL LA VIE EN ROSE EDITH PIAF YOU DON'T BRING ME FLOWERS DIAMOND I'LL BE EDWIN MCCAIN COPACABANA 1993 BARRY MANILOW BLESSED ELTON JOHN I WRITE THE SONGS BARRY MANILOW CIRCLE OF LIFE ELTON JOHN MANDY BARRY MANILOW ROCKET MAN ELTON JOHN BOOGIE WOOGIE BUGLE BOY BETTE MIDLER TINY DANCER ELTON JOHN FROM A DISTANCE BETTE MIDLER ENGELBERT THE ROSE BETTE MIDLER AFTER THE LOVIN' HUMPERDINCK