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J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Show Programs
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My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
Savoring the Classical Tradition in Drama
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION BABETTE BLOCH & MARC MELLON Monday, February 25 ♦ Like Alice Quinn, whose office is located at the NAC, sculptors Babette Bloch and Marc Mellon are both active in and rent studio space at the Club. Ms. Bloch is a pioneer in the use of laser-cut stainless steel, and her figurative works reflect their environments and explore the interplay NATIONAL ARTS CLUB between object and light. Her sculptures can be enjoyed in 15 Gramercy Park South such settings as the Maryland Institute of Art, the Na- Manhattan tional Jewish Museum, and the Orlando Museum of PROGRAM AT 2:00 P.M. Art. Mr. Mellon’s work includes busts of eminent Admission Free, But painters Will Barnet and Everett R. Kinstler at the National Arts Club, and he Reservations Requested has also portrayed Tony Bennett, Jimmy Carter, Elie Weisel, and an impressive array of sports figures and ballet dancers. He has produced commemorative medals in honor of such leaders as Michael Jordan, Pope John Paul II, Theodore Roosevelt, and Albert Schweitzer, and his many museum pieces include the 2009 Official Barack Obama Inauguration Medal. We look forward to a delightful afternoon salon with these remarkable artists. NAGLE JACKSON ♦ Tuesday, February 26 Not only has he distinguished himself on Broadway, at the Kennedy Center, and in other settings; NAGLE JACKSON is the first American to have been invited to direct in the Soviet Union. -
2010 TCG National Conference: IDEAS INTO ACTION
July 29, 2010 For immediate release Contact: Chris Boneau/Susanne Tighe [email protected] 2010 TCG National Conference: IDEAS INTO ACTION Field pioneers meet a new generation of visionaries as TCG awards the “Spirit of Irreverence” to funders and artists alike. The 2010 TCG Award Recipients are: Regional Funder Award: the Joyce Foundation Visionary Leadership Award: Bill Rauch, Artistic Director, Oregon Shakespeare Festival Theatre Practitioner Award: Bernard Gersten, Executive Producer, Lincoln Center Theater National Funder Award: Susan Smith Blackburn Prize Peter Zeisler Memorial Award: Jack Reuler, Artistic Director, Mixed Blood Theatre Alan Schneider Director Award: Anne Kauffman, Director Theatre Communications Group (TCG), the national organization for professional not- for-profit theatre announces the winners of the 2010 TCG Awards for excellence. The TCG Awards, presented during TCG’s National Conference in Chicago this past June, exist to salute extraordinary dedication to the American theatre community, the recipients of this honor are nominated by their peers and selected by TCG’s Board of Directors. Since 2001, TCG’s member theatres have been asked each year to nominate one person or organization for each of the five prestigious awards. On stage at the Palmer House Hilton’s Red Lacquer Room, TCG recognized a Regional Funder, a National Funder and recipients of the Peter Zeisler Memorial Award, the Alan Schneider Director Award and the Visionary Leadership Award with “Spirit of Irreverence” statues designed by Ralph Lee. “It -
CELEBRATING CORONADO PLAYHOUSE's 69Th SEASON!
CELEBRATING CORONADO PLAYHOUSE’S 69th SEASON! PRESENTS AND AND AND Written by Christopher Durang Cast (in order of appearance): Philip John ................................................................................................................................ Vanya Teri Brown ..................................................................................................................................Sonia Rachel Bishop .................................................................................................................. Cassandra Dena Mattox ............................................................................................................................Masha Taylor Barnes .............................................................................................................................Spike Kimberly Weinberger .................................................................................................................. Nina Setting Bucks County, PA. Present day. Vanya and Sonia and Masha and Spike runs about 2 hours and 15 minutes and has one 15-minute intermission. Announcement Please turn off all electronic devices and cell phones during the performance. Rest rooms are located in the recreation center near the front desk. If you need to exit during the performance, please use the rear exit of the theatre as light from the hallway interferes with the performance. Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Originally produced on Broadway -
Saluting the Classical Tradition in Drama
SALUTING THE CLASSICAL TRADITION IN DRAMA A SEQUENCE OF PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The English-Speaking Union The Royal Shakespeare Company The Royal Academy of Dramatic Art The Woman’s National Democratic Club KEITH BAXTER Monday, February 9 KEITH BAXTER achieved fame as the Prince Hal who shared a screen with such legends as Orson Welles (Falstaff) and Sir John Gielgud (Henry IV) in Welles’s Chimes at Midnight (1965), often depicted as the finest of all Shakespearean films. One of Britain’s most respected WOMAN’S NATIONAL actors, Mr. Baxter played a supporting role to Paul Scofield’s Thomas DEMOCRATIC CLUB More in the Broadway version of A Man for All Seasons. His other credits include Elyot in a Private Lives at London’s Aldwych Theatre and the title 1526 New Hampshire Avenue role in a Birmingham Rep Macbeth. He’s also a superb director, with Washington several productions (among them The Rivals ) at Washington’s esteemed Cash Bar 6:00 p.m. SHAKESPEARE THEATRE, and the author of two plays and a witty memoir, Dinner & Program 7 :00 My Sentiments Exactly. Mr. Baxter will offer reflections not only about DINNER & PROGRAM $27 his multifaceted career but about his current role as King in RSC director Bill Alexander’s superb Lansburgh staging of Henry IV, Parts 1 and 2. KEVIN KLINE Monday, February 23 KEVIN KLINE, the first American to be lauded with a Gielgud Award, is now starring as Falstaff in a LINCOLN CENTER THEATER Henry IV, directed by Jack O’Brien, that has has been enthusiastically re- ceived by critics and playgoers alike. -
Teacher Resource Guide
TEACHER RESOURCE GUIDE Rodgers & Hammerstein's The King and I Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Ambassador Theatre Group presents RODGERS & HAMMERSTEIN’S Music Book and Lyrics Richard Rodgers Oscar Hammerstein II Based on the novel Anna and the King of Siam by Margaret Landon with Kelli O’Hara Ken Watanabe Ruthie Ann Miles Ashley Park Conrad Ricamora Edward Baker-Duly Jon Viktor Corpuz Murphy Guyer Jake Lucas Paul Nakauchi Marc Oka and Aaron J. Albano Adriana Braganza Amaya Braganza Billy Bustamante LaMae Caparas Hsin-Ping Chang Andrew Cheng Lynn Masako Cheng Olivia Chun Ali Ewoldt Ethan Halford Holder Cole Horibe MaryAnn Hu James Ignacio Misa Iwama Christie Kim Kelvin Moon Loh Sumie Maeda Paul HeeSang Miller Rommel Pierre O’Choa Kristen Faith Oei Autumn Ogawa Yuki Ozeki Stephanie Jae Park Diane Phelan Sam Poon William Poon Brian Rivera Bennyroyce Royon Lainie Sakakura Ann Sanders Ian Saraceni Atsuhisa Shinomiya Michiko Takemasa Kei Tsuruharatani Christopher Vo Rocco Wu XiaoChuan Xie Timothy Yang Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Scott Lehrer Orchestrations Dance & Incidental Music Arranged by Casting Robert Russell Bennett Trude Rittmann Telsey + Company Abbie Brady-Dalton, CSA Mindich Chair Production Stage Manager Musical Theater Associate Producer General Press Agent Jennifer Rae Moore Ira Weitzman Philip Rinaldi General Manager Production Manager Director of Marketing Jessica Niebanck Paul Smithyman Linda Mason Ross Music Direction Ted Sperling Based on the Choreography Original Choreography by Christopher Gattelli Jerome Robbins Directed by Bartlett Sher Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production and the Musical Theater Associate Producer’s Chair. -
The Inventory of the Jose Ferrer Collection #1596
The Inventory of the Jose Ferrer Collection #1596 Howard Gotlieb Archival Research Center Jose Ferrer (1912-1992) Inventory 2001 Most of the materials in the collection are related to the stage plays, musicals, and televisions productions with which Jose Ferrer was associated :from 1948-1988 as producer, director, author, and/or actor. Scripts, contracts, agreements, records of negotiations, and financial matters, together with related correspondence form the bulk of the content for theatre and film productions, scripts alone for those in television. The files for_ two 1958 musicals, "Oh Captain" and "Edwin Booth" are extensive. Jose Ferrer's business affairs were handled by his lawyer Edwin W. Reiskind. Almost all related correspondence involving Jose Ferrer is channeled through Reiskind. Two further notable items in the collections are: 1) the text of Jose Ferrer's testimony or the Hearings on Un-American Activities in May, 1951, and 2) a group of personal autograph letters to Ruth Gordon and Garson Kanin written :from 1952-1987. Ferrer. Jose 1912-1992 fuventozy Outline I. Materials regarding Plays and Musicals, 1951-1978: fucludes Plays and Musicals Proposed, 197-1972 II. Materials regarding Films, 1948-1980: fucludes Film Proposals, 1952-1975. ill. Materials regarding TV Productions N. Other Media: A. Radio: "Jose Ferrer Presents Shakespeare," 1951-1952 B. Opera: Proposal for Jose Ferrer to stage VOLPONE, 1952-1953 V. Materials By and About Jose Ferrer: A. Printed quotes by Jose Ferrer, 1956-1959 B. About Jose Ferrer: 1. Biographical Essay, June 1952 2. Role in New York Memorial Service for President Kennedy, Dec. 22, 1963 3. -
National Shakespeare Competition 2013 30Th Season
National Shakespeare Competition 2013 30th Season The English-Speaking Union National Shakespeare Competition is a school-based program designed to help high school students develop their speaking and critical thinking skills and their appreciation of literature as they explore the beauty of the language and the timeless themes in Shakespeare works. In the Competition, students read, interpret, and perform monologues and sonnets in three qualifying stages—at the school, community, and national levels. Since its beginnings with 500 students in NYC, the ESU National Shakespeare Competition has given more than 250,000 young people of all backgrounds the opportunity to discover Shakespeare’s writings and to communicate their understanding of his language and message. Celebrating its 30th anniversary this year, the Competition currently involves 59 English-Speaking Union Branch communities nationwide. Every spring, the winners of the local Branch Competitions come to New York City to take part in the ESU National Shakespeare Competition semi-finals held at Lincoln Center. In the semi-finals, all contestants perform a monologue and a sonnet onstage. In the last phase of the Competition, those students selected as finalists present a cold reading of a monologue from one of Shakespeare’s plays in addition to their prepared monologues and sonnets. The winner of the ESU National Shakespeare Competition receives a full tuition scholarship to the Royal Academy of Dramatic Art’s Young Actors Summer School in London, England. The runner-up receives a full tuition scholarship to the American Shakespeare Center’s Theatre Camp in Staunton, Virginia, and third place is awarded $500 by The Shakespeare Society. -
LEED Silver Certified by the U.S
LINCOLN CENTER THEATER LCT3 CAPITAL CAMPAIGN LCT3 Exterior View Lincoln Center Theater (LCT) had long imagined The major components include the 112-seat Claire building a small third theater for the next Tow Theater and lobby, much-needed rehearsal generation of playwrights, directors, and designers and office space, and an outdoor terrace to work at LCT. The LCT3 program was conceived surrounded by a new green roof. Public access to to attract new artists and new audiences to a new the rooftop theater is by two new elevators located venue for live performances at Lincoln Center. on the south exterior side of the Beaumont Initiated four seasons ago in off-campus rented Theater, and entered from the Beaumont Lobby. It space, LCT3 now makes its permanent home in is intended to be LEED Silver certified by the U.S. the new Claire Tow Theater. Green Building Council. The LCT3 Addition is a 23,000-square-foot two- Opportunities create artists and artists will always story structure on the roof of the Vivian Beaumont find opportunities if they are there. Each year Theater, designed by Hugh Hardy (H3 Hardy LCT3 will produce a season of new plays and Collaboration Architecture LLC). musicals in its new home. Serving as a nurturing 2 Theater Interior arena for emerging artists to hone their skills, the The LCT3 Claire Tow Theater project will build new theater will be a stepping-stone for these LCT’s artistic capital for the future, while adding artists, many of whom, we expect, will continue a new dimension of creative activity to Lincoln their professional lives at LCT’s larger venues Center for the Performing Arts.