February 16 – 27, 2010 Anything Goes
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Life with Father on the Screen 7
The American Century Theater Presents… “LifeWithFather” (Based on the writings of Clarence Day, Jr.) by Howard Lindsay and Russel Crouse Audience Guide Audience Guide Nov.About 25–Dec. The American 6 2008; Jan. Century 8-24, Theater2009 Compiled and Edited by Jack Marshall The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These study guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. 2 Table of Contents The Playwrights 4 Life With Father on the Screen 7 Clarence Shepard Day, Jr. 13 The Gift of Song 14 By Clarence Shepard Day, Jr. TV Domestic Comedy 18 American Century Theater Season 22 3 The Playwrights: Howard Lindsay (1889-1968) and Russel Crouse (1893-1966) Lindsay and Crouse were one of the most dynamic, successful and long-lasting theatrical teams in American theater history, though they are almost forgotten today. -
Call Me Madam, P
NEW YORK CITY CENTER EDUCATION INSIDE ENCORES! Your personal guide to the performance. S AR E Y 5 7 TABLE OF CONTENTS CONTEXT Inspiration for Call Me Madam, p. 4-5 Meet the Creators & Artists, p. 6-7 An Interview with Casey Hushion, p. 8-9 Call Me Madam’s Lasting Influence on Encores!, p. 10-12 Glossary, p. 13 RESOURCES & ACTIVITIES Before the Show, p. 15 Intermission Activity, p. 16-17 After the Show, p. 18 Sources p. 19 Up Next for City Center Education p. 20-21 CONTEXT INSPIRATION FOR CALL ME Perle Mesta WHO WAS SHE? Perle Mesta was the first United States Ambassador to MADAM Luxembourg. The original “hostess with the mostest,” Mes- ta was known for hosting lavish parties in Washington D.C for almost 30 years. Born in Oklahoma, her family came into wealth when her father became involved in the oil and real-estate industries. In 1917 she married George Mesta, owner of Mesta Machinery. Mrs. Mesta became interested in politics when her husband introduced her to several high-ranking officials, including President Calvin Coolidge. Following her husband’s death, she became heavily involved in the quest for women’s rights and joined the National Women’s Party as its Congressional chairman and Public Relations specialist. While lobbying for the Equal Rights Amendment, she made a multitude of con- nections with politicians who would later attend her famous social gatherings. A Republican for most of her life, Mesta realigned herself with the Democratic party, opting to give financial support to then Senator Harry Truman. -
The Sound of Music
FOOTHILL MUSIC THEATRE PRESENTS THE TONY, GRAMMY, AND ACADEMY AWARD-WINNING CLASSIC THE SOUND OF MUSIC Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Directed by Milissa Carey Music Direction by William Liberatore July 19 – August 5, 2018 Smithwick Theatre, Los Altos Hills LOS ALTOS HILLS, CA (1 June 2018) -- Los Altos Hills will be alive with The Sound of Music this summer, when multi-award winning Foothill Music Theatre presents the Tony, Grammy, and Academy Award-winning musical. This beloved musical, set in Austria in 1938, follows novice Maria Rainer who becomes the governess for the von Trapp family, capturing the hearts of the seven children and their father, a widowed naval captain. As the Nazis occupy Austria, the family is forced make decisions which forever change their lives, fleeing their home in pursuit of freedom. Director Milissa Carey, music director William Liberatore, and choreographers Brett and C.J. Blankenship breathe new life into this classic tale of hope, love, and family. The Sound of Music will play July 19- August 5, 2018 (press opening: July 20) at the Smithwick Theatre, I-280 & El Monte Road, Los Altos Hills. Tickets ($12 - $32) and information can be found at www.foothill.edu/theatre or by phone at (650) 949-7360. For nearly six decades, audiences of all ages have adored The Sound of Music, the final musical composed by legendary songwriting team Oscar Hammerstein II and Richard Rodgers (South Pacific, Oklahoma!, The King and I). The sweet and sweeping score includes favorites such as “My Favorite Things,” “Do Re Mi,” “Edelweiss,” and the title song. -
"Call Me Madam"
JNOIAWAPOUS POBLIQ LIB ART AND Ml/SIG OEPAiTiH "CALL ME MADAM" JULY 30-AUG. 5 Indiana i ijreateit Summer C*ntertainment Souuenir Program 25c € ^ 2 a* HILTON U. BROWN THEATRON DRAWING COURTESY OF (BUTLER BOWL) LENNOX & MATTHEWS & ASSOCS., INC. ARCHITECT-ENGINEERS BUTLER UNIVERSITY, INDIANAPOLIS • NOW is the time . to plan your • International Tour • Caribbean Cruise • European Tour • Domestic Tour spring - summer - fall conducted and independent travel Specialists in Tailored for "YOU" Itineraries Wc are appointed agents for: ALL STEAMSHIP LINES ALL AIR LINES ALL RAIL LINES ALL TOUR COMPANIES ALL HOTELS There Is No Substitute for Experience We KNOW, He Have BEEN There ROSS AND BABCOCK TRAVEL BUREAU INC. CLAYPOOL HOTEL MEIrose 5-5417 Indianapolis 4, Ind. Foreign and Domestic Tours and Cruises Passport and Visa Information Our Service Is Free STARLIGHT MUSICALS, INC. A Non-Profit Corporation Directed By Civic Leaders Of The City Of Indianapolis 417 CIRCLE TOWER BUILDING INDIANAPOLIS 4, INDIANA OFFICERS Dear Starlight Musical Patron: H. T. PRITCHARD Chairman of the Board Before the 1956 season of Starlight Musicals has passed, we are sure you will go home one L. G. GORDNER President night humming "There's No Business Like Show Business," and with which I agree. There are JOHN I. KAUTZ pitfalls for the unwary, and rich rewards in satisfaction. These are not limited to the actors them Vice President NOBLE L. BIDDINGER selves, but extend to management, and in our case, even to the Board of Directors which now for Vice President another season hope to present good entertainment to the public on a non-profit basis. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Lyric Repertory Company
Utah State University DigitalCommons@USU The Caine College of the Arts Music Program All Music Department Programs Archives 2017 Lyric Repertory Company Lyric Repertory Company Follow this and additional works at: https://digitalcommons.usu.edu/music_programs Part of the Music Commons Recommended Citation Lyric Repertory Company, "Lyric Repertory Company" (2017). All Music Department Programs. 119. https://digitalcommons.usu.edu/music_programs/119 This Lyric Repertory Company is brought to you for free and open access by the The Caine College of the Arts Music Program Archives at DigitalCommons@USU. It has been accepted for inclusion in All Music Department Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. LYRIC R[P[RT@RY COMP+:l NY UtahStateU n ive rs ity® FROM THE PRODUCERS DENNIS HASSAN, CRAIG JESSOP, ADRIENNE MOORE, RICHIE CALL Welcome to the 49th season of the Lyric Repertory Company! As we approach our golden anniversary we are thrilled to present what we feel will be one of our best seasons yet . This summer we present two shows that have never been seen on the Caine Lyric Theatre stage. Baskerville is a farcical take on Sir Arthur Conan Doyle's classic thriller, The Hound of the Baskervilles , and Singin ' in the Rain is based on one of the most popular movie musicals of all time . These Lyric Rep firsts are joined by two classics . Watch a different actor each night narrowly escape the charity of the Brewster sisters in Arsenic and Old Lace, and Lee Daily is back as Mr. De Pinna in the Pulitzer Prize-w inning play You Can't Take it With You. -
Opening Season 2016/2017
TUESDAY–FRIDAY, JANUARY 31–FEBRUARY 3, 7:30 PM SATURDAY, FEBRUARY 4, 2 PM & 7:30 PM SUNDAY, FEBRUARY 5, 1 PM OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. GROVE ENTERTAINMENT and TED CHAPIN PRESENT MUSIC BY LYRICS BY RICHARD RODGERS OSCAR HAMMERSTEIN II BOOK BY HOWARD LINDSAY and RUSSEL CROUSE SUGGESTED BY THE TRAPP FAMILY SINGERS BY MARIA AUGUSTA TRAPP WITH CHARLOTTE MALTBY BEN DAVIS MERWIN FOARD TERI HANSEN PAIGE SILVESTER AUSTIN COLBY ASHLEY BROOKE KYLA CARTER IRIS DAVIES ROY GANTZ ANIKA LORE HATCH ALEXA LASANTA AUSTIN LEVINE CRAIG MULHERN JR. CHRISTOPHER CARL DONNA GARNER ROBERT MAMMANA DARREN MATTHIAS CAREY REBECCA BROWN WOODY BUCK CÁITLÍN BURKE MARIA FAILLA MEGHAN HALES JILLIAN JAMESON MARK BRADLEY MILLER ANNA MINTZER JULIA OSBORNE ZANE PHILLIPS REBECCA PITCHER MICHAEL SPAZIANI EMILY TRUMBLE AND MELODY BETTS as The Mother Abbess SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER DOUGLAS W. SCHMIDT JANE GREENWOOD NATASHA KATZ KEN TRAVIS ASSOCIATE ASSOCIATE HAIR MUSIC MUSIC DIRECTOR/ DIRECTOR CHOREOGRAPHER DESIGNER COORDINATOR CONDUCTOR MATT LENZ JONATHAN WARREN TOM WATSON JOHN MILLER JAY ALGER ORCHESTRATIONS BY DANCE & VOCAL ARRANGEMENTS BY ROBERT RUSSELL BENNETT TRUDE RITTMANN PRODUCTION STAGE MANAGER TOUR BOOKING CASTING BY JACK McLEOD THE ROAD COMPANY TELSEY + COMPANY RACHEL HOFFMAN, CSA TOUR PRESS & MARKETING COMPANY MANAGER BROADWAY BOOKING OFFICE NYC RYAN PARLIMENT PRODUCTION MANAGERS PRODUCTION SUPERVISOR GENERAL MANAGER NETWORKS PRESENTATIONS SETH WENIG GENTRY & ASSOCIATES JASON JUENKER GREGORY VANDER PLOEG MUSIC SUPERVISOR ANDY EINHORN CHOREOGRAPHY BY DANNY MEFFORD DIRECTED BY JACK O’BRIEN Produced by Special Arrangement with Rodgers & Hammerstein: An Imagem Company, Crouse Literary Properties Company LLC and The Howard Lindsay Trust www.TheSoundofMusicOnTour.com 3 EVENT SPONSORS WAYNE AND NORA LEE BALMER CORALVILLE MARRIOTT HOTEL & CONFERENCE CENTER IOWA CITY PRESS-CITIZEN TOYOTA/SCION OF IOWA CITY AND ABRA AUTO AND BODY GLASS HERBERT A. -
Sound of Music
9 Ranked by U.S. News & World Report in 9 adult medical and surgical specialties, which only 1% of the nation’s hospitals achieved. 12 Named in Vizient’s Quality and Accountability Study among the nation’s best academic medical centers for patient safety and outcomes. Lyrics by Tim Rice Music by Andrew Lloyd Webber Among a select few hospitals in the nation to earn a third Quality of care consecutive Magnet designation, nursing’s highest honor. (913) 649-7469 really matters. Nation’s first to receive the Joint Commission’s Comprehensive Cardiac Center Certification for When your quality of life is on the line, understanding outcomes exceptional outcomes. and quality numbers between hospitals can help you make smart healthcare decisions. We are proud to be nationally recognized, © The University of Kansas Health System year after year, by the most prestigious organizations that study quality of care. Before you decide where to be treated, examine the numbers as if your life depends on it. Visit kansashealthsystem.com/qualitymatters to learn more about these awards and what they mean for you. ADVANCING THE POWER OF MEDICINE® NETWORKS PRESENTATIONS presents Music by Lyrics by RICHARD RODGERS OSCAR HAMMERSTEIN II Book by HOWAR D LI NDSAY and RUSSEL CROUSE Suggested by The Trapp Family Singers by Maria Augusta Trapp with JILL-CHRISTINE WILEY MIKE McLEAN HUNTER BROWN LAUREN KIDWELL JAKE MILLS LAUREN O’BRIEN KATE TURNER ETHAN DOUGLAS CUTILLO RILEY O’KANE JENNA SEASHOLTZ EMILY STRUGATSKY QUINN TITCOMB EDWAR D TUR NER ALEXANDRA BRADLEY HENRY FIN BERRY BRYAN AUSTERMANN TOMMY BETZ MORGAN BLANCHARD NICHOLAS CARROLL ELAINE COTTER SCOTT FUSS KELLY GLYPTIS STEPHANIE GRAY LEAH GREENE JORDYN NORKEY JAMES TAYLOR ODOM JAMES PARKS JILLIAN ROSSI CHRISTINA TOMPKINS ARIANA VALDES TERESA WHITT Scenic Designer Costume Designer Lighting Designer Sound Designer DOUGLAS W. -
By Joseph Kesselring
FLORIDA REPERTORY THEATRE 2013-2014 SEASON HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS by Joseph Kesselring SPONSORED BY NAOMI BLOOM & RON WALLACE and NORTHERN TRUST and FLORIDA WEEKLY STARRING ENSEMBLE MEMBERS MARK CHAMBERS*† • CARRIE LUND*† • JASON PARRISH*† • PETER THOMASSON*† AND VIKI BOYLE* • HARLI COOPER • MICHAEL EDWARDS* • JACOB D. GUINN AVI HOFFMAN* • TREBOR OPPOICAC • AL RICHMAN • MICHAEL SATOW* • JAKE SCOTT-HODES DIRECTED BY DENNIS LEE DELANEY** SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER RICHARD CROWELL† KATE SMITH ASHLI ARNOLD SOUND DESIGNER PRODUCTION STAGE MANAGER ASST. STAGE MANAGER DENNIS LEE DELANEY** AMY L. MASSARI* NICK TO ARSENIC AND OLD LACE is presented by special arrangement with SAMUEL FRENCH, INC. Original Broadway Production By HOWARD LINDSAY AND RUSSEL CROUSE. 2013-14 GRAND SEASON SPONSORS GE Foundation The Fred & Jean Allegretti Foundation • Bruce & Janet Bunch • Cheryl & David Copham Gholi & Georgia Darehshori • Ed & Ellie Fox • John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. †Member -
Rodgers and Hart and Cole Porter : a Study of Pal Joey And
/.RODGERS AND HART AND COLE PORTER^ A STUDY OF PAL JOEY AND KISS ME, KATE by Glenn Dale Guhr B.A., Tabor College, 1984 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC Department of Music KANSAS STATE UNIVERSITY Manhattan, Kansas 1987 Approved by: Major Professor A11207 303133 x . R'V . V^Tl Table of Contents Section Page Introduction 1 Historical Background 3 Richard Rodgers and Lorenz Hart 11 Lives and careers 11 Writing habits 23 The writing of Pal Joey 24 Cole Porter 28 Life and career 28 Working habits 40 The writing of Kiss Me, Kate 42 An Introduction to the Analyses 46 Limitations 46 General definitions 47 Analysis of the show as a whole 49 Phrase structure and analysis 51 Pal Joey 57 The musical program 61 Analysis 62 Kiss Me, Kate 84 The musical program 91 Analysis 92 Appendices A: Shows by Richard Rodgers and Lorenz Hart 123 B: Shows by Cole Porter 125 C: Pal Joey Production Information 128 D: Kiss Me, Kate Production Information 130 Bibliography 131 Introduction In recent years serious scholarly interest in the music of the Tin Pan Alley era has been on an increase. The American musical comedy as modern American opera has been a strong part of this interest. Despite this interest, very little research is yet available. Most of the books on musicals are only basic histories, out- lines of famous shows, or discussions of dramatic style. None offers any analysis of the scores. As for the songs of the era, from or separate from the theater, only one scholarly study of them has been published so far, Alec Wilder's American Popular Song: The Great Innovators, 1900-1950 . -
Audience Guide
GOODSPEED MUSICALS AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director MICHAEL P. PRICE Founding Director presents Music and Lyrics by COLE PORTER Original Book by GUY BOLTON & P.G. WODEHOUSE and HOWARD LINDSAY & RUSSEL CROUSE New Book by TIMOTHY CROUSE and JOHN WEIDMAN Scenic Design by Costume Design by Lighting Design by WILSON CHIN ILONA SOMOGYI BRIAN TOVAR Sound Design by Wig & Hair Design by Animals Trained by JAY HILTON MARK ADAM RAMPMEYER WILLIAM BERLONI Assistant Music Director Orchestrations by Production Manager WILLIAM J. THOMAS DAN DELANGE R. GLEN GRUSMARK Production Stage Manager Casting by Associate Producer BRADLEY G. SPACHMAN STUART HOWARD & PAUL HARDT BOB ALWINE Line Producer DONNA LYNN COOPER HILTON Music Direction by MICHAEL O'FLAHERTY Choreographed by KELLI BARCLAY Directed by DANIEL GOLDSTEIN APRIL 8 - JUNE 16, 2016 THE GOODSPEED TABLE OF CONTENTS Character & Show Synopsis................................................................................................................................................................4 Meet the Writers: Cole Porter.............................................................................................................................................................6 Meet the Writers.....................................................................................................................................................................................8 Director's Vision....................................................................................................................................................................................10 -
Sound of Music Short V2
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE OPENS FIFTH SEASON WITH “THE SOUND OF MUSIC” October 27-December 2, 2012 Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Based on The Story of the Trapp Family Singers by Maria Von Trapp Berkeley (September 14, 2012) – Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein’s beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley. For tickets ($17-35) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. When struggling novice nun Maria proves too high-spirited for the religious life, she is dispatched to serve as governess to the seven troublesome children of widowed naval Captain Von Trapp. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures their hearts, and the heart of the stern Captain. Based on the real-life Austrian family and their narrow escape from the Nazi’s over the mountains to Switzerland on the eve of World War II, THE SOUND OF MUSIC provides one of the most thrilling finales ever presented on stage, and includes such memorable songs as “My Favorite Things,” “Do Re Mi,” “Climb Every Mountain,” and the title song, all of which have become a much- loved part of the 20th century musical theater canon.