STC Board of Trustees

Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased

3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. Although they are in About the Playwright 11 two parts, performed over two nights, it is one, long play, with recurring characters and themes. It shows Henry IV, Part 1 Cast 14 us fathers and sons and husbands and wives, it Henry IV, Part 2 Cast 15 dramatizes war and its human costs, it shows us the terrible burdens of leadership and the fragility of a Cast Biographies 17 commonwealth wracked by regional and political differences. It shows us sickness and suffering, Direction and laughter and gaiety, life and death. This play for me is Design Biographies 22 simply universal in every way. Support 25 At this stage in my career, I am aware that I do my For STC 38 best work when I am surrounded by artists of the highest caliber. Few things make me prouder than STC Staff 42 welcoming back STC Affiliated Artist Stacy Keach to Audience Services 43 play Falstaff. I have known Stacy for a very long time, and I am thrilled and grateful that he has chosen to spend six months working with us. Joining him is a truly outstanding veteran cast filled with many longtime friends, as well as some new young faces. I have dreamed for a very long time that this theatre Creative Conversations must do both parts of Henry IV, and I am profoundly grateful to Clarice Smith for making this ambitious HENRY IV, Part 1 and Part 2 repertory production possible. In the remainder of our 2013–14 Season we will be Page and Stage FREE hosting two productions inspired by Noël Coward, Sunday, April 6, 5-6 p.m. one of the wittiest and most romantic of 20th- century playwrights. As part of our STC Presentation Bookends FREE Series, Kneehigh Theatre’s Brief Encounter will be Wednesday, April 9 and 16, at the Lansburgh from March 29 through April 13. Pre-show 5:30 p.m. and post-show The production stars Hannah Yelland, Hermione in Post-Performance last season’s The Winter’s Tale, who was nominated Cast Discussion FREE for a Tony Award for her performance in this Wednesday, May 7 and internationally acclaimed production. May 29 to July 21, post-show 13, Maria Aitken closes our subscription season with Coward’s fast-talking and manners-breaking comedy, FREE Classics in Context Private Lives. As always, we hope to share these Saturday, May 10, 5-6 p.m. stories with you in our theatres, and I look forward to AsidesLIVE: Henry IV, Parts 1 and 2 seeing you there. Sunday, April 27, 2014, 10 a.m.–1 p.m. Warm regards, Tickets: $20 regular, $15 ticket holders/ subscribers, $7 student tickets.

jJoin the director, actors and special guests in this morning of conversations Michael Kahn about the plays. Artistic Director Shakespeare Theatre Company ShakespeareTheatre.org/Education

Cover photo by Scott Suchman.

4 200 MAsTERWORKs 120 ARTIsTs 1 AMERIcAn sPIRIT

AmericA n mAsters mADe in from The PhilliP s ColleCTion 1850–1970 tHe UsA Through August 31, 2014

1600 21st Street, NW The exhibition is organized by The Phillips Collection. (Dupont Circle, Q Street exit)

Thursday NighTs The exhibition is presented by OpeN uNTil 8:30 pm Generous support is provided by www.phillipscollection.org members eNjOy uNlimiTed The Mr. and Mrs. Raymond J. Horowitz Free admissiON aNd Foundation for the Arts. discOuNTs. jOiN us! Brought to you by the Made in the USA Committee

5 ARTHUR G. DOVE, RED SUN (DETAIL), 1935. OIL On cAnVAs, 20 1/4 x 28 In. THE PHILLIPs cOLLEcTIOn, WAsHInGTOn, Dc, AcQUIRED 1935 © THE EsTATE OF ARTHUR G. DOVE, cOURTEsY TERRY DInTEnFAss, Inc.

shakespeare theater ad February 2014.indd 1 2/18/2014 4:53:55 PM Recipient of the 2012 Regional Theatre Tony Award®

Artistic Director Michael Kahn Managing Director Chris Jennings

William Shakespeare’s

Performances Begin March 25, 2014 Performances Begin April 1, 2014 Opening Night April 15, 2014 Opening Night April 18, 2014 Sidney Harman Hall Sidney Harman Hall

Director Resident Casting Director Michael Kahn Daniel Neville-Rehbehn

Associate Director Fight Directors Alan Paul Rick Sordelet Christian Kelly-Sordelet Set Designer Alexander Dodge Voice and Text Coach Ellen O’Brien Costume Designer Ann Hould-Ward Literary Associate Drew Lichtenberg Lighting Designer Stephen Strawbridge Assistant Director 200 MAsTERWORKs 120 ARTIsTs 1 AMERIcAn sPIRIT Gus Heagerty Composer/Music Director/ Sound Score Assistant to the Director Nathanael Johnson AmericA n Michael Roth mAsters Production Stage Manager Wig Designer from Joseph Smelser* mADe in Paul Huntley The PhilliP s Assistant Stage Managers New York Casting ColleCTion Hannah R. O’Neil* Stuart Howard and Paul Hardt 1850–1970 Robyn M. Zalewski* tHe UsA Through August 31, 2014 The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation. Additional support for the Henry IV Repertory provided by the 1600 21st Street, NW The exhibition is organized by The Phillips Collection. (Dupont Circle, Q Street exit) National Endowment for the Arts.

Thursday NighTs The exhibition is presented by Henry IV, Part 1 Restaurant Partner: Carmine’s OpeN uNTil 8:30 pm Generous support is provided by Henry IV, Part 2 Restaurant Partner: Social Reform www.phillipscollection.org members eNjOy uNlimiTed The Mr. and Mrs. Raymond J. Horowitz Free admissiON aNd Foundation for the Arts. discOuNTs. jOiN us! Brought to you by the Made in the USA Committee *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

ARTHUR G. DOVE, RED SUN (DETAIL), 1935. OIL On cAnVAs, 20 1/4 x 28 In. THE PHILLIPs cOLLEcTIOn, WAsHInGTOn, Dc, AcQUIRED 1935 © THE EsTATE OF ARTHUR G. DOVE, cOURTEsY TERRY DInTEnFAss, Inc.

shakespeare theater ad February 2014.indd 1 2/18/2014 4:53:55 PM The Play of History

What is the history play? It ends with neither halfway through, just as Hotspur’s spirited deaths nor weddings, yet contains both arguments with his wife parallel Prince tragedy and comedy. It devotes itself to the Hal’s jesting games of wit with Falstaff. regional and political differences of millions Heterosexual tensions in the one world vie of people, while functioning as a family with homosocial bonds in the other; games drama of unusual intimacy. The history play of criminal mischief in one echo deadly war shows us great kings and mighty warriors, games in the other. but it also makes room for the common man Another way of understanding the play’s and allows the silent woman to have her say. architecture is by looking at character. The How does one sum up a genre that appears court, the tavern and the battlefield are to follow so few set rules and regulations? ruled by King Henry, Falstaff and Hotspur, How does one define the warp and woof of respectively. The only figure linking together what looks like pure inspiration? these three worlds is Prince Hal, and the play * * * is concerned principally with his personal and political education. Strikingly, Shakespeare Almost as soon as it appeared, Henry IV, does not pressure us to side with any one Part 1 was a popular sensation. It was of Hal’s would-be mentors. He presents the the best-selling of Shakespeare’s plays, King’s criticisms of Hal’s wastrel conduct just going through nine editions between 1598 as seriously as he does Falstaff’s endorsement and 1639. (Part 2 was only printed once, of a self-interested and liberal lifestyle, as in 1600.) It played regularly in theatres well as Hotspur’s valiant self-conduct. throughout the seventeenth century. During the Interregnum, when all theatre Shakespeare also, with brilliant irony, shows was prohibited, the Falstaff scenes were us the terrible burdens of the King’s mortal performed as a “droll” – at taverns and fairs, sin, the self-serving logic of Falstaff and on an impromptu scaffold – under the title Hotspur’s self-destructive qualities. Along The Bouncing Knight. with Hal, we in the audience have to reflect on and choose the wisest course of action. Structurally, the play has a restless, triangular Shakespeare’s genius makes clear that momentum. We begin with scenes every option comes with a terrible price. alternately serious and comic in the court and We are made utterly aware of the necessity the tavern, before political conflict disrupts for Hal’s maturation, but it registers as a the King’s Council in the third scene. From heartbreaking shock when it arrives. that point on, the action shifts between the three worlds of the court, the tavern, and the * * * battlefield. Shakespeare yokes these three That maturity arrives in Henry IV, Part 2. realms together in an almost contrapuntal This play, never as popular as Part 1, is manner, finding striking thematic unities in nonetheless unique in Shakespeare’s canon. the most seemingly disparate of settings. A markedly transitional play, it looks forward For example, the climactic Battle of to the great tragedies, boasting a newfound Shrewsbury is foreshadowed and parodied sense of mortality and loss. Choral brilliantly by the “Battle” of Gad’s Hill lamentations, such as Northumberland’s

7 Falstaff at the Boars Head Tavern by Edward Grutzner Goupil speech in Act 2, scene 1, recall nothing so knight himself seems to have aged a great much as King Lear on the barren heath. The deal. His ailing health and fortunes are emotional tenor of the play seems to have made clear from his first appearance, and ripened immeasurably from its predecessor, he is chased throughout the play by the an amazing feat considering the two were Lord Chief Justice, a quasi-symbolic figure written less than a year apart. While it promising a final reckoning. “We have heard shares the ingenious tripartite structure the chimes at midnight,” Falstaff says to the of Part 1, it would be difficult to imagine similarly symbolic Justice Shallow, whose a more tonally opposite work and more sun-dappled orchard in Gloucestershire has striking completion to the story. replaced the taverns of Eastcheap, casting an autumnal light over the stage. It is While Part 1 is a joyous play, capacious almost the exact midpoint of the action, Act in its depiction of the richly varied realms 3, scene 2. The bell is tolling. An old order of the commonwealth, Part 2 is distinctly is dying and a new one is being born. darker and deeper, a melancholy reworking of the same themes. The triumphal * * * symphony of the earlier play has been Like history, the two parts of Henry IV work on transposed into a minor key, Shakespeare’s the widest available canvas. Traversing across gaze turning from dreams of wealth every strata of society, Shakespeare throws and plenitude to realities of disease and hundreds of characters on the stage, weaving sickness, from the illusions of youth to the together recorded history and improvisatory ravages of time. comedy, public speeches and private The rebellion is faltering, showing little of the motives. Along the way, Shakespeare creates gallant chivalry of its initial leader, Hotspur. the mesmerizing illusion of a fully realized There is a strange feeling of futility, as if the world, one that mimics life itself in all of its rebels sense they are at war with historical variety and complexity. In their wide-ranging change itself. Prince Hal himself cuts a much panorama of human existence, the two parts more solitary figure, less knowable than the of Henry IV, taken together, comprise perhaps impressionable youth of Part 1. the greatest history play ever written. Which is to say, they are among the greatest works we Most strikingly, the character of Falstaff has possess in dramatic literature. shifted. Kept apart from Hal for the majority of the action, his role as braggart has been Drew Lichtenberg, Literary Associate taken over by the newly introduced Pistol (a B-movie Hotspur), while the bouncing

8 9 Synopsis: Henry IV, Part 1

Before Our Play Begins At the end of Shakespeare’s Richard II, Henry Bolingbroke, newly crowned King Henry IV with the aid of the Earls of Northumberland and Worcester, laments over the corpse of his cousin King Richard II. Even though Richard was killed by a loyalist of the new king, Henry denies responsibility for the murder. Nevertheless, he vows to set off on a crusade to the Holy Land to cleanse his soul.

The Play As the play opens, King Henry IV plans to leave for the Holy Land are interrupted when news breaks of the Battle of Holmedon. The King’s allies, including Lord Henry Percy or “Hotspur” (the son of Northumberland) have valiantly repelled the invading Scots. The King praises Hotspur’s conduct, and wishes that his own son Prince Hal had been at the battle, but the Prince spends his time at the Boar’s Head Tavern in Eastcheap consorting with low companions, including the fat knight Sir John Falstaff.

Back at court, the King demands Hotspur yield his Scottish prisoners and refuses to pay the Scots ransom for Edmund Mortimer, the Earl of March and the rightful heir to the throne. Angered by the King’s actions, Hotspur bitterly laments his role in helping Bolingbroke to the throne. In conspiracy with his father, Northumberland and his uncle, the Earl of Worcester, he decides to ransom Mortimer himself with his Scottish prisoners and plot a rebellion against the King.

Meanwhile, Falstaff and his fellows conspire to rob a group of pilgrims on Gad’s Hill – a stop on the ancient road from London to Canterbury. Hal tags along in disguise, to play a trick on his dissolute friend. Later, after displaying Falstaff’s cowardice for all to see, Hal returns the money, swearing off further such criminal mischief.

In Wales, the Welshman Glendower, Mortimer, Hotspur and Worcester argue over how they will divide the kingdom between them. Called back to the court by his father, Hal is reprimanded by the King, who compares his actions unfavorably to those of Hotspur. Hal vows to change and leaves with the King to battle the rebels, but not before securing a command of foot soldiers for Falstaff. Falstaff, however, keeps much of the King’s commission for himself and recruits a rag-tag bunch of soldiers for the upcoming battle.

In the field, news arrives that the rebellion’s forces are diminished, but Hotspur vows to battle on. The King offers a pardon if the rebels surrender, but Worcester keeps this information from Hotspur. In the Battle of Shrewsbury Hill, King Henry clashes with the wild Scot Douglas, Hal kills Hotspur in a fight, and Falstaff pretends to be dead to save his own life. After the battle, Falstaff claims responsibility for Hotspur’s death. Hal allows Falstaff to take the credit as he and his father prepare to fight the remaining rebels in Ireland.

10 Synopsis: Henry IV, Part 2

The play picks up where Part 1 leaves off, in the immediate wake of the Battle of Shrewsbury. As rumors spread throughout England that Hotspur has killed Prince Hal, uncertainty hangs over the Earl of Northumberland, absent at Shrewsbury due to illness. After hearing contradictory reports, Hastings reveals the truth—that Hotspur was killed. Northumberland, heartbroken that he abandoned his son in battle, swears revenge. Meanwhile, the Archbishop of York, Hastings, Lord Russell and Mowbray decide to raise an army against the King’s forces with or without Northumberland’s help.

In London, Falstaff coasts on the rumor that he fought valiantly at Shrewsbury and tries to ignore the King’s orders to raise an army to aid his younger son, Prince John, in putting down the Yorkshire rebellion. As news of the rebel forces reaches King Henry, whose health is deteriorating from the stress of impending war, the sleepless monarch turns his uneasy mind toward the future of an England ruled by his seemingly degenerate heir.

Meanwhile, in the Eastcheap tavern, Prince Hal discovers Falstaff embroiled in intrigues with his landlady Mistress Quickly, the younger Doll Tearsheet and the pompous Pistol. When news arrives of the King’s swiftly declining health, a guilty Hal rushes off, warning Falstaff to join the fight against the rebels.

Back north, Lady Percy, Hotspur’s impassioned widow, along with Lady Northumberland, prevails on Northumberland to retreat to Scotland. Geared for battle at Gaultree Forest, the Archbishop, Hastings and the remaining rebels present a list of demands to Prince John. When they accept his offer of truce and disperse their troops, John arrests the rebels and leads them off to be executed. Falstaff, who has again recruited a ragtag army, arrives at the battlefield after the armies have gone. He praises the drinking of wine, then heads for Gloucestershire to borrow money from an old acquaintance, Justice Shallow.

Back in London, the ailing King finally learns of the rebels’ defeat and falls asleep. Thinking him dead, Prince Hal takes the crown from his father, only to be reprimanded when the King awakens. In an impassioned scene, father and son finally confront one another. Shortly after, news of the King’s death reaches Falstaff in Gloucestershire. Thinking his old tavern companion, Hal, will certainly elevate his position now that he’s King, Falstaff rushes back to London. As the coronation procession passes by, Falstaff calls out from the crowd to Hal, newly crowned King Henry V. The new King, turning away from his former self, finally assumes his royal role and renounces Falstaff.

11 About the Playwright

No man’s life has been the subject of more speculation than William Shakespeare’s. While Shakespearean scholars have dedicated their lives to the search for evidence, the truth is that no one really knows what the truth is. Scholars agree that a William Shakespeare was baptized at Stratford-upon-Avon on April 26, 1564. Tradition holds that he was born three days earlier, on April 23—the same date on which, 52 years later, he was recorded to have died. On November 27, 1582, a marriage license was granted to 18-year-old William and 26-year-old Anne Hathaway. A daughter, Susanna, was born to the couple six months later. We know that twins, Hamnet and Judith, were born soon after and were baptized. What we do not know is how the young Shakespeare came to travel to London and how he first came to the stage. Whatever the truth may be, it is clear that in the years between 1582 and 1592 someone calling himself William Shakespeare became involved in the London theatre scene and was a principal actor with one of several repertory companies.

By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. A rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with his tiger’s heart wrapped in a player’s hide supposes he is as well able to bombast out a blank verse as the best of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a country.” In the years between 1591 and 1593, the theatres of London were temporarily shut down due to an outbreak of plague; Shakespeare turned his considerable talents to sonnet writing and acquired a patron, the young Lord Southampton, to whom two of his poems, Venus and Adonis and The Rape of Lucrece, are dedicated.

In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of this company for the rest of his career, which lasted until approximately 1611. When James I came to the throne in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call themselves The King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, which had artificial lighting and was probably heated, served as their winter playhouse. The famous Globe Theatre was their summer performance space.

In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected as the greatest writer of English literature and drama. In the 1800s, his plays were so popular that many refused to believe that an actor from Stratford had written them. To this day some believe that Sir Francis Bacon was the real author of the plays; others argue that Edward DeVere, the Earl of Oxford, was the man. Still others contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

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 Cast: Henry IV, Part 1

The Royal Family King Henry IV...... Edward Gero* Henry, Prince of Wales, surnamed Hal...... Matthew Amendt* Prince John of Lancaster...... sons to ...... Patrick Vaill* Prince Humphrey, Duke of Gloucester...... the King Alex Piper+ Thomas, Duke of Clarence...... } Nathan Winkelstein+ Earl of Westmoreland, cousin to the King...... Craig Wallace* The Percy Family Henry Percy, Earl of Northumberland...... Kevin McGuire* Henry Percy, his son, surnamed Hotspur...... John Keabler* Lady Percy, Hotspur’s wife, and sister to Mortimer...... Kelley Curran* Thomas Percy, Earl of Worcester, brother to Northumberland...... Steve Pickering* Sir Richard Vernon...... Chris Genebach* Servant to Hotspur...... Jack Powers+ Allies to the King Sir Walter Blount...... Joel David Santner* Lord Chief Justice, of the King’s bench...... Derrick Lee Weeden* Voice of Exton...... Chris Genebach* Allies to the Rebellion Owen Glendower, of the Welsh...... Ted van Griethuysen* Edmund Mortimer, Earl of March, Lady Percy’s brother...... Aaron Gaines Lady Mortimer, his wife, daughter to Glendower...... Vanessa Sterling+ Archibald, Earl of Douglas...... Rhett Henckel* Voice of Richard II...... Robbie Gay§ Eastcheap Sir John Falstaff...... Stacy Keach* Mistress Quickly, hostess of the tavern...... Kate Skinner* Ned Poins...... Jude Sandy* Bardolph...... followers ...... Brad Bellamy* Peto...... of Falstaff ...... Matthew McGee Gadshill...... } ...... Chris Genebach* Francis, a tapster...... Luis Alberto Gonzalez+ Tom, a tapster...... Ade Otukoya+ Dick, a tapster...... Alex Piper+ Travellers...... Bev Appleton*, Michael Crowley, Aaron Gaines, Brendon Schaefer+ Whores of the tavern...... Julia Brandeberry, Maggie Kettering*, Vanessa Sterling+

Lords, soldiers, drawers, servants and messengers played by the company. Understudies Bev Appleton* (Glendower, Bardolph), Julia Brandeberry (Quickly), Christopher Dwyer (Ensemble), Chris Genebach* (Worcester), Luis Alberto Gonzalez+ (Poins), Rhett Henckel* (Hotspur), Jeff Keogh (Traveller), Alexandra Linn (Lady Mortimer), Kevin McGuire* (King Henry IV), Steve Pickering* (Falstaff), Alex Piper+ (Lancaster), Jack Powers+ (Gadshill, Vernon, Douglas), Lawrence Redmond* (Westmoreland, Northumberland, Lord Chief Justice), Brendon Schaefer+ (Blount), Vanessa Sterling+ (Lady Percy), Patrick Vaill* (Prince Hal), James Waters (Ensemble), Nathan Winkelstein+ (Mortimer)

Production Assistant: Maria Tejada Directorial Observer for Part 1 & 2: Helen Stewart Special Thanks Parts 1 & 2: Swords by Lewis Shaw THERE WILL BE ONE 15-MINUTE INTERMISSION. The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative. Copyright laws prohibit the use of cameras and recording equipment in the theatre. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company. § Member of Academy for Classical Acting

15 Cast: Henry IV, Part 2

The Royal Family King Henry IV...... Edward Gero* Henry, Prince of Wales, surnamed Hal...... Matthew Amendt* Prince John of Lancaster...... sons of ...... Patrick Vaill* Prince Humphrey, Duke of Gloucester...... the King Alex Piper+ Thomas, Duke of Clarence...... } Nathan Winkelstein+ Earl of Westmoreland, cousin to the King...... Craig Wallace* The Percy Family Henry Percy, Earl of Northumberland...... Kevin McGuire* Lady Northumberland, his wife...... Julia Brandeberry Lady Percy, Hotspur’s widow, daughter-in-law to Northumberland ...... Kelly Curran* Travers, servant to Northumberland ...... Jack Powers+ Allies to the King Lord Chief Justice, of the King’s bench...... Derrick Lee Weeden* Gower, clerk to the Lord Chief Justice ...... Bev Appleton* Earl of Warwick ...... Kevin McGuire* Earl of Surrey ...... Michael Crowley Servant to the Lord Chief Justice ...... Alex Piper+ Voice of Exton...... Chris Genebach* Allies to the Rebellion Richard Scroop, Archbishop of York...... Steve Pickering* Lord Hastings...... Aaron Gaines Thomas Mowbray, Earl Marshal...... Rhett Henckel* Lord Russell...... Joel David Santner* Sir John Coleville ...... John Keabler* Voice of Richard II...... Robbie Gay§ Eastcheap Sir John Falstaff...... Stacy Keach* Mistress Quickly, hostess of the tavern...... Kate Skinner* Ned Poins...... Jude Sandy* Bardolph...... followers ...... Brad Bellamy* Peto...... of Falstaff ...... Matthew McGee Pistol...... } ...... Steve Pickering* Doll Tearsheet, a whore ...... Maggie Kettering* Page, to Falstaff ...... Max Jackson Fang, an officer...... Chris Genebach* Snare, an officer ...... Matthew McGee Tavern musicians ...... John Keabler*, Alex Piper+, Nathan Winkelstein+ Peasants ...... Julia Brandeberry, Vanessa Sterling+ Gloucestershire Justice Shallow, a country justice ...... Ted van Griethuysen* Justice Silence, his cousin, also a country justice ...... Bev Appleton* Davy, Shallow’s servant ...... Ade Otukoya+ Ralph Mouldy ...... Joel David Santner* Simon Shadow ...... men of ...... Brendon Schaefer+ + Thomas Wart...... the ...... Luis Alberto Gonzalez Francis Feeble ...... Matthew McGee Peter Bullcalf...... } country ...... Chris Genebach*

Lords, soldiers, drawers, servants and messengers played by the company. Understudies Bev Appleton* (Shallow, Bardolph), Julia Brandeberry (Quickly, Doll Tearsheet), Colin Cech (Page), Michael Crowley (Silence, Gower), Christopher Dwyer (Ensemble), Chris Genebach* (Pistol, Archbishop), Luis Alberto Gonzalez+ (Poins), Jeff Keogh (Surrey), Alexandra Linn (Lady Northumberland), Matthew McGee (Sneak, Coleville), Kevin McGuire* (King Henry IV), Steve Pickering* (Falstaff), Alex Piper+ (Lancaster), Jack Powers+ (Fang, Bullcalf, Mowbray), Lawrence Redmond* (Westmoreland, Northumberland, Lord Chief Justice), Brendon Schaefer+ (Russell, Mouldy), Vanessa Sterling+ (Lady Percy), Patrick Vaill* (Prince Hal), James Waters (Ensemble), Nathan Winkelstein+ (Hastings) Production Assistant: Maria Tejada THERE WILL BE ONE 15-MINUTE INTERMISSION. 16 Explore artifacts from Peru’s legendary royal tombs and other ancient splendors.

APRIL 10 – SEPTEMBER 2

ngmuseum.org 17th & M Streets NW MUSEO SICAN, RAFAEL RIOJA MUSEO SICAN, RAFAEL

TALKS FILMS CONCERTS TASTINGS FR P EE ARKING TOURS Explore the entire season at nglive.org/dc

@NatGeoLive | Metros: Farragut N & W | 17th & M Streets | 202.857.7700 17 Cast Biographies

Matthew Amendt* Alliance Theatre; Cleveland Play House; Dallas Theatre Henry, Prince of Wales Center; Denver Center of the Performing Arts; Long NEW YORK: Off-Broadway: Theatre Wharf Theatre; Pittsburgh Public Theater. FILM: Ira and for A New Audience: Much Ado Abby, Burning Point, Tied to a Chair, The Adventures of About Nothing; Pearl Theater: The Arthur Conan Doyle, A Kiss for Jed Wood. TELEVISION: Subject was Roses, The Misanthrope; On the Edge, It’s Not Easy Being Me, 30 Rock, Law The Acting Company: Henry V. and Order: SVU, Conviction; Commercials for AARP, REGIONAL: Guthrie Theater: 13 Snickers, Sprint, Wendy’s and many others. productions since 2003, including The Great Gatsby (world premiere), His Girl Friday (U.S. premiere w/ Julia Brandeberry Angela Bassett and Courtney B. Vance), The Home Lady Northumberland/ Place (U.S. premiere), Peer Gynt (w/ Mark Rylance); Ensemble Westport; Seattle Rep; Arden Theatre; Syracuse Stage; REGIONAL: Everyman Theatre: Hudson Valley Shakespeare Festival; Great River Our Town, The Beaux Stratagem; Shakespeare Festival and others. FILM: Midnight Taffety Punk: Romeo and Juliet; Chronicles, Cross Lake Incident, Insalata Caprese. Profile Theatre:A Lesson from Aloes; TELEVISION: PBS: The Mystery of Matter. AWARDS: Impulsive Theatre: Titus Andronicus, 2013 Joe Dowling Fellow at Tyrone Guthrie Centre, Much Ado About Nothing. INTERNATIONAL: Vienna Annaghmakerrig, Ireland; Presidential Scholar in International Theatre: Children of A Lesser God, Crimes the Arts; Ivey Award for Best Emerging Artist; Lortel of the Heart. TELEVISION: Leverage, Unsolved Mysteries. Nomination for Best ensemble for The Misanthrope. TRAINING: BFA, Guthrie Theater/University of Michael Crowley Minnesota Professional Actor Training Program; Traveller/Earl of Surrey/ Chautauqua Conservatory; National Theater, London. Ensemble REGIONAL: Studio Theatre: Tribes Bev Appleton* (understudy); Ambassador Theatre: Traveller/Gower/ Protest by Vaclav Havel; Capital Justice Silence Fringe Festival: The Politician. STC: All’s Well That Ends Well, The TELEVISION: House of Cards. Merry Wives of Windsor, Much TRAINING: Studio Theatre Acting Conservatory; Ado About Nothing, Coriolanus, STC Master Acting Classes. Wallenstein, Measure for Measure. Favorite Shakespearean roles Kelley Curran* performed: Cassius, Hotspur, Touchstone, Kent, Lady Percy Dogberry, Feste. NEW YORK: Manhattan Theatre NEW YORK: Off-Broadway: Club: Five by Tenn, The Other Side. REGIONAL: Arden Signature Theatre Company: Theatre: Twelfth Night, Proof, Sweeney Todd; Walnut Angels in America (dir. Michael Street Theatre: Of Mice and Men, Man of La Mancha, Greif); LAByrinth: Atmosphere of Mr. Bailey’s Minder (U.S. premiere). INTERNATIONAL: Memory (dir. Pam MacKinnon); Sibiu International Theatre Festival and Edinburgh New Victory Theater: Henry V Fringe: Two Rooms; Blue Ridge Theatre Festival, Caux, (dir. Davis McCallum); The Acting Company: Jane Switzerland: Wenceslas Square, Cotton Patch Gospel; Eyre, The Tempest, Moby Dick—Rehearsed, Henry performed in Hungary, Romania, India, England, V; 59East59: Knives & Spoons Go On the Right. Scotland and Switzerland. FILM: The New World, The REGIONAL: Portland Center Stage: Anna Karenina Contender, True Colors, The Fields. TELEVISION: My (title role), Cymbeline, Clybourne Park; Gulfshore Name is Bill W., The Color of Love, Traitor in My House. Playhouse: Venus in Fur; Shakespeare & Company: As AWARDS: Barrymore Award nomination for Lead Actor You Like It, Romeo and Juliet; Alabama Shakespeare in The Fantasticks; Barrymore Award nominations for Festival: Hamlet, All’s Well That Ends Well; Guthrie Best Ensemble for Of Mice and Men, Sweeney Todd Theater: Henry V. FILM: Dear Santa, Still On the and Pacific Overtures. Road. AWARDS: Lucille Lortel (Angels in America, Best Revival); Drammy Award (Clybourne Park, Best Brad Bellamy* Ensemble); 2005 Princess Grace Award Nominee. Bardolph OTHER: Workshops: The Drama League, The NEW YORK: Off-Broadway: March Shakespeare Society, The Public Theater, Exit Pursued Madness, Alphabetical Order, So By Bear, The Representatives. TRAINING: Fordham at Help Me God, The Tempest (400th Lincoln Center: BA in Theatre Performance; BADA at anniversary production). REGIONAL: Oxford; The Public Theater Shakespeare Lab. Member of The Ensemble Studio Theatre; Artist-in-residence at Manhattan Punch Line; Actors Theatre of Louisville;

18 Aaron Gaines Luis Alberto Gonzalez+ Edmund Mortimer/Lord Francis/Thomas Wart/Ensemble Hastings/Ensemble STC: 2013–2014 Acting Fellow. NEW NEW YORK: Off-Broadway: YORK: Teatro SEA: Los Titeres de Metropolitan Playhouse: It Pays to Cachiporra; Limon Dance Company/ Advertise. REGIONAL: Shakespeare Salgado Prod: Othello Project (Iago); Theatre of New Jersey: Pericles; Off-Off Broadway: The Flea Theater: Utah Shakespeare Festival: Macbeth, Serials@TheFlea. INTERNATIONAL: Taming of the Shrew (touring companies). FILM: London: RADA: Romeo and Juliet (Capulet). TRAINING: Wasted. TRAINING: CSU Fullerton: BA in Theatre with Royal Academy of Dramatic Art; Texas A&M University, Acting Emphasis. Ian Hersey, Tom Todoroff, Jo Spiller. Chris Genebach* Rhett Henckel* Sir Richard Vernon/Gadshill/ Archibald, Earl of Douglas/ Fang/Peter Bullcalf Thomas Mowbray STC: Pompey in Measure for NEW YORK: Off-Broadway: Epic Measure, Outlaw in The Two Theatre Ensemble: Richard III, Gentlemen of Verona, Murellus/ Macbeth; The Outfit:Jester’s Dead; Lucillius in Julius Caesar (Free Infinite Theatre:A Doll’s House; For All), Philario in Cymbeline Midtown Theatre Festival: Flies in the (replacement), Duke of Cornwall in King Lear, Snuffbox (outstanding actor nomination). REGIONAL: Lucius in Titus Andronicus. NEW YORK: Broadway: Second Thought Theatre: Dying City, Earth and Sky; Manhattan Theatre Center: Shining City, The Other Shakespeare Dallas: Hamlet in Hamlet; Shakespeare Side; Off-Broadway: The Duke: Rose Rage: Henry on the Sound: Othello; Provincetown Tennessee VI Parts 1, 2 and 3. REGIONAL: Woolly Mammoth Williams Theater Festival: Lady of Larkspur Lotion; The Theatre Company: Mr. Burns, A Post Electric Play; Old Globe; Dorset Theater Festival. FILM: The Last Day Folger Theatre: Twelfth Night, Henry V, Othello, of August. TELEVISION: Boardwalk Empire. OTHER: Cyrano, Orestes: A Tragic Romp; Studio Theatre: The Sunnyside Films hit web series iChannel; Epic Theatre Big Meal, Superior Donuts, Shining City; We Happy Ensemble: Company member; The Outfit: Founder and Few: Romeo and Juliet, Hamlet; TheatreWorks– artistic director. TRAINING: The Old Globe/University Hartford: The Seafarer; Goodman Theatre: King Lear; of San Diego: MFA in Acting; Baylor University: BFA in Chicago Shakespeare Theater: Rose Rage: Henry VI, Theater Performance. WEB: rhetthenckel.com. Parts 1, 2 and 3. Max Jackson Edward Gero* Page to Falstaff King Henry IV REGIONAL: Keegan Theatre: The Full STC: 30th Season and over 70 Monty; Ford’s Theatre: A Christmas productions including Bolingbroke Carol; Spooky Action Theatre: The in Richard II (Helen Hayes Award), Water Engine; Active Cultures Hotspur in Henry IV (Helen Hayes Theatre: To Hell and Back. FILM: Of Award), King in Henry V, York in Henry Dice and Men, The Summer Before. VI, Buckingham in Richard III, Macduff in Macbeth (Helen Hayes Award), The Bastard in King John Keabler* John, Banquo in Macbeth, Macheath in The Beggar’s Hotspur/ Sir John Coleville/ Opera. NEW YORK: Lincoln Center: Bull Durham — Sneak Musical Lab; Classic Stage Company; South Street NEW YORK: Off-Broadway: Cherry Theatre. REGIONAL: Goodman Theatre: Mark Rothko Lane Theatre: Psycho Therapy; in RED, Gloucester in King Lear; Arena Stage: RED, The REGIONAL: The Old Globe: Chosen, What the Butler Saw; Ford’s Theatre: Scrooge Romeo and Juliet, Merry Wives in A Christmas Carol, Vandergelder in Hello, Dolly!; of Windsor, Hamlet, Measure for Studio Theatre: American Buffalo, Shining City (Helen Measure, In This Corner (world premiere); Florida Hayes nomination), Skylight (Helen Hayes Award); Studio Theatre: The Columnist (regional premiere); Round House Theatre: Nixon’s Nixon (Helen Hayes Kentucky Repertory: Taming of the Shrew, The nomination), Salieri in Amadeus; Signature Theatre: Glass Menagerie, Les Liasions Dangereuses; Sweeney in Sweeney Todd; Olney Theatre; Theater J; Creede Repertory: Crazy For You, Light Up the Sky. Barter Theatre. FILM: Die Hard 2, Striking Distance. FILM: Faith, Love and Whiskey. TELEVISION: 30 TELEVISION: House of Cards. AWARDS: Four Helen Rock, The Men Who Built America, All My Children, Hayes Awards, 14 nominations; 2006 Emmy Award Redrum. OTHER: Designed an interactive Storytelling for Before Dinosaurs (Narrator), PBS. INSTRUCTOR: application for families and classrooms called Explorey Associate Professor of Theater, George Mason University; Stories (www.ExploreyStories.com). TRAINING: MFA, Academy of Classical Acting. The Old Globe, Commedia Dell’Arte.

19 Stacy Keach* Maggie Kettering* Sir John Falstaff Doll Tearsheet/Ensemble STC: Affiliated Artist;Macbeth, REGIONAL: Great Lakes Theater Richard III, King Lear. NEW YORK: NY Festival: Blithe Spirit, Much Ado Shakespeare Festival: Hamlet, Peer About Nothing; Chicago Shakespeare Gynt, Henry IV, Parts 1 and 2; Lincoln Theatre: A Midsummer Night’s Dream; Center: Danton’s Death, The Country TimeLine Theatre: My Kind of Town; Wife, The Caucasian Chalk Circle, Northlight Theatre: Season’s Greetings King Lear. BROADWAY: Other Desert Cities, Indians, (Jack Springer Award); Resident Ensemble Players: The Deathtrap, Solitary Confinement, The Kentucky Cycle. Servant of Two Masters, Anything to Declare; Michigan OFF-BROADWAY: Macbird!, The Niggerlovers, Long Shakespeare Festival: Romeo and Juliet, The Comedy of Day’s Journey into Night. REGIONAL: 2013: Skylight Errors; Seanachai Theatre; Texas Shakespeare Festival; Theater: Tribute to Terrence McNally (w/ Ed Asner); LA Virginia Shakespeare Festival; Contemporary American Theatre Works: A Midsummer Night’s Dream, Uncle Theatre Festival; Warehouse Theatre; Delaware Theatre Vanya; Frost/Nixon, Hamlet, Sleuth, The King and I, Company. TRAINING: University of Delaware: MFA in Finishing the Picture, 10 Unknowns, Camelot, White Acting; William & Mary: BA in Theatre. Christmas, Stieglitz loves O’Keeffe, Inspector Calls, King Lear; numerous credits at Oregon Shakespeare Festival Matthew McGee and Long Wharf Theater. INTERNATIONAL: National Peto/Snare/Francis Feeble Theatre: Hughie. FILM: Upcoming: Cell (w/ Samuel L. STC: 2011–2012 Acting Fellow; The Jackson and John Cusack), If I Stay (w/ Chloe Grace Two Gentlemen of Verona, Much Moretz), Sin City 2: A Dame To Kill For (dirs. Robert Ado About Nothing, The Merry Rodriguez and Frank Miller), Disney’s Planes 2: Fire Wives of Windsor. REGIONAL: and Rescue, Sam (dir. Nick Brooks), Rupert Mayer (dir. Constellation: Scapin, Taking Steps Damian Chapa); Current: Alexander Payne’s Nebraska (Helen Hayes winner); Folger: Romeo (nominated for 6 Academy Awards), Disney’s Planes, and Juliet; Studio: The Rocky Horror Show; No Rules: The Pixar Story (Narrator), The Bourne Legacy, Oliver The Fantasticks; Imagination: From Here To There. Stone’s W, Imbued, American History X, Escape from INSTUCTOR: National Conservatory of Dramatic Arts. LA, Fat City, The Life and Times of Judge Roy Bean, The Ninth Configuration, The Longriders, Luther, Kevin McGuire* Doc, Brewster McCloud, That Championship Season, Henry Percy, Earl of The New Centurions. TELEVISION: Enlisted (w/ Barry Northumberland/Earl of Bostwick and Dean Stockwell), The Neighbors, Sean Warwick Saves the World, Brooklyn 99, Mike Hammer, Titus, NEW YORK: Broadway: Les Prison Break, Lights Out, The Simpsons, 30 Rock, 1600 Miserables. Off-Broadway: Classic Penn, Malibu Country, Bored to Death, Two and a Half Stage Company: Hamlet; The New Men, Hemingway, Mistral’s Daughter, The Blue and York Shakespeare Festival: Romeo The Gray. AWARDS: Helen Hayes: 2009 Best Actor Non- and Juliet, The Seagull; Irish Rep: DONNYBROOK!, resident production Frost/Nixon, Best Actor Award King Forbidden Broadway, Big Maggie (dir. Donal Donnelly). Lear and Kentucky Cycle; STC’s Millennium Recognition NATIONAL/INTERNATIONAL TOURS: The Secret Garden, Award in 2000; Golden Globe Best Performance by The Phantom of the Opera, Les Miserables, Jane Eyre. an Actor in a Mini-Series, Hemingway; Emmy Award REGIONAL: Capital Repertory Theater: 2013 completed a nomination for Best Actor Hemingway; KCFCC Award run as Ebenezer Scrooge in Patrick Barlow’s adaptation Best Actor for Fat City; Lifetime Achievement Awards: of A Christmas Carol, Mark Rothko in Red; Theatre St. Louis Film Festival, Oldenburg Film Festival Germany, Company of Hubbard Hall: title role in Uncle Vanya; San Diego Film Festival, Pacific Pioneer Broadcasters. Williamstown Theater Festival; Hartford Stage Company; COMPOSER: Imbued (film score),Mike Hammer and Arizona Theatre Company; The Acting Company. FILM: the Little Death (radio novel score, won 2010 Audie Ernest Hemingway in Matthew Barney’s soon to be Award for Best Original Work), Anything for Money (in released filmRiver of Fundament. American Greed); currently working on the music for his one-man show on Hemingway. OTHER: Numerous Ade Otukoya+ voice-work credits include: The Telltale Heart (a Tom/Davy/Ensemble reading under conductor Arthur Rubenstein and his STC: 2013–2014 Acting Fellow. symphony, Greek Theater, LA), Air Force One (BBC REGIONAL: Pearl Theatre: Henry IV, Radio), American Greed (8 seasons), World’s Most Part 1; Westport Country Playhouse: Amazing Videos, Twilight Zone Radio Dramas, NOVA A Raisin in the Sun; Hangar Theatre: (10 years); Honorary Chair, Cleft Palate Foundation (30 Gem of The Ocean. FILM: About years); International spokesperson, World Craniofacial Sarah, Your Mother is a FB, Pain, Foundation. TRAINING: UC Berkeley; Yale Drama Uncommitted, The Recipe, The Lottery. TELEVISON: I’d School; London Academy of Music and Dramatic Arts Kill For You. TRAINING: Stella Adler Studio of Acting. (Fulbright). AUTHOR: All in All: An Actor’s Life On and Off the Stage (memoir, available in book stores, online, and in the lobby).

20 Steve Pickering* Joel David Santner* Thomas Percy, Earl of Sir Walter Blount/Lord Russell/ Worcester/Richard Scroop/ Ralph Mouldy Pistol STC: The Dog in the Manger. STC: Wallenstein in Wallenstein (Helen REGIONAL: Signature Theatre: R&J; Hayes nomination), Coriolanus, Kent Constellation Theatre: Gilgamesh in King Lear. NEW YORK: Broadway: (title role); Taffety Punk Theatre Death of a Salesman (including Company: (Company Member) Goodman, National Tour, West End London runs); Off- The Rape of Lucrece—Remixed, suicide.chat.room, Broadway: Public Theatre: Titus Andronicus. REGIONAL: Owl Moon, Burn Your Books; Faction of Fools Theatre Indiana Repertory: The Crucible; Goodman Theatre: 36 Company: (Associate Artist) A Commedia Christmas productions, including The Seagull, Long Day’s Journey Carol, Tales of Love and Mozzarella; Folger Theatre: into Night; Chicago Shakespeare Theater: Othello, Richard Much Ado About Nothing; Kennedy Center: Don II; Next Theatre: title roles in Coriolanus, Macbeth; Giovanni; Baltimore Shakespeare Festival: Hamlet (title Red Orchid: Fatboy; Seanachai Theatre: Moon for the role). INSTRUCTOR: George Washington University, Misbegotten; Milwaukee Repertory: nine productions, Adjunct Professor of Theatre. EDUCATION: Academy including Moby Dick, Born Yesterday; City Theatre: for Classical Acting/George Washington University, Blackbird. TELEVISION: Law and Order: SVU, Boss, MFA; Hanover College, BA in Theatre. Chicago Fire, Betrayal. AWARDS: Chicago Magazine Actor of the Year; Jeff Citations: Costume Design (Bailiwick Brendon Schaefer+ Repertory: Animal Farm); Best Adaptation (Organic Simon Shadow/Ensemble Theater: In The Flesh); After Dark Award for Adaptation STC: 2013–2014 Acting Fellow; (Next Theatre: Burning Chrome); LA Weekly Award for Much Ado About Nothing, Twelfth Direction (Odyssey Theatre: Among The Thugs). OTHER: Night (FFA). NEW YORK: Columbia Goodman Theatre Creative Partner; Next Theatre: former Stages: Gallimard in M. Butterfly, Artistic Director; Shanghai Low Theatricals: Project Lush in The Hothouse. TOURS: The Manager; Pine Box Theater: Member. Wedding Singer, All Shook Up. REGIONAL: MWVTC: Annie, West Side Story; Rockefeller Alex Piper+ Arts Center: Lysander in A Midsummer Night’s Dream. Gloucester/Dick/Ensemble TRAINING: SUNY Fredonia, BFA, Musical Theatre. STC: 2013–2014 Acting Fellow. REGIONAL: Southern Arena Theatre: Kate Skinner* The 39 Steps, Complete Works of Mistress Quickly William Shakespeare (Abridged); STC: The Alchemist, King Lear Cortland Repertory: The Pajama Game, (mainstage and Free For All), Peer Brigadoon; Texas Family Musicals: Gynt, Othello, Henry VI, Measure The Foreigner, A Chorus Line. AWARDS: 2013 Kennedy for Measure, The Misanthrope, Center American College Theatre Festival National Finalist. Much Ado About Nothing, Twelfth TRAINING: University of Southern Mississippi: MFA, Night. NEW YORK: Broadway: The Performance. WEB: alexpiper59.wix.com/piper. Graduate, Uncle Vanya. Off-Broadway: Honey Brown Eyes, The Mapmaker’s Sorrow. NATIONAL TOURS: Jack Powers+ Lend Me a Tenor, The Graduate. REGIONAL: Pioneer Travers/Ensemble Memorial Theatre: Other Desert Cities; John W. Engeman STC: 2013–2014 Acting Fellow; Theater: Boeing Boeing; American Theater Company: Measure for Measure, All’s Well That Agnes of God/Doubt (in repertory); Denver Center Ends Well (FFA), The Government Theatre Company: Noises Off; Cleveland Play House: Inspector. REGIONAL: Folger Theatre: Rabbit Hole; Syracuse Stage and Shakespeare Santa Twelfth Night; American Century Cruz: Who’s Afraid of Virginia Woolf? FILM: The River, Theatre: On The Waterfront; Brave Down the Shore, The Rage: Carrie II, Mona Lisa Smile, Spirits Theatre: Richard III; Maryland Renaissance Festival: Claire Dolan. TELEVISION: All versions of Law and Hamlet, Don Quixote Book II; Grain of Sand Theatre: Order numerous times, Blue Bloods, Unforgettable. Hamlet: Reframed. TRAINING: Muhlenberg: BA, Theatre. INSTRUCTOR: Shakespeare Gym (NYC). TRAINING: University of California, Los Angeles: MFA in Acting. Jude Sandy* Ned Poins Vanessa Sterling+ NEW YORK: Broadway: Joey/ Lady Mortimer/Ensemble Topthorn/Goose in War Horse; Off- STC: 2013–2014 Acting Fellow. Broadway: Barrow Street Theatre: Hit REGIONAL: Texas Shakespeare The Wall; REGIONAL: Trinity Repertory Festival: Measure for Measure, Blood Company: A Christmas Carol, A Raisin Brothers, The Merry Wives of Windsor; In The Sun, Paris By Night; Guthrie The Arkansas Arts Center: A Year with Theater: Caviar On Credit. TRAINING: Brown University/ Frog and Toad, The Lion, the Witch, Trinity Rep: MFA in Acting; Guthrie Experience for Actors and the Wardrobe. TRAINING: Ithaca College: BFA in in Training; Brown University: AB in Africana Studies and Acting, Minor in Voice. WEB: www.vanessasterling.com Theatre Arts (Dance); WEB: www.judesandy.com.

21 Patrick Vaill* Much Ado About Nothing, Othello in Othello, As You Prince John of Lancaster Like It, Twelfth Night, Romeo and Juliet, Measure for STC: Henry V, Richard II, As You Like Measure; Arena Stage: K2, All My Sons, The Great It, Mrs. Warren’s Profession. NEW White Hope, Hot-n-Throbbing; Woolly Mammoth: The YORK: Broadway: Lincoln Center Last Orbit of Billy Mars, Tommy J and Sally, Our Lady Theater: Macbeth; Off-Broadway: Red of 121st Street, Starving; Everyman Theatre: The Cherry Bull Theater: Edward the Second, Orchard, The Soul Collector; Signature Theatre: Angels Don’t F*ck With Love; Examined Man in America, Parts 1 and 2 (Helen Hayes nomination Theater: When In Disgrace; Also Theater for the New for Part 2); Milwaukee Repertory Theater; Shakespeare City, N.Y. Fringe and Fringe Encores, among others. Theatre of New Jersey; Actor’s Theatre of Louisville; Training: MFA, NYU Graduate Acting Program. Shakespeare Santa Cruz; Hangar Theatre. TRAINING: Howard University: BFA; Pennsylvania State University: Ted van Griethuysen* MFA; Royal National Theatre, London. Owen Glendower/Justice Shallow Derrick Lee Weeden* STC: Affiliated Artist; roles since 1987 Lord Chief Justice include Antigonus/Old Shepherd in STC: Sicinius in Coriolanus, Kolibas The Winter’s Tale, Peter Quince in A in Wallenstein, Northumberland Midsummer Night’s Dream, King of in Richard II, Exeter in Henry V. France in All’s Well That Ends Well, REGIONAL: Pacific Conservatory of Henry Leeds in Strange Interlude, Mr. Praed in Mrs. the Performing Arts: Cyrano in Cyrano Warren’s Profession, Malvolio in Twelfth Night, Andrew De Bergerac; Oregon Shakespeare Undershaft in Major Barbara, Holofernes in Love’s Festival: Company member for 25 years, title roles in Labor’s Lost (mainstage and RSC), Philip II in Don Pericles, Othello, Coriolanus, Death and the King’s Carlos, Lear in King Lear, Prospero in The Tempest. Horseman, The Philanderer, Prospero in The Tempest, NEW YORK: Broadway: Romulus, Inadmissible Evidence. Brutus in Julius Caesar, Duke Vincentio in Measure REGIONAL: Folger Theatre: The Clandestine Marriage; for Measure, Caesar in Gem of the Ocean, Vershinin Studio Theatre: The Steward of Christendom, Life in The Three Sisters, Roy Wilkins in All The Way, of Galileo, Rock ‘n’ Roll, A Number, The Habit of Art, among others; Chicago Shakespeare Theater: Othello The Apple Family Plays. INTERNATIONAL: Battersea in Othello; Berkeley Repertory Theatre: The Oresteia, Arts Center, London: Life of Galileo; Arcola, London: The Continental Divide; Milwaukee Repertory Theatre: Broadway from the Shadows; Trafalgar Studios: Mr. Joe Turner’s Come and Gone; Alabama Shakespeare Paradise in Lovely and Misfit. AWARDS: Six Helen Hayes Festival: Miss Evers’ Boys; Great Lakes Theatre Festival: Awards; The Will Award; Drama Critics Award (NYC); Macbeth; Shakespeare Festival of Dallas; Portland Richard Bauer Award for Outstanding Contribution to Center Stage. NATIONAL/INTERNATIONAL TOURS: Washington Theatre. INSTRUCTOR: Aesthetic Realism La Jolla Playhouse/Birmingham Repertory Theatre/ of Eli Siegel; Columbia University; University of South Barbican Centre (London): Continental Divide: Mothers Carolina; Manchester Municipal University (U.K.). Against, Daughters of the Revolution. Craig Wallace* Nathan Winkelstein+ Earl of Westmoreland Clarence/Ensemble STC: Affiliated Artist; Numerous STC: 2013–2014 Acting Fellow. productions including The REGIONAL: WPPAC: Les Misérables; Government Inspector, Romeo and Shakespeare Theatre of NJ: Juliet, Julius Caesar, Antony and Macbeth, A Midsummer Night’s Cleopatra, Tamburlaine, Edward II. Dream; Engeman: Camelot; REGIONAL: Ford’s Theatre: The Texas Shakespeare: The Two Laramie Project, Our Town, Necessary Sacrifices, Gentlemen of Verona, Two by Two, Learned Ladies. Sabrina Fair, Jitney; Round House Theatre: Permanent INTERNATIONAL: Tobacco Factory: The Rivals; Collection, Tabletop, The Little Prince; Folger Theatre: Pendley Shakespeare: As You Like It, Love’s Labour’s Twelfth Night, The Taming of the Shrew, Cyrano, Lost. TRAINING: Bristol Old Vic: MA, Acting.

22 Direction and Design Biographies

Michael Kahn Bailey Circus; N.Y.C. Opera: The Most Happy Fella; Director L.A. Opera: Mahagonny. FILM: Strike! OTHER: Ballet See for STC (page 38). Hispanico: Graciela Daniele; San Francisco Ballet: Lar Lubovitch; A.B.T.: Othello, Artemis, Meadow; Alvin Alan Paul Ailey: Reminicin’, Saddle Up, Morning Star. AWARDS: Associate Director U.S. Representative for the International Design See for STC (page 39). Quadrennial in Prague; Recipient of F.I.T.’s Patricia Zipprodt Award. Alexander Dodge Set Designer Stephen Strawbridge STC: Measure for Measure, The Heir Apparent, The Lighting Designer Liar, The Dog in the Manger. NEW YORK: Broadway: STC: Strange Interlude, Macbeth. THEATRE: More A Gentleman’s Guide to Love and Murder, Present than 200 productions on and off Broadway and at Laughter (Tony Award Nomination), Old Acquaintance, most leading regional theaters across the US and Butley, Hedda Gabler; Off-Broadway: Second Stage: internationally in Bergen, Copenhagen, The Hague, Modern Terrorism, All New People, Trust, The Water’s Hong Kong, Linz, Lisbon, Munich, Naples, Sao Paulo, Edge; Playwrights Horizons: Rapture Blister Burn, Stockholm and Vienna. RECENT: Royal Shakespeare Maple and Vine; Roundabout Theatre Company: The Company/Public Theatre: Antony and Cleopatra; Understudy; Public Theater: Measure for Pleasure, Paris Houston Grand Opera: Rigoletto; Soho Repertory Commune; Lincoln Center: Observe the Sons of Ulster Theatre: Marie Antoinette; McCarter Theatre: Proof; Marching Toward The Somme (Lucille Lortel Award), Old Globe, San Diego: Double Indemnity; Westport Chaucer in Rome; TFANA: Antony and Cleopatra; Cedar Playhouse: The Dining Room; Magic Theatre, San Lake Contemporary Ballet: Orbo Novo; Atlantic Theater: Francisco: The Happy Ones; Signature Theatre, New Force Continuum. REGIONAL: Alley Theatre, Chicago York: The Train Driver, The Blood Knot. OPERA: Shakespeare Theater, The Guthrie Theater, Hartford Austin Lyric, Dallas Opera, Glimmerglass, New York Stage, Huntington Theatre Company, The Old Globe, City Opera, San Francisco Opera and others. DANCE: La Jolla Playhouse, Mark Taper Forum, Williamstown Alison Chase Performance; Pilobolus Dance Theatre Theatre Festival. INTERNATIONAL: London-West End, and others. AWARDS AND NOMINATIONS: American Manchester and Glasgow: All New People. OPERA: Theatre Wing, Bay Area Theatre Critics Circle, Deutsche Oper Berlin: Il Trittico; Minnesota Opera: Connecticut Critics Circle, Dallas-Fort Worth Theater Cosi Fan Tutti; Würzburg: Der fliegende Holländer; Critics Forum, Helen Hayes, Henry Hewes Design Hungarian State Opera-Budapest: Lohengrin. and Lucille Lortel. OTHER: Co-chair of the Design UPCOMING: L.A.Opera: The Ghosts of Versailles; Department and Resident Lighting Designer for the Glimmerglass Opera: An American Tragedy. TRAINING: Yale Repertory Theatre. Yale School of Drama. Michael Roth Ann Hould-Ward Composer/Music Director/Sound Score Costume Designer STC: Ion, The Persians. NEW YORK: Broadway- STC: Romeo and Juliet. NEW YORK: Broadway: The premieres: Brooklyn Boy (dir. Daniel Sullivan), Walk People in the Picture, A Free Man of Color (Drama in the Woods (also PBS); Off-Broadway: many, Desk nomination), A Catered Affair (Drama Desk including premieres: Dinner with Friends, Going to nomination), Company, Dance of the Vampires, St. Ives. REGIONAL: more than 200 North American Beauty and the Beast (Tony Award; American productions including: Stratford Festival: The Tempest Theatre Wing’s Design Award; Ovation Award; Oliver (w/ Christopher Plummer), Twelfth Night (both filmed nomination, Best Costume Design), Into the Woods for Bravo), and Plummer’s solo show A Word Or (Tony, Drama Desk nominations; Outer Critics Two, also in LA; numerous productions as resident Circle nomination, L.A. Drama Critics Circle Award), artist at South Coast Rep and La Jolla Playhouse Falsettos, Sunday in the Park with George (Tony, including: (premieres) Mr. Marmalade, Wit (w/ Tom Drama Desk Nominations), Harrigan ‘N’ Heart, A Stoppard), American premieres of Invention of Love, Midsummer Night’s Dream, St. Joan, Three Men on Indian Ink (ACT, dir. Carey Perloff); collaborations a Horse, Timon of Athens, In the Summer House, with, among others, Anne Bogart, Des McAnuff, Ethan Little Me, The Moliere Comedies; Off-Broadway: McSweeny, Alice Ripley, Sarah Ruhl, Peter Sellars, CSC: Passion (revival); Public: Hamlet, A Midsummer Caridad Svich, Mac Wellman, and Culture Clash. Night’s Dream, House Arrest, Russian Transport, CHAMBER MUSIC: works include Their Thought and The Blue Flower, Wings, In the Grand Manner, Back Again (chamber opera, available on iTunes); Let Me Down Easy, Road Show, Surviving Grace, upcoming premieres: Fats November (new piano Lobster Alice, Cymbeline. REGIONAL: 5th Avenue sonata) and his string quartet/laptop treatment of Theatre: Secondhand Lions; more than 100 credits Beckett’s Imagination Dead Imagine. FILM: musical in regional theaters. OPERA: Metropolitan Opera: direction, Disney’s The Princess and the Frog (music Peter Grimes, Ringling Brothers and Barnum & by Randy Newman); scores for independent films and

23 documentaries, including Jews and Baseball (PBS). Ellen O’Brien OTHER: Many collaborations with Randy Newman as Voice and Text Coach music director/arranger, including Faust and editing See for STC (page 39). five anthologies; has accompanied many singers, from Marni Nixon to Alicia Keyes. WEBSITE: rothmusik.wix. Drew Lichtenberg com/rothmusik. Literary Associate See for STC (page 39). Daniel Neville-Rehbehn Resident Casting Director Gus Heagerty See for STC (page 39). Assistant Director STC: Director: Macbeth (Fellows Project), Pirandello’s Stuart Howard and Paul Hardt Henry IV, Egmont, The London Merchant (ReDiscovery New York Casting Readings); Assistant Director: A Funny Thing Happened STC: Since 1986. Stuart Howard and Paul Hardt have on the Way to the Forum, Measure for Measure, been casting for Broadway, off Broadway and regional Wallenstein, The Government Inspector, The Merry theatres for over 25 years. In Washington, D.C., as Wives of Windsor, The Two Gentlemen of Verona, The well as the Shakespeare Theatre Company, they have Boys From Syracuse, The Heir Apparent (Directorial cast for Arena Stage (Oklahoma! and The Music Man Assistant), Julius Caesar. NEW YORK: Off-Broadway: among others) and The Studio Theatre (Torch Song Playwrights Horizons and New York Theatre Workshop: Trilogy, The Real Thing and The Habit of Art). The Shaggs: Philosophy of the World (John Langs). REGIONAL: The Studio Theatre, Folger Theatre, Rick Sordelet Kennedy Center Theatre for Young Audiences, Seattle Fight Director Shakespeare Company, The Theatre @ Boston Court. STC: Coriolanus, Wallenstein, The Servant of Two OTHER: John F. Kennedy Center for the Performing Masters, Julius Caesar, Cymbeline, Twelfth Night, Arts: William R. Kenan Directing Fellow (2010–2011). Richard II, Henry V, Antony and Cleopatra, Julius TRAINING: University of North Carolina School of the Caesar, Tamburlaine, Edward II, The Taming of the Arts: BFA in Directing (Gerald Freedman). Shrew, Titus Andronicus, Henry IV, Part 1 and 2, Hamlet (Free For All), Henry VI, Parts 1, 2 and 3, Peer Nathanael Johnson Gynt, As You Like It, Othello. NEW YORK: Broadway: Assistant to the Director 59 productions including The Lion King, Beauty and REGIONAL: Directing: The Lounge Theatre: Blood Knot; the Beast. INTERNATIONAL: 54 First Class productions Lankershim Arts Center: The Shape of Things; Lamar worldwide: Excalibur the musical and Ben Hur University: The Tempest (Scott Pask, Scenic Designer); Live. OPERA: The Royal Opera House; La Scala in AMDA College and Conservatory of the Performing Arts: Milan: Cyrano de Bergerac (w/ Placido Domingo); One Flew Over the Cuckoo’s Nest, Prometheus Bound, The Metropolitan Opera: Don Carlo (dir. Nicholas The School for Wives, The Country Wife, Much Ado Hytner); San Francisco Opera: Heart of the Soldier About Nothing; Acting: South Coast Repertory; Marin (dir. Francesca Zambello). FILM: The Game Plan Theatre Company; Yale Repertory Theatre. TELEVISION: (w/ Dwayne Johnson), Dan in Real Life (w/ Steve The O.C., Veronica Mars, Numb3rs, Medium. Carell) TELEVISION: Stunt Coordinator: Guiding Light INSTRUCTOR: AMDA (LA): Core Faculty. TRAINING: Yale (12 years), One Life to Live. AWARDS: Edith Oliver School of Drama: MFA; University of Evansville: BFA. Award for Sustained Excellence from the Lucille Lortel WEB: nathanaeljohnson.com. Nathanael Johnson’s Foundation; Jeff Award for Best Fight Direction for residency is supported by the Stage Directors and Romeo and Juliet at Chicago Shakespeare. OTHER: Choreographers Foundation. Board member for the Shakespeare Theatre of New Jersey. INSTRUCTOR: Yale School of Drama. Joseph Smelser* Production Stage Manager Christian Kelly-Sordelet STC: A Funny Thing Happened on the Way to the Fight Director Forum, Measure for Measure, Wallenstein, Coriolanus, NEW YORK: Broadway: Picnic, Breakfast at Tiffany’s, A Midsummer Night’s Dream, The Government Waiting for Godot/No Man’s Land (in repertory); Inspector, The Merry Wives of Windsor, Strange Assistant Fight Director: The Snow Geese, The Interlude, Much Ado About Nothing, The Heir Apparent, Homecoming, Wonderland, That Championship All’s Well That Ends Well. REGIONAL: Arena Stage: Let Season; Off-Broadway: Masked, Unlock’d, The Me Down Easy; Seattle Repertory Theatre: An Ideal Brother/Sister Plays; Assistant Fight Director: Fuerza Husband, A Doll’s House, Play On!, As You Like It, A Bruta. REGIONAL: Public Theater: As You Like It, The Midsummer Night’s Dream, Peter Brook’s The Tragedy Comedy Of Errors. INTERNATIONAL: Beauty and the of Hamlet, Golden Child, Don Juan, Purgatorio, The Beast (tour); Ben Hur Live (South Africa, Argentina, Search for Signs of Intelligent Life in the Universe Rome). TELEVISION: Stunt Coordinator: All My (with Lily Tomlin); American Conservatory Theatre: The Children, Guiding Light, One Life to Live, School Spirits. Rivals, The Circle, The Government Inspector, Edward INSTRUCTOR: Rutgers University; New York University; Albee’s At Home at the Zoo, Vigil; Berkeley Repertory Yale University; The New School; Wagner College. Theatre: Journey to the West, An Almost Holy Picture, Having Our Say; Regional Tour: Let Me Down Easy, Twilight: Los Angeles, 1992 (both with Anna Deavere Smith). TRAINING: Oberlin College: BA.

24 Hannah R. O’Neil* Robyn M. Zalewski* Assistant Stage Manager Assistant Stage Manager STC: Assistant Stage Manager: A Funny Thing STC: A Funny Thing Happened on the Way to the Happened on the Way to the Forum, Much Ado About Forum. REGIONAL: Hartford Stage Company: Assistant Nothing (Free For All), Coriolanus, A Midsummer Stage Manager: Twelfth Night, A Christmas Carol–A Night’s Dream, All’s Well That Ends Well (Free For All); Ghost Story of Christmas, The Whipping Man, Gem of Production Assistant: The Merry Wives of Windsor, the Ocean; Production Assistant: Divine Rivalry, Antony Strange Interlude, Much Ado About Nothing, Julius and Cleopatra, The Adventures of Tom Sawyer, Noises Caesar (Free For All), The Merchant of Venice, An Off; New London Barn Playhouse; Hangar Theatre; Ideal Husband, Candide, All’s Well That Ends Well; Northern Stage; Saint Michael’s Playhouse. TRAINING: Stage Management Intern: Mrs. Warren’s Profession, BA in Fine Arts at St. Michael’s College. Richard II, Henry V, The Alchemist. REGIONAL: Huntington Theatre Company: Pirates!; Ogunquit Playhouse: The Producers, Fiddler on the Roof, The King and I, La Cage Aux Folles, The Full Monty, Menopause the Musical. TRAINING: Emerson College: BFA in Stage Management and Production.

About STC

STC is the recipient of the 2012 Regional Theatre Academy for Classical Acting, a one-year master’s Tony Award® as well as 81 Helen Hayes Awards and program at The George Washington University. 322 nominations. Beyond the classroom, educational opportunities like Creative Conversations are available to all in Presenting Classic Theatre the community. The mission of the Shakespeare Theatre Company is to present classic theatre of scope and size in an Supporting the Community imaginative, skillful and accessible American style STC has helped to revitalize both the Penn Quarter that honors the playwrights’ language and intentions and Capitol Hill neighborhoods and to drive an while viewing their work through a 21st-century lens. artistic renaissance in Washington, D.C. Each season programs such as Free For All and Happenings at Promoting Artistic Excellence the Harman present free performances to residents STC’s productions blend classical traditions and and visitors alike, allowing new audiences to engage modern originality. Hallmarks include exquisite sets, with the performing arts. elegant costumes, leading classical actors and, above all, an uncompromising dedication to quality. Playing a Part STC is profoundly grateful for the support of those Fostering Artists and Audiences who are passionately committed to classical STC is a leader in arts education, with a myriad of theatre. This support has allowed STC to reach user-friendly pathways that teach, stimulate and out and expand boundaries, to inform and inspire encourage learners of all ages. Meaningful school the community and to challenge its audiences programs are available for middle and high school to think critically and creatively. Learn more at students and educators, and adult classes are ShakespeareTheatre.org/Support or call held throughout the year. Michael Kahn leads the 202.547.1122, option 7.

25 Support

We gratefully acknowledge the following donors that currently support the work of the 2013-2014 Season. This list is current as of January 23, 2014.

$100,000 and above The Beech Street Foundation T The Robert P. and Arlene R. Kogod D.C. Commission on the Arts & Family Foundation Humanities Robert H. Smith Family Foundation The Harman Family Foundation T Suzanne and Glenn Youngkin T HRH Foundation 1616 Michael R. Klein and Joan I. Fabry T BA

$50,000 to $99,999 Anita M. Antenucci T Mr. and Mrs. Andrew Florance T Afsaneh Beschloss T The Philip L. Graham Fund The Morris & Gwendolyn Cafritz John and Meg Hauge T Foundation Mr. Jerry Knoll Dr. Paul and Mrs. Rose Carter T National Capital Arts & Cultural Dr. Mark Epstein and Affairs Program/US Commission Amoretta Hoeber T of Fine Arts Mr. and Mrs. Robert Falb T The Shubert Foundation

$25,000 to $49,999 Anonymous (4) Helen Kenney The Margaret Abell Powell Fund Abbe David Lowell and Anne and Ronald Abramson Molly A. Meegan T BA Nick and Marla Allard T BA Alan and Marsha Paller Stephen E. Allis T Estate of Suzy Platt 1616 Paul M. Angell Family Foundation Steve and Diane Rudis Arts Midwest Share Fund The Erkiletian Family Foundation Clarice Smith James A. Feldman and Natalie Wexler Fredda Sparks and Kent Montavon Turner & Goss Nina Zolt and Miles Gilburne T George P. Stamas T Catherine Held Mr. and Mrs. L. Von Hoffman Jeffrey M. Kaplan Tom and Cathie Woteki

$15,000 to $24,999 The Max and Victoria Dreyfus M Powered Strategies, Inc. Anonymous (2) Foundation MARPAT Foundation, Inc. Altria Group Nina Laserson Dunn and Jacqueline B. Mars The Theodore H. Barth Foundation Eric C. Rose BA Ann K. Morales Brown-Forman Corporation E. and B. Family Trust National Endowment for the Arts Mr. and Mrs. Landon Butler T Trygve and Norman Freed Toni A. Ritzenberg Chlopak, Leonard, Schechter Hogan Lovells US LLP Stephen and Lisa Ryan T BA and Associates Mr. and Mrs. Stephen A. Hopkins T May and Stanley Smith Clark Construction Group, LLC Humana Inc. Charitable Trust Computer and Communications J.M. Zell Partners, LTD. Sovereign Strategy Limited Industry Association Margot Kelly The Hattie M. Strong Foundation The Dallas Morse Coors Foundation for the Performing Arts The Jacob and Charlotte Lehrman Deloitte LLP Foundation

$10,000 to $14,999 Scott and Lauren Gilbert BA Raytheon Anonymous (2) Gould Property Group Judi Seiden AMB Esthy and Jim Adler David and Jean Grier Victor Shargai and Craig Pascal Lisa Blue Baron Grossberg Yochelson Fox Beyda Doug and Gabriela Smith Peter A. Bieger Jerry and Isabel Jasinowski T Solon E. Summerfield Foundation Sheila and Kenneth Berman BA Norman D. Jemal T Mr. and Ms. Antoine Van Agtmael Bill Bodie T Elaine Economides Joost Velasquez Group, LLC CBRE Group Inc The Honorable Eugene Ludwig and Venable LLP Douglas Development Corporation Dr. Carol Ludwig Vornado/Charles E. Smith LP Miguel and Patricia Estrada In memory of Marilyn J. Lynch Patricia and David Vos Foundation Arthur and Shirley Fergenson ACA Eleanor Merrill T Andrea and Stephen Weiswasser BA Samuel Freeman Charitable Trust Mr. and Mrs. Howard P. Milstein Willkie, Farr & Gallagher French-American Cultural Nissan North America, Inc. Foundation PhRMA Helen Clay Frick Foundation Porterfield, Lowenthal & Fettig, LLC

26 $5,000 to $9,999 Ms. Connie Milstein Audrey Chang and Michael Vernick Anonymous (5) The Morningstar Foundation Ellen MacNeille Charles Aflac Kristine Morris Joan Choppin Mark Tushnet and Elizabeth Alexander Rita Mullin The Clearing House Alston & Bird LLP Michelle Newberry Richard H. Cleva Peter and Joan Andrews Theodore B. Olson and Linda and John Cogdill Kyle and Alan Bell Lady Booth Olson BA Mary Cole AMB Barbara Bennett Oracle America Corporation Jeff and Jacky Copeland The BGR Foundation, Inc. Park Center Associates Marshall B. Coyne Foundation Don and Nancy Bliss Theda Parrish Douglas W. Crandall Ambassador Julia Chang Bloch and Peach Tree Mclean Jeffrey P. Cunard BA Stuart Bloch James and Wanda Pedas William C. and Sandra Davis The Bozzuto Group Robert and Susan Pence Ralph Voltmer and Tracy Davis BA Katherine B. and David G. Bradley The Prince Charitable Trusts The Charles Delmar Foundation Dorothy W. Browning Property Capital LLC Carol Der Garry Conrad and Ludmila Cafritz Willam Pugh and Lisa Orange Ms. D. Chris Downey Mr. Thomas J. Campbell Reset Public Affairs Helaine G. Elderkin Robert Crawford Carlson Gerri and Murray Rottenberg 1616 Elmendorf Ryan Shawn J. Chen and Alexis K. Albion Pauline A. Schneider T BA Michael Evans Mary and Armeane Choksi Lee Goodwin and Expedia, Inc The Honorable Joan Churchill and Mr. Linda Schwartzstein Rob and Anne Faris Anthony Churchill BA The Honorable Robert E. Sharkey and Barbara and Ralph Ferrara Louis Delair, Jr. Dr. Phoebe Sharkey AMB Leo Fisher and Sue Duncan Beverly and Richard Dietz Skadden, Arps, Slate, Meagher & Flom Barry and Marie Fleishman The Dimick Foundation Studios Architecture Claire Frankel Craig Dunkerley and Patricia Haigh ACA Terra Nova Title and Settlement Gensler & Associates EagleBank Services, LLC Burton Gerber Ernst & Young LLP Time Warner, Inc. Mr. and Mrs. Kenneth W. Gideon ExxonMobil TPG Capital Josh Goldfoot Ambassador and Mrs. Richard Mr. and Mrs. Jay Velasquez Richard A and M. Theresa Gollhofer Fairbanks Vulcan Materials Company Mr. and Mrs. Woolf P. Gross The Financial Services Roundtable Foundation Karen L Hawkins Forest City Washington Marvin F. Weissberg Catherine MacNeil Hollinger and Tim and Susan Gibson AMB Wells Fargo Philanthropy Mark Hollinger In memory of Angelique Glass 1616 ACA AMB Carolyn L. Wheeler BA Homes, Lowry, Horn & Johnson, LTD Janet W. Solinger and Alan and Irene Wurtzel Larry and Georganne John Jacob K. Goldhaber Mr. Mike Wyckoff John Edward Johnson Sue and Leslie Goldman Lynn and Jonathan Yarowsky Jones Lang LaSalle Graham Holdings Chris and Carol Yoder Lou and Irene Katz The Greczmiel Family Judy and Leo Zickler Jody Katz and Jeffrey Gibbs William Stein and Victoria Griffiths BA Michael and Michelle Keegan H&R Block $2,500 to $4,999 Dr. Richard M. Krause 1616 The Honorable Jane Harman Anonymous (3) Barry Kropf Stephen Hauge Mr. Derek Thomas and Kristi and Scott Kubista-Hovis AMB Kevin T. Hennessy AMB BA Mr. Ernesto Abrego David A. Lamdin AMB John W. Hill Ernest and Dianne Abruzzo Bill Lands and Norberta Schoene Lynne and Joseph Horning Robert N. Alfandre LEVICK BA Mike and Gina House T BA Sunny and Bill Alsup Dr. Mark T. Lewellyn Hughes Hubbard & Reed Tony Anderson and Kevin Lorei Marjorie and John Lewis The Mark & Carol Hyman Fund Mr. Decker Anstrom and James M Loots, Esq. and Barbara The International Union of Bricklayers Ms. Sherron Hiemstra Dougherty Loots, Esq. BA and Allied Craftworkers Stephen P. Anthony BA Nick and Alyssa Lovegrove Jackson Lewis LLP Celia and Keith Arnaud Linda Matthews K&L Gates Julie, Tina, June and Vince Auletta Mary McCue AMB Daniel F. Katz BA Drs. Hilda and William O. Bank The McGwin/Bent Family David and Anne Kendall Linna Barnes and Chris Mixter Mehlman Vogel Castagnetti Kovler Fund of the Community BB&T Rajesh and Radhika Murari Foundation of the National Mr. and Mrs. John H. Birdsall Patricia Sherman and Terry Murphy Capital Region Kim Bollen National Association of Realtors Marcel LaFollette and Jeffrey Stine Dr. Bill and Evelyn Braithwaite Navigators Global Richard Levi and Susan Perry Mr. and Mrs. Jere Broh-Kahn ACA Madeline Nelson Mr. and Mrs. Eric Luse Claudyne Y. Brown BA Louisa and Bill Newlin Heidi and Bill Maloni The Family of Marion and Charles Melanie and Larry Nussdorf Kathleen Matthews Bryce 1616 AMB James Oldham and MedStar National Rehabilitation Mr. and Mrs. I.T. Burden, III Elizabeth Conahan BA Network C2 Group, LLC Mr. and Mrs. Kenneth Oscar Hilary B. Miller and Dawn and James Causey Mr. and Mrs. David Osnos Dr. Katherine N. Bent BA Rita A. Cavanagh and Gerald A. Kafka Peck, Madigan, Jones & Stewart, Inc.

27 Mr and Mrs Carl F. Pfeiffer Paige Franklin and David Pancost Dr. and Mrs. James E. Martin Sydney M. Polakoff and Rhona Wolfe Friedman and In memory of Robert M. McAllister Carolyn Goldman Donald J. Friedman John and Connie McGuire BA Lutz Alexander Prager Brenda and David Friend Lily St. John McKee Mary and Gene Procknow Charles and Amy Gardner Stephen M. McNabb BA Molly and Joe Reynolds Mr. Randall Bevins and Tom and Ingrid McPherson Foundation Ron and Sharon Salluzzo Ms. Monica A. Gaw Ms. Kate McSweeny BA Mrs. Stanley J. Sarnoff 1616 Dr. Laura J. George AMB Dorothy and Bill McSweeny 1616 Steven and Beverly Schacht Ruth Bader Ginsburg James Mendelsohn Linda and Stanley Sher JoAnne Glisson Dr. Jeanne-Marie A. Miller Richard Simpson BA Alice and John Goodman Ben Miller ThinkFoodGroup Donald H. Goodyear, Jr. Hazel C. Moore Lars and Yvonne Thunell Rebekah Goshorn Catherine L. Moore and Professor Philip Tirpak Tamra and Edward Gotchef Carl W. Stephens Kathy Truex Mr. John Graves Dee Dodson Morris BA Thomas and Molly Ware AMB Mr. and Mrs. David L. Gray Mr. Jeffrey Morrison BA Washington Forrest Foundation Ms. Pat Gray ACA Ralph and Gwen Nash Rob Wilder Bettina L. Gregory and Diana Flannery Mr. and Mrs. Lawrence O’Connor Lisa Grosh and Donald Names BA Mrs. Jean Oliver $1,500 to $2,499 Thomas Gustafson Robert and Martha Osborne T Anonymous (7) Pamela and Corbin Gwaltney Timothy P. O’Toole Mr. James Adduci II BA Merle Haberman Mr. and Mrs. Gerald W. Padwe Miriam and Robert Adelstein Frank Kendall and Beth Halpern BA Philip B. Nelson and Anne Parten Gisela and Thomas Ahern Kenneth G. Hance Barbara A. Potcka and Sanford K. Ain, Esq. BA James T. and Vicky Sue Hatt Everett Mattlin Kevin and Amanda Allexon Robert and Margaret Hazen 1616 Penelope Payne Douglas and Jane Alspach Ann Kappler and Mark Herlihy Scott Pearson and Diane Farrell BA Patricia Arnold Jean and Stephen Hersh Mr. Mike Peevy Association of Performing Arts Mr. Gerald Hoefler Gary and Trudy Peterson Presenters Charlotte Hollister and Donald Clagett Robert and Lillian Philipson Galen and Carolyn Barbour Linda Holmes BA Foundation BA Danielle L.C. Beach BA David H. Holtzman Sheldon Pratt ACA David and Kate Bell Ms. Ann Homan Mrs. Eden Rafshoon Judge James A. Belson Ms. Carolyn Hoskinson Lloyd and Claudia Randolph 1616 BA Brent J. Bennett James and Marissa Huttinger Susan and Ronald Rapport Elaine and Richard Binder Robert Ingram Robert and Nan Ratner Phillip Reiman and Leslie Binns Mr. Steven Janssen Steven and Anne Reed Cathleen E. Blanton John, Pam and Kim Jaske Peter S. Reichertz Martha Blaxall and Joe Dickey Birdie Johnson Reinsch Pierce Family Foundation, Inc. Thomas C. Brennan Michael Kades and Mary Giovagnoli Retail Litigation Center BA Elizabeth Buchbinder Lawranne Stewart and Mark Kantor Alberto J. Rivera BA Cambria Solutions Candace and Hadrian Katz Steve and Diane Rothman AMB Cheryl and Matthew Chalifoux Joel and Mary Keiler Kimberly and Norman Sandridge BA Antonia B. Ianniello and Thomas R. and Laurie S. Kelly Linda B. Schakel George M. Chuzi Melinda Kimble Richard and Rochelle Schwab Matthew and Sharon Coffey Donald and Yvonne Klenk Christine Scott Mr. and Mrs. Anthony C. Collins Thomas and Bridget Kluwin Richard Scott Julia and Francis Creighton Mary Hughes Knox Shaffer Family Mr. and Mrs. Mark Darnell Dana and Ray Koch Kannon and Victoria Shanmugam BA Tom and Krista Di Iaconi BA Sara Dunham Kraskin and Dickstein Shapiro David and Kenna Dorsen BA Stephen G. Kraskin Margaret Sheer BA Claudia and Dennis Dulmage BA Mr. Sanjiv Kumar and Kelly S. Shoop BA Joy Dunkerley Ms. Mansoora Rashid Mark J. and Joan B. Siegel Becky and Alan Dye L. L. Lanam Patricia L. Sims, Esq. and Fynnette Eaton and James E. Miller Sheldon and Kathleen Leggett David M. Sims, Esq. BA Donna Z. Eden Leonard, Street and Ed and Andy Smith Elizabeth and Randolph Elliott Deinard Foundation Gary and Libby Stanley Ms. Catherine B. Elwell Diane Lindquist Paul Schott Stevens BA Garrett Epps BA Freddi Lipstein and Scott Berg 1616 AMB Mark Sucher and Jane Lyons Raymond S. Eresman and Mr. and Mrs. Robert L. Livingston Susan and Brian Sullam Diana E Garcia David Lloyd, Realtor Ann and Trevor Swett BA John Estes and Veronica Angulo Christopher and Lane Macavoy Al and Nadia Taran Marietta Ethier Amanda Machen Louisa and Daniel Tarullo Bob, Kathy and Lauren Fabia Rev. Frederick MacIntyre and Mickey Jeff Thamkittikasem F. Joseph Feely III MacIntyre Alice W. Thomas 1616 Joseph and Jeri Fellerman Dan and Susan Mareck Mr. Dale E. Thompson Anne and Burton Fishman BA Mars Foundation Sarah Valente Julian W. Fore and Beverly A. Sauer David and Martha Martin Tessa van der Willigen and

28 Jonathan Walters William L. Hopkins and Patricia Yee John H. Vogel BA Richard B. Anderson 1616 Penny S Younce In memory of Dorothy B. Watkiss BA Mr. and Mrs. Timothy Howard Margot and Paul Zimmerman Sally and Richard Watts Ken Hunter Bill and Ted Wears-Richards Stephanie Kanwit $500 to $999 Carla Weiss BA Daniel Kaplan and Kay Richman Anonymous (21) Laura and Paul Weidenfeld BA Gift Fund George and Polla Abed Richard K. Willard Rick Kasten Actors’ Equity Foundation, Inc. Mr. Alan F. Wohlstetter Ray Kogut Vickie and David Adamson Julian Yap BA Mr. and Mrs. Jerome Kossar Mr. and Mrs. John Allen Fred and Sandra Young Polly Kraft Thomas and Kathleen Altizer The Honorable Dov S. Zakheim and Mr. and Mrs. William Kristol Stewart Aly Mrs. Deborah Bing Zakheim Lynne Stephens and Kenneth Larson Eric Amick Karen Leider Wolfram Anders and Michele Manatt $1,000 to $1,499 James J. Lombardi Richard and Rosemarie Andreano Anonymous (5) Shirley Loo Ms. Jerrilyn Andrews and Dean Amel and Terry Savela Steven M. Rosenberg and Mr. Donald Hesse Anthony Francis Lucas-Spindletop Stewart C. Low III Cherrill Alfou Anson Foundation Bruce and Virginia MacLaury M. Antoun Mr. and Mrs. Gregory Ballentine Alice Mandanis Judy Areen and Richard Cooper Dan and Nancy Balz David Marin Jean W. Arnold Mr. and Mrs. Albert H. Barclay Jr. Mr. and Mrs. Gregory May Mrs. Martin Atlas Robert B. Barnett and Rita Braver Susan Milligan and Philip McGuire Leonard Bachman Barrett and Beauchamp Belinda and Jon McKenzie Mr. Joel Balsham Dr. and Mrs. James E. Bernhardt Brian Meighan Jonathan H. Barber Dr. Donna W. Blake and Brenda Metzger Joan Barron and Paul Lang Mr. Bruce E. Eckstein Nancy and Herbert Milstein R. Joseph Barton and Tricia Placido James Blum Mark Perry and Adele Mouzon B. Bayliss and A. Caul Michael Boyd Michael Nannes and Nancy Everett Rev. John P. Beal, III Elizabeth Boyle Ms. Beth Nolan and Julianne Beall Jill and Jay Brannam Mr. Charles Wright Peter Mathers and Bonnie Beavers Dr. Chris H. and The OB-C Group, LLC Paul R. Berger and Janice Lower Mr. James D. Bridgeman Cheryl B. Owen Robert C. and Elissa B. Bernius Roger and Nancy Brown Mr. and Mrs. P. David Pappert Sue E. Berryman John and Linda Byington James D. Parker Bethesda MRI & CT Capitol Hill Community Foundation Julie Phillips Vaughn and Marian Bishop Joanna and Alan Capps Ms. Allison Porter Sam Blackburn and Laura Bunker Nancy Chabot and Rob Layden The John and Marcia Price Family William D. Blair Charitable Foundation Elaine H. Christ Foundation Mary C. Blake Frederick Wolff and Catherine Chura Ms. Elise Rabekoff and Alisa M. Goldstein and Lee Blank Barbara and John Cochran Mr. Christopher Gladstone Harriet and Bruce Blum Mr. Timothy Cole and Red Hat Thomas Booth Ms. Kathy Galloway Roger Roberts The Booth Kogan Family William and Sara Coleman Mr. John Roemer Ronald Bottomly JoEllen and Michael Collins Peter D. Rosenstein The Honorable Susan G. Braden and John W. Cooper David and Samantha Ross Thomas M. Susman Ms. Tia Cudahy and Runyan Public Affairs Dr. Ronald Brady Mr. Redmond Walsh Suzonne Sage Robert and Lucy Bremner Dahl-Morrow International James and Madeleine Schaller Liz and Cornelius Bronder Thomas Damisch Elizabeth and Carl Seastrum Henry J. Brothers, II Emma R. Dolly Dieter Eva and Rex Settle Christopher Brown Richard and Patricia Draper In memory of Betty F. Shepard Dana E. Brown Susan and Dorsey Dunn Jerry and Judy Shulman Mr. and Mrs. Douglas Brown Julie M. Feinsilver 1616 Christina M. Smith Lorraine Brown Gary and Naomi Felsenfeld The Smith-Free Group LLC Marian Bruno Mr. and Mrs. Alan M. Fern Anthony F. Lucas-Spindletop Candice C. Bryant Sandy and Jim Fitzpatrick Foundation Harold R. Bucholtz Ms. Elizabeth Galvin Steptoe & Johnson LLP Maurice and Ruth Burg Dr. Douglas E. Gill George and Elizabeth Stevens Michael L. Burke and Carl W. Smith Angela and Dan Goelzer Linda Griggs and Bill Swedish Col. and Mrs. Lance J. Burton Frona Hall Symantec Marianne M. Callahan Jeanie and Tex Harris Mrs. R Sziede Dianna Campagna Hines Interests Limited Partnership David and Sarah Tate Ann Cardoni Cheryl R. Hodge David Tone James M. Carr Mr. Henry H. Holcomb Michael Tubbs Nicholas and Mary Jeanne Carrera Fran and William Holmes Carole and John Varela Ann Cataldo Myra Holsinger Weinreich Family Sarah and William Cavitt In memory of Daniel Honig Gerry Widdicombe Edward Chmielowski

29 Daily Command Performances.

900 F Street NW · Washington, DC 20004 (202)783.5454 • Reservations online at www.opentable.com

As proud supporters of the Shakespeare Theatre Company, Gordon Biersch gladly honors Elaine Church Kathryn Halpern Hardee Mahoney and Juan Vegega John Clark and Ana Steele Clark John R. Harpold David and Claire Maklan Mrs. Nancy B. Clark Mr. and Mrs. Harr Jack Malgeri Laura L. Hoffman and David C. Colin Donald Harrison Mrs. Maureen Malone John Corrado Peter D. and Florence R. Hart In honor of Sidney Moore Margolis Marsha E. Swiss and Ronald Costell MD Dr. James A. Heath Estelle Marlor Michael and Sue Crane Kari and Max Heerman John and Liza Marshall Whitney Moore and Jacy Daiutolo Terry and Jenny Heiland-Luedtke Patrick Martyn and Eric Lomboy Ms. Donna Dana Mark Heimann Winton E. Matthews, Jr. Maygene and Stephen Daniels Andrea L. Heithoff Mr. Michael S. Maurer and Mr. and Mrs. Scott W. Davis Margaret Hennessey Ms. Rachel L. Sher Matthew and Michel Dazé Jane and David Heppel Catherine McClave Anthony and Nancy DeCrappeo June and George Higgins Cynthia and Richard McConnell Osborne Mackie and Morgan Delaney Susan McNabb and Brent Hillman Matthew and Tom Gusdorff and Ed Dennison Melissa Hodgman and Peter Strzok Caitlin McCormick-Brault Mary des Jardins Stanley and Vicki Hodziewich David and Sarah McMeans Marjorie Deutsch, Ph.D and David Hofstad W. Bruce McPherson John Broadbent, JD Judy G. Honig and Stephen Robb Beverly Melani and Bruce Walker Col. and Mrs. Deverill Paul and Carol Honigberg Roger and Robin Millay Mr. Ken Dreyfuss Silvia M. Hoop and Alfred Kammer Mr. and Mrs. Edward Miller Jean and Paul Dudek Donald M. and Barbara S. Hoskins Scott and Margaret Minton Sayre Ellen Dykes Lois Howlin Daniel Mintz and Ellen Elow-Mintz Stephen and Magda Eccles Michael Hughes and Andy and Janice Molchon Dr. Stanley Edinger and Linda Wiessler-Hughes Theresa Morris Vitalina Zakharova Susan C. Immelt Mr. and Mrs. Timothy P. Mulligan Dr. Stephen C. Ehrmann Dale Rubenstein and Loring Ingraham Carl and Undine Nash Ms. Nike M. Elder Eric R. Jablow Linda S. Neighborgall Victoria Elliott and Mr. Kurt Jaeger Elizabeth and John Newhouse J. Michael Shanahan Rachel R. Jaffe D.W. and Martha Newman Will Guthrie and Ellen Epstein Lorna Jaffe Alice L. Norris William Erickson Mary Frances Jetton Ms. Kathleen J. Norvell David Webber and Joelle Faucher Catherine Jordan Mr. James Olander Gail W. Feagles Kathleen Karr Warren S. Oliveri, Jr. and Col. and Mrs. Charles Feldmayer Preston and Lois Kavanagh McGennis Williams Dorothy E. Fickenscher Ashok and Stuti Kaveeshwar Mr. Francis O’Malley and Dr. James Ellzy Pamela Frazier and Michael Finan Msgr Francis Kazista A. Orza Scott Fine Mark Kearney Rodney and Deborah Page Louise A. 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TFG-166 Shakespeare Theater Ad.indd 1 2/13/14 12:02 PM Stockwell Everts Christopher and Deirdre Holleman L. L. Lawson William Faragher Ted Holmberg and Susan Bokern John W. Layman Janet Farbstein Donald H Hooker Jr and Dr. and Mrs. Stanley E. Legum Anne and Marc Feinberg Mary I Bradshaw Lisa and Chris Leinberger David Furth and Martha Finnemore Charles Horn and Jane Luxton Marian and Stuart Lemle Sara Fisher John K. Hoskinson and Ana I. Fàbregas Raymond and Betty Lepesqueur Tracy Fisher Charlotte Hrncir J. Griffin and Linda P. Lesher Ms. Christine Flinton Veronica Hubbard Lars P. Hanson, CDR, Ret. and Richard L. Forstall Dave Hughes Rosanne M. Levitre, RADM, Ret. V. Lee Fortna Michelle and David Hughes Mr. Ben Levy Michael B. Fowler and Carol Ireland Herman D. Levy John E. Nappi, Esq Alden and Judy Irons Sallie and Sam Lewis Ms. Mary Fraker Paul and Susan Irwin Carol A. Lewis Elizabeth France Kathleen H. Ives Erik Lichtenberg and Carol Mermey Nadra Franklin Jacqueline L. Jackson Barbara Liggett and Augustine Matson Molly M. Frantz Katherine Jameson Kahiko Linker Dr. Helene Freeman Edward and Victoria Jaycox Dr. Frances Litrenta Michael Gaba Susan Jeffries Dr. Richard F. Little Robert Gallagher Mark Srere and Jayne Jerkins Mr. and Mrs. Joseph Livingston Mary Alice Garber Linda Johnson Linda L. Lum Dr. Arlyn Garcia-Perez George and Ayah Johnson Steven Magel Ms. Nancy J. Garruba and Jason Johnson Chris and Ellie Maginniss Mr. Christopher W. Hornig Fred Jones Drs Mark and Leigh Maier Carl R Gerber In loving memory of Patrick Shannon and Gita Maitra Dennis Gerrity Mary Roberta Jones Tom and Joan Malarkey Frank H. Gibson Terri and Phil Jordan Wm Gary and Phoebe Mallard Laura and Michael Gilpin Mark Joseph Robert and Ida May Mantel Virginia Giroux-Rollow Madeleine and Marvin Kalb Maury and Beverley Marks Anne-Marie Glynn Timur Kanaatov Rita and Paul Marth Michael and Ellen Gold Maryanne and David Kane Don Martin and Tammy Wiles Burton Goldberg Nancy Kasler Dr. and Mrs. Robert Martin David M. Goldberg Arthur Katz and Sima Osdoby 1616 John B.K. Martinec Mrs. Lawrence Goldmuntz Colleen and Jack Katz Roy and Leeann Matthews Ellen L. Goldstein Mr. and Mrs. Robert Keatley Mr. Paul Mavromihalis and David Goldston John and Lucy Kelley Dr. Rebecca Ocampo Morton and Roberta Goren Caroline E. Kenney Thomas McAuliffe Patricia Graham Don and Alison Kerr Mr. and Mrs. James W. McBride Eldon and Emily Greenberg Judge Gladys Kessler Matt and Peggy McCarty Robert Greenfield Arleen and Edward Kessler Dan McCormack and Yee-Ning Soong Susan and David Gries Lori Ketcham William A. McDaniel, Jr. Joseph F. Grikis Bill and Marion Kettering Anna Therese McGowan Walter and Janet Grissett Sandy and Pat Kimble Elizabeth McGrath David Grover Lt. Col. Jo Kinkaid USAF (Ret) Mike McNamee Mr. Paul K. Guinnessy William and Susan Kirby Michael and Kimberly Mehalick Cliff Hackett Michael and Carolyn Kirby Ms. Marjory Melnick Judy Hall Mr. and Mrs. Alan Kistler Starke Meyer Valorie Harrison Frank D. Kistler Susan and Harry Meyers Donna Hart Stephen Kitchen Lisa Mezzetti Ms. Fran Hart Marilyn (Mickey) Klein JoAnn and Skip Mican Frank and Lisa Hatheway In memory of Robert Knouss M. Elaine Mielke Doris Hausser Tom and Kathy Knox Iris and Lawrence Miller Judith Hautala Jeffrey and Barbara Kohler Jack and Barbara Miller Larry Hawk Daniel Kohlhepp Carolyn Yocom Constance and Richard Heitmeyer W. Gary Kohlman and Lesley Zork Nicole and Stephen Minnick Shawn C. Helm and Michael W. Kolakowski Bobbe and Herb Mintz J. Thomas Marchitto Robert Kopp Barbara A. Mitchell Robert J. Herbert Mary Kotz Ryland and Mary L. Mitchell Louis Hering Sara Koury Ruth Mitchell Laura Roulet and Rafael Hernandez Tija Krumins Jane Molloy Dr. Roger E. Herst and Jon and Frieda Kulish Jessine A. Monaghan Dr. Judith L. Bader Mr. T. C. Lacey Dr. Allen Mondzac Dorsey Hiltenbrand Larry and Helen Lane Dr. Dominic J. Monetta Richard and Ardeth Hines Debbie Lansford Judie and Fred Mopsik Frederick S. Hird Mary Lauer John and Livezey More Bernardo Hirschman Thomas and Jean Lauzon Kathryn A. Morrical Amanda and Lawrence Hobart Eileen Lawrence and Tom Mounteer and Bobby Zeliger Virginia A. Hodges Bobby Greenfield William D. Mullinix, Jr. Dee Ann Holisky Mary Lawrence Barbara and Robert Munford

34 Elisabeth Murawski Steve and Rhonda Schonberg Ms. Betty Good-White Martin G. Murray Geane and Richard Schubert Kevin R. Gowen and Mr. and Mrs. Robert W. Mustain Jr. Dr. and Mrs Frank and Susan Schuster Robert P. Wilkinson Anne Mytych Don G. Scroggin and Julie L. Williams Michael Williams Elizabeth Neblett Joan Searby Paul Wilson Winkle Williams Nemeth Jeffrey and Patricia Sedgwick Mr. Scott Wilson Jo-Ann Neuhaus Ellen Seidman and Walter Slocombe Linda Winslow In Memory of Mary Neumann Seema Shah George E. Wishon NewTrends Publishing Dean V. Shahinian Ellis Wisner Mrs. William A. Nitze Howard and Harriet Shapiro Neville Withington and Eugene Nojek Dmitry Sheinin Kerry Kingham Russ and Ellen Notar Louise I. Shelley Mr. and Mrs. Allen Wolfe Paul and Beth Nyhus Catherine M. Sheppard Kathryn Wood Paul D. O’Brien Brian Shoot Dr. Maria I. Wood In honor of Oliver Ocean Greg Simon and Margo Reid Susan Yamada Dr. Edward and Susan Oldfield In Memoriam Brenda S Smitth Nicholas and Wendy Yarnold Joseph and Margot Onek Michael R. Smith and Holly A. Larisch Julie and David Zalkind Mr. and Mrs. Mack Ott Sherwood Smith Mr. and Mrs. John J. Zeugner Mary Ann Palka Nick and Robbie Snow Thomas and Yates Palmer Susan Snyder Permanent support through the Susan Papp-Lippman Steve and Diane Sockwell establishment of endowment Joseph A. Pardo Lt. Gen. and Mrs. Soyster funds The Honorable Elizabeth Paris Mr. Richard E. Spear and The Leading National Theatres Mr. and Mrs. Richard J. Park 1616 Ms. Athena Tacha Program, a joint initiative of the Rebecca Patton Ms. Nellie Pena and In Memory of Doris Duke Charitable Foundation Donald D. Pealer Mr. C. Donald Speer and the Andrew W. Mellon Laurence Pearl and Anne Womeldorf James and Sue Sprague Foundation Kevin and Sherry Pearson Mr. and Mrs. William Stansbery Helen Harris Spalding and Herman Julia Perlman John Steele Bernard Meyer Shakespeare Mark Perry Helene and Michael Stein Memorial Fund Col. Sandra Perry Harold and Lana Steinberg Gizella Moskovitz Fund Rick Peters Betsy and Ralph Stephens John R. Petty Janice Sterling Additional Members of the Ms. Diane Polinger William and Lois Stratton Society of 1616 Lisa Poulin Jon and Kate Aikman Anonymous Diana L. Preston The Honorable and Helen Alexander and Roland Weiss Julie Pringle Mrs. James W. Symington Lorraine E. Chickering Michael Proffitt Barbara Taff Anne Coventry Julie and Navarro Pulley Elizabeth A. Taylor 1616 Peter and Linda Parke Gallagher* Alfred S. Raider Miller and Virginia Taylor Ms. Claudia J. Greer Jennifer and Harry Rand John A. Terry Michael Kahn T Mr. and Mrs. Thomas J. Reckford Carol Thayer Lt. Col. and Mrs. William K. Konze John and Sue Renaud Grant P. and Sharon R. Thompson Estate of Gwenneth Lavin* Resch Family Jill and Scott Thompson Mrs. R. Robert Linowes Ms. Catherine Ribnick Elizabeth Trangsrud Shirley Loo In memory of Richard Ricard, Jr Mr. William H. Truettner Marian Mlay Mac and Michelle-Anne Riley Silvia B. Trumbower Judith E. Moore Joan Rineberg Jocelyn and David Turkel Susana and Roberto Morassi* Colleen Robertson Mr. Glenn Tuttle Suzy Platt* David and Sandy Robinson Mr. and Mrs. Stewart Umphrey Jennie Rose Ruth Roddis Allen Unsworth Vicki and Roger Sant Dwight and Laurie Rodgers Eli and Zahava Velder Henry J. Schalizki Duchesse Rodnez Lyons James M. Verdier Anne and Daniel Toohey Audrey Roh Steve Verna Warren Romine James Vollman * Deceased Marcia and Robert Rosenberg Dr. and Mrs. A. Vourlekis Gene and Shirley Rosenfeld Dr. and Mrs. Bruce Wald Paul and Katy Rosenzweig Martha Wallach Marilyn Rubin Linda Walsh Margaret L. Ryan Jennifer A. Warren David N. Ryder In memory of Marjorie Hecht Watson Elizabeth and Noel Safford Mr. Peter Q. Weeks — ElderCaring Mr. and Mrs. Albert L. Salter Thomas and Elizabeth Wehr Betty H. Sams Sally B. Weinbrom-Kram Mr. and Mrs. Stephen B. Sanborn David Wentworth Mary Sanders Dr. Karl Western and Phillip and Diane Savage Aileen Worthington Bob and Patricia Schieffer Mr. Donald White and

35 In Kind Matchbox Food Group Matching Gifts Asia Nine Moet & Chandon Bank of America Austin Grill MOM’s Organic Market Computer Associates International, BridgeStreet Worldwide National Law Journal & Legal Times Inc. Carmine’s Old Town Shoe & Luggage Repair ExxonMobil Foundation Cedar Restaurant Red Velvet Cupcakery Freddie Mac Foundation Constellation Brands, Inc. Social Reform Kitchen & Bar/Private IBM International Foundation DC Access Caucus Rooms International Monetary Fund District Chophouse & Brewery Tangysweet Qualcomm FUEL Pizza Teaism T. Rowe Price Foundation, Inc. Graham Holdings ThinkFoodGroup Verizon Foundation Gordon Biersch Brewery Uber Wiley Rein LLP The Hill U Street Cleaners YourCause, LLC Homewood Suites by Hilton Urban Essentials Washington DC Vapiano Knightsbridge, Inc. Washington Metropolitan Area LaTasca Transit Authority Lavagna West Wing Writers MAC Cosmetics Zengo

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Key to Symbols 1616 Members of the Society of 1616, the Theatre’s BA Members of the Bard Association, dedicated planned giving society supporters of the Theatre who are members ACA Supporters of the Academy for Classical Acting of the legal community. To join, please contact Emily Lynn at 202.547.3230 ext. 2325. AMB Ambassadors of the Theatre, generous donors who help to develop and enhance our patrons’ T Members of the Board of Trustees relationship with the Theatre. To join, please Deceased contact Eric Bailey at 202.547.3230 ext. 2312. *

Every effort has been made to ensure that this list is accurate. If your name is misspelled or omitted, please accept our apologies and inform Arielle Katz in Member Services at 202.547.1122, option 7, or email [email protected].

The Academy for Classical Acting

The Shakespeare Theatre Company is home to the will train 10 or more hours a day in various classical Academy for Classical Acting (ACA), a premier MFA disciplines taught by experienced professionals, many training program for actors, run jointly with The George of whom work with, and in, the Shakespeare Theatre Washington University. Now in its 14th year, the ACA Company. Besides having Michael Kahn himself at has graduated nearly 200 exceptional actors, most of the ACA’s artistic helm, other faculty members include whom now work in the finest regional theatres in the STC Affiliated Artist Edward Gero (Acting: Text), country. Many opt to make the Washington, D.C. area currently in the title role in the Henry IV repertory; their home, which means that on any given evening STC Affiliated Artist Floyd King (Acting: Comedy), at the theatre, you are more likely than not to see one Dr. Chasuble in this season’s The Importance of of our graduates gracing the stage. Often recognized Being Earnest; Ellen O’Brien (Voice and Text), the by their peers for having a significant and distinctive Shakespeare Theatre’s Head of Voice and Text and impact on this city’s theatre, this year’s nominations for coach for the Henry IV repertory; and Gary Logan Helen Hayes Awards have gone to ACA grads Kimberly (Ear-Training and Acting), the voice, text, and dialect Gilbert (‘01), Dawn Ursula (‘07), Matthew R. Wilson coach for The Importance of Being Earnest. (‘08), Adeoye Mabogunje (‘12), and Stephen Russell Murray (‘14). Also nominated is the ACA’s longtime In the second half of June every year, the ACA repertory costume designer, Kendra Rai. produces two classic plays in repertory. Professional directors are brought in from across the country to What makes the ACA training unique is the direct these wonderful plays. We hope you will join us. conservatory style of the courses. A class of 14–16

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Michael Kahn Opera and Dallas Opera; Show Boat for Houston Artistic Director Grand Opera; Carmen for Houston and Washington STC: Wallenstein, The Government Operas; Carousel for Miami Opera; Julius Caesar for Inspector, Strange Interlude, The San Francisco Spring Opera. INTERNATIONAL: Love’s Heir Apparent, Old Times, All’s Well Labor’s Lost at the Royal Shakespeare Company’s That Ends Well, The Liar, Richard Complete Works Festival; The Oedipus Plays at II, The Alchemist, Design for Living, the Athens Festival; Five by Tenn for The Acting The Way of the World, Antony and Company’s tour of Eastern Europe; Show Boat for Cleopatra (2008), Tamburlaine, Hamlet (2007), the National Cultural Center Opera House in Cairo; Richard III (2007), The Beaux’ Stratagem, Love’s The White Devil for the Adelaide Festival. BOARD Labor’s Lost, Othello, Lorenzaccio, Macbeth (2004), MEMBERSHIPS: Theatre Communications Group; Cyrano, Five by Tenn (at the Kennedy Center), The New York State Council on the Arts; D.C. Commission Silent Woman, The Winter’s Tale (2002), The Duchess on the Arts and Humanities; National Endowment of Malfi, The Oedipus Plays, Hedda Gabler, Don for the Arts; Opera America’s 80s and Beyond. Carlos, Timon of Athens, Camino Real, Coriolanus, AWARDS: Commander of the British Empire (C.B.E.); King Lear (1999), The Merchant of Venice, King John, Theater Hall of Fame; seven Helen Hayes Awards A Woman of No Importance, Sweet Bird of Youth, for Outstanding Director; 2011 CAGLCC Excellence Peer Gynt, Mourning Becomes Electra, Henry VI, in Business Award; 2010 WAPAVA Richard Bauer Volpone, Henry V, Henry IV, The Doctor’s Dilemma, Award; 2007 Mayor’s Arts Award Special Recognition Richard II, Much Ado about Nothing (also at McCarter for Shakespeare in Washington; 2007 Stephen Theatre Center), Mother Courage and Her Children, and Christine Schwarzman Award for Excellence in Hamlet, Measure for Measure, King Lear (1991), Theatre; 2007 Sir John Gielgud Award for Excellence Richard III (1990), The Merry Wives of Windsor, in the Dramatic Arts; 2005 Person of the Year from Twelfth Night, As You Like It, Antony and Cleopatra the National Theatre Conference; 2004 Shakespeare (1988), Macbeth (1988), All’s Well That Ends Well, Society Medal; 2002 William Shakespeare Award for The Winter’s Tale (1987), Romeo and Juliet. NEW Classical Theatre; 2002 Distinguished Washingtonian YORK: Broadway: Show Boat (Tony nomination), Award from The University Club; 2002 GLAAD Capitol Cat on a Hot Tin Roof, Whodunnit, Night of the Award; 1997 Mayor’s Arts Award for Excellence in Tribades, Death of Bessie Smith, Here’s Where I an Artistic Discipline; 1996 Opera Music Theater Belong, Othello, Henry V; Off-Broadway: Manhattan International’s Bravo Award; 1990 First Annual Theatre Club: Five By Tenn, Sleep Deprivation Shakespeare’s Globe Award; 1989 Washingtonian Chamber, Funnyhouse of a Negro, The Rimers of Magazine Washingtonian of the Year; 1989 Eldritch, Three by Thornton Wilder, A Month in the Washington Post Award for Distinguished Community Country, Hedda Gabler, The Señorita from Tacna, Service; 1988 John Houseman Award. HONORARY Ten by Tennessee; New York Shakespeare Festival: DOCTORATES: University of South Carolina; Kean Measure for Measure (Saturday Review Award). College; The Juilliard School; The American University. Artistic Director: The Acting Company, 1978–1988. TEACHING: Richard Rodgers Director of Juilliard Chris Jennings Drama Division July 1992–May 2006, faculty member Managing Director 1967–; Shakespeare Theatre Company Academy for STC: Joined the Company in Classical Acting at the George Washington University. 2004. ADMINISTRATION: General Previously: New York University; Circle in the Square Manager: Trinity Repertory Company Theatre School; Princeton University; British American (1999–2004), Theatre for a New Drama Academy; founder of Chautauqua Theatre Audience (1997–1999); Associate Conservatory. REGIONAL: Arena Stage: A Touch of Managing Director: Yale Repertory the Poet; Signature Theatre: Pride in the Falls of Theatre; Assistant to the Executive Producer: Manhattan Autrey Mill, Otabenga; Guthrie Theater: The Duchess Theater Club; Founder/Producing Director: Texas Young of Malfi; American Repertory Theatre: ‘Tis Pity She’s Playwrights Festival; Manager: Dougherty Arts Center. a Whore; American Shakespeare Theatre: Artistic MEMBERSHIPS: Currently serves on the Board of the Director for 10 years, more than 20 productions; Theatre Communications Group, DC Downtown BID, McCarter Theatre Center: Artistic Director for five THE ARC, DC Arts Collaborative, the Penn Quarter seasons, including Beyond the Horizon, filmed for Neighborhood Association, Theatre Washington, and is PBS; Chautauqua Theatre: Artistic Director, including a member of the League of Resident Theatres (served The Glass Menagerie with Tom Hulce; Goodman on AEA and SSDC Negotiating Committees); has served Theatre: Old Times (MacArthur Award), The Tooth of as a panelist for the NEA, DC Commission on the Arts, Crime (Jefferson nomination); Ford’s Theatre: Eleanor. Mid Atlantic Arts Foundation and Humanities, and OPERA: Romeo and Juliette for Dallas Opera; Vanessa Pew Theatre Initiative. AWARDS: Arts Administration for the New York City Opera (2007); Lysistrata or Fellowship: National Endowment for the Arts. TRAINING: The Nude Goddess for Houston Grand Opera and University of Miami: BFA in Theatre/Music; Yale School New York City Opera; Vanessa for Washington of Drama: MFA in Theatre Management.

39 Alan Paul Ellen O’Brien Associate Director Head of Voice and Text STC: A Funny Thing Happened on the Way to the STC: More than 50 productions during 11 seasons. Forum, The Boys from Syracuse, Twelfth Night (Free ACADEMY FOR CLASSICAL ACTING: 22 productions of for All), numerous galas, readings and special events; Shakespeare and Jacobean plays. REGIONAL: Ford’s Assistant Director: 13 shows. THEATRE DIRECTING: Theatre, Arena Stage, Charlotte Repertory Company, Signature Theatre: I Am My Own Wife; Studio Theatre Aurora/Magic Theaters, People’s Light and Theatre 2ndStage: The Rocky Horror Show (co-director); Company, Shakespeare Santa Cruz, North Carolina Catholic University: Man of La Mancha; University of Shakespeare Festival. PUBLICATIONS: Articles in Maryland: The Matchmaker; Apex Theatre Company: The Voice and Speech Review, Shakespeare in the Richard II; Northwestern University: Six Degrees of Twentieth Century, Shakespearean Illuminations, Separation; readings for The Studio Theatre, Arena Shakespeare Survey, Shakespeare Quarterly, Stage, Woolly Mammoth Theatre Company, The Shakespeare and the Arts; The Voice and Speech National Academy of Sciences, The Phillips Collection, Review: Associate Editor for Heightened Text, Verse The Goethe Institut, Georgetown University. OPERA and Scansion. TRAINING: Yale University: MA, MPhil, DIRECTING: Urban Arias: Blind Dates, Before Breakfast, PhD (English); Central School of Speech and Drama/ The Filthy Habit, Photo-Op; The In Series: Dido and The Open University (London): Advanced and Post- Aeneas, El Amor Brujo; Strathmore: Butterfly/Saigon, Graduate Diplomas in Voice Studies. TEACHING: Blind Dates. Finalist for the 2013 European Opera Academy for Classical Acting; University of California, Directing Prize (Vienna, Austria). Santa Cruz; Guilford College; Kirkland College. Deborah Vandergrift Daniel Neville-Rehbehn Chief Production Officer Resident Casting Director REGIONAL: Seventh season at STC, Production Manager STC: The Importance of Being Earnest, A Funny at Hartford Stage for six seasons; Stage Manager for Thing Happened on the Way to the Forum, Measure more than 30 shows at Hartford Stage working with for Measure, Coriolanus, Wallenstein, Hughie, A directors including Mark Lamos, Michael Wilson, Michael Midsummer Night’s Dream, The Government Inspector, Langham, JoAnne Akalaitis, Richard Foreman and Anne All’s Well That Ends Well (Free For All), The Merry Bogart; Stage Manager for La Jolla Playhouse, Georgia Wives of Windsor, The Servant of Two Masters, Strange Shakespeare Festival, New Jersey Shakespeare Festival, Interlude, The Two Gentlemen of Verona, Much Ado Phoenix Theatre and other theatres. INTERNATIONAL: About Nothing, The Heir Apparent, The Merchant of Pearls for Pigs international tour (dir. Richard Foreman), Venice, Old Times, An Ideal Husband, Cymbeline, International Production Associates. OTHER: Project Candide. REGIONAL: The Studio Theatre: Assistant Manager: Arts Festival Atlanta, International Festival of Production Management and Casting for several Arts and Ideas; Stage Manager for 1996 Olympic Games, productions including American Buffalo, Reasons to be Glimmerglass Opera, New York City Opera. TRAINING: Pretty, In the Red and Brown Water, Adding Machine: Oberlin College: BA in English and Theatre; UC San A Musical, Grey Gardens, Rock ‘n’ Roll, Blackbird, Diego: MFA in Stage Management. Shining City, The History Boys, Jerry Springer: The Opera; Centerstage: Production Management Intern, Drew Lichtenberg 2006–2007 Season. TRAINING: Towson University: BS Literary Associate in Theatre Design. STC: The Importance of Being Earnest, A Funny Thing Happened on the Way to the Forum, Measure for Measure, Coriolanus, Wallenstein, Hughie, A Midsummer Night’s Dream, The Government Inspector, The Merry Wives of Windsor, The Servant of Two Masters, Strange Interlude, The Two Gentlemen of Verona, Much Ado About Nothing, The Heir Apparent. REGIONAL: STC/McCarter Theatre Center: The Winter’s Tale; Centerstage: Caroline, or Change, Cyrano, Around the World in 80 Days; Yale Rep: Lulu (dir. Mark Lamos); Williamstown Theatre Festival: The Front Page, The Physicists, The Corn is Green; New York Shakespeare Festival: Macbeth (dir. Moisés Kaufman); OTHER: Yale School of Drama: Tarell McCraney’s In the Red and Brown Water (US premiere); Lecturer: Catholic University of America. TRAINING: Yale School of Drama.

40 WOLFGANG AMADEUS MOZART THE MAGIC FLUTE a love-struck prince sets out on a fantastic adventure to rescue the Queen of the night’s daughter in Mozart’s final opera. This “zesty and imaginative new production” (San Francisco Chronicle) is certain to captivate audiences of all ages.

“A feast for the eyes, a feast for the ears… a masterpiece of conception and execution!” —Opera Today Photo by Cory Weaver MAY 3–18 TickeTs on sale now! Kennedy Center Opera House (202) 467-4600 May 3, 5, 10, 17 at 7 p.m.; 7, 8, 15, 16† at 7:30 p.m.; 11 & 18 at 2 p.m. kennedy-center.org †Domingo-Cafritz Young Artist Performance Performed in English with projected English titles. Tickets also available at the Box office. Titles may not be visible from the rear of the orchestra. Groups (202) 416-8400

David and Alice Rubenstein are the Presenting Underwriters of WNO.

General Dynamics is the proud sponsor of WNO’s 2013-2014 Season.

The Magic Flute is a production of the Clarice Smith Opera Series. The Domingo-Cafritz Young Artist Program is made possible through the generous support of The Morris and Gwendolyn Cafritz Foundation.

41  Two-Week Sessions  CAMP June 16–August 9  Shakespeare Ages 7–18

   

ShakespeareTheatre.org/ Camp-Shakespeare

202.547.5688  

  

42 STC Staff

Artistic Director Michael Kahn MARKETING AND COMMUNICATIONS Managing Director Chris Jennings Chief Marketing Officer Michael Porto Executive Assistant to the Associate Marketing Director Austin Auclair Artistic Director and Managing Director David Olson Marketing Manager Becca Gurganious Marketing Assistant Alison Ehrenreich ARTISTIC Audience Services Manager Joy Johnson Associate Director Alan Paul Ticket Managers Danielle Cox, Tim Helmer Head of Voice and Text Ellen O’Brien Sales Associates Zindzi Ali, Benjamin Chase, Literary Associate Drew Lichtenberg Evelyn Chester, Holly Cobb, Jonathan Engel, Sarah Galli, Heather Hart, Christopher Hunt, Artistic Fellow Garrett Anderson Jessica Kaplan, Jennifer Ketcham, Emmy Landskroener, Assistant Director Gus Heagerty Andre McBride, Izetta Mobley, Kristin Nam, Affiliated Artists Keith Baxter, Avery Brooks, Christopher Pearson, Carmelitta Riley, Helen Carey, Veanne Cox, Aubrey Deeker, Marie Riley, Crystal Stewart, Colleen Delany, Franchelle Stewart Dorn, Michael Wharton, Genevieve Williams Cameron Folmar, Adam Green, Edward Gero, Philip Goodwin, Call Center Director Monte Hostetler Jane Greenwood, Michael Hayden, Tana Hicken, Teleservices Associates Tom Brennan, Kelly Carson, Simon Higlett, Christopher Innvar, Stacy Keach, Floyd King, Eric Garvanne, Cheryl Kempler, Andrew Long, Ethan McSweeny, Jennifer Moeller, David Muse, Jill McAfee, Elizabeth McMahon, Sohna Millar, James Noone, Patrick Page, Robert Perdziola, Nancy Robinette, Joanna Morgan, Mychael Murray, Colin O’Bryan, David Sabin, Miriam Silverman, Derek Smith, Cynthia Perdue, Lee Sanders, George Sitter, Walt Spangler, Tom Story, Rebecca Taichman, Ted van Amy Sloane, Nancy Tyson, Daniel Yabut Griethuysen, Craig Wallace, Adam Wernick Theatre Services Manager Dora Hoyt House Manager Amanda Loerch ADMINISTRATION Assistant House Managers Melissa Adler, Ashley Bailey, Director of Administration James Roemer Tim Bailey, Quintin Cary, Associate Managing Director Anne S. Kohn Rae Davidson, Addie Gayoso, Human Resources Manager Lindsey Morris Susan Koenig, Aaron Lewis, Meaghan McFadden, Human Resources Coordinator Danielle Mohlman Stephanie McLean, Carissa Milliken, Laura H. Moore, Accounting Manager Mary Margaret Finneran Ali Peterson, Bach Polakowski, Marie Riley, Accounting Assistant Marco Dimuzio Claire Robertson, Kelly Rubin, Justin Silverman Receptionist Ursula David Retail Manager Kristra Forney Assistant Retail Manager Sue Fraser General Management Intern Matthew Roberts Harman Reception Director of Operations Timothy Fowler and Usher Coordinator Jonathan Doucette Operations/IT Assistant Melissa Adler Communications Assistant Kate Colwell Theatre Building Engineer Dave F. Henderson Communications Apprentice Clare Lockhart Theatre Monitors Milton Garcia, Jeff Whitlow Web and Media Programmer Brien Patterson Maintenance Technician Al Sanders Senior Graphic Designer Chris Taylor-Low Custodian Jorge Ramos Lima Junior Graphic Designer Elayna Speight Harman Porters Dennis Fuller, Mirna Guzman, Graphic Design Intern Joseph Yates Roderick Proctor, Photographers Kevin Allen, Margot Schulman, Lansburgh Porters Agustin Hernandez Scott Suchman Director of Information Technology Brian McCloskey EDUCATION PROGRAMS Systems Administrator David Harvey The Academy for Database Administrator Brian Grundstrom Classical Acting Director Gary Logan ACA Program Coordinator Sloane A. L. Spencer DEVELOPMENT Director of Education Samantha K. Wyer Chief Development Officer Ed Zakreski Associate Director of Education Dat Ngo Audience Enrichment Manager Hannah Hessel Ratner Associate Director of Development Amy Gardner Community Engagement Manager Laura Henry Buda Individual Campaigns Officer Emily Lynn School Programs Manager Vanessa Hope Major Gifts Officer Eric C. Bailey Education Coordinator Meaghan McFadden Special Events Manager Ray Bracken Training Programs Coordinator Brent Stansell Associate Director of Education Intern Stephanie Ramsey Development Operations Meridith Young Resident Teaching Artist Jim Gagne Development Operations Coordinator Kristina Williams Affiliated Teaching Artists Carolyn Agan, Wyckham Avery, Director of Corporate Giving Noreen Major Dan Crane, Lewis Feemster, George Grant, Corporate Giving Manager Katie Burns-Yocum Jon Harvey, Brit Herring, Paul Hope, Membership Coordinator Arielle Katz Rachel Hynes, Mark Jaster, Sabrina Mandell, Director of Foundation and Nafeesa Monroe, Jennifer L. Nelson, Government Relations Meghann Babo-Shroyer Matthew Pauli, Victoria Reinsel, Development Intern Freddy Mancilla Paul Reisman, Lorraine Ressegger, Melissa Richardson, Nancy Robinette, Amie Root, Oran Sandel, Kristala Smart, Lyndsey Snyder, Eva Wilhelm

43 PRODUCTION Scene Shop Foreman Eric Dixon Chief Production Officer Deborah Vandergrift Scene Shop Administrator Margaret Tratta Production Manager Tom Haygood Carpenters John Cincioni, Carrie Cox, Bookings Production Manager Genevieve Cooper Christian Sullivan, Matt Wolfe Company Manager Mackenzie Douglas Charge Scenic Artist Sally Glass Production Administrator Tim Bailey Scenic Artist Jose Ortiz Interim Company Manager Shelly Cohen Scenic Painter Jamie Kumpf Company Management Intern Hannah Rapaport-Stein Scenic Art Intern Ashley Bailey Resident Production Stage Manager Joseph Smelser Overhire Scenic Painter Sam Shelton Assistant Stage Managers Elizabeth Clewley, Hannah R. O’Neil, Prop Shop Director Chester Hardison Robyn M. Zalewski Associate Props Director Eric Reynolds Production Assistants Christopher Kee Anaya-Gorman, Lead Props Artisan Chris Young Maria Tejada Props Painter/Sculptor Eric Hammesfahr Stage Management Interns Shannon Desmond, Soft Goods Artisan Rebecca Williams Joseph Fernandez, Jr. Overhire Props Artisans Claire Cantwell, Laura Cividanes, Costume Director Wendy Stark Prey Ananda Keator, Edwin Schiff Floor Manager Julie Rose Master Electrician Sean R. McCarthy Resident Design Assistant Lynda Myers Assistant Master Electrician Lauren A. Hill Overhire Design Assistant Erin Nugent Harman Electrician Erin Teachman Drapers Denise Aitchison, Tonja Petersen, Lansburgh Electrician Jacob Moriarty-Stone Randall Exton Electrician Micah Manning First Hands Jennifer Biehl, Lighting Design Associate Alan Edwards Sandra Thomas, Sara Trebing Audio/Video Supervisor Jason Tratta Stitchers Michele Ordway, Jennifer Rankin, Assistant Audio/Video Supervisor Brian Burchett Donna Sachs, Pamela Wilcox Live Mix Engineer Mackenzie Ellis Lead Crafts Artisan Joshua Kelley Lansburgh Board Operator Andrew Smith Overhire Crafts Artisans Anna St. Germain, Lauren Klamm Audio/Video Engineer Geoff Moore Wardrobe Supervisors Jeanette Lee Porter, Monica Speaker Assistant to the Sound Designer Patrick Calhoun Wig Master Dori Beau Seigneur Stage Operations Supervisor Louie Baxter Overhire Wardrobe Alina Gerall, Jenny O’Donnell Assistant Stage Operations Supervisor Mic Murphy Costume Design Intern Kara Tesch Stage Carpenters Nick Custer Costume Tech Interns Ellis Greer, Claire Robinson Run Crew Catherine Russell, Megan Thomas Technical Director Mark Prey Overhire Run Crew Owen Nichols Assistant Technical Directors Michael Bagley, Kelly Dunnavant

Audience Services

Lansburgh Theatre Accessibility 450 7th Street NW Our theatres are accessible to persons with disabilities. Please request special seating at time of ticket purchase Sidney Harman Hall and arrive 30 minutes before curtain for priority seating. 610 F Street NW Sign-interpreted performance of Henry IV, Part 1: Tuesday, Ticket and Group Sales: May 20 at 7:30 p.m. and Henry IV, Part 2: Tuesday, May 27 Tickets: 202.547.1122 at 7:30 p.m. Toll-free: 877.487.8849 TTY: 202.638.3863 Box Office fax: 202.608.6350 Audio-described performance of Henry IV, Part 1: Saturday, Bookings: 202.547.3230 ext. 2206 May 3 at 2:00 p.m. and Henry IV, Part 1: Saturday, May 17 at 2:00 p.m. Box Office phone hours (both theatres): Daily: noon–6 p.m. (Box Office window open until curtain time) An audio-enhancement system is available for all performances. Both headset receivers and neck loops (to use with hearing aids The Lansburgh Box Office is closed on the weekends if there outfitted with a “T” switch) are available at the coat check on a is no performance at the Lansburgh Theatre. first-come basis. Concessions and Gift Shops: Program notes in Braille and large print are available at the Food and beverages are available one hour before each coat check. performance. Pre-order before curtain for immediate pick-up at intermission. Lansburgh Theatre and Sidney Harman Hall gift Support for the Shakespeare Theatre Company’s shops are open before curtain, at intermission and for a short Accessibility Program provided by time after each performance. Connect with us: Facebook.com/ShakespeareinDC Twitter @ShakespeareinDC The video and/or audio recording of this performance by any YouTube.com/ShakespeareTheatreCo means whatsoever are strictly prohibited. As a courtesy, turn off Flickr.com/ShakespeareTheatreCompany pagers, telephones, watch alarms and all other electronic devices Instagram @ShakespeareinDC during the performance. Audience members may be reached during a performance by calling house management at 202.547.3230 ext. 2517. Specify seat location. Latecomers will be seated at management’s discretion. 44 SHAKESPEARE THEATRE COMPANY ACADEMY FOR CLASSICAL ACTING AT THE GEORGE WASHINGTON UNIVERSITY The future of classical theatre is here.

The Academy for Classical Acting (ACA) at The George Washington University is the only full-time MFA program in the country focused exclusively on classical acting. The Emerging Classical Artists Fund provides much-needed scholarship funds for MFA candidates at the ACA. Your support is crucial to our goal of providing financial aid to 100% of our students. You are invited to name a scholarship through the Emerging Classical Artists Fund. “My year at the ACA Donors of $5,000 or more to the ACA at The was one of the best George Washington University may name a years of my life. scholarship to fund one of our talented actors I would not have and connect with a recipient. been able to attend the ACA without scholarship support.” Gene Gillette, ACA Class of 2007

To make a gift or for more information, please contact Amy Gardner of the Shakespeare Theatre Company at 202.547.3230 ext. 2327, or Kimberly Portis of The George Washington University at 202.994.9909. You can also donate online at ShakespeareTheatre.org/Support 45 or gwu.edu/give. Photo of Gene Gillette and Nick Dillenburg in STC’s The Two Gentlemen of Verona by Scott Suchman.