Part Four Jack the Call
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Netflix's Bloodline
Economic Impacts of the Netflix Original Series Bloodline Prepared for the Monroe County Tourist Development Council December 2015 Monroe County Tourist Development Council Economic Impact Analysis of the Netflix Original Series Bloodline TABLE OF CONTENTS Summary of Results ................................................................................................. 2 Introduction .............................................................................................................. 4 Study Purpose .......................................................................................................... 4 Season 1 Production Spending in Florida ............................................................. 4 Season 1 Production Spending in Monroe County ............................................... 5 Economic Impacts of Production Spending .......................................................... 5 Film Induced Tourism Impacts ............................................................................... 6 Additional Impacts ................................................................................................... 7 Appendix A – Economic Impact Methodology ...................................................... 8 Appendix B – Share of Production Spending in Monroe County......................... 9 Appendix C – Comparison of Economic Impacts from Visitor Spending ......... 10 Page | i Monroe County Tourist Development Council Economic Impact Analysis of the Netflix Original Series Bloodline SUMMARY OF RESULTS The -
Hello, Ladies and Gentlemen. It's Great to Be Here in Cleveland, Ohio, Or In
Hello, ladies and gentlemen. It's great to be here in Cleveland, Ohio, or in Ohio. And today I'm going to share a message of resilience and redemption, a message of hope, a message that will hopefully rejuvenate you. How many of you parked out? No, no red need your hands. But a lot of you that I seek a lot for child welfare as Foster Paris and Department of Social Services and such as a lot of people that I meet at this time of the year is burnt out time, and it's all right. That tells me it's all right to be burnt out. That tells me you are on fire at one point. So I'm about to get to fire back. And also a lot of you that became false apparent with social workers that I found. Don't try to get rich. It's not something you chose like a get rich doing this. I've met the most special people that are fought er person social workers, and I realized they're not doing it for the outcome. They're doing it for the outcome. And I'm here to share with you the outcome of what is possible from a great social worker and great, loving, committed foster parents that were so dedicated to me growing up to becoming the man I am. See how I came in the story, how I came in this life is a crazy story my mother won't tell to my face. They to me, to my face all the issues that happened. -
Co-Operatives Unleashed from the Grassroots
Co-operatives Unleashed from the grassroots July 2020 About CCIN and the Policy Labs The Co-operative Councils’ Innovation Network (CCIN) is a non-party political active hub, founded in 2012 to achieve co-operative policy development, innovation and advocacy which is: Action-focused: a vehicle for helping councils translate co-operative policy and principles into practice. Membership-based: funded by modest membership subscriptions from its member councils. Open to all UK councils: members share the belief that working co-operatively with communities holds the key to tackling today’s challenges. Part of the local government family: the network is a Special Interest Group registered with the Local Government Association (LGA) where we work to promote innovation in local government. Established in 2016, the Policy Lab programme is an opportunity for any CCIN Member to present an idea and receive funding for collaboration with other CCIN members to fund co-operative solutions to the challenges facing local government. To find out more about joining the CCIN contact: [email protected] CCIN Accountable Body: Oldham Council, Oldham Civic Centre, West Street, Oldham OL1 1UL T: 0161 770 5691 Acknowledgements As Author, I am indebted to the following people and organisations whose contributions have proved invaluable in compiling this report: Co-operatives UK Congress fringe event participants and Plymouth City Council colleagues across multiple departments who, provided the foundation for our understanding of the relationship between co-operatives and councils. CCIN members, including representatives of 15 member councils at the LGA conference stand and also colleagues from Oldham Council, Preston City Council, Rochdale Borough Council, Sunderland City Council and Glasgow City Council, who contributed case studies and gave their time for many detailed discussions. -
Identifying Beatles New Zealand 45'S
Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles. -
Fringe Benefits County of Los Angeles Memorandum of Understanding
SEIU Local 721 Fringe Benefits County of Los Angeles Memorandum of Understanding October 1, 2015, through September 30, 2018 721 FB MAS AMENDMENT NO. I MEMORANDUM OF UNDERSTANDING FOR JOINT SUBMISSION TO BOARD OF SUPERVISORS REGARDING THE FRINGE BENEFIT AGREEMENT THIS AMENDMENT NO. I TO THE MEMORANDUM OF UNDERSTANDING, made and entered into this j6th day of August, 2016; BY AND BETWEEN Authorized Management Representatives (hereinafter referred to as “Management”) of the County of Los Angeles (hereinafter referred to as County”) AND LOS ANGELES COUNTY EMPLOYEES ASSOCIATION, SEIU, LOCAL 721, CTW, CLC (hereinafter referred to as “UnionTM) WHEREAS, on the 1st day of October2015, the parties entered into a Memorandum of Understanding regarding the Fringe Benefits, which Memorandum of Understanding was subsequently approved and ordered implemented by the County’s Board of Supervisors: and 721 FB MAS WHEREAS, as a result of mutual agreement, the parties desire to amend the MOU Article as set forth hereafter: NOW, THEREFORE, the parties agree as follows: 1. Amend Article 27 — Commuting Problems, Paragraph 5 — The County will advance to the Green@Work Joint Labor Management Committee, as follows: MOU Term Year 201 5-2016 $200,000 August 2016 $ 25,000 (one-time gap funding) September 2016 $ 25,000 (one-time gap funding) MOU Term Year 2016-2017 $200,000 MOU Term Year 2017-2018 $200,000 These funds shall be used for the specific purpose of maximizing direct financial rideshare subsidies for employees, and enhancing alternative transportation systems, such as shuttle services, van pools, car pools, bicycle parking, other transit services and guaranteed tide home services. -
CONTENTS August 2021
CONTENTS August 2021 I. EXECUTIVE ORDERS JBE 21-12 Bond Allocation 2021 Ceiling ..................................................................................................................... 1078 II. EMERGENCY RULES Children and Family Services Economic Stability Section—TANF NRST Benefits and Post-FITAP Transitional Assistance (LAC 67:III.1229, 5329, 5551, and 5729) ................................................................................................... 1079 Licensing Section—Sanctions and Child Placing Supervisory Visits—Residential Homes (Type IV), and Child Placing Agencies (LAC 67:V.7109, 7111, 7311, 7313, and 7321) ..................................................... 1081 Governor Division of Administration, Office of Broadband Development and Connectivity—Granting Unserved Municipalities Broadband Opportunities (GUMBO) (LAC 4:XXI.Chapters 1-7) .......................................... 1082 Health Bureau of Health Services Financing—Programs and Services Amendments due to the Coronavirus Disease 2019 (COVID-19) Public Health Emergency—Home and Community-Based Services Waivers and Long-Term Personal Care Services....................................................................................... 1095 Office of Aging and Adult Services—Programs and Services Amendments due to the Coronavirus Disease 2019 (COVID-19) Public Health Emergency—Home and Community-Based Services Waivers and Long-Term Personal Care Services....................................................................................... 1095 Office -
The Cracked Colonial Foundations of a Neo-Colonial Constitution
1 THE CRACKED COLONIAL FOUNDATIONS OF A NEO-COLONIAL CONSTITUTION Klearchos A. Kyriakides This working paper is based on a presentation delivered at an academic event held on 18 November 2020, organised by the School of Law of UCLan Cyprus and entitled ‘60 years on from 1960: A Symposium to mark the 60th anniversary of the establishment of the Republic of Cyprus’. The contents of this working paper represent work in progress with a view to formal publication at a later date.1 A photograph of the Press and Information Office, Ministry of the Interior, Republic of Cyprus, as reproduced on the Official Twitter account of the Ministry of Foreign Affairs of the Republic of Cyprus, 16 August 2018, https://twitter.com/cyprusmfa/status/1030018305426432000 ©️ Klearchos A. Kyriakides, Larnaca, 27 November 2020 1 This working paper reproduces or otherwise contains Crown Copyright materials and other public sector information licensed under the Open Government Licence v3.0, details of which may be viewed on the website of the National Archives of the UK, Kew Gardens, Surrey, at www.nationalarchives.gov.uk/doc/opengovernment-licence/version/3/ This working paper also reproduces or otherwise contains British Parliamentary Copyright material and other Parliamentary information licensed under the Open Parliament Licence, details of which may be viewed on the website of the Parliament of the UK at www.parliament.uk/site-information/copyright/ 2 Introduction This working paper has one aim. It is to advance a thesis which flows from a formidable body of evidence. At the moment when the Constitution of the Republic of Cyprus (‘the 1960 Constitution’) came into force in the English language at around midnight on 16 August 1960, it stood on British colonial foundations, which were cracked and, thus, defective. -
Mick Evans Song List 1
MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31. -
Robotic Grasping and Manipulation
Chapter 1 Robotic Grasping and Manipulation In this chapter, we consider problems that arise in designing, building, planning, and controlling operations of robotic hands and end–effectors. The purpose of such devices is often manifold, and it typically includes grasping and fine manipulation of ojects in an accurate, delicate yet firm way. We survey the state-of-the-art reached by scientific research and literature about the problems engendered by these often conflicting requirements, and the work that has been done in this area over the last two decades. Because of space limitations, the chapter does not attempt at providing a survey of the technology of robot hands, but rather it is oriented towards covering the theoretical framework, analytical results, and open problems in robotic manipulation. 1.1 Introduction In many roboticists, the admiration for what nature accomplishes in everiday’s functions of human beings and animals is the original stimulus for their research in emulating these capabilities in artificial life. Among the many awesome realizations of nature, few of the human abilities distinguish man from animals as deeply as manipulation and speech. Indeed, there are animals that can see, hear, walk, swim, etc. more effcicently than men - but language and manipulation skills are peculiar of our race, and constitute a continuing source of amazement for scientists. In this chapter, we will consider in detail the implementation of artificial systems to replicate in part the manipulating ability of the human hand. The three most important functions of the human hand are to explore, to restrain, and to precisely move objects. -
Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City
DOCUMENT. RESUME ED 313 194 RC 017 330 AUTHOR Arnow, Pat, Ed. TITLE Sense of Place in Appalachia. INSTITUTION East Tennessee State Univ., Johnson City. Center for Appalachian Sttdies and Services. PUB DATE 89 NOTE 49p.; Photographs will not reproduce well. AVAILABLE FROMNow and Then, CASS, Box 19180A, ETSU, Johnson City, TN 37614-0002 ($3.50 each; subscription $9.00 individual and $12.00 institution). PUB TYPE Collected Works -Serials (022) -- Viewpoints (120) -- Creative Works (Literature,Drama,Fine Arts) (030) JOURNAL CIT Now and Then; v6 n2 Sum 1989 EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Essays; Interviews; *Novels; Photographs; Poetry; *Regional Attitudes; Regional Characteristics; *Rural Areas; Short Stories IDENTIFIERS *Appalachia; Appalachian Literature; Appalachian People; *Place Identity; Regionalism; Rural Culture ABSTRACT This journal issue contains interviews, essays, short stc-ies, and poetry focusing on sense of place in Appalachia. In iLterviews, author Wilma Dykeman discussed past and recent novels set in Appalachia with interviewer Sandra L. Ballard; and novelist Lee Smith spoke with interviewer Pat Arnow about how Appalachia has shaped her writing. Essays include "Eminent Domain" by Amy Tipton Gray, "You Can't Go Home If You Haven't Been Away" by Pauline Binkley Cheek, and "Here and Elsewhere" by Fred Waage (views of regionalism from writers Gurney Norman, Lou Crabtree, Joe Bruchac, Linda Hogan, Penelope Schott and Hugh Nissenson). Short stories include "Letcher" by Sondra Millner, "Baptismal" by Randy Oakes, and "A Country Summer" by Lance Olsen. Poems include "Honey, You Drive" by Jo Carson, "The Widow Riley Tells It Like It Is" by P. J. Laska, "Words on Stone" by Wayne-Hogan, "Reeling In" by Jim Clark, "Traveler's Rest" by Walter Haden, "Houses" by Georgeann Eskievich Rettberg, "Seasonal Pig" by J. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
The Beatles on Sullivan by Tim Riley
On February 9, 1964, alongside the Broadway cast of Oliver!, comedian Frank Gorshin, and Olympian Terry THE McDermott, the Beatles played five numbers, start- ing with “All My Loving,” “Till There Was You,” and their first U.S. number one, “I Want to Hold Your Hand.” For BEATLES viewers, time froze: it had been seven years since Elvis Presley had graced this same stage, but it must have felt like forever for fans of rock and roll. With “She Loves You” ON and “I Saw Her Standing There” especially, rock and roll cracked open again— the music sounded bigger, more provocative, and more pressing than ever. In their Sullivan debut, the Beatles reframed all of rock and roll history up to SULLIVAN that point, and hinted at a thousand enticing new directions. The overpowering immediacy of the Beatles’ impact by Tim Riley was a key part of their appeal, and largely ironic. What seemed fresh and spontaneous to Americans was actually a polished act of songs and quips refined throughout 1963. By early 1964, Beatlemania had seduced Britain and Stories of Britain’s peculiar Beatlemania phenomenon had Europe, but American success was still elusive. Capitol trickled in via Jack Paar and Walter C ronkite— the Beatles Records had rejected “Please Please Me,” “From Me were news fluff (“ mop- tops” with “screaming girls”) even to You,” and “She Loves You,” and was about to snub “I before their songs began playing on Top 40 radio over Want to Hold Your Hand,” when manager Brian Epstein Christmas and the New Year. intervened.