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A Transcultural Perspective on the Casting of the Rose Tattoo
RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
The Dramatization of the Diary of Anne Frank and Its Influence on American Cultural Perceptions
GOOD AT HEART: THE DRAMATIZATION OF THE DIARY OF ANNE FRANK AND ITS INFLUENCE ON AMERICAN CULTURAL PERCEPTIONS A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Whitney Lewis Stalnaker May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Whitney Lewis Stalnaker B.S., Glenville State College, 2011 M.A., Kent State University, 2016 Approved by Dr. Richard Steigmann-Gall , Advisor Dr. Kenneth Bindas , Chair, Department of History Dr. James Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... iii PREFACE ........................................................................................................................................v ACKNOWLEDGMENTS ............................................................................................................. ix INTRODUCTION ...........................................................................................................................1 Historiography ...............................................................................................................5 Methodology ..................................................................................................................9 Why This Play? ............................................................................................................12 CHAPTERS -
Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
Kansas City Repertory Theatre Announces Acclaimed Cast for the Diary of Anne Frank Jan
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 or 816.213.4355 [email protected] FOR TICKETS: Box Office at 816.235.2700 or www.KCRep.org. Kansas City Repertory Theatre Announces Acclaimed Cast for The Diary of Anne Frank Jan. 29 through Feb. 21, 2016 at newly renovated Spencer Theatre Kansas City, MO (Jan. 5, 2016) – Kansas City Repertory Theatre’s Artistic Director Eric Rosen is pleased to announce the cast of The Diary of Anne Frank, directed by Marissa Wolf, KC Rep’s Director of New Works. The play, based upon Anne Frank: The Diary of a Young Girl, was originally written for the stage by Frances Goodrich and Albert Hackett. In 1997, Wendy Kesselman published a revised version of Goodrich and Hackett’s Pulitzer Prize winning script, which integrated some of the more personal aspects of Anne Frank’s story that remained untold in the original script. Peer into the world of a family in hiding and a gifted young writer who came of age during the horrors of the Holocaust. Through Anne’s eyes, we see the prevailing hopes of a girl who – despite everything – inspired generations with her unwavering faith in humanity. This production begins Friday, Jan. 29 and runs through Sunday, Feb. 21 at KC Rep’s newly renovated Spencer Theatre. Kansas City Repertory Theatre Announces Cast for The Diary of Anne Frank Jan. 29 through Feb. 21 at Spencer Theatre Page 1 “This work by Wendy Kessleman is stunningly lyrical and poetic,” stated Wolf. “My hope is that KC Rep audiences will connect intimately with Anne as a budding young woman and all that goes with a young and emerging heart, in spite of the world looming outside.” The ensemble cast, drawn locally as well as from across the country, includes: Daniel Beeman as Peter Van Daan, Martin Buchanan as Mr. -
DUNCAN SYKRS Artistic Dircctor VINCENT EAVIS
George Vbollands and Margarct llcn<llt' li rurrrlt'< l Pl rst t'rrirrrrr irr 1924.'lhe company's first procluctiorr r,r,:rs llrt' rrou littl( krr()\\'n Tbe Tide by Basil McDonalcl llitstitrgs. Sirtt'r' tlrt'rr. llrt' r'r)nrl);urv has performed nearly 250 plays, usitrg llltt-r-rllv:rs;r lr:rsc srrtt' 1945. In this time Prosceniuln hits built ul) l sln)ns r1'l)lrt.ltr()rr for performing challenging plays (both clrtssic lrrrl cr)nl('nrl)()r.:u-\ ) to a high stanclard. Chairmztn DUNCAN SYKRS Artistic Dircctor VINCENT EAVIS Secretary ROBERT EWEN Contact uri 1rt: www.pfoscenirun. () rg - r r l( 'l'his seasr)n sLrpl)()r'l t'<l llr Rcgistercrl clr:rrit1, - Nr r Molly Sweeney By Brian Friel o tr o o U'= ->I o E = 25th-28h January 2006 Travellers Studio, Hatch End Molly Sweeney by Brian Friel The Playwright Molly Angie Sutherland Born in Omagh, Co. Tyrone in 1929, Brian Friel and his family moved to Derry Frank Duncan Sykes City in 1939. He started to write in the 1950s, first short stories and then Mr Rice David Pearson experimenting with drama. He recalled some twenty years later the impulse /o survey and analyse the mixed holding I had inherited: the personal, traditional Directed by Crystal Anthony and acquired lvtowledge that cocooned me, an lrish Catholic teacher with a Stage Manager Colin Hickman nationalist background, living in a schizophrenic community, son of a teacher, Lighting/Sound Arts Culture Harrow grandson of peasants who could neither read or write. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
Title: Title: Title
Title: 45 Seconds from Broadway Author: Simon, Neil Publisher: Samuel French 2003 Description: roy comedy - friendship - Broadway twelve characters six male; six female two acts interior set; running time: more than 120 minutes; 1 setting From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they Title: Aberhart Summer, The Author: Massing, Conni Publisher: NeWest Press 1999 Description: roy comedy - historical - Alberta playwright - Canadian eleven characters eight male; three female two acts "Based on Bruce Allen Powe's 1984 novel [of the same name], Massing's marvelous play is at once a gripping Alberta history lesson, a sweetly nostalgic comedy and a cracking-good-murder-mystery, all rolled up into one big, bright ball of theatrical energy and verve..." Calgary Herald "At its best, Aberhart Summer is a vivid and unsentimental depiction of small-town Canadian life in Title: Accidents Happen Seven short plays Author: DeAngelis, J. Michael Barry, Pete Publisher: Samuel French 2010 Description: roy comedy large cast flexible casting seven one acts Seven of The Porch Room's best short plays collected together into an evening of comedy that proves that no matter what you plan for - accidents happen. The shorts can be performed together as a full-length show or on their own as one acts. -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
Annie Dorsen Holland Festival 2015
HOLLAND FESTIVAL 2015 YESTERDAY T0MORROW ANNIE DORSEN met bijdrage van with additional support by The MAP Fund, with the assistance of the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation; INFO Mount Tremper Arts; Abrons Arts Center; New York State DO 4.6 Council on the Arts, with the support of Governor Andrew THU 4.6 Cuomo and the New York State Legislature aanvang starting time met dank aan thank you 20:30 8:30 pm Dylan Fried, Tian Jiang, Greg Purnhagen, Tomas Cruz, Wiesenburg, The Bach Project locatie venue Muziekgebouw aan ‘t IJ wereldpremière world premiere Amsterdam, 4 juni 2015 duur running time 60 minuten, geen pauze 60 minutes, no interval inleiding introduction door by Thea Derks ANNIE DORSEN: 19:45 7:45 pm YESTERDAY TOMORROW, EEN CREDITS ALGORITMISCHE concept, regie concept, direction Annie Dorsen MUSICAL muzikale leiding music director door Thea Derks Joanna Bailie Regisseur Annie Dorsen is bekend vanwege haar ‘algoritmisch algoritme-ontwerp algorithm design theater’, waarin ze bestaande teksten uit elkaar pluist en Pierre Godard weer in elkaar zet met behulp van computers. In Hello Hi There (2010) wierp ze een nieuw licht op een historisch geluidsontwerp sound design gesprek tussen de Franse filosoof Michel Foucault en de Greg Beller Amerikaanse linguïst Noam Chomsky. Op het toneel zien we twee laptops via chatbots discussiëren over serieuze ontwerp videosysteem video systems design onderwerpen. Doordat zij de meest onverwachte zijpaden Ryan Holsopple bewandelen, bevragen zij de optimistische verwachting dat machines uiteindelijk de mens kunnen vervangen. lichtontwerp en technische productie lighting design and Tegelijkertijd illustreren ze de onmogelijkheid van werkelijke technical direction communicatie en verbinding. -
No List of Political Assets
Slavistische Beiträge ∙ Band 248 (eBook - Digi20-Retro) Jerry T.Heil No List of Political Assets The Collaboration of Iurii Olesha and Abram Room on "Strogii Iunosha" [A Strict Youth (1936)] Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access 00050392 Sl a v is t ic h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER JOSEF SCHRENK REDAKTION PETER REHDER Band 248 VERLAG OTTO SAGNER MÜNCHEN Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access 00050392 JERRY T. HEIL NO LIST OF POLITICAL ASSETS: The Collaboration of lurii Olesha and Abram Room “ Strogii lunosha” [A Strict Youth (1936)] VERLAG OTTO SAGNER • MÜNCHEN 1989 Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access ISBN 3-87690-449-8 © Verlag Otto Sagner, München 1989 Abteilung der Firma Kubon & Sagner, München Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access Acknowledgments The research that led to this essay (and others) was made possible by a grmt from the International Research and Exchanges Board (IREX)f Princeton, New Jersey, an agency partially funded by the United States' N a tia ia l Endowment fo r the H um anities, W ashington, D.C. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 2-26-1947 The aB tes Student - volume 73 number 15 - February 26, 1947 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 73 number 15 - February 26, 1947" (1947). The Bates Student. 945. http://scarab.bates.edu/bates_student/945 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. 51 She ■ Vol. LXII. No. 39. BATES COLLEGE, LEWISTON, MAINE, FEBRUARY 26, 1947 Price: Fifteen Cents Varsity, Jayvees Sweep State Series; Capture Third Sports Title In Past Married Set Plans Calendar Science Groups Plan Wednesday, Feb. 26—Physical Basketball Title ex Ball And Chain Education Ski Trip at North Con- Exhibit March 13, 14 way, 7 a. m. to 5:30 p. m. May be For Ed Petro, Team Friday night, February 21, the the 27th or 28th depending on wea- ['he Jordan-Ramsdell scientific young married veteran set on cam- ther. Turning on a jet propelled offensive in the second half of ■iety and the Lawrence Chemi- pus met in Chas; Hall and organ- ; society will present a science U. Of Life Program ized the "Ball and Caain" Club Thursday, Feb. 27—Debating last night's game, the Bobcats swept to their third State xiiibit in Hedge Laboratory and with Mr.