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The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Title: Title: Title
Title: 45 Seconds from Broadway Author: Simon, Neil Publisher: Samuel French 2003 Description: roy comedy - friendship - Broadway twelve characters six male; six female two acts interior set; running time: more than 120 minutes; 1 setting From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they Title: Aberhart Summer, The Author: Massing, Conni Publisher: NeWest Press 1999 Description: roy comedy - historical - Alberta playwright - Canadian eleven characters eight male; three female two acts "Based on Bruce Allen Powe's 1984 novel [of the same name], Massing's marvelous play is at once a gripping Alberta history lesson, a sweetly nostalgic comedy and a cracking-good-murder-mystery, all rolled up into one big, bright ball of theatrical energy and verve..." Calgary Herald "At its best, Aberhart Summer is a vivid and unsentimental depiction of small-town Canadian life in Title: Accidents Happen Seven short plays Author: DeAngelis, J. Michael Barry, Pete Publisher: Samuel French 2010 Description: roy comedy large cast flexible casting seven one acts Seven of The Porch Room's best short plays collected together into an evening of comedy that proves that no matter what you plan for - accidents happen. The shorts can be performed together as a full-length show or on their own as one acts. -
Call Me Madam, P
NEW YORK CITY CENTER EDUCATION INSIDE ENCORES! Your personal guide to the performance. S AR E Y 5 7 TABLE OF CONTENTS CONTEXT Inspiration for Call Me Madam, p. 4-5 Meet the Creators & Artists, p. 6-7 An Interview with Casey Hushion, p. 8-9 Call Me Madam’s Lasting Influence on Encores!, p. 10-12 Glossary, p. 13 RESOURCES & ACTIVITIES Before the Show, p. 15 Intermission Activity, p. 16-17 After the Show, p. 18 Sources p. 19 Up Next for City Center Education p. 20-21 CONTEXT INSPIRATION FOR CALL ME Perle Mesta WHO WAS SHE? Perle Mesta was the first United States Ambassador to MADAM Luxembourg. The original “hostess with the mostest,” Mes- ta was known for hosting lavish parties in Washington D.C for almost 30 years. Born in Oklahoma, her family came into wealth when her father became involved in the oil and real-estate industries. In 1917 she married George Mesta, owner of Mesta Machinery. Mrs. Mesta became interested in politics when her husband introduced her to several high-ranking officials, including President Calvin Coolidge. Following her husband’s death, she became heavily involved in the quest for women’s rights and joined the National Women’s Party as its Congressional chairman and Public Relations specialist. While lobbying for the Equal Rights Amendment, she made a multitude of con- nections with politicians who would later attend her famous social gatherings. A Republican for most of her life, Mesta realigned herself with the Democratic party, opting to give financial support to then Senator Harry Truman. -
The Sound of Music
FOOTHILL MUSIC THEATRE PRESENTS THE TONY, GRAMMY, AND ACADEMY AWARD-WINNING CLASSIC THE SOUND OF MUSIC Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Directed by Milissa Carey Music Direction by William Liberatore July 19 – August 5, 2018 Smithwick Theatre, Los Altos Hills LOS ALTOS HILLS, CA (1 June 2018) -- Los Altos Hills will be alive with The Sound of Music this summer, when multi-award winning Foothill Music Theatre presents the Tony, Grammy, and Academy Award-winning musical. This beloved musical, set in Austria in 1938, follows novice Maria Rainer who becomes the governess for the von Trapp family, capturing the hearts of the seven children and their father, a widowed naval captain. As the Nazis occupy Austria, the family is forced make decisions which forever change their lives, fleeing their home in pursuit of freedom. Director Milissa Carey, music director William Liberatore, and choreographers Brett and C.J. Blankenship breathe new life into this classic tale of hope, love, and family. The Sound of Music will play July 19- August 5, 2018 (press opening: July 20) at the Smithwick Theatre, I-280 & El Monte Road, Los Altos Hills. Tickets ($12 - $32) and information can be found at www.foothill.edu/theatre or by phone at (650) 949-7360. For nearly six decades, audiences of all ages have adored The Sound of Music, the final musical composed by legendary songwriting team Oscar Hammerstein II and Richard Rodgers (South Pacific, Oklahoma!, The King and I). The sweet and sweeping score includes favorites such as “My Favorite Things,” “Do Re Mi,” “Edelweiss,” and the title song. -
"Call Me Madam"
JNOIAWAPOUS POBLIQ LIB ART AND Ml/SIG OEPAiTiH "CALL ME MADAM" JULY 30-AUG. 5 Indiana i ijreateit Summer C*ntertainment Souuenir Program 25c € ^ 2 a* HILTON U. BROWN THEATRON DRAWING COURTESY OF (BUTLER BOWL) LENNOX & MATTHEWS & ASSOCS., INC. ARCHITECT-ENGINEERS BUTLER UNIVERSITY, INDIANAPOLIS • NOW is the time . to plan your • International Tour • Caribbean Cruise • European Tour • Domestic Tour spring - summer - fall conducted and independent travel Specialists in Tailored for "YOU" Itineraries Wc are appointed agents for: ALL STEAMSHIP LINES ALL AIR LINES ALL RAIL LINES ALL TOUR COMPANIES ALL HOTELS There Is No Substitute for Experience We KNOW, He Have BEEN There ROSS AND BABCOCK TRAVEL BUREAU INC. CLAYPOOL HOTEL MEIrose 5-5417 Indianapolis 4, Ind. Foreign and Domestic Tours and Cruises Passport and Visa Information Our Service Is Free STARLIGHT MUSICALS, INC. A Non-Profit Corporation Directed By Civic Leaders Of The City Of Indianapolis 417 CIRCLE TOWER BUILDING INDIANAPOLIS 4, INDIANA OFFICERS Dear Starlight Musical Patron: H. T. PRITCHARD Chairman of the Board Before the 1956 season of Starlight Musicals has passed, we are sure you will go home one L. G. GORDNER President night humming "There's No Business Like Show Business," and with which I agree. There are JOHN I. KAUTZ pitfalls for the unwary, and rich rewards in satisfaction. These are not limited to the actors them Vice President NOBLE L. BIDDINGER selves, but extend to management, and in our case, even to the Board of Directors which now for Vice President another season hope to present good entertainment to the public on a non-profit basis. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
William Powell ~ 23 Films
William Powell ~ 23 Films William Horatio Powell was born 29 July 1892 in Pittsburgh, Pennsylvania. In 1907, he moved with his family to Kansas City, Missouri, where he graduated from Central High School in 1910. The Powells lived just a few blocks away from the Carpenters, whose daughter Harlean also found success in Hollywood as Blonde Bombshell Jean Harlow, although she and Powell did not meet until both were established actors. After school, Powell attended New York City's American Academy Of Dramatic Arts. Work in vaudeville, stock companies and on Broadway followed until, in 1922, aged 30, playing an evil henchman of Professor Moriarty in a production of Sherlock Holmes, his Hollywood career began. More small parts followed and he did sufficiently well that, in 1924, he was signed by Paramount Pictures, where he stayed for the next seven years. Though stardom was elusive, he did eventually attract attention as arrogant film director Lev Andreyev in The Last Command (1928) before finally landing his breakthrough role, that of detective Philo Vance in The Canary Murder Case (1929). Unlike many silent actors, the advent of sound boosted Powell's career. His fine, urbane voice, stage training and comic timing greatly aided his successful transition to the talkies. However, not happy with the type of roles he was getting at Paramount, in 1931 he switched to Warner Bros. His last film for them, The Kennel Murder Case (1933), was also his fourth and last Philo Vance outing. In 1934 he moved again, to MGM, where he was paired with Myrna Loy in Manhattan Melodrama (1934). -
Mary Moody Northen Theatre
Mary Moody Northen Theatre by Howard Lindsay and Russel Crouse .a.. StEDWARDS UNIVERSI1Y A USTIN • TEX A S OCTOBER 2-14 UNIVERSITY THEATRE FACULTY AND STAFF Dean of Humanities . ....... ..... .. .. ... Marsha Kinsey, Associate Professor 1920 So. Congress Ave. Artistic Director ... .. ... .. ..... ... Susan Loughran, Associate Professor MAGNOLIA Theatre Business Manager ..... Melba Martinez -Mishler, Assistant Professor 2304 Lake Austin Blvd. Associate Professor .. ...... .... ............ ....... .......... Dr. Chuck Ney Assistant Professor . .... .. .. ..... .. .... .. .. ....... Michael Massey ~=(}\FE Technical Director .. ....... ... ... .. .... .. .... .... .. Gary Van Der Wege Costumer ......... .. ; ...... .. .... ..... Sara Medina-Pape, Adjunct Professor Theatre Secretary . ..... .. ..... ... .. ......... ..... ..... Marvella Pritchett 25% OFF W/COUPON GUEST DIRECTOR One Coupon per Party MICHAEL HARLAN, directed BLACK COMEDY in MMNT's 1990 summer season for which he received an ACOT nomination for Best Director. He is the Associate Artistic Director at Capitol City Playhouse where he has directed HAY FEVER, SOMETHING'S A FOOT, BROAD WAY BOUND, THE BOYFRIEND, THE SEAGULL, CLOUD You Are When You Eat 9, BILOXI BLUES, GYPSY, and CURSE OF THE STARVING CLASS. At the University of Tennessee in Chattanooga, Open 7 days at 7 a.m. he directed MASTER HAROLD AND THE BOYS and A LIE OF THE MIND . Projects in planning include WILD Close Sun.--Thurs. 10 p.m . HONEY and LA CAGE AUX FOLLES at Capitol City Open Late Night Fri.--Sat. til 4 a.m. Playhouse. He is very happy to be back on the St. Edward's University campus this fall and would like to thank the students, faculty, and staff for their warm -~-----------------------------~- welcome . SCENIC/LIGHTING DESIGNER GARY VAN DER WEGE, serves as Technical Director and Designer for the Mary Moody Northen Theatre. -
February 16 – 27, 2010 Anything Goes
Theatre Sheridan presents ANYTHING GOES TECHNICAL CREW The action begins in a smokey Manhattan bar shortly before moving onboard the SS American. Stage Manager ......................................................Keely Welsh Assistant Stage Managers ......................................Alice Barnett, Marc Benson It is 1934. Audio Crew ........................................................... Brian Kenny, Ethan Millard, Nick Mitanoff Carpentry Crew ..................................................... Joshua Chudziak, Stacey Ingham, ACT ONE Michelle Inksetter, Tyler Ironside, Mitcheal Lonsdale, John Page, Kevin Reynolds, Overture Derek Wray I Get A Kick Out Of You .....................................Reno Head Electrician ..................................................... Daniel Van Amelsvoort There’s No Cure Like Travel .................................Girl, Sailor, Captain, Purser & Male Quartet Lighting Crew ........................................................ Cedric Daros, Andrew Deardon, Matt Bon Voyage ........................................................Sailors and Chorus Field, Lucas Park, Catherine Smulders, You’re The Top ...................................................Reno & Billy James Walsh, Lucas Wilson Music and Lyrics by Cole Porter Easy to Love .......................................................Billy Production Assistants ............................................. Michael Coulter, Jasmyne Leisemer Original Book by Guy Bolton, P.G. Wodehouse, The Crew Song ..................................................Whitney -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
SS Library Anthologies
Titles An Anthology of Greek Drama: First Series (Edited by C.A. Robinson Jr.) Aeschylus: Agamemnon Sophocles: Oedipus the King, Antigone Euripides: Medea, Hippolytus Aristophones: Lysistrata An Anthology of Greek Drama: Second Series (Edited by C.A. Robinson Jr.) Aeschylus: Prometheus Bound, Choephoroe, Eumenides Sophocles: Philoctetes, Oedipus at Colonus Euripes: The Trojan Women, The Bacchae Aristophanes: The Clouds, The Frogs Greek Drama (Edited by Moses Hadas) Aeschylus: Agamemnon, Summary of Choephoroe, Eumenides Sophocles: Antigone, Oedipus the King, Summary of Oedipus at Colonus, Philoctetes Euripides: Medea, Hippolytus, The Trojan War Aristophanes: The Frogs Greek Tragedies, Volume I (Edited by Grene & Lattimore) Aeschylus: Agamemnon, Prometheus Bound Sophocles: Oedipus the King, Antigone Euripides: Hippolytus Classical Comedy, Greek and Roman (Edited by Robert W. Corrigan) Aristophones: Lysistrata, The Birds Menander: The Grouch Plautus: The Menaechmi, Mostellaria Terence: The Self-Tormentor Masters of Ancient Comedy (Edited by Lionel Casson) Aristophenes: The Acharnians Mendander: The Grouch, The Woman of Sarnos, The Arbitration, She Who Was Shorn Plautus: The Haunted House, The Rope Terence: Phormio, The Brothers Farces, Italian Style (Edited by Bari Rolfe) The Phantom Father Dr Arlecchino or the Imaginary Autopsee The Dumb Wife The Kind Father in Spite of Himself The Lovers of Bologna Commedia Dell'Arte (Edited by Bari Rolfe) 20 Lazzi 35 Scenes The Lovers of Verona Drama of the English Renaissance (Edited by M.L. Wine) Christopher Marlowe: Doctor Faustus Thomas Dekker: The Shoemaker's Holiday, A Pleasant Comedy of the Gentle Craft Ben Jonson: Volpone or The Foe Francis Beaumont: The Knight of the Burning Pestle Ben Jonson: The Masque of Blackness Francis Beaumont & John Fletcher: Philaster John Webster: The Duchess of Malfi Thomas Middleton & William Rowley: The Changeling John Ford: The Broken Heart Four English Tragedies (Edited by J.M. -
Lyric Repertory Company
Utah State University DigitalCommons@USU The Caine College of the Arts Music Program All Music Department Programs Archives 2017 Lyric Repertory Company Lyric Repertory Company Follow this and additional works at: https://digitalcommons.usu.edu/music_programs Part of the Music Commons Recommended Citation Lyric Repertory Company, "Lyric Repertory Company" (2017). All Music Department Programs. 119. https://digitalcommons.usu.edu/music_programs/119 This Lyric Repertory Company is brought to you for free and open access by the The Caine College of the Arts Music Program Archives at DigitalCommons@USU. It has been accepted for inclusion in All Music Department Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. LYRIC R[P[RT@RY COMP+:l NY UtahStateU n ive rs ity® FROM THE PRODUCERS DENNIS HASSAN, CRAIG JESSOP, ADRIENNE MOORE, RICHIE CALL Welcome to the 49th season of the Lyric Repertory Company! As we approach our golden anniversary we are thrilled to present what we feel will be one of our best seasons yet . This summer we present two shows that have never been seen on the Caine Lyric Theatre stage. Baskerville is a farcical take on Sir Arthur Conan Doyle's classic thriller, The Hound of the Baskervilles , and Singin ' in the Rain is based on one of the most popular movie musicals of all time . These Lyric Rep firsts are joined by two classics . Watch a different actor each night narrowly escape the charity of the Brewster sisters in Arsenic and Old Lace, and Lee Daily is back as Mr. De Pinna in the Pulitzer Prize-w inning play You Can't Take it With You.