I Am My Own Wife by Doug Wright
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By Lanford Wilson Directed by Kati Oltyan
By Lanford Wilson Directed by Kati Oltyan July 1 ~ 3, 2021 Lakewood, CO Presented by special arrangement with Dramatists Play Service, Inc., New York. About the Playwright Compiled by Jan Sutton Lanford Eugene Wilson (1937-2011) was born on April 13, 1937, in Lebanon Missouri, a town that he used as the setting for several of his plays, including the one you are seeing tonight. His parents divorced when he was 5 and he was raised by his mother and her second husband, a Missouri farmer. He attended college in Missouri and San Diego but left in 1957 to live in Chicago. He experimented with writing short stories but decided that his ideas might do better as plays so he attended play-writing classes through the University of Chicago Extension Program. In 1962 he moved to New York City where his plays were widely performed in Off-Off- Broadway theaters such as La MaMa Experimental Theater and Café Cino. In 1967, he received the Drama Desk Award for Outstanding New Playwright for The Rimers of Eldritch. In 1969 he co-founded the Circle Repertory Theater, an Off-Broadway theater that was his literary home for almost 30 years. The first play of his that was successfully performed there was The Hot l Baltimore in 1973, for which he received the New York Drama Critics’ Circle Award and the Obie Award for Best New American Play. In 1975, he received his second Obie for Playwriting for The Mound Builders, also performed at Circle Rep. Talley’s Folly is part of a trilogy of plays about the Talley family, all of which explore the effects of war on a family in Missouri. -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
A Play and Critical Analysis
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository ‘CURRENT REGIMES’ A PLAY & CRITICAL ANALYSIS by LUCY TYLER A thesis submitted to The University of Birmingham for the degree of MPHIL(B) PLAYWRITING STUDIES Department of Drama and Theatre Arts The University of Birmingham September 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Acknowledgements I would like to express my gratitude to a number of people without whom this play would not have been the same. Kate North, Steve Waters, Steph Dale, Naomi Cooke and my cohort on the Playwriting course. I would also like to thank my parents. Contents: The Critical Analysis..................................................p.1 Bibliography...............................................................p.30 Appendices.................................................................p.36 Current Regimes- A Play............................................p.52 Fiona and Caroline are stressed. They’re adopting a child together and decide to take a relaxing, last minute holiday to Spain. But there’s a problem. The hotel’s a fascist hotbed, there’s a picture of the Dictator Franco above the twin beds (when they specifically booked a double), and the hotel’s situated right next to Franco’s grave at The Valley of the Fallen. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
University of Birmingham Museum, Furniture
University of Birmingham Museum, furniture, men McTighe, Trish DOI: 10.3138/MD.3053 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): McTighe, T 2017, 'Museum, furniture, men: the Queer ecology of I Am My Own Wife', Modern Drama, vol. 60, no. 2, pp. 150-168. https://doi.org/10.3138/MD.3053 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked 24/11/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Museum, Furniture, Men: the Queer Ecology of I Am My Own Wife Mctighe, Trish
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Museum, Furniture, Men: The Queer Ecology of I Am My Own Wife McTighe, Trish DOI: 10.3138/MD.3053 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): McTighe, T 2017, 'Museum, Furniture, Men: The Queer Ecology of I Am My Own Wife', Modern Drama, vol. 60, no. 2, pp. 150-168. https://doi.org/10.3138/MD.3053 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked 24/11/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Taglines the Newsletter of the Theatre Arts Guild, Inc
TAGLines The Newsletter of the Theatre Arts Guild, Inc. – May 2006 Mary Carrick, President Daena Schweiger, Chair/Editor www.theatreartsguild.com What an exciting next few months for theatre in Omaha. Aside from companies mounting their final and near final shows of their seasons, the Great Plains Theatre Conference is coming to our city starting at the end of this month. Many area theatres are participating in the Conference’s Play Labs, providing directors and actors to perform readings of chosen original scripts. A number TAG of other theatres are participating in the conference’s evening programs during the week long event. TAG will also be featured on Sunday evening, May 28th, with a 5-7 minute presentation. N IGHT O UT To all those participating, “break a leg”! What a great opportunity this is for our theatre community to shine! To register for the Conference, visit www.mccneb.edu/theatreconference Best Little Whorehouse in Texas A few other notes… Thursday, May 4th 7:30 PM Chanticleer Community Theater PROGRAMS: We’re excited about the progress we’ve made this year on our workshop programs and Crossing Delancey partnerships with other local arts organizations in terms of reduced admission fees. We look Thursday, May 19th forward to offering more educational opportunities during the course of the year. 8:00 PM Bellevue Little Theatre PUBLICITY: TAG will once again be featured in the Dex Yellow Pages with a ½ page advertisement – this time __________________________ in full color! Thank you to all theatres who have offered advertising trades in order to make this possible. -
Download Press Kit Here
Directed by Timothy Busfield Written by Jeff Daniels Produced by Michael A. Alden, Timothy Busfield, Jeff Daniels, Melissa Gilbert Executive Produced by Donald Clark Grand River Productions, LLC RUNNING TIME: 75min Guest Artist Production Information Pulitzer Prize-winning playwright, Joseph Harris (Jeff Daniels), has not written a play in twenty years. Unable to unleash his voice in a way that he sees fit, Harris finds himself trapped in a no man’s land of artistic discontent with his only refuge in the bottom of a glass. When he is commissioned to write a play for a small-town theatre company, in a place he would rather not be in, Harris unwillingly emerges from his self-imposed exile. Upon Harris’ arrival at the local train station, he is met by an eager to please apprentice, Kenneth Waters (Thomas Macias). Not in the habit of being chaperoned, Harris demands to be booked on the next train back to New York. As Kenneth desperately tries to keep his gin-swigging hero from leaving, the two strike a deal that leads them to explore the tangled relationship between the dreams of youth and the wisdom of age. Grand River Productions presents Guest Artist. Jeff Daniels writes, produces and stars in the film, alongside Thomas Macias, Erika Slezak, Richard McWilliams, McKara Bechler, Ruth Crawford, Dan Johnson and Lynch R.Travis. It is directed as well as produced by Timothy Busfield. Also producing the film are Melissa Gilbert and Michael A. Alden. Donald Clark is the executive producer. The filmmaking team includes director of photography Willy Busfield, editor Alyssa Loveall and music by Ben Daniels. -
18-19 REP SEASON | WINTER 6O
18-19 REP SEASON | WINTER 6o The Music Man The Crucible A Doll’s House, Part 2 Sweat Noises Off The Cake Sweeney Todd Around the World in 80 Days asolorep asolorep PRODUCING ARTISTIC DIRECTOR MICHAEL DONALD EDWARDS MANAGING DIRECTOR LINDA DiGABRIELE PROUDLY PRESENTS BY Arthur Miller DIRECTED BY Michael Donald Edwards Scenic Design Costume Design Lighting Design Sound Design & Original Composition LEE SAVAGE TRACY DORMAN JEN SCHRIEVER FABIAN OBISPO Hair/Wig & Make-up Design New York Casting Chicago Casting Local Casting Voice & Dialect Coach MICHELLE HART STEWART/WHITLEY CASTING SIMON CASTING CELINE ROSENTHAL PATRICIA DELOREY Fight Director Production Stage Manager Stage Manager & Fight Captain Assistant Stage Manager Dramaturg ROWAN JOHNSON NIA SCIARRETTA* DEVON MUKO* JACQUELINE SINGLETON* PAUL ADOLPHSEN Directing Fellow Music Coach Stage Management Apprentice Stage Management Apprentice Dramaturgy & Casting Apprentice TOBY VERA BERCOVICI LIZZIE HAGSTEDT CAMERON FOLTZ CHRISTOPHER NEWTON KAMILAH BUSH The Crucible is presented by special arrangement with Dramatists Play Service, Inc., New York Directors are members of the Stage Directors and Choreographers Society; Designers are members of the United Scenic Artists Local USA-829; Backstage and Scene Shop Crew are members of IATSE Local 412. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. CO-PRODUCERS Gerri Aaron • Nancy Blackburn • Tom and Ann Charters • Annie Esformes, in loving memory of Nate Esformes • Shelley and Sy Goldblatt Nona