DOCSLIB.ORG

Program from the Production

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. Although they are in About the Playwright 11 two parts, performed over two nights, it is one, long play, with recurring characters and themes. It shows Henry IV, Part 1 Cast 14 us fathers and sons and husbands and wives, it Henry IV, Part 2 Cast 15 dramatizes war and its human costs, it shows us the terrible burdens of leadership and the fragility of a Cast Biographies 17 commonwealth wracked by regional and political differences. It shows us sickness and suffering, Direction and laughter and gaiety, life and death. This play for me is Design Biographies 22 simply universal in every way. Support 25 At this stage in my career, I am aware that I do my For STC 38 best work when I am surrounded by artists of the highest caliber. Few things make me prouder than STC Staff 42 welcoming back STC Affiliated Artist Stacy Keach to Audience Services 43 play Falstaff. I have known Stacy for a very long time, and I am thrilled and grateful that he has chosen to spend six months working with us. Joining him is a truly outstanding veteran cast filled with many longtime friends, as well as some new young faces. I have dreamed for a very long time that this theatre Creative Conversations must do both parts of Henry IV, and I am profoundly grateful to Clarice Smith for making this ambitious HENRY IV, Part 1 and Part 2 repertory production possible. In the remainder of our 2013–14 Season we will be Page and Stage FREE hosting two productions inspired by Noël Coward, Sunday, April 6, 5-6 p.m. one of the wittiest and most romantic of 20th- century playwrights. As part of our STC Presentation Bookends FREE Series, Kneehigh Theatre’s Brief Encounter will be Wednesday, April 9 and 16, at the Lansburgh from March 29 through April 13. Pre-show 5:30 p.m. and post-show The production stars Hannah Yelland, Hermione in Post-Performance last season’s The Winter’s Tale, who was nominated Cast Discussion FREE for a Tony Award for her performance in this Wednesday, May 7 and internationally acclaimed production. May 29 to July 21, post-show 13, Maria Aitken closes our subscription season with Coward’s fast-talking and manners-breaking comedy, FREE Classics in Context Private Lives. As always, we hope to share these Saturday, May 10, 5-6 p.m. stories with you in our theatres, and I look forward to AsidesLIVE: Henry IV, Parts 1 and 2 seeing you there. Sunday, April 27, 2014, 10 a.m.–1 p.m. Warm regards, Tickets: $20 regular, $15 ticket holders/ subscribers, $7 student tickets. jJoin the director, actors and special guests in this morning of conversations Michael Kahn about the plays. Artistic Director Shakespeare Theatre Company ShakespeareTheatre.org/Education Cover photo by Scott Suchman. 4 200 MASTERWORKS 120 ARTISTS 1 AMERICAN SPIRIT AMERICA N MASTERS MADE IN FROM THE PHILLIP S COLLECTION 1850–1970 THE USA Through August 31, 2014 1600 21st Street, NW The exhibition is organized by The Phillips Collection. (Dupont Circle, Q Street exit) THURSDAY NIGHTS The exhibition is presented by OPEN UNTIL 8:30 PM Generous support is provided by www.phillipscollection.org MEMBERS ENJOY UNLIMITED The Mr. and Mrs. Raymond J. Horowitz FREE ADMISSION AND Foundation for the Arts. DISCOUNTS. JOIN US! Brought to you by the Made in the USA Committee 5 ARTHUR G. DOVE, RED SUN (DETAIL), 1935. OIL ON CANVAS, 20 1/4 X 28 IN. THE PHILLIPS COLLECTION, WASHINGTON, DC, ACQUIRED 1935 © THE ESTATE OF ARTHUR G. DOVE, COURTESY TERRY DINTENFASS, INC. shakespeare theater ad February 2014.indd 1 2/18/2014 4:53:55 PM Recipient of the 2012 Regional Theatre Tony Award® Artistic Director Michael Kahn Managing Director Chris Jennings William Shakespeare’s Performances Begin March 25, 2014 Performances Begin April 1, 2014 Opening Night April 15, 2014 Opening Night April 18, 2014 Sidney Harman Hall Sidney Harman Hall Director Resident Casting Director Michael Kahn Daniel Neville-Rehbehn Associate Director Fight Directors Alan Paul Rick Sordelet Christian Kelly-Sordelet Set Designer Alexander Dodge Voice and Text Coach Ellen O’Brien Costume Designer Ann Hould-Ward Literary Associate Drew Lichtenberg Lighting Designer Stephen Strawbridge Assistant Director 200 MASTERWORKS 120 ARTISTS 1 AMERICAN SPIRIT Gus Heagerty Composer/Music Director/ Sound Score Assistant to the Director Nathanael Johnson AMERICA N Michael Roth MASTERS Production Stage Manager Wig Designer FROM Joseph Smelser* MADE IN Paul Huntley THE PHILLIP S Assistant Stage Managers New York Casting COLLECTION Hannah R. O’Neil* Stuart Howard and Paul Hardt 1850–1970 Robyn M. Zalewski* THE USA Through August 31, 2014 The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation. Additional support for the Henry IV Repertory provided by the 1600 21st Street, NW The exhibition is organized by The Phillips Collection. (Dupont Circle, Q Street exit) National Endowment for the Arts. THURSDAY NIGHTS The exhibition is presented by Henry IV, Part 1 Restaurant Partner: Carmine’s OPEN UNTIL 8:30 PM Generous support is provided by Henry IV, Part 2 Restaurant Partner: Social Reform www.phillipscollection.org MEMBERS ENJOY UNLIMITED The Mr. and Mrs. Raymond J. Horowitz FREE ADMISSION AND Foundation for the Arts. DISCOUNTS. JOIN US! Brought to you by the Made in the USA Committee *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. ARTHUR G. DOVE, RED SUN (DETAIL), 1935. OIL ON CANVAS, 20 1/4 X 28 IN. THE PHILLIPS COLLECTION, WASHINGTON, DC, ACQUIRED 1935 © THE ESTATE OF ARTHUR G. DOVE, COURTESY TERRY DINTENFASS, INC. shakespeare theater ad February 2014.indd 1 2/18/2014 4:53:55 PM The Play of History What is the history play? It ends with neither halfway through, just as Hotspur’s spirited deaths nor weddings, yet contains both arguments with his wife parallel Prince tragedy and comedy. It devotes itself to the Hal’s jesting games of wit with Falstaff. regional and political differences of millions Heterosexual tensions in the one world vie of people, while functioning as a family with homosocial bonds in the other; games drama of unusual intimacy. The history play of criminal mischief in one echo deadly war shows us great kings and mighty warriors, games in the other. but it also makes room for the common man Another way of understanding the play’s and allows the silent woman to have her say. architecture is by looking at character. The How does one sum up a genre that appears court, the tavern and the battlefield are to follow so few set rules and regulations? ruled by King Henry, Falstaff and Hotspur, How does one define the warp and woof of respectively. The only figure linking together what looks like pure inspiration? these three worlds is Prince Hal, and the play * * * is concerned principally with his personal and political education. Strikingly, Shakespeare Almost as soon as it appeared, Henry IV, does not pressure us to side with any one Part 1 was a popular sensation. It was of Hal’s would-be mentors. He presents the the best-selling of Shakespeare’s plays, King’s criticisms of Hal’s wastrel conduct just going through nine editions between 1598 as seriously as he does Falstaff’s endorsement and 1639. (Part 2 was only printed once, of a self-interested and liberal lifestyle, as in 1600.) It played regularly in theatres well as Hotspur’s valiant self-conduct. throughout the seventeenth century. During the Interregnum, when all theatre Shakespeare also, with brilliant irony, shows was prohibited, the Falstaff scenes were us the terrible burdens of the King’s mortal performed as a “droll” – at taverns and fairs, sin, the self-serving logic of Falstaff and on an impromptu scaffold – under the title Hotspur’s self-destructive qualities. Along The Bouncing Knight. with Hal, we in the audience have to reflect on and choose the wisest course of action. Structurally, the play has a restless, triangular Shakespeare’s genius makes clear that momentum.
Recommended publications
  • A Dull Soldier and a Keen Guest: Stumbling Through the Falstaffiad One Drink at a Time

    A Dull Soldier and a Keen Guest: Stumbling Through the Falstaffiad One Drink at a Time

    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2017 A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time Emma Givens Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Dramatic Literature, Criticism and Theory Commons, and the Theatre History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4826 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Emma Givens 2017 All rights reserved A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Emma Pedersen Givens Director: Noreen C. Barnes, Ph.D. Director of Graduate Studies Department of Theatre Virginia Commonwealth University Richmond, Virginia March, 2017 ii Acknowledgement Theatre is a collaborative art, and so, apparently, is thesis writing. First and foremost, I would like to thank my grandmother, Carol Pedersen, or as I like to call her, the world’s greatest research assistant. Without her vast knowledge of everything Shakespeare, I would have floundered much longer. Thank you to my mother and grad-school classmate, Boomie Pedersen, for her unending support, my friend, Casey Polczynski, for being a great cheerleader, my roommate, Amanda Long for not saying anything about all the books littered about our house and my partner in theatre for listening to me talk nonstop about Shakespeare over fishboards.
  • A Study of Shakespeare Contribution in Hindi Cinema

    A Study of Shakespeare Contribution in Hindi Cinema

    International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala.
  • Henry Iv, Parts One &

    Henry Iv, Parts One &

    HENRY IV, PARTS ONE & TWO by William Shakespeare Taken together, Shakespeare's major history plays cover the 30-year War of the Roses, a struggle between two great families, descended from King Edward III, for the throne of England. The division begins in “Richard II,” when that king, of the House of York, is deposed by Henry Bolingbroke of the House of Lancaster, who will become Henry IV. The two Henry IV plays take us through this king's reign, ending with the coronation of his ne'er-do-well son, Prince Hal, as Henry V. In subsequent plays, we follow the fortunes of these two families as first one, then the other, assumes the throne, culminating in “Richard III,” which ends with the victory of Henry VII, who ends the War of the Roses by combining both royal lines into the House of Tudor and ruthlessly killing off all claimants to the throne. What gives the Henry IV plays their great appeal is the presence of a fat, rascally knight named Falstaff, with whom Prince Hal spends his youth. Falstaff is one of Shakespeare's most memorable characters and his comedy tends to dominate the action. He was so popular with audiences that Shakespeare had to kill him off in “Henry V,” lest he detract from the heroism of young King Henry V. “Henry IV, Part One,” deals with a rebellion against King Henry by his former allies. The subplot concerns the idle life led by the heir to the throne, Prince Hal, who spends his time with London's riffraff, even going so far as to join them in robbery.
  • Masaryk University Faculty of Education

    Masaryk University Faculty of Education

    Masaryk University Faculty of Education Department of English Language and Literature We, Band of Brothers in Arms Friendship and Violence in Henry V by William Shakespeare Bachelor thesis Brno 2016 Supervisor: Author: Mgr. Jaroslav Izavčuk Vladimír Ovčáček Prohlašuji, že jsem bakalářskou práci na téma ‘We, Band of Brothers in Arms - Friendship and Violence in Henry V by William Shakespeare’ vypracoval samostatně, s využitím pouze citovaných pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Souhlasím, aby práce byla uložena na Masarykově univerzitě v Brně v knihovně Pedagogické fakulty a zpřístupněna ke studijním účelům. V Brně dne………………………….. Podpis………………………………. - 1 - I would like to express my gratitude to my parents and friends, without whose support I would never have a chance to reach this important point of my life. I would also like to thank Mgr. Jaroslav Izavčuk for his kind support, helpful advice, and patience. - 2 - Anotace Tato bakalářská práce analyzuje hru Jindřich V. od Wiliama Shakespeara, a to z hlediska násilí a přátelství, jakožto témat často se objevujících v této hře. Bakalářská práce je tvořena teoretickou a praktickou částí. V teoretické části je popsán děj hry a jsou zde také určeny cíle této práce. Dále jsou zde charakterizovány termíny násilí a přátelství a popsán způsob jakým bylo v renesančním dramatu vnímáno násilí. Dále jsem zde vytvořil hypotézu a definoval metody výzkumu. Na konci teoretické části je stručný popis historického kontextu, do kterého je tato hra včleněna.
  • Community in August Wilson and Tony Kushner

    Community in August Wilson and Tony Kushner

    FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay.
  • A Play and Critical Analysis

    A Play and Critical Analysis

    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository ‘CURRENT REGIMES’ A PLAY & CRITICAL ANALYSIS by LUCY TYLER A thesis submitted to The University of Birmingham for the degree of MPHIL(B) PLAYWRITING STUDIES Department of Drama and Theatre Arts The University of Birmingham September 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Acknowledgements I would like to express my gratitude to a number of people without whom this play would not have been the same. Kate North, Steve Waters, Steph Dale, Naomi Cooke and my cohort on the Playwriting course. I would also like to thank my parents. Contents: The Critical Analysis..................................................p.1 Bibliography...............................................................p.30 Appendices.................................................................p.36 Current Regimes- A Play............................................p.52 Fiona and Caroline are stressed. They’re adopting a child together and decide to take a relaxing, last minute holiday to Spain. But there’s a problem. The hotel’s a fascist hotbed, there’s a picture of the Dictator Franco above the twin beds (when they specifically booked a double), and the hotel’s situated right next to Franco’s grave at The Valley of the Fallen.
  • Title: Title: Title

    Title: Title: Title

    Title: 45 Seconds from Broadway Author: Simon, Neil Publisher: Samuel French 2003 Description: roy comedy - friendship - Broadway twelve characters six male; six female two acts interior set; running time: more than 120 minutes; 1 setting From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they Title: Aberhart Summer, The Author: Massing, Conni Publisher: NeWest Press 1999 Description: roy comedy - historical - Alberta playwright - Canadian eleven characters eight male; three female two acts "Based on Bruce Allen Powe's 1984 novel [of the same name], Massing's marvelous play is at once a gripping Alberta history lesson, a sweetly nostalgic comedy and a cracking-good-murder-mystery, all rolled up into one big, bright ball of theatrical energy and verve..." Calgary Herald "At its best, Aberhart Summer is a vivid and unsentimental depiction of small-town Canadian life in Title: Accidents Happen Seven short plays Author: DeAngelis, J. Michael Barry, Pete Publisher: Samuel French 2010 Description: roy comedy large cast flexible casting seven one acts Seven of The Porch Room's best short plays collected together into an evening of comedy that proves that no matter what you plan for - accidents happen. The shorts can be performed together as a full-length show or on their own as one acts.
  • Koel Chatterjee Phd Thesis

    Koel Chatterjee Phd Thesis

    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
  • Announcing HOW to TRANSCEND a HAPPY MARRIAGE and BULL in a CHINA SHOP

    Announcing HOW to TRANSCEND a HAPPY MARRIAGE and BULL in a CHINA SHOP

    FOR IMMEDIATE RELEASE, PLEASE LINCOLN CENTER THEATER ANNOUNCES TWO NEW PRODUCTIONS FOR ITS 2016-2017 SEASON “HOW TO TRANSCEND A HAPPY MARRIAGE” A NEW PLAY BY SARAH RUHL DIRECTED BY REBECCA TAICHMAN PERFORMANCES BEGIN THURSDAY, FEBRUARY 23 OPENING NIGHT IS MONDAY, MARCH 20 AT THE MITZI E. NEWHOUSE THEATER AND THE LCT3 PRODUCTION OF “BULL IN A CHINA SHOP” A NEW PLAY BY BRYNA TURNER DIRECTED BY LEE SUNDAY EVANS SATURDAY, FEBRUARY 11 THROUGH SUNDAY, MARCH 26 OPENING NIGHT IS MONDAY, FEBRUARY 27 AT THE CLAIRE TOW THEATER Lincoln Center Theater (under the direction of André Bishop) has announced two new productions for its 2016-2017 season: HOW TO TRANSCEND A HAPPY MARRIAGE, a new play by Sarah Ruhl, to be directed by Rebecca TaichMan, beginning perforMances Thursday, February 23 and opening Monday, March 20 at the Mitzi E. Newhouse Theater (150 West 65 Street); and the LCT3 production of BULL IN A CHINA SHOP, a new play by Bryna Turner, to be directed by Lee Sunday EVans, which will begin perforMances Saturday, February 11, open on Monday, February 27, and run through Sunday, March 26 at the Claire Tow Theater (150 West 65 Street). HOW TO TRANSCEND A HAPPY MARRIAGE At a dinner party in the wilds of New Jersey, two Married couples discuss a younger acquaintance--a polyamorous woMan who also hunts her own Meat. Fascinated, they inVite this Mysterious woMan and her two liVe-in boyfriends to a New Year’s EVe party, which alters the course of their liVes. HOW TO TRANSCEND A HAPPY MARRIAGE asks: how Much loVe can a twosoMe contain? What are the liMits of friendship, and what happens when parents who have forgotten their own wildness have a wild ruMpus all their own? SARAH RUHL returns to Lincoln Center Theater where her plays The Oldest Boy; The Clean House (Pulitzer Prize finalist, Susan SMith Blackburn Prize); and In The Next Room, or the vibrator play (Tony Award noMinee for Best Play, Pulitzer Prize finalist) had their New York preMieres.
  • FINISHING the PICTURE by Arthur Miller

    FINISHING the PICTURE by Arthur Miller

    Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused.
  • Announcing a VIEW from the BRIDGE

    Announcing a VIEW from the BRIDGE

    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
  • MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE

    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE

    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................