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10Am ~ 6Pm Tuesdays: 12 ~ 8Pm Wednesdays
20152015 Hours Mondays: 10am ~ 6pm Tuesdays: 12 ~ 8pm Wednesdays: 12 ~ 8pm Thursdays: 10am ~ 6pm Fridays: 2pm ~ 6pm Saturdays: 12 ~ 4pm Going on a holiday road trip? Check out our selection of audio books. It’s a great way to bring the family together, NOTICE and keep your eyes on the road. We have something for The library will be closed everyone. December 24th, 25th, 26th, 31st And January 1st Festivus—It’s for the Rest of Us! Melcat will be unavailable December 23rd November 18th ~ December 11th Are you feeling left out? You don’t celebrate Christmas or Chanukah. National Ding-a-Ling Day Kwanzaa just isn’t your thing and you don’t even know what Ramadan is. December 12th Then, the Miracle of Festivus is for you! A very special day to “Ring your Bell”. On Symbol: an unadorned aluminum pole national Ding-a-Ling Day, you should brace Dinner: Meatloaf yourself for bizarre and crazy behavior, from Traditions: Feats of Strength & all of the people you encounter today. Even Airing of Grievances normally conservative people have been known to go a little crazy on this day! Make a holiday gift for your family and friends. Join us for craft night. We will be making Mason Jar Candle Holders. Saturday, December 12th at 1:00 pm One FREE craft per person Registration required, call email or stop in the library to sign up. What is coming in 2016? Kristy Robinett An Abnormally Normal Vietnam Vet and Local Author of Psychic Medium 97-Bravo Saturday, January 23rd Join us for this FREE presentation as Kristy discusses her At 1:00 pm predictions for 2016 Wednesday, January 6th @ 7:00 PM Due to high demand and limited space, this event is exclusively for HTPL card holders and their guests. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Exploring Alternative Approaches for Managing Electoral Injustice in Africa the Case of Breast Protests in Nigeria and the Sex Strike in Kenya
Exploring alternative approaches for managing electoral injustice in Africa The case of breast protests in Nigeria and the sex strike in Kenya INTRODUCTION through the ballot box. Furthermore, by manipulating the electoral process and rigging the elections against Peace and confl ict are outcomes of human relations. opposition candidates, incumbents have ensured that the However, neither is a permanent condition and rarely people’s votes have not counted. do they occur concurrently or simultaneously in a Th is study deals with three main issues. Th e fi rst is society. Rather, their existence is intermittent and the role of traditional and urban women’s movements in interchangeable, with peace being punctured by confl ict managing the protracted electoral crises in Nigeria and and vice versa. Confl ict is a universal phenomenon and, Kenya. Th e second is the impact of customary and or- in essence, is a global occurrence. Equally, the present thodox repercussions of the public display of half-naked global system is not immune to confl icts. During the bodies and bare breasts by women and their sex-denying Cold War era, confl ict in Africa focused mainly on strategies for attaining electoral justice in Nigeria interstate boundary wars, with intrastate wars being and Kenya, respectively. Th e third is the possibility of limited to a few states on the continent. Th e post-Cold converting these strategies to regional tools for achieving War era, however, which incidentally has coincided electoral justice, peace and political stability. with the period of democratisation in the region, has witnessed a surge in interstate wars, based on political ELECTORAL CONFLICTS and ethno-religious causes. -
Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
1960 Fantales Movie Stars - Blue
James Stedman Henderson's Sweets Ltd Fantales candy 1960 Fantales Movie Stars - Blue Julia Adams in "One Desire" Fred Astaire in "Daddy Long Legs" Eva Bartok in "SOS Pacific" Claire Bloom in "The Man Between" Dirk Bogarde in "Penny Princess" Shirley Booth in "About Mrs Leslie" Judy Canova in "Oklahoma Annie" and " The WAC from Walla Walla" Jeff Chandler in "Raw Wind in Eden" Jeff Chandler in "Because of You" Eileen Christy in "I Dream of Jeannie" and "Thunderbirds" Eileen Christy in "Then You'll Remember Me" Rosemary Clooney in "The Stars are Singing" and "Here Come the Girls" Michael Craig in "Upstairs, Downstairs" and "Doctor in Love" Michael Craig in "Sapphire" and "Upstairs, Downstairs" Jean Crain in "The Tattered Dress" Brodrick Crawford in "Sabre and the Arrow" Joan Crawford in "Johnny Guitar" Peggy Cummins in "The Love Lottery" Tony Curtis in "Forbidden" Arlene Dahl in "Sangaree" and "Jamaica Run" Bella Darvi in "Hell and High Water" Sandra Dee in "Stranger in my Arms" and "The Wild and the Innocent" John Derek in "The Last Posse" Brian Donlevy in "Ride the Man Down" and "Woman they Almost Lynched" Joanne Dru in "Three Ring Circus" Richard Egan in "Seven Cities of Gold" Clark Gable in "Soldier of Fortune" Race Gentry in "Black Horse Canyon" Cary Grant in "To Catch a Thief" Sterling Hayden in "Johnny Guitar" Susan Hayward in "White Witch Doctor" Rita Hayworth in "They Came to Cordura" William Holden in "The Country Girl" Skip Homeir in "Thunder Over Arizona" Jeffrey Hunter in "The Last Hurrah" Glynis Johns in "The Seekers" Jennifer Jones in "A Farewell to Arms" Grace Kelly in "The Bridge and Toko-Ri" and "Rear Window" Deborah Kerr in "The King and I" and "Heaven Knows, Mr. -
Sur Nos Écrans
Document generated on 09/23/2021 12:16 p.m. Séquences La revue de cinéma Sur nos écrans Number 109, July 1982 URI: https://id.erudit.org/iderudit/51015ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1982). Review of [Sur nos écrans]. Séquences, (109), 33–48. Tous droits réservés © La revue Séquences Inc., 1982 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ • •••a ••**! vISSING (Porté disparu...) • En fication de l'oeuvre. S'il entre dans le débat politi attribuant sa Palme d'or conjointement à que, il court le danger de négliger la portée du film deux films politiques: Missing et Yol, le en soi, au bénéfice des positions idéologiques Festival de Cannes vient de souligner, préétablies. pour la deuxième fois consécutive, le rôle Ayant vécu pendant seize ans en Amérique croissant du cinéma comme témoin de notre temps. latine, j'ai pu me rendre compte des complexités qui L'année dernière, c'était L'Homme de Fer qui exal caractérisent chacun des pays dans cette région. tait la lutte des travailleurs contre un régime se récla C'est pourquoi je me refuse d'accepter les thèses mant du marxisme. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Life with Father on the Screen 7
The American Century Theater Presents… “LifeWithFather” (Based on the writings of Clarence Day, Jr.) by Howard Lindsay and Russel Crouse Audience Guide Audience Guide Nov.About 25–Dec. The American 6 2008; Jan. Century 8-24, Theater2009 Compiled and Edited by Jack Marshall The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These study guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. 2 Table of Contents The Playwrights 4 Life With Father on the Screen 7 Clarence Shepard Day, Jr. 13 The Gift of Song 14 By Clarence Shepard Day, Jr. TV Domestic Comedy 18 American Century Theater Season 22 3 The Playwrights: Howard Lindsay (1889-1968) and Russel Crouse (1893-1966) Lindsay and Crouse were one of the most dynamic, successful and long-lasting theatrical teams in American theater history, though they are almost forgotten today. -
Viewed English Journal Vol
Literary Horizon An International Peer-Reviewed English Journal Vol. 1, Issue 1 www.literaryhorizon.com February, 2021 Shagless Marriage and Rationing Sex Dr. Vipan B Kumar Advocate, Mumbai High Court, Mumbai, Maharashtra, India. Physical intimacy and sexuality including coitus is an essential ingredient which is an integral part of matrimony and cements marital relationship. It is the elixir of life and an invigorating force that makes life worth living with enthusiasm and bonding. Generally, most of us take sexual relationship for granted by virtue of one‘s marriage to our spouse or due to natural intimacy that couples develop as a result of interpersonal interaction. However, nurturing of sexual intimacy is often not considered as a conscious effort, gradually paving the way for problems by influx of time, erosion of novelty, increasing responsibilities and various other factors. The word ―sex‖ and sexuality topics are a taboo and inhibiting in our society and culture, so much so that even healthy and normal discussion on it is considered to be indecent, restrictive and uncomfortable. The irrational beliefs and myths related to sexuality continues to be reinforced and go unchallenged, strengthening resistance and diffidence with respect to sex, even between couples, who are generally adults and in committed relationship or married. Sexual knowledge and information is generally informally acquired and not appropriately channelised in many cases, giving rise to misinformation, irrational beliefs and myths that not only are a cause of many medical and psychological concerns as well as legal issues but also causes irreparable damage to interpersonal relationships, erodes the charm of intimacy, married life and various relationships that are dependent on it or arising out of it. -
Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 P.M
DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 p.m. Via Zoom Meeting Platform 1. Call to Order 2. Public Comment 3. Approval of Agenda 4. Consent Agenda Items Approval of March 18, 2021 Regular Meeting Minutes Approval of March 2021 Payroll in the amount of $38,975.80 Approval of March 2021 Vouchers in the amount of $76,398.04 Treasury Reports for March 2021 Balance Sheet for March 2021 (if available) Deletion List – 5116 Items 5. Conflict of Interest 5. Communications 6. Director’s Report 7. Unfinished Business A. Library Opening Update B. Art Policy (N or D) 8. New Business A. Meeting Room Policy (N) B. Election of Officers 9. Other Business 10. Adjournment There may be an Executive Session at any time during the meeting or following the regular meeting. DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Legend: E = Explore Topic N = Narrow Options D = Decision Information = Informational items and updates on projects Parking Lot = Items tabled for a later discussion Current Parking Lot Items: 1. Grand Opening Trustee Lead 2. New Library Public Use Room Naming Jeanne Williams is inviting you to a scheduled Zoom meeting. Topic: Board Meeting Time: Mar 18, 2021 07:00 PM Pacific Time (US and Canada) Every month on the Third Thu, until Jan 20, 2022, 11 occurrence(s) Mar 18, 2021 07:00 PM Apr 15, 2021 07:00 PM May 20, 2021 07:00 PM Jun 17, 2021 07:00 PM Jul 15, 2021 07:00 PM Aug 19, 2021 07:00 PM Sep 16, 2021 07:00 PM Oct 21, 2021 07:00 PM Nov 18, 2021 07:00 PM Dec 16, 2021 07:00 PM Jan 20, 2022 07:00 PM Please download and import the following iCalendar (.ics) files to your calendar system. -
Women's Sex-Toy Parties: Technology, Orgasm, and Commodification
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ McCaughey, Martha, and Christina French.(2001) “Women’s Sex-Toy Parties: Technology, Orgasm, and Commodification,” Sexuality and Culture 5:3:77-96. (ISSN: 1095-5143) The version of record is available from http://www.springer.com (September 2001) Women’s Sex-Toy Parties: Technology, Orgasm, and Commodification Martha McCaughey and Christina French ABSTRACT: This article presents participant-observation research from five female-only sex- toy parties. We situate the sale of sex toys in the context of in-home marketing to women, the explosion of a sex industry, and the emergence of lifestyle and body politics. We explore the significance of sex toys for women as marketed in female-only contexts, paying particular attention to the similarities and differences with Tupperware’s marketing of plastic that promises happiness to women. We argue that sex-toy sales follow the exact patterns of Tupperware sales but, since the artifacts sold are for the bedroom rather than the kitchen, foster an even greater sense of intimacy between the women— which has both positive and negative consequences for thinking critically about the commodification of sexuality, bodies, and lifestyles in our capitalist culture. Vibrators and other sex toys constitute the technological route to a self- reflexive body project of female orgasm. We ask to what extent such a body project, achieved primarily through an individualistic, capitalistic consumption model, can offer a critique of