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Handbook of Experimental Pharmacology Volume 83
Handbook of Experimental Pharmacology Volume 83 Editorial Board G.y' R. Born, London P. Cuatrecasas, Research Triangle Park, NC H. Herken, Berlin A. Schwartz, Cincinnati, OH Calciumin Drug Actions Contributors D. M. Bers, P. 1. R. Bevis, M. P. Blaustein, R. D. Bukoski, B. Ceccarelli, R. A. Chapman, S. Cockcroft, M. Crompton, A.W. Cuthbert, S. Ebashi, C. H. Evans, H. Fleisch, M. Fosset, M. L. Garcia, T. Godfraind, B. D. Gomperts, T. R. Hinds, P. Honerjager, M. Hugues, G. 1. Kaczorowski, U. Kikkawa, V. F. King, M. Lazdunski, B.A. Levine, I. MacIntyre, K.T. MacLeod, D. A. McCarron, 1. Meldolesi, C. Milet, C. Mourre, H. Nagamoto, T. Narahashi, Y. Nishizuka, Y Ogawa, T. Pozzan, 1. F. Renaud, G. Romey, H. Schmid-Antomarchi, M. Schramm, I. Schulz, T. 1. B. Simons, R. S. Slaughter, R. Towart, D. 1. Triggle, 1. Tunstall, F. F. Vincenzi, H. 1. Vogel, R.1. P. Williams, M. Zaidi Editor P.R Baker Springer-Verlag Berlin Heidelberg New York London Paris Tokyo PETER F. BAKER, Professor Sc. D., F.R.S. (t) Department of Physiology King's College, University of London, Strand, London WC2R 2LS, Great Britain With 123 Figures ISBN-13: 978-3-642-71808-3 e-ISBN-13: 978-3-642-71806-9 DOl: 10.1007/978-3-642-71806-9 Library of Congress Cataloging-in-Publication Data. Calcium in drug actions/contributors. D. M. Bers ... let al.]: editor, P. F. Baker. p. cm. -(Handbook of experimental pharmacology: v. 83) Includes bibliographies and index. 1. Calcium-Therapeutic use-Testing. 2. Calcium channels-Effect of drugs on. -
Dj Chachi Allen Carter Hevad Kahn
FAIRWAY JAY: COLLEGE BASKETBALL CONFERENCE PLAY ROUNDERLIFE.com HEVAD KAHN DJ CHACHI HAS HIS SIGHTS SET MIX MASTER SPINS ON THE PLAYER OF HIS WAY TO THE TOP THE YEAR AWARD TOM “DURR” DWAN ISSUES HEADS-UP CHALLENGE ALLEN CARTER WINS SOUTHERN POKER CHAMPIONSHIP AND $1,000,000 FEBRUARY 2009 $4.95US WE HIT THE JACKPOT…IT’S JENNA! INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR PUBLISHER he Beau Rivage Resort & Casino in Biloxi, MS recently crowned Greg McDonald - [email protected] two champions on the same night. Two of the worlds most popular forms of entertainment, had the AAA four-diamond destination alive with excitement EDITOR-IN-CHIEF T Evert Caldwell - [email protected] January 17th, 2009 as undefeated WBC welterweight champion Andre Berto defended his title in a close, but unanimous decision over number-one rated challenger and former MANAGING EDITOR WBA world champion Luis Collazo. e warriors battled ‘toe to toe’ for twelve rounds Johnny Kampis in what boxing fans were hailing as an instant classic. Two of the three judges had the fi ght even, going into the fi nal round. When they went to the scorecards, Berto was given CONTRIBUTING EDITOR the edge, sealing the victory and his second successful title defense, in front of a rowdy, Dave Lukow packed-out show room. ART & DESIGN [email protected] Casey Wiesel, Nathan Hess, Whitney Prewitt At the other end of the casino, upstairs in the convention center, the fi nal table of the WPT Main Event was taking place. -
ANNUAL REVIEW Contents
MAK 2018 ANNUAL REVIEW Contents Preface of the Board of Directors ............................................................................................................................................................... 3 MAK Exhibitions 2018 .................................................................................................................................................................................................... 4 MAK Events 2018 ............................................................................................................................................................................................................... 14 MAK Collection / Purchases / Donations 2018 .................................................................................................................... 15 MAK Research Projects 2018 ........................................................................................................................................................................... 17 MAK Publicatios 2018 ................................................................................................................................................................................................. 18 MAK Library and Works on Paper Collection .............................................................................................................................. 18 EU Projects 2018 .............................................................................................................................................................................................................. -
Kunstbericht 2011 Kunstbericht
Kunstbericht-2011-FX.indd 1 Kunstbericht 2011 Kunstbericht 06.06.12 08:14 2011 Kunstbericht 2011 Bericht über die Kunstförderung des Bundes Struktur der Ausgaben Förderungen im Detail Service Glossar zur Kunstförderung Impressum Herausgeber Bundesministerium für Unterricht, Kunst und Kultur, Kunstsektion, 1010 Wien, Minoritenplatz 5 Redaktion Alexandra Auth, Herbert Hofreither, Robert Stocker Cover Christina Brandauer Grafische Gestaltung, Satz, Herstellung Peter Sachartschenko Herstellung Druckerei Berger, Horn Inhalt Vorwort Seite 5 I Struktur der Ausgaben Seite 7 II Förderungen im Detail Seite 81 III Service Seite 139 IV Glossar zur Kunstförderung Seite 263 V Register Seite 297 Kunstbericht 2011 5 Vorwort Der Kunstbericht 2011 ist mehr als nur ein Geschäftsbericht. Er stellt nicht nur transpa- rent Zahlen und Fakten dar, er zeigt vor allem die Bandbreite der Kunstförderung und den Erfolg des künstlerischen Schaffens in der Literatur, am Theater, in der Musik, im Film, in der bildenden Kunst sowie die Arbeit der regionalen Kulturinstitutionen. Gemeinsam können wir auf ein gutes Jahr für die Kunst zurückblicken: nationale und internationale Preise für den österreichischen Film, die Umsetzung der Kinodigitalisie- rung für die Programmkinos, ein vielbeachteter Beitrag Österreichs bei der Kunstbiennale in Venedig, weitere Stärkung des zeitgenössischen Kunstschaffens und die nachhaltige © Hans Ringhofer Umsetzung der Nachwuchsförderung und Kulturvermittlung. Um eine kontinuierliche Tätigkeit zu ermöglichen, bedarf es eines stabilen Budgets. Trotz der Konsolidierung des Staatshaushaltes, die zu Kürzungen in einigen Ressorts geführt hat, ist es uns im Bereich der Kunst und Kultur gelungen, die Budgets und die Ausgaben stabil zu halten. Darin drückt sich das klare Bekenntnis zur Verantwortung des Staates für die Förderung von Kunst aus. -
Annual Report 2012
© Ludwig Boltzmann Institute of Human Rights – LBI and Research Association A-1010 Vienna, Freyung 6 (Schottenhof), Hof 1, Stiege II T +43/1/42 77-274 20, [email protected], http://bim.lbg.ac.at Vienna, April 2013 INHALTSVERZEICHNIS Introduction ........................................................................................................................... 5 20 Years Ludwig Boltzmann Institute of Human Rights. 20 Years Committed to Human Rights Research. ..................................................................................................... 7 Human Dignity and Public Security .................................................................................... 9 Human Rights in Development Cooperation and Business / Digital Rights ................................................................................................... 11 European Neighbourhood and Integration Policy ........................................................... 14 Anti-Discrimination | Diversity | Asylum .......................................................................... 17 Women‘s Rights | Children‘s Rights | Trafficking in Human Being ............................... 19 Human Rights Education and Education for Democratic Citizenship .......................... 22 Staff ...................................................................................................................................... 25 Finances ............................................................................................................................. -
Curriculum Vitae Anton Zeilinger
Curriculum Vitae Anton Zeilinger Born on May 20th, 1945 in Ried/Innkreis, Austria Present addresses: Institute for Quantum Optics and Quantum Information Austrian Academy of Sciences Boltzmanngasse 3, 1090 Vienna, Austria [email protected] EDUCATION 1979 Habilitation, Vienna University of Technology 1971 Ph.D., University of Vienna, thesis on "Neutron Depolarization in Dysprosium Single Crystals" under Prof. H. Rauch 1963-1971 Study of Physics and Mathematics, University of Vienna 1963 Matura (School Leaving Examination), Bundesgymnasium Wien 13, Fichtnergasse 15, Vienna PROFESSIONAL CAREER 2013-present President, Austrian Academy of Sciences 2013-present Professor Emeritus, University of Vienna 2004-present Senior Scientist, IQOQI Vienna, Institute for Quantum Optics and Quantum Information, Austrian Academy of Sciences 2004-2013 Director, IQOQI Vienna, Institute for Quantum Optics and Quantum Information, Austrian Academy of Sciences 1999-2013 Professor of Experimental Physics, University of Vienna 1990-1999 Professor of Experimental Physics, University of Innsbruck 1988-1989 Professor of Physics (Lehrstuhlvertretung), Technical University Munich 1983-1990 Associate Professor, Vienna University of Technology 1981-1983 Associate Professor of Physics, M.I.T. (Visiting) 1979-1983 Assistant Professor, Atominstitut Vienna 1977-1978 Research Associate (Fulbright Fellow) at M.I.T. in the Neutron Diffraction Laboratory under Prof. C.G. Shull (Nobel Laureate 1994) 1972-1979 Research Assistant, Atominstitut Vienna with Professor Helmut -
Steve Brecher Wins $1,025,500 Poker Palooza
FAIRWAY JAY’S MASTERS PREVIEW ROUNDERLIFE.com KEN DAVITIAN BORAT’S CHUM EXUDES CHARISMA AND CLASS ROY JONES JR Y’ALL MUST HAVE FORGOT STEVE BRECHER WINS $1,025,500 NICK BINGER SURVIVING LONGEST FINAL FROM $50 TABLE IN WPT HISTORY TO $1,000,000 ALL CANADIAN FINAL WSOP CIRCUIT EVENT FEATURED MONTREAL’S SAMUEL CHARTIER VS POKER TORONTO’S JOHN NIXON PALOOZA APRIL 2009 $4.95US DREAM A LITTLE DREAM INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR Before you can be a legend, PUBLISHER You gotta get in the game. he World Series of Poker Circuit Event, recently held at Caesars Atlantic Greg McDonald - [email protected] City, has consistently become one of the most well attended events on the circuit schedule. e eleven tournaments that took place from Mach 4th - 14th attracted EDITOR-IN-CHIEF T Evert Caldwell - [email protected] over 5000 players and generated more than $3 million dollars in prize money. is years champion was 23 year old Montreal, Quebec native, Samuel Chartier. e young pro MANAGING EDITOR took home $322,944, and the Circuit Champion’s gold ring for his eff ort. Second place Johnny Kampis fi nisher John Nixon from Toronto, Ontario, made it an All Canadian fi nal. e full time student took home $177,619. Could this be the year a Canadian wins the WSOP Main CONTRIBUTING EDITOR Event ? Canadians were well represented at last years Main Event, making up the highest Dave Lukow percentage of players from a country outside of the US. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
Pdf, 11.814 Kb
AFC_07-8Cover_6 25.10.2007 10:45 Uhr Seite 1 AUSTRIAN AUSTRIAN FILMS FILMS 2008 2007 2007/ 2008 AFC-Katend_CP_MaB_c 17.10.2007 22:21 Uhr Seite 1 AUSTRIAN FILMS 2007 2008 Published by the Austrian Film Commission AFC-Katend_CP_MaB_c 17.10.2007 22:21 Uhr Seite 2 Austrian Films 2007/8 – Catalogue Owned by: Austrian Film Commission A-1070 Vienna, Stiftgasse 6 tel: +43 1 526 33 23 fax: +43 1 526 68 01 e-mail: [email protected] website: www.AustrianFilm.Com, www.afc.at © 2007 Austrian Film Commission, Vienna Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Translations: Steve Wilder Graphic design: Catherine F. Rollier Printed by: REMAprint Printed in: Vienna AFC-Katend_CP_MaB_c 17.10.2007 22:21 Uhr Seite 3 CONTENTS Introduction ........................................................ 4 Feature Films ....................................................... 7 Documentary Films .............................................. 29 Video Features .................................................... 49 Coproductions .....................................................61 Short Films ........................................................ 73 TV Features ....................................................... 81 Coming Soon ..................................................... 107 List of Directors ................................................. 143 List of Films ...................................................... 147 Production Companies ........................................ 151 World Sales ..................................................... -
Rock-Art and the Digital Difference
Rock-Art and the Digital Difference Frederick BAKER McDonald Institute of Archaeological Research, University of Cambridge Abstract: The digital difference. What does the move to working digitally bring for the methodology of archaeologists working with animators and digital designers? What are the dangers of digital for storytelling and visualization when it comes to preserving the potential otherness of past societies and artists? A discussion based on the concrete case study of the exhibition “Pitoti” and the research that went into turning Alpine prehistoric rock-art into digital heritage. Keywords: rock-art, prehistory, digitial heritage, animation, pitoti, simulation, Bertolt Brecht, Werner Herzog Pitoti- the case study The Copper, Bronze and Iron Age rock engravings of Valcamonica in the Lombard Alps are the largest concentration of their kind in Europe, with 150,000 images of humans, ploughing, houses, animals and abstract shapes. They are known as „pitoti“ or little puppets in the local dialect. (1) These art works were researched by a team from the Universities of Cambridge, St Pölten, Bauhaus Weimar, the Centro Cammuno Studi Prehistorici and Archaeocammuni (2). An Ambient Cinema, multi-touch serious games, 3D printing and interactive panorama photography drew over 20,000 visitors to the Triennale, Milan (2012) and the Museum of Archaeology and Anthropology at Cambridge University (2013). Central to the research is the observation that digital pictures are based on single points (Pixels), just as rock engravings are based on single hammer blows (Pexels). This bridge between the graphic languages of the past and present provided the base line for the digital rock-art research. -
Ars Electronica Archiv
Timetable with Program Highlights AIArtificial Intelligence The Other I ARS ELECTRONICA Festival for Art, Technology and Society POSTCITY Linz, September 7–11, 2017 www.aec.at/ai Future Festival of the Next Generation 20171 ORGANIZER Ars Electronica Linz GmbH & Co KG is a company of the city of Linz COOPERATION PARTNERS ACM Siggraph Kepler Salon—Verein zur Förderung von Wissensvermittlung Anton Bruckner Privatuniversität Kinematics GmbH BFI Oberösterreich Kitchen Budapest BORG Bad Leonfelden Klimabündnis Österreich Gmbh— BOZAR Centre for Fine Arts Brussels Regionalstelle Oberösterreich bugnplay.ch Krmpf Krmpf Studios C3 KNOWLEDGE CAPITAL Campus Genius Award Kunstuniversität Linz–Universität für künstlerische Central Linz und industrielle Gestaltung Centre for the Promotion of Science LABoral –Centro de Arte y Creación Industrial Crossing Europe Landesgartenschau Kremsmünster 2017 CUBUS Landesmusikschule Steyr DIG gallery le lieu unique DISK Berlin / CTM Festival Lehramt Bildnerische Erziehung–Kunstuniversität Linz Education Group LENTOS Kunstmuseum Linz ETH Zürich Mariendom Linz Etopia mb21 European Media Art Network MIT Media Lab European Theatre Lab: Drama goes digital Moviemento Europe for Festivals, Festivals for Europe EFFE OÖ Familienbund European Southern Observatory (ESO) QUT Queensland University of Technology European Space Agency (ESA) Resonate eutema Salon 2000 Experience Workshop Science Gallery Dublin FAB Verein zur Förderung von Arbeit und Beschäftigung Stadtbibliothek Linz FACES Stadtwerkstatt Fachhochschule Oberösterreich—Campus