DOCSLIB.ORG

William and Mary Theatre Main Stage Productions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
William and Mary Theatre Main Stage Productions WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth A Midsummer Night’s Dream My Heart’s in the Highlands *The Dark Lady of Sonnets The Romantic Young Lady *Passion, Poison, and Petrifaction 1948-1949 1956-1957 1964-1965 The Great Campaign Summer and Smoke The Time of Your Life The Candidates *The Highbrow Young Ladies Le Bourgeois Gentilhomme The Taming of the Shrew *The Village Wooing Long Day’s Journey into Night An Inspector Calls Romeo and Juliet The Duchess of Malfi 1949-1950 1957-1958 1965-1966 The Little Foxes Hark Upon the Gale Dark of the Moon The Merry Wives of Windsor Ghosts The Days Between No More Peace The Matchmaker Misalliance The Father Othello The Merchant of Venice 1950-1951 1958-1959 1966-1967 The Warrior’s Husband The Madwoman of Chaillot Centaur, Centaur! Here We Are The Glass Menagerie The Importance of Being Earnest The Winter’s Tale *The Cheats of Scapin How to Succeed in Business The Sea Gull *Box and Cox Without Really Trying *The Red Velvet Goat As You Like It 1951-1952 All’s Well That Ends Well Ten Little Indians 1967-1968 The Silver Cord 1959-1960 Rhinoceros The Merchant of Venice Carnival of Thieves The Disappearing Sphere The Miser The Boy Friend Kiss Me Kate The Late Christopher Bean Electra 1952-1953 Lysistrata First Lady 1968-1969 The Playboy of the Western World 1960-1961 The Fantasticks The Trojan War Will Not Take The Diary of Anne Frank The Devil’s Disciple Place Babes in Arms The Investigation Much Ado About Nothing Blithe Spirit Hamlet A Midsummer Night’s Dream 1953-1954 1969-1970 You Never Can Tell 1961-1962 The Unknown Soldier and His Wife *The Stronger Women The Crucible Mandragola *The Beautiful People Where’s Charley? Of Thee I sing The Highland Reel John Brown’s Body Phaedra Hamlet The Taming of the Shrew 1970-1971 1954-1955 1962-1963 Twelfth Night The Circle The Visit Dark Mirrors and Bright Windows Uncle Harry Under Milk Wood *The Dumb Waiter The Winslow Boy The Threepenny Opera *Act Without Words II Twelfth Night The Shoemaker’s Holiday *A Sleep of Prisoners *The Maids 1955-1956 1963-1964 *Act Without Words I Dial “M” for Murder Our Town *The Gradiges Fraulein Antigone Lola Man of La Mancha Home is Tomorrow Death of a Salesman Rainbow Sign As You Like It The Tragedy of King Richard the Third 1971-1972 1979-1980 1987-1988 You Can’t Take it With You The Wild Duck Crimes of the Heart The Trial of the Catonsville Nine Measure for Measure Three Sisters Ernest in Love The Waltz of the Toreadors Anything Goes The Miser Coriolanus 1980-1981 1972-1973 Company 1988-1989 Antony and Cleopatra Waiting for Godot Three Penny Opera A Cry of Players Oedipus Rex A Christmas Carol Brigadoon She Stoops to Conquer The Country Wife The Trojan Women The House of Blue Leaves 1981-1982 1973-1974 The Importance of Being Earnest 1989-1990 The Sea Gull Henry IV, Part I The Canterbury Tales The House of Bernarda Alba Cabaret Becoming Memories Anything Goes The Elephant Man The Crucible The Alchemist Medea 1982-1983 1974-1975 A Streetcar Named Desire 1990-1991 Melody Tartuffe A Funny Thing Happened on the The Beggar’s Opera Fiddler on the Roof Way to the Forum Angel Street Of Mice and Men A Lie of the Mind Much Ado About Nothing Six Characters in Search of an 1983-1984 Author 1975-1976 Sweeney Todd Romeo and Juliet Godspell The Playboy of the Western World The Hot L Baltimore The Good Woman of Setzuan 1991-1992 *Tonight at 8:30 Luann Hampton Laverty All the King’s Men Fumed Oak Oberlander A Doll’s House Red Peppers Noises Off Ways and Means 1984-1985 The Wake of Jamey Foster The Spanish Tragedy Fade Out- Fade In Major Barbara 1992-1993 1976-1977 Agnes of God Once Upon a Mattress The Clouds Epicoene Top Girls King Lear Twelfth Night Guys and Dolls 1985-1986 Death of a Salesman *The America Dream Fool for Love Savage/Love *The Zoo Story The Robber Bridegroom 1993-1994 Goin’ Home to Freedom Guys and Dolls 1977-1978 As You Like It Night Sky Damn Yankees Summer and Smoke Uncle Vanya 1986-1987 The Rivals The Birthday Party Our Town The School for Wives Hair 1994-1995 Brighton Beach Memoirs Chicago 1978-1979 Hot House Our Country’s Good Carousel The Matchmaker Medieval Plays for Christmas Helene Woyzeck The Constant Wife 1995-1996 2003-2004 2011-2012 The Game of Love The Skin of Our Teeth Travesties The Dining Room Carnival Cabaret The Cherry Orchard In the Garden of Live Flowers Night of the Iguana Walk Together Children Marat/Sade Ruined 1996-1997 2004-2005 2012-2013 Showboat Batboy: The Musical Joe Turner’s Come and Gone The Rose Tattoo The Merchant of Venice Pippin A Midsummer Night’s Dream Alchemy of Desire/Dead-Man’s The Merry Wives of Windsor Arcadia Blues The Sitayana The Madwoman of Chaillot 1997-1998 2013-2014 Crazy for You 2005-2006 Dancing at Lughnasa Caucasian Chalk Circle A View From The Bridge La Cage aux Folles Blithe Spirit Pal Joey Coast of Utopia: Voyage Angels In America, Part I Stop Kiss Clybourne Park Amadeus 1998-1999 2014-2015 Much Ado About Nothing 2006-2007 Big Love The Hostage Gypsy The Threepenny Opera The Beggar’s Opera As Bees in Honey Drown Crowns Hedda Gabler Ramayana La’ar Spring Awakening Orpheus Descending 1999-2000 2015-2016 The Fantasticks 2007-2008 The Blue Room The Servant of Two Masters It’s a Bird… It’s a Plane… It’s Avenue Q The Tapestry: a play woven in 2 Superman! Oresteia Sylvia Antigone Picasso at the Lapin Agile Les Fourberies de Scapin 2000-2001 Mother Courage and Her Children 2016-2017 The Bacchae The Laramie Project The Misanthrope 2008-2009 The Addams Family Moon Over Buffalo Damn Yankees Asuncion The Passion The Seagull Baskerville when the purple settles 2001-2002 As You Like It Kiss Me Kate Good Night Desdemona (Good 2009-2010 Morning Juliet) The Prime of Miss Jean Brodie Harvey Little Shop of Horrors Vinegar Tom Eurydice The School for Wives 2002-2003 A Little Night Music 2010-2011 The Tragical History of the Life Table Manners and Death of Doctor Faustus Oklahoma The Importance of Being Earnest Rhinoceros The Piano Lesson The Rover SECOND SEASON PRODUCTIONS SENIOR DIRECTORIAL AND FACULTY DIRECTED 1982-1983 1994-1995 Dark of the Moon, April 20-24, James Falls Bent, February 16-19, Allen Jeffrey Rein 1986-1987 1995-1996 Extremities, September 25-28, Matthew DeLuca Fool for Love, September 28-October 1, Jay Putnam Sister Mary Ignatius Explains It All for You Equus, February 15-18, Lakia Green February 19-22 A Riddle of the Palms and Crocodiles, February 19- 1996-1997 22, Femi Euba Design for Living, September 3-6 Translations, February 20-23 1987-1988 Year After Year/Mean Man, October 29-31, Bruce 1997-1998 McConachie Bloody Poetry, October 2-5 The Trials of Brother Jero, March 24-26, Femi Southern Voices, monodrama, November 13-16 Euba Heidi Cronicles, February 19-22 ________, April 7-9, Susan Kattwinkel 1998-1999 1988-1989 Agnes of God, October 1-4 Ring Around the Moon, March 31- April 2 ‘Night Mother, November 12-15, Holly Scott Color Wheel, February 27-March 2 1989-1990 Kindertransport, April 15-18, Rebecca Easton Barefoot in the Park, November 9-12 Beyond Therapy, February 22-25 1999-2000 The Colored Museum, March 22-24 Love’s Fire, February 10-13, Elizabeth Wiley The Baltimore Waltz, April 6-9 1990-1991 _______________, September 27-30 2000-2001 _______, January 31-February 3, Bruce Betrayal, November 16-19, Rebecca Hewitt McConachie The Complete Works of William Shakespeare, Abridged, February 15-18, Marissa Guillen 1991-1992 Oleanna, April 12-15, Stephanie Wayland Burn This, October 25-27, Melissa Lowenstein Staged reading, Rape, November 7-10, Bruce 2001-2002 McConachie Polaroid Stories October 4-6, John Hagner Carnal Knowledge, April 8-11 Getting Out February 14-16, Emily Becketti The Chairs, March 28-31, Matt Blanchard 1992-1993 Piping Life, April 11-14, J.
Load more

Recommended publications
  • Casting Announced for Asolo Rep's MORNING AFTER GRACE Directed by Peter Amster; Production Runs Jan
    MORNING AFTER GRACE Page 1 of 6 ***For Immediate Release*** December 19, 2017 Casting Announced for Asolo Rep's MORNING AFTER GRACE Directed by Peter Amster; Production runs Jan. 17 - March 4 (SARASOTA, December 19, 2017) — Asolo Rep continues its repertory season with MORNING AFTER GRACE, a poignant comedy about new love for the older set. Penned by playwright Carey Crim, a fresh voice for the American stage, and directed by Asolo Rep Associate Artist Peter Amster (Asolo Rep: Born Yesterday, Living on Love, The Matchmaker, and more), MORNING AFTER GRACE previews January 17 and 18, opens January 19 and runs in rotating repertory through March 4 in the Mertz Theatre, located in the FSU Center for the Performing Arts. The morning after a funeral, Abigail and Angus awake from a whirlwind, booze-fueled one- night-stand on Angus' couch. And so begins this unconventional comedy, set in a not-so- distant Florida retirement community. As Abigail and Angus uncover the meaning of their hook-up and future, Abigail's neighbor Ollie, a retired baseball pro, struggles to find a way to make sense of his past and the secret he's hidden for decades. Hilarious and heart- warming, MORNING AFTER GRACE reminds us that it is never too late to rediscover love, and yourself, again. -more- MORNING AFTER GRACE Page 2 of 6 MORNING AFTER GRACE premiered at the Purple Rose Theatre Company in 2016. Asolo Rep's production of the play has provided an exciting opportunity for Carey Crim to be in rehearsals and work with Peter Amster to hone and fine tune the play even further.
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • IIW°Fsy.44Ts I
    STAR, 10 THE EVENING WASHINGTON, T>. C. t WEDNESDAY, JANUARY 31, 1923. Maquita Dwight, Margaret Denys and Myra Florlan. SHUBERT-GAEJLICK—“Anna AMUSEMENTS Christie.” thority on applied psychology and has Arthur Hopkins is to present at the f Josef Hofmann Concert. spoken in virtually all the large cities Shubert-Oarrlck next week Pauline | Absolute Satisfaction Guaranteed or Money Cheerfully Refunded of the country. I Josef Hofmann, the master tech- Lord as the star in Eugene O’Neill’s I of the piano and the one musi- play, “Anna Christie.” nician NEW story an can musical NATIONAL—“The Come- "Anna Christie” is the of cian who belittle the erring daughter of an old Swedish term “prestissimo” by playing faster dian.” sailor who has developed a great and quicker than apparent limit Lionel will appear at the hatred and fear of the sea. Her the Atwlll belongs endurance, presented a char- New father's hatred of all that to of human National Theater next week In the sea makes him oppose her union program at Poll's “The Comedian," a comedy tem- YOUR PAY CHECKS | acteristic Hofmann of to man she loves, and the two men I the I yesterday I Theater afternoon. peraments by Sacha Guitry, adapted have a terrible fight in which Anna Bring them here, we’ll gladly them Mr. Hofman’s program yesterday did by David Intervenes. Disgusted with both of Jp cash not measure up to the standard of the Belasco. the men she bursts forth into a hectic High by Unusual attaches JJf one given at Central School interest to Mr.
    [Show full text]
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • By Lanford Wilson Directed by Kati Oltyan
    By Lanford Wilson Directed by Kati Oltyan July 1 ~ 3, 2021 Lakewood, CO Presented by special arrangement with Dramatists Play Service, Inc., New York. About the Playwright Compiled by Jan Sutton Lanford Eugene Wilson (1937-2011) was born on April 13, 1937, in Lebanon Missouri, a town that he used as the setting for several of his plays, including the one you are seeing tonight. His parents divorced when he was 5 and he was raised by his mother and her second husband, a Missouri farmer. He attended college in Missouri and San Diego but left in 1957 to live in Chicago. He experimented with writing short stories but decided that his ideas might do better as plays so he attended play-writing classes through the University of Chicago Extension Program. In 1962 he moved to New York City where his plays were widely performed in Off-Off- Broadway theaters such as La MaMa Experimental Theater and Café Cino. In 1967, he received the Drama Desk Award for Outstanding New Playwright for The Rimers of Eldritch. In 1969 he co-founded the Circle Repertory Theater, an Off-Broadway theater that was his literary home for almost 30 years. The first play of his that was successfully performed there was The Hot l Baltimore in 1973, for which he received the New York Drama Critics’ Circle Award and the Obie Award for Best New American Play. In 1975, he received his second Obie for Playwriting for The Mound Builders, also performed at Circle Rep. Talley’s Folly is part of a trilogy of plays about the Talley family, all of which explore the effects of war on a family in Missouri.
    [Show full text]
  • The Philosophy of Eugene O'neill
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion.
    [Show full text]
  • Kansas City Repertory Theatre Announces Acclaimed Cast for the Diary of Anne Frank Jan
    FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 or 816.213.4355 [email protected] FOR TICKETS: Box Office at 816.235.2700 or www.KCRep.org. Kansas City Repertory Theatre Announces Acclaimed Cast for The Diary of Anne Frank Jan. 29 through Feb. 21, 2016 at newly renovated Spencer Theatre Kansas City, MO (Jan. 5, 2016) – Kansas City Repertory Theatre’s Artistic Director Eric Rosen is pleased to announce the cast of The Diary of Anne Frank, directed by Marissa Wolf, KC Rep’s Director of New Works. The play, based upon Anne Frank: The Diary of a Young Girl, was originally written for the stage by Frances Goodrich and Albert Hackett. In 1997, Wendy Kesselman published a revised version of Goodrich and Hackett’s Pulitzer Prize winning script, which integrated some of the more personal aspects of Anne Frank’s story that remained untold in the original script. Peer into the world of a family in hiding and a gifted young writer who came of age during the horrors of the Holocaust. Through Anne’s eyes, we see the prevailing hopes of a girl who – despite everything – inspired generations with her unwavering faith in humanity. This production begins Friday, Jan. 29 and runs through Sunday, Feb. 21 at KC Rep’s newly renovated Spencer Theatre. Kansas City Repertory Theatre Announces Cast for The Diary of Anne Frank Jan. 29 through Feb. 21 at Spencer Theatre Page 1 “This work by Wendy Kessleman is stunningly lyrical and poetic,” stated Wolf. “My hope is that KC Rep audiences will connect intimately with Anne as a budding young woman and all that goes with a young and emerging heart, in spite of the world looming outside.” The ensemble cast, drawn locally as well as from across the country, includes: Daniel Beeman as Peter Van Daan, Martin Buchanan as Mr.
    [Show full text]
  • Sample Assessment Materials NEW Issue 4
    GCSE (9-1) Drama Sample Assessment Materials Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Drama (1DR0) First teaching from September 2016 First certification from June 2018 Issue 4 Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked. For further information, please visit our qualification websites at www.edexcel.com, www.btec.co.uk or www.lcci.org.uk. Alternatively, you can get in touch with us using the details on our contact us page at qualifications.pearson.com/contactus About Pearson Pearson is the world's leading learning company, with 22,500 employees in more than 70 countries working to help people of all ages to make measurable progress in their lives through learning. We put the learner at the centre of everything we do, because wherever learning flourishes, so do people. Find out more about how we can help you and your learners at qualifications.pearson.com References to third party material made in these sample assessment materials are made in good faith. Pearson does not endorse, approve or accept responsibility for the content of materials, which may be subject to change, or any opinions expressed therein. (Material may include textbooks, journals, magazines and other publications and websites.) All information in this document is correct at time of publication. Original origami artwork: Mark Bolitho Origami photography: Pearson Education Ltd/Naki Kouyioumtzis ISBN 978 1 4469 2632 1 All the material in this publication is copyright © Pearson Education Limited 2021 Summary of Pearson Edexcel Level 1/Level 2 GCSE (9–1) Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest in Drama SAMs Issue 4 changes awarding body offering academic and vocational qualifications that are globally recognised and benchmarked.
    [Show full text]
  • Amadeus by Peter Shaffer Directed by Paul Mason Barnes CONTENTS 2 the 411 Major Sponsor: 3 A/S/L & Vocab the Mary Ranken Jordan & Ettie A
    2009—2010 SEASON AMADEUS by Peter Shaffer Directed by Paul Mason Barnes CONTENTS 2 The 411 Major Sponsor: 3 A/S/L & Vocab The Mary Ranken Jordan & Ettie A. Jordan 4 FYI Charitable Foundation 5 HTH 6 F2F 9 B4U 12 IRL 13 RBTL 14 SWDYT? At The Rep, we know MIHYAP: Top Ten Ways to that life moves Stay Connected at The Rep fast—okay, really 10. TBA Ushers will seat your school or class as a group, fast. But we also so even if you are dying to mingle with the group from the know that some all girls school that just walked in the door, stick with your things are worth friends until you have been shown your section in the theatre. slowing down for. We believe that live theatre is one of those pit stops worth making and are excited that you 9. SITD The house lights will dim immediately before the performance begins and then go dark. Fight off that oh-so- are going to stop by for a show. To help you get the most immature urge to whisper, giggle like a grade schooler or yell bang for your buck, we have put together WU? @ THE at this time and during any other blackouts in the show. REP—an IM guide that will give you everything you need to know to get at the top of your theatergoing game—fast. 8. SED Before the performance begins, turn off all cell You’ll find character descriptions (A/S/L), a plot summary phones, pagers, beepers and watch alarms.
    [Show full text]
  • Critical Perspectives on American Musical Theatre Thea
    Critical Perspectives on American Musical Theatre Thea. 80200, Spring 2002 David Savran, CUNY Feb 4—Introduction: One Singular Sensation To be read early in the semester: DiMaggio, “Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900-1940;” Block, “The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal;” Savran, “Middlebrow Anxiety” 11—Kern, Hammerstein, Ferber, Show Boat Mast, “The Tin-Pan-Tithesis of Melody: American Song, American Sound,” “When E’er a Cloud Appears in the Blue,” Can’t Help Singin’; Berlant, “Pax Americana: The Case of Show Boat;” 18—No class 20—G. and I. Gershwin, Bolton, McGowan, Girl Crazy; Rodgers, Hart, Babes in Arms ***Andrea Most class visit*** Most, Chapters 1, 2, and 3 of her manuscript, “We Know We Belong to the Land”: Jews and the American Musical Theatre; Rogin, Chapter 1, “Uncle Sammy and My Mammy” and Chapter 2, “Two Declarations of Independence: The Contaminated Origins of American National Culture,” in Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot; Melnick, “Blackface Jews,” from A Right to Sing the Blues: African Americans, Jews, and American Popular Song 25— G. and I. Gershwin, Kaufman, Ryskind, Of Thee I Sing, Shall We Dance Furia, “‘S’Wonderful: Ira Gershwin,” in his Poets of Tin Pan Alley, Mast, “Pounding on Tin: George and Ira Gershwin;” Roost, “Of Thee I Sing” Mar 4—Porter, Anything Goes, Kiss Me, Kate Furia, “The Tinpantithesis of Poetry: Cole Porter;” Mast, “Do Do That Voodoo That You Do So Well: Cole Porter;” Lawson-Peebles, “Brush Up Your Shakespeare: The Case of Kiss Me Kate,” 11—Rodgers, Hart, Abbott, On Your Toes; Duke, Gershwin, Ziegfeld Follies of 1936 Furia, “Funny Valentine: Lorenz Hart;” Mast, “It Feels Like Neuritis But Nevertheless It’s Love: Richard Rodgers and Lorenz Hart;” Furia, Ira Gershwin: The Art of the Lyricist, pages 125-33 18—Berkeley, Gold Diggers of 1933; Minnelli, The Band Wagon Altman, The American Film Musical, Chaps.
    [Show full text]
  • Cast Biographies Chris Mann
    CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
    [Show full text]
  • Pearson Edexcel Level 1/Level 2 GCSE (9
    GCSE (9-1) English Literature Sample Assessment Materials Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in English Literature (1ET0) First teaching from September 2015 First certification from June 2017 Issue 2 Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked. For further information, please visit our qualification websites at www.edexcel.com, www.btec.co.uk or www.lcci.org.uk. Alternatively, you can get in touch with us using the details on our contact us page at qualifications.pearson.com/contactus About Pearson Pearson is the world's leading learning company, with 22,500 employees in more than 70 countries working to help people of all ages to make measurable progress in their lives through learning. We put the learner at the centre of everything we do, because wherever learning flourishes, so do people. Find out more about how we can help you and your learners at qualifications.pearson.com References to third party material made in these sample assessment materials are made in good faith. Pearson does not endorse, approve or accept responsibility for the content of materials, which may be subject to change, or any opinions expressed therein. (Material may include textbooks, journals, magazines and other publications and websites.) All information in this document is correct at the time of publication. Original origami artwork: Mark Bolitho Origami photography: Pearson Education Ltd / Naki Kouyioumtzis ISBN 978 1 446 91438 0 All the material in this publication is copyright © Pearson Education Limited 2021 Summary of Pearson Edexcel Level 1/Level 2 GCSE (9-1) in English Edexcel, BTEC and LCCI qualifications Literature SAMs Issue 2 changes Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked.
    [Show full text]