Anything Goes: ECS High School Drama Department Presents
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Life with Father on the Screen 7
The American Century Theater Presents… “LifeWithFather” (Based on the writings of Clarence Day, Jr.) by Howard Lindsay and Russel Crouse Audience Guide Audience Guide Nov.About 25–Dec. The American 6 2008; Jan. Century 8-24, Theater2009 Compiled and Edited by Jack Marshall The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These study guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. 2 Table of Contents The Playwrights 4 Life With Father on the Screen 7 Clarence Shepard Day, Jr. 13 The Gift of Song 14 By Clarence Shepard Day, Jr. TV Domestic Comedy 18 American Century Theater Season 22 3 The Playwrights: Howard Lindsay (1889-1968) and Russel Crouse (1893-1966) Lindsay and Crouse were one of the most dynamic, successful and long-lasting theatrical teams in American theater history, though they are almost forgotten today. -
Announcing Summer on Broadway Shows for Campers Session 1
Announcing 2016 Summer On Broadway Camp Shows for Campers-Session 1 June 13-July 8 Summer On Broadway Junior Ages 8-10 Performances-Wednesday, July 6 at The Devonshire Cultural Center 2 p.m. Public Performance - Tickets: $3 for individuals & $2 for groups of 10+. 7:30 p.m. Family Performance - Free Show run time: 45-50 minutes. Pirates, Aliens, Space Travel. This play tells the story of Gabby, a kid who gets picked on during a school trip to the museum. Everything quickly changes when an alien space ship is suddenly attacked by Space Pirates. It’s only after this whirlwind space adventure that Gabby becomes comfortable in her how skin, and her classmates appreciate her for who she is. The cast size is 25+ with lots of speaking, singing and dancing for all cast members. Winner of the 2015 Children’s Music Theatre Festival in New York. By Gwynne Watkins, Betina Hershey & Denver Casado Presented through special arrangement with Beat by Beat Press. Directed by Brian Rooney. For more complete show information see: http://www.bbbpress.com/musicals/space-pirates- musical-play-kids/ Summer On Broadway Senior Ages 10-12 Performances-Thursday, July 7 at The Devonshire Cultural Center 2 p.m. Public Performance - Tickets: $3 for individuals & $2 for groups of 10+. 7:30 p.m. Family Performance - Free. Show run time: 1 hour. Based on Disney’s Oscar nominated film, this is a heartwarming celebration of culture, honor, and the fighting spirit. With hit songs and a story packed with action, humor and heart, the show brings ancient China to life with a modern sensibility. -
Edition 9 | 2018-2019
TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer. -
Call Me Madam, P
NEW YORK CITY CENTER EDUCATION INSIDE ENCORES! Your personal guide to the performance. S AR E Y 5 7 TABLE OF CONTENTS CONTEXT Inspiration for Call Me Madam, p. 4-5 Meet the Creators & Artists, p. 6-7 An Interview with Casey Hushion, p. 8-9 Call Me Madam’s Lasting Influence on Encores!, p. 10-12 Glossary, p. 13 RESOURCES & ACTIVITIES Before the Show, p. 15 Intermission Activity, p. 16-17 After the Show, p. 18 Sources p. 19 Up Next for City Center Education p. 20-21 CONTEXT INSPIRATION FOR CALL ME Perle Mesta WHO WAS SHE? Perle Mesta was the first United States Ambassador to MADAM Luxembourg. The original “hostess with the mostest,” Mes- ta was known for hosting lavish parties in Washington D.C for almost 30 years. Born in Oklahoma, her family came into wealth when her father became involved in the oil and real-estate industries. In 1917 she married George Mesta, owner of Mesta Machinery. Mrs. Mesta became interested in politics when her husband introduced her to several high-ranking officials, including President Calvin Coolidge. Following her husband’s death, she became heavily involved in the quest for women’s rights and joined the National Women’s Party as its Congressional chairman and Public Relations specialist. While lobbying for the Equal Rights Amendment, she made a multitude of con- nections with politicians who would later attend her famous social gatherings. A Republican for most of her life, Mesta realigned herself with the Democratic party, opting to give financial support to then Senator Harry Truman. -
The Sound of Music at the Paramount Seattle
SEPTEMBER 2017 September 6 – 11, 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM September 2017 Volume 22, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed STG at a Glance San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator One of STG’s core values is to serve as stewards of Seattle’s historic Sara Keats Paramount, Moore, and Neptune Theatres, and part of our commitment to Online Editor keeping these spaces healthy and vibrant is to welcome a new generation of visitors and patrons to experience their magic firsthand. -
The Sound of Music
FOOTHILL MUSIC THEATRE PRESENTS THE TONY, GRAMMY, AND ACADEMY AWARD-WINNING CLASSIC THE SOUND OF MUSIC Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Directed by Milissa Carey Music Direction by William Liberatore July 19 – August 5, 2018 Smithwick Theatre, Los Altos Hills LOS ALTOS HILLS, CA (1 June 2018) -- Los Altos Hills will be alive with The Sound of Music this summer, when multi-award winning Foothill Music Theatre presents the Tony, Grammy, and Academy Award-winning musical. This beloved musical, set in Austria in 1938, follows novice Maria Rainer who becomes the governess for the von Trapp family, capturing the hearts of the seven children and their father, a widowed naval captain. As the Nazis occupy Austria, the family is forced make decisions which forever change their lives, fleeing their home in pursuit of freedom. Director Milissa Carey, music director William Liberatore, and choreographers Brett and C.J. Blankenship breathe new life into this classic tale of hope, love, and family. The Sound of Music will play July 19- August 5, 2018 (press opening: July 20) at the Smithwick Theatre, I-280 & El Monte Road, Los Altos Hills. Tickets ($12 - $32) and information can be found at www.foothill.edu/theatre or by phone at (650) 949-7360. For nearly six decades, audiences of all ages have adored The Sound of Music, the final musical composed by legendary songwriting team Oscar Hammerstein II and Richard Rodgers (South Pacific, Oklahoma!, The King and I). The sweet and sweeping score includes favorites such as “My Favorite Things,” “Do Re Mi,” “Edelweiss,” and the title song. -
"Call Me Madam"
JNOIAWAPOUS POBLIQ LIB ART AND Ml/SIG OEPAiTiH "CALL ME MADAM" JULY 30-AUG. 5 Indiana i ijreateit Summer C*ntertainment Souuenir Program 25c € ^ 2 a* HILTON U. BROWN THEATRON DRAWING COURTESY OF (BUTLER BOWL) LENNOX & MATTHEWS & ASSOCS., INC. ARCHITECT-ENGINEERS BUTLER UNIVERSITY, INDIANAPOLIS • NOW is the time . to plan your • International Tour • Caribbean Cruise • European Tour • Domestic Tour spring - summer - fall conducted and independent travel Specialists in Tailored for "YOU" Itineraries Wc are appointed agents for: ALL STEAMSHIP LINES ALL AIR LINES ALL RAIL LINES ALL TOUR COMPANIES ALL HOTELS There Is No Substitute for Experience We KNOW, He Have BEEN There ROSS AND BABCOCK TRAVEL BUREAU INC. CLAYPOOL HOTEL MEIrose 5-5417 Indianapolis 4, Ind. Foreign and Domestic Tours and Cruises Passport and Visa Information Our Service Is Free STARLIGHT MUSICALS, INC. A Non-Profit Corporation Directed By Civic Leaders Of The City Of Indianapolis 417 CIRCLE TOWER BUILDING INDIANAPOLIS 4, INDIANA OFFICERS Dear Starlight Musical Patron: H. T. PRITCHARD Chairman of the Board Before the 1956 season of Starlight Musicals has passed, we are sure you will go home one L. G. GORDNER President night humming "There's No Business Like Show Business," and with which I agree. There are JOHN I. KAUTZ pitfalls for the unwary, and rich rewards in satisfaction. These are not limited to the actors them Vice President NOBLE L. BIDDINGER selves, but extend to management, and in our case, even to the Board of Directors which now for Vice President another season hope to present good entertainment to the public on a non-profit basis. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors/Partners Paul Hardt, Christine McKenna-Tirella, CSA Casting Director Ian Subsara, Emily Ludwig Casting Assistant Resume as of 3.15.2019 _________________________________________________________________ CURRENT & ONGOING: HADESTOWN Theater, Broadway – Walter Kerr Theater March 2019 – Open Ended Mara Isaacs, Hunter Arnold, Dale Franzen (Prod.) Rachel Chavkin (Dir.), David Newmann (Choreo.) By: Anais Mitchell CHICAGO THE MUSICAL Theater, Broadway – Ambassador Theater May 2008 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb CHICAGO THE MUSICAL Theater, West End – Phoenix Theater March 2018 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb ZOEY’S EXTRAORDINARY PLAYLIST NBC Lionsgate TV Pilot March 2019 Richard Shepard (Dir.), Austin Winsberg (Writer) NY Casting AUGUST RUSH Theater, Regional – Paramount Theater January 2019 – June 2019 Paramount Theater (Prod.) John Doyle (Dir.), JoAnn Hunter (Choreo.) By: Mark Mancina, Glen Berger, David Metzger PARADISE SQUARE: An American Musical Theater, Regional – Berkeley Repertory Theatre December 2018 – March 2019 Garth Drabinsky (Prod.) ________________________________________________________________________ 1 Stewart/Whitley 213 West 35th Street Suite 804 New York, NY 10001 212.635.2153 Moisés Kaufman (Dir.), Bill T. Jones (Choreo.) By: Marcus Gardley, Jason Howland, Larry Kirwan, Craig Lucas, Nathan -
Dick Gregory Turn Me Loose
A PLAY ABOUT COMIC GENIUS DICK GREGORY TURN ME LOOSE 2018/19 SEASON 2018/19FULL AND MINI-SUBSCRIPTIONS ARE NOW ON SALESEASON | 202-488-3300 | ARENASTAGE.ORG A PLAY ABOUT COMIC GENIUS TIMELESS MASTERPIECE WORLD-PREMIERE POWER PLAY INSPIRATIONAL A CAPPELLA TRIBUTE Dick Gregory INDECENT JQA JUBILEE TURN ME LOOSE BY PAULA VOGEL | DIRECTED BY ERIC ROSEN WRITTEN AND DIRECTED BY AARON POSNER WRITTEN AND DIRECTED BY TAZEWELL THOMPSON IN ASSOCIATION WITH JOHN LEGEND, GET LIFTED FILM COMPANY, CO-PRODUCTION WITH BALTIMORE CENTER STAGE ARLENE AND ROBERT KOGOD CRADLE | MARCH 1 – APRIL 14, 2019 KREEGER THEATER | APRIL 26 – JUNE 2, 2019 MIKE JACKSON, THE WILL AND JADA SMITH FAMILY FOUNDATION, AND KANSAS CITY REPERTORY This unique, highly-theatrical play imagines key Born on the campus of Fisk University, the world-renowned KREEGER THEATER | NOVEMBER 23 – DECEMBER 30, 2018 confrontations between John Quincy Adams and some Fisk Jubilee Singers shattered racial barriers. The a cappella BETH HUBBARD, THE PRIVATE THEATRE, ERIC FALKENSTEIN, of America’s most dynamic figures: George Washington, African American ensemble has blended their rich voices SIMONSAYS ENTERTAINMENT, JAMIE CESA, JANA BABATUNDE-BEY The controversial 1923 Broadway debut of the Yiddish drama Andrew Jackson, Frederick Douglass, Abraham Lincoln, his together sharing a heritage of strength and endurance. BY GRETCHEN LAW | DIRECTED BY JOHN GOULD RUBIN God of Vengeance inspired this award-winning behind-the- own father John Adams and more. At once provocative, With uplifting spirituals and hymns including “Wade in scenes story of the courageous artists who risked their haunting and hilarious, this Power Play challenges the way the Water,” “Ain’t That Good News,” “Swing Low, Sweet KREEGER THEATER | SEPTEMBER 6 – OCTOBER 14, 2018 careers and lives to perform a work deemed “indecent.” This we think of our country, our government and ourselves. -
February 16 – 27, 2010 Anything Goes
Theatre Sheridan presents ANYTHING GOES TECHNICAL CREW The action begins in a smokey Manhattan bar shortly before moving onboard the SS American. Stage Manager ......................................................Keely Welsh Assistant Stage Managers ......................................Alice Barnett, Marc Benson It is 1934. Audio Crew ........................................................... Brian Kenny, Ethan Millard, Nick Mitanoff Carpentry Crew ..................................................... Joshua Chudziak, Stacey Ingham, ACT ONE Michelle Inksetter, Tyler Ironside, Mitcheal Lonsdale, John Page, Kevin Reynolds, Overture Derek Wray I Get A Kick Out Of You .....................................Reno Head Electrician ..................................................... Daniel Van Amelsvoort There’s No Cure Like Travel .................................Girl, Sailor, Captain, Purser & Male Quartet Lighting Crew ........................................................ Cedric Daros, Andrew Deardon, Matt Bon Voyage ........................................................Sailors and Chorus Field, Lucas Park, Catherine Smulders, You’re The Top ...................................................Reno & Billy James Walsh, Lucas Wilson Music and Lyrics by Cole Porter Easy to Love .......................................................Billy Production Assistants ............................................. Michael Coulter, Jasmyne Leisemer Original Book by Guy Bolton, P.G. Wodehouse, The Crew Song ..................................................Whitney -
Alvin Theater
Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation.