Focus EMU, May 17, 1976

Total Page:16

File Type:pdf, Size:1020Kb

Focus EMU, May 17, 1976 Newsline Sportsline 487·2460 487·3279 Produced by the Office of Information Services forEastern Michigan University Faculty and Staff Volume 21 - Number 37 May 17, 1976 Direcwr Marsliall MQ,Son Attempts The Office of International Studies To Achieve 'Living Theatre' is seeking host families to accommo­ date members of the Bulmershe Choir By Kathy Tinney from Bulmershe College, Reading, "I really am into people. I celebrate people in my work." England, for the nights of July 20 and Marshall Mason, who was nominated this year for a Tony 21. The 40-member choir will arrive in Award for his first directorial work on Broadway - Jules Feiffer's Ypsilanti on July 20 and will present a hit comedy "Knock Knock" - is the guest director-in-residence concert July 21. This summer's visit for EMU's Bicentennial Spring Repertory Theatre Festival. He is will mark the third time the group has directing Tennessee Williams' "Summer and Smoke" and assisting visited the University. On their pre­ James Gousseff, director of EMU Theatre, with "THE HOT L vious visits, choir members stayed with BALTIMORE." Mason directed the original version of the families of faculty and the com- award-winning Lanford Wilson play, which opened in January, ' munity. Anyone interested in accom­ 1973, and ran for 1200 performances. It was the longest running modating one or two students for the American play in the history of off off Broadway. two nights should call 487-2424. "I have an abiding interest in what I call 'lyrical realism,' " he *** explains. "To me, it's the kind of realism which does not drag its feet in the mud but rather tries to suggest, through the direct human experience, larger elements. 'THE HOT L BALTIMORE' Ten members of the first graduating is a very real play, a very naturalistic play which has at its center a class in the Coordinated Program in dying, crumbling hotel which is, of course, a symbol for all Dietetics in the Department of Home society. 'Summer and Smoke' is a kind of story about desire Economics were recently honored in a versus repression, the soul versus the body, religion versus worldly ceremony in Roosevelt Auditorium. A things. program titled "Dietetics: Past, "Both are about very real people. They both are trying to reach Present and Future" was presented by from the specific to the more universal. I like plays that do that." the graduating students. The program The very first play Mason ever directed was also by Tennessee integrates academic studies with clin­ Williams - "Cat on a Hot Tin Roof." He was 19 and a theatre ical experiences during the junior and major at Northwestern University. senior years. Each student spends "I started doing plays as early as I can remember," he recalls. more than 1,000 hours in supervised "At the age of four or five I was doing little backyard type things. clinical experiences m community I was in the school plays from the second grade on. In the nutrition, therapeutic nutrition and primary grades, I used to write plays and I would direct them. I food systems management. The pro­ would put them on but I didn't know what directing was as such. gram is organized according to the I thought that what I was doing was acting and I thought that's guidelines of the American Dietetic what I wanted to do. Association. "Later, after I discovered there was a director, I discovered I *** had been directing all my life. MarshallMason "At the end of my sophomore year (at Northwestern), I decided I wasn't going to be a great actor so I thought about most of Wil:o:r's -najor plays, more than 20 in all. Season football tickets are now on switching over to law. Dr. Gousseff (then an assistant professor at In 1969, ka:on along with Wilson, Rob Thirkield and Tanya sale at the Athletic Department. All Northwestern) talked me into staying the summer and working Berezin, foLnc.ed the now renowned Circle Repertory Company. seats in Rynearson Stadium will be on the Northwestern Festival. We did four plays - 'Oedipus,' Productions: n��d by the Company, including "THE HOT L • reserved for the 1976 games. EMU 'The Rivals,' 'St. Joan' and Dr. Gousseff directed 'A Mid-Summer BALTIMOEE." 'When You Comin' Back, Red Ryder?,'' "The students also will be required to have Night's Dream.' I was in all four plays and had a really good time. Sea Horse,' ·".Ba:tle of Angels," "The Mound Builders,'' "Harry reserved seats. Adult season tickets for "Dr. Gousseff talked me into trying directing and that fall Outside" aLd "=<.nock Knock" have garnered numerous honors, faculty and staff are $12; individual (1959) I directed 'Cat on a Hot Tin Roof.' The play received a including 16 ORIEAwards. Mason has earned three OBIE Awards adult reserved seats are $3. For every standing ovation opening night and over night I became a director for distingu:srud :tirection. pair of adult season tickets purchased, whether I wanted to or not. It took me years to make that This spr.nf, Mason is commuting between New York and the Athletic Department is offering a transition in my head, but everyone else knew right away I was a Ypsilanti. 3� :::pened a new Lanford Wilson play entitled Huron stadium seat cushion as a free director." "Serenadinf Loc.ie" May 5 and is going into rehearsal on a gift. Mid-American Conference action Mason graduated from Northwestern in 1961. Other notables bicentennia:W'iPJ pla!' 1 which he hopes to open by mid-June. ,.ii begins Sept. 4 when the Hurons meet in his theatre class included Paula Prentiss, Richard Benjamin, "The orector works," he explains, "especially in the the Ohio University Bobcats at Penny Fuller, Larry Pressman, Tony Roberts, Marcia Rodd and professional fr ea-re, is once the play opens, you only go back to Rynearson at 7:30 p.m. For further Stuart Hagman. He went to New York that fall and directed his see it ever? ;o often and try to supervise any replacements. ticket information, call Ticket Man­ first play there in 1962. In 1965 he directed his first play by Normally, yo·.1 d.cn't really do any more after the play opens." ager Ron Nemeth at 487-0351. *** Lanford Wilson, "Balm In Gilead," and since then has directed (Continued on page 3) The Department of Speech and Ralph Steffek To Retire from Field Services iiiiiiiiiiiiiiiiiiiiii • Dramatic Arts is sponsoring a summer high school workshop in theatre Aug. 1 - 13 on the EMU campus. The program, directed by Associate Pro­ Ralph Steffek is an educator, an Dr. Steffek says he spends most of his fessor M.R. McElya, is designed to expert on federal educational legislation, time setting up course programs off "stimulate creative endeavor in the an educational/congressional liaison, a campus or setting up workshops for the theatre arts through classes, lectures, golfer, a gardener, an avid traveler, a University. demonstrations and productions." For nature-Jover, a backpacking enthusiast "I get off campus as much as I can," further information or an application, and last - but not least - director of he says. "I listen to what people need out special programs for the University's there and come back here (to the :i. call the Division of Field Services at 487-0407. Division of Field Services. University) and pool all the resources *** But the 65-year-old Dr. Steffek will be within the University." giving up only one of his titles when he A recent example of a special work­ retires July 1 - that of EMU special shop that was created to meet a particular The Intramural Department is programs director. need is a "Communication Sampler offering rental camping gear to stu­ "Most of the notions that I had about Seminar,'' a program Dr. Steffek organ­ dents, faculty and staff. Backpacks, being 65 are for the birds," he admits. ized. Coordinated by the EMU Depart­ sleeping bags, tents, cooking utensils, "I'm beginning to realize that 'old age' is ment of Speech and Dramatic Arts, the gas stoves, compasses, saws, water really a state of mind .. .I plan to program was designed to solve a problem bottles and tent tarps may be rented continue to do the same things in within a division of one of the auto for a fee of three to five dollars. A retirement I did before." manufacturers - a problem that resulted deposit, ranging from $20 to $40, will Dr. Steffek's Jong career began shortly in restricted mobility (promotability) of be required for the rentals. According after he graduated from Michigan State about 250 management personnel. to IM Director Bob England, the Normal School (now EMU) as a teacher "We came to the conclusion that equipment was purchased to allow in 1934. He taught in St. Joseph and communication was the key to making EMU employees and students to enjoy Pontiac before hiring into the Grosse in East Detroit. He later administer:ed the them more mobile," he explains. "Com­ the activity for a nominal fee without Pointe Public Schools where he was a off-campus programs for the ext::n�ic• munication helps you understand and having to invest $150 - $200 in new teacher and a principal for 12 years. service of the University of Michigan. share each other's ideas." equipment. To reserve the equipment, Dr. Steffek earned his doctorate in He joined the EMU staff in 19E4 n a Another program, titled "Management individuals are required to complete a guidance and counseling and school "special services role," a role whi::h he Sampler Seminar" will be held as a requisition form at the IM Office, 216 administration from Wayne State Uni­ says, "is a nice name for doing wha:ev�: followup to the communication program Warner.
Recommended publications
  • By Lanford Wilson Directed by Kati Oltyan
    By Lanford Wilson Directed by Kati Oltyan July 1 ~ 3, 2021 Lakewood, CO Presented by special arrangement with Dramatists Play Service, Inc., New York. About the Playwright Compiled by Jan Sutton Lanford Eugene Wilson (1937-2011) was born on April 13, 1937, in Lebanon Missouri, a town that he used as the setting for several of his plays, including the one you are seeing tonight. His parents divorced when he was 5 and he was raised by his mother and her second husband, a Missouri farmer. He attended college in Missouri and San Diego but left in 1957 to live in Chicago. He experimented with writing short stories but decided that his ideas might do better as plays so he attended play-writing classes through the University of Chicago Extension Program. In 1962 he moved to New York City where his plays were widely performed in Off-Off- Broadway theaters such as La MaMa Experimental Theater and Café Cino. In 1967, he received the Drama Desk Award for Outstanding New Playwright for The Rimers of Eldritch. In 1969 he co-founded the Circle Repertory Theater, an Off-Broadway theater that was his literary home for almost 30 years. The first play of his that was successfully performed there was The Hot l Baltimore in 1973, for which he received the New York Drama Critics’ Circle Award and the Obie Award for Best New American Play. In 1975, he received his second Obie for Playwriting for The Mound Builders, also performed at Circle Rep. Talley’s Folly is part of a trilogy of plays about the Talley family, all of which explore the effects of war on a family in Missouri.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • The Playhouse a Special Virtual Series July 16-August 15, 2020
    the playhouse a t W h i t e La k e A Special Virtual Series July 16-August 15, 2020 Live, Outdoor Performances at The Playhouse at White Lake The Playhouse Presents From Our House to Yours Free A Special, Virtual Series Admission to Both Shows! July 16-18 A Betrothal by Lanford Wilson Chicks by Grace McKeaney White Lake Youth Theatre Presents: LOVE by Finegan Kruckmeyer Happy by Alan Zweibel July 30, 31 and August 1 at 7:00pm Sponsored by Carmichael Heating & Air Conditioning July 23-25 Mind the Gap by Kimberly, Sky and Jacy Harsch Donations Welcome! August 6-8 Violet by Bebe Sanders Clear Glass Marbles by Jane Martin August 13-15 An Evening of Live Music Co-hosted by Muskegon Civic Theatre 2 Across by Jerry Mayer Max & Ruth Bloomquist, Karen & Eric Smith, Dale Clock, Diane VanWesep, Regina Schlaff, Kyle Schlaff, David Riegler, Heather MacCallum, Claire Root Benson, and many more! showtix4u.com August 22 at 7:00pm Visit, Click, Buy, Settle in and Enjoy! Rain Date: August 23 at 7:00pm Sponsored by White Lake Area Chamber of Commerce Proud to Sponsor the White Lake Youth Theatre! 231.766.9133 www.carmichaelheating.com Cast Natalie Carmolli as Ms. Joslyn Joe Carmolli as Mr. Wasserman Production Team Director Beth Pierson Managing Director Beth Beaman Assistant Managing Director A Betrothal Cindy Beth Davis Dykema by Lanford Wilson Technical Director, Scenic and Lighting Designer Streaming July 16-18 at 7:30pm Claire Beaman Production Manager and Costumer Lanford Wilson received the 1980 Pulitzer Prize for Caroline Arana Drama and the New York Drama Critics Circle Award Production Assistant and Stage Manager for TALLEY’S FOLLY.
    [Show full text]
  • William and Mary Theatre Main Stage Productions
    WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
    [Show full text]
  • Michael Warren Powellis
    WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year.
    [Show full text]
  • Newcircletheatrecompany.Org 140 W. 44Th Street, 2Nd Floor New York, NY 10036
    NewCircleTheatreCompany.org 140 W. 44th Street, 2nd Floor New York, NY 10036 New Circle Theatre Company NCTCompany newcircletheatrecompany Buy New Circle merchandise: www.zazzle.com/newcircletheatre ROBERT WRAY† (Playwright, Sam’s Lament) is a graduate of the Iowa From the Interim Artistic Director Playwrights Workshop where he was awarded both the Norman Felton and Zeta Phi Eta Memorial Scholarship. His work has been produced in New York, Welcome to our inaugural production of The Inferno Project: Limbo. I regionally and abroad. Other plays include: The Secret Rain, Ocean View hesitate to say “inaugural,” because while it is the first production of Odyssey, and All is Always Now. New Circle Theatre Company, we’re a company that has been in existence in one form or another for over 20 years! You will see people on stage today who were part of Circle Repertory Company, ACTORS EQUITY ASSOCIATION (AEA), founded in 1913, or the Circle Rep Lab, or The LAB Theater Company, or Circle East, represents more than 50,000 actors and stage managers in the or all of them, all of which are our ancestors. Through all of those United States. Equity seeks to advance, promote and foster the art years, our mission has remained the same: to develop and produce of live theatre as an essential component of our society. Equity new American plays. negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of When I was asked to become the Interim Artistic Director following the AFL-CIO, and is affiliated with FIA, an international organization the death of Michael Warren Powell last year, I was deeply honored of performing arts unions.
    [Show full text]
  • Download Press Kit Here
    Directed by Timothy Busfield Written by Jeff Daniels Produced by Michael A. Alden, Timothy Busfield, Jeff Daniels, Melissa Gilbert Executive Produced by Donald Clark Grand River Productions, LLC RUNNING TIME: 75min Guest Artist Production Information Pulitzer Prize-winning playwright, Joseph Harris (Jeff Daniels), has not written a play in twenty years. Unable to unleash his voice in a way that he sees fit, Harris finds himself trapped in a no man’s land of artistic discontent with his only refuge in the bottom of a glass. When he is commissioned to write a play for a small-town theatre company, in a place he would rather not be in, Harris unwillingly emerges from his self-imposed exile. Upon Harris’ arrival at the local train station, he is met by an eager to please apprentice, Kenneth Waters (Thomas Macias). Not in the habit of being chaperoned, Harris demands to be booked on the next train back to New York. As Kenneth desperately tries to keep his gin-swigging hero from leaving, the two strike a deal that leads them to explore the tangled relationship between the dreams of youth and the wisdom of age. Grand River Productions presents Guest Artist. Jeff Daniels writes, produces and stars in the film, alongside Thomas Macias, Erika Slezak, Richard McWilliams, McKara Bechler, Ruth Crawford, Dan Johnson and Lynch R.Travis. It is directed as well as produced by Timothy Busfield. Also producing the film are Melissa Gilbert and Michael A. Alden. Donald Clark is the executive producer. The filmmaking team includes director of photography Willy Busfield, editor Alyssa Loveall and music by Ben Daniels.
    [Show full text]
  • Prelude to a Kiss.Qxd 4/29/2010 5:07 PM Page I
    Prelude to a Kiss.qxd 4/29/2010 5:07 PM Page i PRELUDE TO A KISS BY CRAIG LUCAS ★ ★ DRAMATISTS PLAY SERVICE INC. Prelude to a Kiss.qxd 4/29/2010 5:07 PM Page 2 PRELUDE TO A KISS Copyright © 1990, 2010, Craig Lucas All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of PRELUDE TO A KISS is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for PRELUDE TO A KISS are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016.
    [Show full text]
  • 18-19 REP SEASON | WINTER 6O
    18-19 REP SEASON | WINTER 6o The Music Man The Crucible A Doll’s House, Part 2 Sweat Noises Off The Cake Sweeney Todd Around the World in 80 Days asolorep asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DiGABRIELE PROUDLY PRESENTS BY Arthur Miller DIRECTED BY Michael Donald Edwards Scenic Design Costume Design Lighting Design Sound Design & Original Composition LEE SAVAGE TRACY DORMAN JEN SCHRIEVER FABIAN OBISPO Hair/Wig & Make-up Design New York Casting Chicago Casting Local Casting Voice & Dialect Coach MICHELLE HART STEWART/WHITLEY CASTING SIMON CASTING CELINE ROSENTHAL PATRICIA DELOREY Fight Director Production Stage Manager Stage Manager & Fight Captain Assistant Stage Manager Dramaturg ROWAN JOHNSON NIA SCIARRETTA* DEVON MUKO* JACQUELINE SINGLETON* PAUL ADOLPHSEN Directing Fellow Music Coach Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice TOBY VERA BERCOVICI LIZZIE HAGSTEDT CAMERON FOLTZ CHRISTOPHER NEWTON KAMILAH BUSH The Crucible is presented by special arrangement with Dramatists Play Service, Inc., New York Directors are members of the Stage Directors and Choreographers Society; Designers are members of the United Scenic Artists Local USA-829; Backstage and Scene Shop Crew are members of IATSE Local 412. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. CO-PRODUCERS Gerri Aaron • Nancy Blackburn • Tom and Ann Charters • Annie Esformes, in loving memory of Nate Esformes • Shelley and Sy Goldblatt Nona
    [Show full text]
  • Written by William Inge Directed by Cameron Watson Ensemble
    The Antaeus Theatre Company Presents Written by William Inge Directed by Cameron Watson Scenic Design Costume Design Robert Selander Terri A. Lewis Sound Design Lighting Design Jeff Gardner Jared A. Sayeg Properties Design Production Stage Manager Adam Meyer Kristin Weber Ensemble Rhonda Aldrich*, Gigi Bermingham*, Daniel Bess*, Jake Borelli, Josh Clark*, Jason Dechert*, John DeMita*, Matthew Gallenstein, Eve Gordon*, Sarah Halford*, Shannon Holt*, Ben Horwitz, Dylan Jones, Connor Kelly-Eiding, Tamara Krinsky*, Maureen Lee Lenker, Jill Maglione*, Jordan Monaghan, Ross Philips, Jackie Preciado, Janellen Steininger*, Kitty Swink* Picnic is presented by special arrangement with Dramatists Play Service, Inc., New York. *member, Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States The video and/or audio recording of this performance by any means whatsoever are strictly prohibited. Artistic Directors’ Note Welcome to Antaeus and the second production of our 2015 season. During this uncertain time for the Los Angeles theatre community, we believe even more strongly in the power of intimate theatre and we’re so grateful to find kindred spirits in ou,y our audience. This is a year of growth for us here at Antaeus. With that in mind, we found ourselves drawn to projects that force us to face our own evolution, and our own sense of growing up. Henry IV, Part One led us into an exploration of honor, of the relationship between fathers and sons, and of the choices we make in determining our own destinies. With William Inge’s beautiful and stealthy Picnic, we hope to delve into the predicaments of small-town life in 1950s Kansas as the residents grapple with ambition, desire and loneliness.
    [Show full text]
  • The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
    38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman .....................................................................................................
    [Show full text]
  • Fall 2015 the Journal of Kcc Reads
    PAIDEIA VOLUME 3 | FALL 2015 THE JOURNAL OF KCC READS EDITORIAL STAFF: EDITOR-IN-CHIEF: Maureen E. Fadem | English SECTION EDITORS: LAYOUT: Irina Pistsov | KCC Graphic Artist ARTWORK: Madeline Sorel | Art PHOTOGRAPHY: Farin Kautz | KCC Graduate, Class of ‘12 Niaz Mosharraf | KCC Graduate, Class of ‘14 Catherine McConney | KCC Graduate, Class of ‘15 ASSOCIATE EDITORS: Jay Bernstein | Library Kevicha Echols | Health JoAnne Meyers | Office of Communications & Gov’t Relations Robert Schacter | Office of the Associate Provost Diana Treglia | Health ASSISTANT EDITORS: Robert Gutenmakher | KCC Student Jamila Wallace | KCC Student EDITORIAL STATEMENT: PAIDEIA: The Journal of KCC Reads is the annual publication of the common reading program at Kingsborough Community College, CUNY. The journal publishes work on adopted common reading texts by students of the college. Given that the program’s first priority is student enrichment, all KCC students are welcome to submit work for publication. We consider any work completed by a student of the college, at any level, as long as it engages the current year’s common reading text in a thoughtful way that contributes meaningfully to the conversation on the book. In the main, work published in Paideia will have been presented at the annual KCC Reads Annual Student Conference, held each year in the Spring semester and featuring scholarship by hundreds of students in various formats and from multiple disciplinary standpoints. KCC Reads is part of the Coordinated Undergraduate Education Initiative (CUE) at Kingsborough, overseen by Associate Provost Dr. Reza Fakhari (room M-386 | 718-368-5029). PAIDEIA The Journal of KCC Reads Volume 3 | Fall 2015 PAIDEIA IS THE ANNUAL PUBLICATION OF KCC READS, THE COMMON READING PROGRAM AT KINGSBOROUGH COMMUNITY COLLEGE | CUNY KCC READS IS PART OF THE COORDINATED UNDERGRADUATE EDUCATION INITIATIVE (CUE) AT KINGSBOROUGH COMMUNITY COLLEGE, OVERSEEN BY ASSOCIATE PROVOST DR.
    [Show full text]