HUNTER COLLEGE Appointment of Gregory Mosher As Professor Of
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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
ACTRESS: LUCIA MÉTRAILLER/Imdb
ACTRESS: LUCIA MÉTRAILLER/IMDb NOTE: Text highlighted in yellow are clickable links HEADSHOTS / WEBSITE: http://www.actlucia.com WEB PAGE: https://www.actlucia.com/pages/pgfcvdtsrr.html CELL PHONE: (412) 726-2208 EMAIL: [email protected] (Website contains over 30 film/22 voiceover demo reels & headshots) FILMS/TV & WEB SERIES LITTLE MOUSE - (Horror/Feature Film) - April Larimer/Grandmother/Support Role/Director: Delaney Hathaway/Before I Wake Productions APPARITIONAL - (Psychological Thriller) - Suzanne/Psychic/Lead Role/Director: Lauren Keller/Point Park University Intermediate Directing Class NIAGRA FALLS - (Comedy/Web Series) - Eunice/Elderly Lady/Support Role/Director: Dayne Jefferson PAXI - (Psychological Thriller) - Dr. Rose Williams/Psychiatric Doctor/Lead Role/Director: Benjamyn/Point Park University THE ROUTES OF WILD FLOWERS - (IMDb/Adventure/Feature) - Janet/Divorced Mother/Lead Role/ Director: Jon M. Brence/Veriyoung Productions MISSED CUES - (IMDb/Comedy/Feature) - Ellen Taylor/News Anchor/Support Role/Director: Lisa Seelinger/ Seelinger Productions REFERENCE POINT- (IMDb/TV Series) - SEASON 2/EPISODE 2 - ONE YEAR EARLIER - Copier Killer/Copier Protector/ John Cantine REFERENCE POINT - (IMDb/TV Series) - SEASON 1/EPISODE 2 - LIKE A HAWK - Copier Killer/Copier Protector/ John Cantine REFERENCE POINT - (IMDb/TV Series) - SEASON 1/EPISODE 1 - NEW LIBRARIAN - Copier Killer/Copier Protector/ John Cantine WRONG NUMBER - (IMDb/Drama/Crime) - Rosemary/Mother/Support Role/Director: Eric Rogers/Screenwriter for NYPD Blue FIVE MINUTE MAKEOVER - (Comedy Series) - Lucia Smithe/British Nutritionist/Support Role/Director: Sola Oyinkansola Carnegie Mellon University SPACE AND TIME - (Sci Fi/Drama) - Older Sally/Sister dying in hospital/Support Role/Director: Ryan Sobota/Point Park University DOLORES CLAIBORNE - (Crime/Drama/Mystery) - Dolores Claiborne/Maid/Lead Role/Director: Jacob E. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Ebook Download the Plays, Screenplays and Films of David
THE PLAYS, SCREENPLAYS AND FILMS OF DAVID MAMET PDF, EPUB, EBOOK Steven Price | 192 pages | 01 Oct 2008 | MacMillan Education UK | 9780230555358 | English | London, United Kingdom The Plays, Screenplays and Films of David Mamet PDF Book It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film. You get savvy industry tips and strategies for getting your screenplay noticed! Mamet is reluctant to be specific about Postman and the problems he had writing it, explaining. He shrugs off the whispers floating up and down the Great White Way about him selling out and going Hollywood. Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog , Glengarry Glen Ross for which he won the Pulitzer Prize , and Oleanna have enjoyed popular and critical success in the past two decades. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Paul Newman plays Frank Calvin, an alcoholic and disgraced Boston lawyer who finds a shot at redemption with a malpractice case. I Just Kept Writing. The impressive number of essays , novels , screenplays , and films that Mamet has produced They might be composed and awesome on the battlefield, but there is a price, and that is their humanity. -
Chicago's Goodman Theatres the Transition from a Division of the Art Institute of Chicago to an Independent Regional Theatre
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
David Mamet - Edited by Christopher Bigsby Excerpt More Information
Cambridge University Press 0521894689 - The Cambridge Companion to David Mamet - Edited by Christopher Bigsby Excerpt More information 1 CHRISTOPHER BIGSBY David Mamet In 1974, a play set in part in a singles bar, laced with obscene language and charged with a seemingly frenetic energy, was voted Best Chicago Play. Transferred to Off Off and Off Broadway it picked up an Obie Award. Sexual Perversity in Chicago was not David Mamet’s first play, but it did mark the beginning of a career that would astonish in both its range and depth. The following year American Buffalo opened at Chicago’s Goodman The- atre in an “alternative season.” It was well received and opened on Broadway fifteen months later where it won the New York Drama Critics Circle Award. It ran for 135 performances, hardly a failure but in the hit or miss world of New York, not a copper-bottomed success either. Nonetheless, in three years he had announced his arrival in unequivocal terms. David Mamet came as something of a shock, not least because his first public success, Sexual Perversity in Chicago, seemed brutally direct in terms of its language and subject, as did American Buffalo. But it was already clear to many that here was a distinctive talent, albeit one that some critics found difficult to assess, not least because of his characters’ scatological language and fractured syntax, along with the apparent absence, in his plays, of a conventional plot. They praised what they took to be his linguistic naturalism, as though his intent had been to offer an insight into the cultural lower depths while capturing the precise rhythms of contemporary speech (though he did invoke Gorky’s The Lower Depths as being, like a number of his own plays, a study in stasis). -
Suggested Books for Children Mckenzie Pediatrics
Suggested Books For Children McKenzie Pediatrics Younger Children Old Turtle - Douglas Wood The Rainbow Fish (series) - Marcus Pfeiffer The Giving Tree - Shel Silverstein If You Give A Mouse A Cookie (series) - Laura Joff Numeroff Goodnight Moon - Margaret Brown Guess How Much I Love You - Sam McBratney Little Bear (series) - Else Minarik Where The Wild Things Are - Maurice Sendak Mama, Do You Love Me? - Barbara Joosse Today I Feel Silly - Jamie Lee Curtis Madeline (series) - Ludwig Bemelmans Madlenka - Peter Sis Where Do Balloons Go? - Jamie Lee Curtis Olivia (series) - Ian Falconer Angelina Ballerina (series) - Katherine Holabird Whiteblack The Penguin - Margaret & H.A. Rey Curious George (series) - H.A. Rey All The Places To Love - Patricia MacLachlan Eric Carle Books (any!) Dr. Suess Books (any!) We’re Going On A Bear Hunt - Michael Rosen My Friend Bear (series) - Jez Alborough Stellaluna - Janell Cannon (Turn Over For Older Children!) Older Children The Wind In The Willows - Kenneth Grahame The Trumpet Of The Swan - E.B. White Gulliver’s Travels - Jonathan Swift Charlotte’s Web - E.B. White Danny The Champion Of The World - Roald Dahl A Light In The Attic - Shel Silverstein A Wrinkle In Time - Madeleine L’Engle The Little Prince - Antoine de Sainte Exupery Pippi Longstocking (series) - Astrid Lundgren The Secret Garden - Frances Hodgson Burnett Stuart Little - E.B. White A Little Princess - Frances Hodgson Burnett Where The Sidewalk Ends - Shel Silverstein Charlie And The Chocolate Factory - Roald Dahl Ramona (series) - Beverly Cleary Bunnicula - Deborah & James Howe James And The Giant Peach - Roald Dahl Strider - Beverly Cleary The Wizard Of Oz (series) - L. -
Board of Trustees the City University of New York
BOARD OF TRUSTEES THE CITY UNIVERSITY OF NEW YORK BOARD COMMITTEE ON FACULTY, AGENDA STAFF AND ADMINISTRATION JUNE 7, 2017 I. ACTION ITEMS A. Approval of the Minutes of April 3, 2017 B. POLICY CALENDAR 1. Amendments to the Guidelines for Presidential Searches (I-B-1) 2. Amendments to the Charter for the Governance of Hunter College (I-B-2) 3. Amendment to the Governance Plan of Lehman College (I-B-3) 4. Naming of the Hannelore S. and Robert M. Bloch Commons at Hunter College (I-B-4) 5. Naming of the Elizabeth Hemmerdinger Screening Center at Hunter College (I-B-5) 6. Naming of the Dina Axelrad Perry Pool at Queens College (I-B-6) C. CHANCELLOR’S UNIVERSITY REPORT 1. Appointment of Anne Lopes as Interim Provost and Senior Vice President of Academic Affairs at John Jay College of Criminal Justice (I-C-1) 2. Appointment of Reza Fakhari as Vice President for Workforce Development and Strategic Community Partnerships at Kingsborough Community College (I-C-2) 3. Appointment of Nireata Seals as Interim Vice President for Student Affairs at LaGuardia Community College (I-C-3) 4. Appointment of Gregory Mosher as Professor of Theatre at Hunter College with Waiver of §6.2.b. of the Bylaws (I-C-4) 5. Appointment of Carla Shedd as Associate Professor of Urban Education at the CUNY Graduate School and University Center with Waiver of §6.2.b. of the Bylaws (I-C-5) 6. Appointment of Jacqueline Clark as Vice President for Finance and Administration at Medgar Evers College (I-C-6) II. -
Judith Evelyn Collection (1913-1967) Inventory
Judith Evelyn Collection (1913-1967) Inventory 3 boxes; 185 items; 1.3 linear metres Scrapbooks, photographs, scripts and programs pertaining to the career of Canadian actress Judith Evelyn, concentrating on her years on the Broadway stage. Material on her early years in student productions at University of Manitoba and at Hart House Theatre is included in the Nancy Pyper Collection. Box 1 Env. #1: Photographs – 27 items Portraits of Judith Evelyn, including studies by Ashley & Crippen, Talbot and Maurice Seymour. Env. #2: Photographs, Student Productions – 4 items Hounded by Hate, Hart House Theatre, 1935 Once in a Lifetime, Hart House Theatre, 1935 Apache, Hart House Theatre, 1936 Magnanimous Lover, Dominion Drama Festival, 1936 (signed by Karsh) Env. #3: Photographs, Angel Street (1942) – 5 items Env. #4: Photographs, The Overtons (1945) – 2 items Env. #5: Photographs, Craig’s Wife (1947) – 1 item Env. #6: Photographs, A Streetcar Named Desire (1949) – 1 item Env. #6a: Photographs, The Shrike (1952) – 1 item Env. #7: Photographs, Radio and Television shows – 5 items Mrs. Miniver Macbeth They Called Her Blessed Judith Evelyn Collection Inventory Page 2 of 8 Env. #8: Photographs, War work (including Bond Appeals, etc.) – 4 items Env. #9: Photographs, Miscellaneous – 3 items Friends, Judith Evelyn’s dog “Elva” Env. #10: Photographs, The Rich Full Life (1945) – 2 items Marquee, John Golden Theatre, N.Y. Env. #11: Photographs, Craig’s Wife (1947) – 10 items Marquee and lobby display, Playhouse Theatre, N.Y. Env. #12: Photographs, The Ivy Green (1949) – 4 items Marquee and lobby display, Lyceum Theatre, N.Y. Env. #13: Photographs, The Shrike (1952) – 2 items Marquee, Cort Theatre, N.Y. -
Examining the Relationship Between Children's
A Spoonful of Silly: Examining the Relationship Between Children’s Nonsense Verse and Critical Literacy by Bonnie Tulloch B.A., (Hons), Simon Fraser University, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Bonnie Tulloch, 2015 Abstract This thesis interrogates the common assumption that nonsense literature makes “no sense.” Building off research in the fields of English and Education that suggests the intellectual value of literary nonsense, this study explores the nonsense verse of several North American children’s poets to determine if and how their play with language disrupts the colonizing agenda of children’s literature. Adopting the critical lenses of Translation Theory and Postcolonial Theory in its discussion of Dr. Seuss’s On Beyond Zebra! (1955) and I Can Read with My Eyes Shut! (1978), along with selected poems from Shel Silverstein’s Where the Sidewalk Ends (1974), A Light in the Attic (1981), Runny Babbit (2005), Dennis Lee’s Alligator Pie (1974), Nicholas Knock and Other People (1974), and JonArno Lawson’s Black Stars in a White Night Sky (2006) and Down in the Bottom of the Bottom of the Box (2012), this thesis examines how the foreignizing effect of nonsense verse exposes the hidden adult presence within children’s literature, reminding children that childhood is essentially an adult concept—a subjective interpretation (i.e., translation) of their lived experiences. Analyzing the way these poets’ nonsense verse deviates from cultural norms and exposes the hidden adult presence within children’s literature, this research considers the way their poetry assumes a knowledgeable implied reader, one who is capable of critically engaging with the text. -
Show Programs
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