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Directed by Kati Oltyan July 1 ~ 3, 2021 Lakewood, CO

Presented by special arrangement with Dramatists Play Service, Inc., New York. About the Playwright Compiled by Jan Sutton

Lanford Eugene Wilson (1937-2011) was born on April 13, 1937, in Lebanon Missouri, a town that he used as the setting for several of his plays, including the one you are seeing tonight. His parents divorced when he was 5 and he was raised by his mother and her second husband, a Missouri farmer. He attended college in Missouri and San Diego but left in 1957 to live in Chicago. He experimented with writing short stories but decided that his ideas might do better as plays so he attended play-writing classes through the University of Chicago Extension Program.

In 1962 he moved to New York City where his plays were widely performed in Off-Off- Broadway theaters such as La MaMa Experimental Theater and Café Cino. In 1967, he received the Drama Desk Award for Outstanding New Playwright for The Rimers of Eldritch.

In 1969 he co-founded the Circle Repertory Theater, an Off-Broadway theater that was his literary home for almost 30 years. The first play of his that was successfully performed there was The in 1973, for which he received the New York Drama Critics’ Circle Award and the for Best New American Play. In 1975, he received his second Obie for Playwriting for The Mound Builders, also performed at Circle Rep.

Talley’s Folly is part of a trilogy of plays about the Talley family, all of which explore the effects of war on a family in Missouri. The first to be written was , which debuted at Circle Rep in April 1978 and on Broadway in November 1980. It takes place on July 5th 1977 and explores the relationships among the Talley clan, including Ken, a gay paraplegic Vietnam vet, his partner Jed, and his friends John and Gwen, country music singers who want to buy the Talley homestead for a recording studio. Talley’s Folly followed in May 1979 but opened on Broadway before Fifth of July in February 1980. Wilson received both the Pulitzer Prize and the New York Drama Critics’ Circle Award for this play about the unlikely romance between Sally Talley, an Ozark spinster, and Matt Friedman, a Jewish accountant, which takes place on the 4th of July 1944. The Broadway production was also nominated for a Tony. The third play in the trilogy was originally titled A Tale Told, but the title was later changed to Talley & Son. It debuted at Circle Rep in September 1985, but apparently did not have a Broadway run. Occurring at the same time as Talley’s Folly, this explores the relationships among the rest of Sally’s family.

Wilson continued to write plays into the 2000s, receiving another Obie for Sympathetic Magic in 1997. He died of pneumonia in Sag Harbor, Long Island, on March 24, 2011. Cast & Crew

SALLY TALLEY - Bethany Lillis Tisdale - Bethany is excited to be returning to the stage after a crazy few years. Some of her favorite roles include Gloria in Boeing Boeing and Greta/The Other Woman in Witness for the Prosecution (both at Spotlight Theatre), Audrey in Leading Ladies (Backstage Theatre), Felicity in Habeas Corpus and Alison in A Touch of Spring (both at Miners Alley Playhouse), Daisy in Side Show, Helen in The Trojan Women, Catherine in Pippin, Emily in Our Town, Celia in As You Like It, Teenage Greek Chorus in , and Ruth in Blithe Spirit. All my love to Doug and The Nerdlet. MATT FRIEDMAN - Doug Tisdale - Doug is very happy to be a part of Backyard Productions' inaugural show. Like many, he has missed live theatre during these pandemic-y times, and is grateful for the chance to stretch his acting wings again (and especially with such a beguiling costar). Favorite past roles include Henry Higgins in My Fair Lady, George Bailey in It's A Wonderful Life, Smaug the Dragon in The Hobbit, Clifford Anderson in Deathtrap, Mike Talman in Wait Until Dark, and Mark McPherson in Laura. Thanks to Kati and everyone else with BYP.

DIRECTOR/COSTUMES - Kati Oltyan - Kati grew up doing a little bit of everything at a community theater in McConnellstown, Pa. Since moving to Denver in 2011, she has worked as an actress, stage manager, set designer, and costumer, as well as a costuming mentor to the students at Golden and George Washington High Schools. She is excited to be back in the director's chair, and wants to thank Bethany, Doug, Kelly, Kiso, Phil and Scott for all their hard work making this show happen. She also wants to thank her family - Chris, Taryn, and Jamey, as well as her mom, Jan, for putting up with her special brand of crazy. Love you guys! STAGE MANAGER - Kiso Kyle - Kiso has been working in theater since high school and holds a B.A in theater from Hastings College. She has been seen onstage and off, which has included acting, directing, stage managing, set building and cartidge pleating. Since moving to Denver in 2007, she has worked with the73rd Avenue Theater Company, the Wheat Ridge Theater Company and The Spark Theater. Kiso's next project will be onstage as Mac in Three Viewings, a joint project between the Wheat Ridge Theater Company and the Firehouse Theater Company. When not acting Kiso is a science teacher. She is super excited to be working on this show as the stage manager. It has been an amazing experience working with such good friends, old and new.

SET DESIGN - Phil Cope - Phil is delighted to be working with his favorite people. You may have seen his designs at the Vintage Theatre in Lady Day at the Emerson Bar and Grill, Crowns, The Sunshine Boys, and The Scottsboro Boys. He would like to dedicated this show to his son Oliver. Thanks to Chris for introducing him to all these wonderful people. Cast & Crew

LIGHT/SOUND DESIGN - Scott Hasbrouck - Scott spent the last 15 years teaching high school theatre and working with various youth theatre programs. He built and developed curriculum for theatre at Golden High School and George Washington High School and was technical director for D'Evelyn Jr./Sr High for several years before that. Scott spent the last 12 summers at the Mizel Arts and Culture Center working with the youth of the Wolf Theatre Academy. He has worked professionally in the Denver area since the early '90s as an actor, director, stage manager, light designer, set designer, carpenter, sound designer, prop master, and stage hand. Venues have included the DCPA, The Ascot Dinner Theatre, The Changing Scene, Fiddler's Green, and The Denver Victorian Playhouse where he was theatre manager and technical director for five years. Scott has recently joined the ranks of theatre people with day jobs and works as a home inspector with Axium. All the gratitude and all the love to Kelly, his wonderful wife who tolerates all the crazy. They are excited to welcome their son, Fox, to the world of theatre. Scott’s life with his family and work in the schools has been motivated by a particularly poignant quote from one of his childhood heroes, Jim Henson: “We do not inherit the world from our parents, we borrow it from our children.”

PRODUCER - Chris Oltyan - After years of serving as a liaison between giant squids and their hated bio-luminescent jellyfish neighbors, Chris Oltyan emerged from the watery depths to work in the video game industry for 12 years as a producer and designer. Eventually leaving that industry, he developed a terminal habit of starting companies, of which he is currently on his 9th. His famous last words were "Sure, we could make a production company, that sounds like fun. How hard could putting on a show be compared to video games or starting companies?"

PROGRAM/PROPS - Kelly Hasbrouck - Kelly is thrilled to be involved in the theatre world again with BYP. With BA's in both Theatre and Interior Design, she has worked professionally in the Denver Metro theatre world for over 20 years as Technical Director of GMP Presents and The Edge Theatre, Assistant Theatre Coach for Golden High School, Set Designer for several theatres, Scenic Painter at the Mizel Arts & Cultural Center, extra hire set & props construction at the Denver Center for the Performing Arts, numerous on-stage roles around town, and much more. Chasing after her and Scott's almost 3 year old son, Fox, has kept her very busy recently, along with starting her new career as a local Realtor. Kelly is truly looking forward to the future of BYP and is grateful to be a part of this crazy group of theatre lovers! Directors Note Welcome to Backyard Productions' inaugural presentation!

If you read my bio elsewhere in this program, you will note that I claim to have 'grown up in a community theater.' What I mean by that, is that from the ages of 7 (Gretl in the Sound of Music) to 18 (Director, Night Watch), my life was shaped by the people I met and worked with at the McConnellstown Playhouse in McConnellstown, Pa. I learned technical skills, sure - how to project, block a scene, focus a light, sew a seam - but many of the lessons I learned in the theater were more fundamentally important than that. I learned about the value of hard work, determination, creativity, collaboration, and, most importantly, community. For me, therefore, community theater has always been just as much about the 'community' as the 'theater,' if not more so! Since moving to Denver, I have been privileged to expand my 'community' to include many talented, creative, and just all around wonderful people. I count them as friends and collaborators, colleagues and mentors. I enjoyed and appreciated working alongside these people toward our shared ultimate goal of creating art. And then, 2020 came along. Of the many, many hardships that can be laid at the doorstep of the COVID-19 pandemic, I think the abrogation of our standard social interactions can be placed high on the list. We were not allowed to gather in person. We missed our families, our friends. We missed our communities. As things began to open back up this spring, I saw an opportunity. I was hungry for some community; and for me the words 'community' and 'theater' are linked. Why not put on a play, and why not do it right in our backyard? It sounded crazy, but I made a few phone calls and, lo and behold, I was able to assemble a crew just as crazy as I am! And so, Backyard Productions was born. This won't be our only show. Almost as soon as we began production on Talley's Folly, we realized that we were already talking about the future. This little community has some big dreams, and even some vague plans starting to take shape! We will continue to collaborate and create. And we want to expand, enriching our little community with more talent, more knowledge, more creativity. But all of that will come later. Tonight, I want to thank you for coming. We have a show for you. It's a small show. Quiet. It's about two lost, lonely people who finally come together to create a little community of their own. Enjoy! Kati Patrons & Thanks

Allow us to get a little cute and clever... We thought, rather than go with just the oft used "Platinum" "Gold" and "Silver" labels, we would instead include elements that make up a truly fantastic back yard! Therefore, may we introduce you to our "Platinum Pool" "Golden Gnome" and "Silver Swing" patron groups and their inaugural members! These are the folks without whom, Backyard Productions would not have made it past the wild idea stage. Join us in thanking them and please let us know if you would be interested in joining their ranks for future productions. In addition to being memorialized in one of these auspicious groupings, you will have all of our unyielding thanks & love... and probably a coffee on the house too.

PLATINUM POOL PATRONS ($250+) Richard Grote Ben Neil

GOLDEN GNOME PATRONS ($100 - $249) Eric Marcoullier Quentin Hartman Wil McCarthy

SILVER SWING PATRONS (Donations - $99) Beaner Sheridan & Timeless Travel Trailers Jim Tennet James McElwee

Thank you! We thought you might enjoy these images of Victorian style boathouses and vintage photos of Lebanon, MO. Lebanon, Missouri A ROAD HAS ALWAYS RUN THROUGH LEBANON As America expanded west from St. Louis, a road has always run through Lebanon, Missouri. At first it was just a rough Indian trail, used by tribes like the Wyota and Osage. During the Civil War that trail became known as the “Wire Road” because of the telegraph lines installed along it between St. Louis and Springfield. Then, in the late 1920's, Route 66 was born and roughly followed that same path the Indians had marked. 66 extended along Lebanon’s south side. Archways proclaiming “Lebanon-Drive In-Our Town, Your Town” were placed over roads leading into town off of the mother road. Today I-44 follows roughly the same path as the old road.

MAGNETIC WATER Perhaps the most unique piece in Lebanon’s history is the magnetic water. A worker digging a new city water well in 1889 found that his tools could pick up nails. The water had magnetized them. Bathing in the magnetic waters was said to have healing powers and visitors came to bathe in them, and drink from the well. The Gasconade Hotel was built to accommodate them and no grander building has ever been seen in Lebanon. The frame structure could house up to 500 guests, who were transported from the depot via an electric railroad. Never a great success, the Gasconade burned after only 10 years.

PRESENT DAY LEBANON Today Lebanon is an energetic, thriving town of over 14,000 residents. Lebanon has continued to thrive as a small community, catering to travelers along the edge of the Ozarks. A number of these travelers come to the area because of Lebanon’s proximity to Bennett Spring State Park, & its approximate 1 million visitors per year. info from www.visitlebanonmo.org Kelly Hasbrouck Realtor www.purplefoxhomes.com [email protected] 303.324.9362 7400 E. Orchard Rd. #4045N Greenwood Village, CO 80111 As creative a Realtor as I am an artist, I am passionately committed to helping you realize your real estate dreams, and have the training, support and knowledge needed to do so. I focus on clear communication, honesty, and transparent negotiations to create the professionalism that you will eagerly share with your friends and family. Your complete satisfaction is my goal!

Contact me and let's start making your real estate dreams a reality!