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Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process. -
An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
A Short Course on Humanism
A Short Course On Humanism © The British Humanist Association (BHA) CONTENTS About this course .......................................................................................................... 5 Introduction – What is Humanism? ............................................................................. 7 The course: 1. A good life without religion .................................................................................... 11 2. Making sense of the world ................................................................................... 15 3. Where do moral values come from? ........................................................................ 19 4. Applying humanist ethics ....................................................................................... 25 5. Humanism: its history and humanist organisations today ....................................... 35 6. Are you a humanist? ............................................................................................... 43 Further reading ........................................................................................................... 49 33588_Humanism60pp_MH.indd 1 03/05/2013 13:08 33588_Humanism60pp_MH.indd 2 03/05/2013 13:08 About this course This short course is intended as an introduction for adults who would like to find out more about Humanism, but especially for those who already consider themselves, or think they might be, humanists. Each section contains a concise account of humanist The unexamined life thinking and a section of questions -
Ethical Record
The ISSN 0014-1690 Ethical Record Vol. 94 No. 6 JUNE 1989 Editorial In the event of planning permission SOUTH PLACE FLOWERS being obtained for redevelopment, as readers will already know from earlier CHRISTOPHER HILL'S 1989 Conway issues and also from the Development Memorial Lecture, History and the Newsletter edited by DON LIVERSEDGE, Present, featured (in an excerpt) in a further vote with a two-thirds The Guardian of May 29, and this has majority will be required before the led to the text being reprinted from planning permission could be acted the need to meet subsequent requests upon. The present course of action is for copies. In the tradition of a con- in line with the advice of the majority vergence between scholarship, public opinion and fruitful dissent, of the Trustees, made known to mem- History bers at the Annual General Meeting, and the Present locates and assists our point of transition. favouring redevelopment, and also takes into account. the Charity Com- The text is reaching both old and mission guidelines. new friends of South Place Ethical . Society. It has struck a chord in the In the last analysis, the Society per- spirit of the time (as too did A. J. forms for good or ill not because of AYER'S 1988 Conway Lecture, The any physical structure—for that way Meaning of Life). lies fetishisation, and neglect of the A more than crisis response to the spirit which moves through any valid opportunities (and also dislocations) group or voluntary organisation—but we share in willynilly and can help to because its aspirations harmonise with shape, is to be desired. -
EVELYN WAUGH STUDIES Vol
EVELYN WAUGH STUDIES Vol. 48, No. 2 Fall 2017 CONTENTS Paul Pennyfeather and the Victorian Governess: 2 The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Put Out More Flags and Literary Tradition 13 Robert Murray Davis REVIEWS Fictional Counterparts 19 Commando General: The Life of Major General Sir Robert Laycock KCMG CB DSO, by Richard Mead. Reviewed by Donat Gallagher A Slow Build 25 Evelyn Waugh’s Satire: texts and Contexts, by Naomi Milthorpe. NEWS A Personal Note I Owe It All to Brideshead 29 David Bittner Evelyn Waugh Studies 2 Paul Pennyfeather and the Victorian Governess: The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Much has been written on the disputed use of satire in Evelyn Waugh’s first novel.1 While critics have offered various readings of the satirical elements in Decline and Fall (1928), the novel also invites discussion of the role of parody, farce, black humour, burlesque, the bildungsroman, the picaresque and the anti-hero in creating an amusing but damning representation of society between the wars. This difficulty identifying a clear style is possibly due to the elusive nature of Waugh’s moral critique, which is so subtle as to be “everywhere felt but nowhere expressed” (Heath 77). His satirical target has been variously described as the “the beastliness of undergraduate societies and the leniency of college authorities toward wealthy and aristocratic members… the morals and outlook of ‘smart’ society,” the mismanagement of private boarding schools, the prison system, and modern religion, (Nichols 51) and more broadly as “inconsistency, hypocrisy, cruelty and folly… a satirical engagement with contemporary anxieties about English cultural decline in the years following the Great War” (Milthorpe 2, 20). -
Broadcast and on Demand Bulletin Issue Number 377 29/04/19
Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Issue number 377 29 April 2019 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Contents Introduction 3 Notice of Sanction City News Network (SMC) Pvt Limited 6 Broadcast Standards cases In Breach Sunday Politics BBC 1, 30 April 2017, 11:24 7 Zee Companion Zee TV, 18 January 2019, 17:30 26 Resolved Jeremy Vine Channel 5, 28 January 2019, 09:15 31 Broadcast Licence Conditions cases In Breach Provision of information Khalsa Television Limited 34 In Breach/Resolved Provision of information: Diversity in Broadcasting Various licensees 36 Broadcast Fairness and Privacy cases Not Upheld Complaint by Symphony Environmental Technologies PLC, made on its behalf by Himsworth Scott Limited BBC News, BBC 1, 19 July 2018 41 Complaint by Mr Saifur Rahman Can’t Pay? We’ll Take It Away!, Channel 5, 7 September 2016 54 Complaint Mr Sujan Kumar Saha Can’t Pay? We’ll Take It Away, Channel 5, 7 September 2016 65 Tables of cases Investigations Not in Breach 77 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Complaints assessed, not investigated 78 Complaints outside of remit 89 BBC First 91 Investigations List 94 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. -
BULLETIN Vol 50 No 1 January / February 2016
CINEMA THEATRE ASSOCIATION BULLETIN www.cta-uk.org Vol 50 No 1 January / February 2016 The Regent / Gaumont / Odeon Bournemouth, visited by the CTA last October – see report p8 An audience watching Nosferatu at the Abbeydale Sheffield – see Newsreel p28 – photo courtesy Scott Hukins FROM YOUR EDITOR CINEMA THEATRE ASSOCIATION (founded 1967) You will have noticed that the Bulletin has reached volume 50. How- promoting serious interest in all aspects of cinema buildings —————————— ever, this doesn’t mean that the CTA is 50 years old. We were found- Company limited by guarantee. Reg. No. 04428776. ed in 1967 so our 50th birthday will be next year. Special events are Registered address: 59 Harrowdene Gardens, Teddington, TW11 0DJ. planned to mark the occasion – watch this space! Registered Charity No. 1100702. Directors are marked ‡ in list below. A jigsaw we bought recently from a charity shop was entitled Road —————————— PATRONS: Carol Gibbons Glenda Jackson CBE Meets Rail. It wasn’t until I got it home that I realised it had the As- Sir Gerald Kaufman PC MP Lucinda Lambton toria/Odeon Southend in the background. Davis Simpson tells me —————————— that the dome actually belonged to Luker’s Brewery; the Odeon be- ANNUAL MEMBERSHIP SUBSCRIPTIONS ing built on part of the brewery site. There are two domes, marking Full Membership (UK) ................................................................ £29 the corners of the site and they are there to this day. The cinema Full Membership (UK under 25s) .............................................. £15 Overseas (Europe Standard & World Economy) ........................ £37 entrance was flanked by shops and then the two towers. Those Overseas (World Standard) ........................................................ £49 flanking shops are also still there: the Odeon was demolished about Associate Membership (UK & Worldwide) ................................ -
BILL KENWRIGHT LIMITED …Investing in Talent… NEW SENIOR APPOINTMENT – THEATRE PRODUCER
BILL KENWRIGHT LIMITED …investing in talent… NEW SENIOR APPOINTMENT – THEATRE PRODUCER BACKGROUND Bill Kenwright Limited is one of the UK's best known and most prolific independent theatre and film production companies. Based in Little Venice in central London, the head office team comprises over 30 individuals dedicated to all aspects of production, responsible for hundreds of weeks of theatre every year, across the UK and worldwide. WEST END PRODUCTIONS INCLUDE: Heathers (Haymarket); Foxfinder (Ambassador); The Best Man (Playhouse); The Exorcist (Phoenix); Evita (Phoenix and Dominion); How the Other Half Loves (Haymarket); The Go-Between (Apollo); The War of the Worlds (Dominion); Let the Right One In (Apollo); Twelve Angry Men (Garrick); Cabaret (Savoy); Blood Brothers (Phoenix); Written on the Heart (RSC – Duchess); The Pitmen Painters (NT – Duchess); The Wizard of Oz (Palladium); Joseph and the Amazing Technicolor Dreamcoat (Adelphi and New London); The Crucible (RSC – Gielgud); A Man for All Seasons (Theatre Royal Haymarket); Scrooge (Palladium); A Few Good Men (Haymarket); Festen (Lyric); All’s Well That Ends Well (RSC – Gielgud); Hay Fever (Haymarket); A Streetcar Named Desire (Haymarket); Long Day’s Journey into Night (Lyric); the Peter Hall company. BROADWAY PRODUCTIONS INCLUDE: Travels With My Aunt (Drama Desk Award); Dancing At Lughnasa (Tony Award); Medea (Tony Award); IA Doll’s House (four Tony Awards); Théâtre de Complicite’s The Chairs (six Tony nominations); Cat on a Hot Tin Roof, The Glass Menagerie, Primo, Festen, Passing Strange and Guys and Dolls. Blood Brothers, which ran for 24 years in the West End, also played for three years at Broadway’s Music Box Theatre. -
The Good Friday Agreement – an Overview
The Good Friday Agreement – An Overview June 2013 2 The Good Friday Agreement – An Overview June 2013 June 2013 3 Published by Democratic Progress Institute 11 Guilford Street London WC1N 1DH United Kingdom www.democraticprogress.org [email protected] +44 (0)203 206 9939 First published, 2013 ISBN: 978-1-905592-ISBN © DPI – Democratic Progress Institute, 2013 DPI – Democratic Progress Institute is a charity registered in England and Wales. Registered Charity No. 1037236. Registered Company No. 2922108. This publication is copyright, but may be reproduced by any method without fee or prior permission for teaching purposes, but not for resale. For copying in any other circumstances, prior written permission must be obtained from the publisher, and a fee may be payable.be obtained from the publisher, and a fee may be payable 4 The Good Friday Agreement – An Overview Abstract For decades, resolving the Northern Ireland conflict has been of primary concern for the conflicting parties within Northern Ireland, as well as for the British and Irish Governments. Adopted in 1998, the Good Friday Agreement has managed to curb hostilities, though sporadic violence still occurs and antagonism remains pervasive between many Nationalists and Unionists. Strong political bargaining through back-channel negotiations and facilitation from international and third-party interlocutors all contributed to what is today referred to as Northern Ireland’s peace process and the resulting Good Friday Agreement. Although the Northern Ireland peace process and the Good Friday Agreement are often touted as a model of conflict resolution for other intractable conflicts in the world, the implementation of the Agreement has proven to be challenging. -
Board of Trustees the City University of New York
BOARD OF TRUSTEES THE CITY UNIVERSITY OF NEW YORK BOARD COMMITTEE ON FACULTY, AGENDA STAFF AND ADMINISTRATION JUNE 7, 2017 I. ACTION ITEMS A. Approval of the Minutes of April 3, 2017 B. POLICY CALENDAR 1. Amendments to the Guidelines for Presidential Searches (I-B-1) 2. Amendments to the Charter for the Governance of Hunter College (I-B-2) 3. Amendment to the Governance Plan of Lehman College (I-B-3) 4. Naming of the Hannelore S. and Robert M. Bloch Commons at Hunter College (I-B-4) 5. Naming of the Elizabeth Hemmerdinger Screening Center at Hunter College (I-B-5) 6. Naming of the Dina Axelrad Perry Pool at Queens College (I-B-6) C. CHANCELLOR’S UNIVERSITY REPORT 1. Appointment of Anne Lopes as Interim Provost and Senior Vice President of Academic Affairs at John Jay College of Criminal Justice (I-C-1) 2. Appointment of Reza Fakhari as Vice President for Workforce Development and Strategic Community Partnerships at Kingsborough Community College (I-C-2) 3. Appointment of Nireata Seals as Interim Vice President for Student Affairs at LaGuardia Community College (I-C-3) 4. Appointment of Gregory Mosher as Professor of Theatre at Hunter College with Waiver of §6.2.b. of the Bylaws (I-C-4) 5. Appointment of Carla Shedd as Associate Professor of Urban Education at the CUNY Graduate School and University Center with Waiver of §6.2.b. of the Bylaws (I-C-5) 6. Appointment of Jacqueline Clark as Vice President for Finance and Administration at Medgar Evers College (I-C-6) II. -
Arbon, Anthony Lyle PRG 1190/11 Special List ______
___________________________________________________________________ Arbon, Anthony Lyle PRG 1190/11 Special List ___________________________________________________________________ Outsize illustrations of ships 750 illustrations from published sources. These illustrations are not duplicated in the Arbon-Le Maiste collection. Sources include newspaper cuttings and centre-spreads from periodicals, brochures, calendar pages, posters, sketches, plans, prints, and other reproductions of artworks. Most are in colour. Please note the estimated date ranges relate to the ships illustrated, not year of publication. See Series 11/14 for Combined select index to Series 11 arranged alphabetically by ships name. REQUESTING ITEMS: Please provide both ships name and full location details. Unnumbered illustrations are filed in alphabetical order under the name of the first ship mentioned in the caption. ___________________________________________________________________ 1. Illustrations of sailing ships. c1780-. 230 illustrations. Arranged alphabetically by name of ship. 2. Illustrations mainly of ocean going motor powered ships. Excludes navy vessels (see Series 3,4 & 5) c1852- 150 illustrations. Merchant shipping, including steamships, passenger liners, cargo vessels, tankers, container ships etc. Includes a few river steamers and paddleboats. Arranged alphabetically by name of ship. 3. Illustrations of Australian warships. c1928- 21 illustrations Arranged alphabetically by name of ship. 4. Australian general naval illustrations, including warship badges,