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Bibliography BIBLIOGRAPHY Achenbaum, W. Andrew. Old Age in the New Land: The American Experience since 1790 . Baltimore: Johns Hopkins UP, 1978. Albee, Edward. Three Tall Women . New York: Dutton, 1995. Adler, Thomas P. “Albee’s 3½.” The Cambridge Companion to Edward Albee . Ed. Stephen Bottoms. 1 st ed. Cambridge: Cambridge UP, 2005. 75-90. Allen, Brooke. “End of the Line.” New Criterion 27.9 (2009): 39-42. Artaud, Antonin. Selected Writings. Ed. Susan Sontag. Berkeley: U of California P, 1976. Atkinson, Brooks. “At the Theatre.” New York Times 11 Feb. 1949. Auslander, Philip. From Acting to Performance: Essays in Modernism and Postmodernism. New York: Routledge, 1997. Basting, Anne Davis. “Performance Studies and Age.” Handbook of the Humanities and Aging . Ed. Thomas R. Cole, Robert Kastenbaum, and Ruth E. Ray. 2nd ed. New York: Springer Publishing, 2000. 258-71. ——. The Stages of Age: Performing Age in Contemporary American Culture . Ann Arbor: U of Michigan P, 1998. ——. “When Art Is the Only Medicine.” TEDx Talk. 01 Dec. 2014. https:// www.youtube.com/watch?v=cPA6lklMQxM Beckett, Samuel. Krapp’s Last Tape . New York: Grove Press, 1960. Bennetts, Leslie. “Miss Daisy Gives Uhry Success at Long Last.” New York Times 23 Dec. 1987. Bent, Eliza. “The Age Advantage: Senior Theatre Is Forging Ahead in Unexpected and Adventurous Directions.” American Theatre Apr. 2014. http://www.tcg. org/publications/at/issue/featuredstory.cfm?story=3&indexID=43 Bentley, Eric. In Search of Theater . New York: Knopf, 1953. © The Editor(s) (if applicable) and The Author(s) 2016 183 V.B. Lipscomb, Performing Age in Modern Drama, DOI 10.1057/978-1-137-50169-1 184 BIBLIOGRAPHY Big Band Blowout of the ’30s and ’40s . Dir. Berry Ayers. The Players Follies. The Players Theatre, Sarasota. 11 Apr. 2015. Performance. Biggs, Simon. “Choosing Not to Be Old? Masks, Bodies and Identity Management in Later Life.” Ageing and Society 17.5 (1997): 553-70. Bigsby, Christopher. “Arthur Miller: Time Traveller.” The Salesman Has a Birthday . Ed. Stephen A. Marino. Lanham: UP of America, 2000. 1-17. Bilderback, Walter. “A Remarkable Ten-Year Journey.” Open Stages: The Newsletter of the Wilma Theater Sept.-Oct. 2005. https://www.wilmatheater.org/sites/ default/fi les/wilmabill/wife_stages.pdf Blank, Martin, ed. Critical Essays on Thornton Wilder . New York: G.K. Hall, 1996. Blau, Herbert. Take Up the Bodies: Theater at the Vanishing Point . Urbana: U of Illinois P, 1982. Bloom, Harold, ed. Arthur Miller’s Death of a Salesman. Modern Critical Interpretations. New York: Chelsea House, 1988. Bloom, Harold, ed. Willy Loman . Major Literary Characters. New York: Chelsea House, 1991. The Blue Revue: The Bluest Show in Town. By Bill Bordy. Dir. Cory Boyas. Sarasota Senior Theater. Booker Auditorium, Sarasota. 26 Feb. 2011. Performance. Blum, Lauren S. “Mike Nichols on Bringing Death of a Salesman to Life.” The Wall Street Journal 29 May 2012. Bond, John, and Peter Coleman, eds. Aging in Society: An Introduction to Social Gerontology . London: Sage, 1990. Brantley, Ben. “American Dreamer, Ambushed by the Territory.” New York Times 16 Mar. 2012: C1. ——. “Artifi ce as Armor in a Duel with Death.” New York Times 27 Jan. 2012: C1. ——. “Edward Albee Conjures Up Three Ages of Woman.” New York Times 14 Feb. 1994. ——. “A Pedophile Even Mother Could Love.” New York Times 17 Mar. 1997. ——. “ Driving Miss Daisy : Stooped and a Bit Slow, but Still Standing Tall.” New York Times 25 Oct. 2010. ——. “Wounded by Broken Memories.” New York Times 26 Sept. 2013. Brater, Enoch. “Miller’s Realism and Death of a Salesman .” Arthur Miller: New Perspectives . Ed. Robert A. Martin. Englewood Cliffs: Prentice-Hall, 1982. Brustein, Robert. “Plays Fat and Thin.” New Republic 17 Apr. 2000: 64-66. Burbank, Rex J. Thornton Wilder . 2 nd ed. Boston: Twayne, 1978. Butler, Judith. Bodies That Matter : On the Discursive Limits of “Sex.” New York: Routledge, 1993. ——. Gender Trouble: Feminism and the Subversion of Identity . 10 th anniversary ed. New York: Routledge, 1999. ——. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisms: Feminist Critical Theory and Theatre. Ed. Sue-Ellen Case. Baltimore: Johns Hopkins UP, 1990. 270-82. BIBLIOGRAPHY 185 Butler, Robert N. “Age-ism: Another Form of Bigotry.” The Gerontologist 9 (1969): 243-46. ——. “The Life Review: An Interpretation of Reminiscence in the Aged.” Psychiatry 26 (1963): 65-76. Canning, Charlotte. “Feminists Perform Their Past: Constructing History in The Heidi Chronicles and The Break of Day. ” Women, Theatre and Performance: New Histories, New Historiographies. Ed. Maggie B. Gale and Viv Gardner. Manchester: Manchester UP, 2000. 163-79. Carlson, Marvin. The Haunted Stage: Theatre as Memory Machine . Ann Arbor: U of Michigan P, 2001. ——. Performance: A Critical Introduction . New York: Routledge, 1996. Castronovo, David. Thornton Wilder . New York: Ungar, 1986. Catron, Louis E. The Power of One : The Solo Play for Playwrights, Actors, and Directors . Portsmouth, NH: Heinemann, 2000. Charney, Maurice. Wrinkled Deep in Time: Aging in Shakespeare. New York: Columbia UP, 2009. Chivers, Sally. The Silvering Screen: Old Age and Disability in Cinema . Toronto: U of Toronto P, 2011. Clemens, Bernadette. “Desire and Decay: Female Survivorship in Faulkner and Williams.” Tennessee Williams Annual Review 10 (2009): 73-80. Cohen, Gene D. The Creative Age: Awakening Human Potential in the Second Half of Life. New York: Quill-HarperCollins, 2000. Cohn, Ruby. “The Articulate Victims of Arthur Miller.” Bloom, Arthur Miller’s 39-46. Cole, Thomas R. The Journey of Life: A Cultural History of Aging in America . Cambridge: Cambridge UP, 1992. Cole, Thomas R., David D. Van Tassel, and Robert Kastenbaum, eds. Handbook of the Humanities and Aging . New York: Springer Publishing, 1992. Corrigan, Mary Ann. “Memory, Dream, and Myth in the Plays of Tennessee Williams.” Martin, Critical Essays 221-33. Crowe, Sinéad. “‘There’s No Correspondence Between Me and My Age’: Old Age in Theresia Walser’s King Kong’s Daughters .” The Gerontologist Advance Access Online 13 June 2014. Cruikshank, Margaret. Learning to Be Old. Lanham, MD: Rowman and Littlefi eld, 2009. Death of a Salesman . Dir. Robert Falls. Perf. Brian Dennehy, Elizabeth Franz, Kevin Anderson, and Ted Koch. Eugene O’Neill Theatre, New York. 14 July 1999. New York Public Library Theatre on Film and Tape Archive. Deats, Sara Munson, and Lagretta Tallent Lenker, eds. Aging and Identity: A Humanities Perspective . Westport: Praeger, 1999. DeFalco, Amelia. Uncanny Subjects: Aging in Contemporary Narrative. Columbus: The Ohio State UP, 2010. 186 BIBLIOGRAPHY De Koster, Katie, ed. Readings on Thornton Wilder. San Diego: Greenhaven, 1998. DeShazer, Mary K. “‘Walls Made Out of Paper’: Witnessing Wit and How I Learned to Drive .” Women & Performance: a Journal of Feminist Theory 13.1 (2002): 107-20. Diamond, Elin. Performance and Cultural Politics . New York: Routledge, 1996. Dietrich, Richard F. British Drama 1890 to 1950: A Critical History . Boston: Twayne, 1989. Dillen, Wout. “Stretching the Boundaries of Narrativity on Stage: A Narratological Analysis of Paula Vogel’s The Baltimore Waltz and Hot ‘n’ Throbbing .” Style 47.1 (2013): 69-86. Dolan, Jill. “Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein.” Theatre Journal 60.3 (2008): 433-57. ——. “‘Finding Our Feet in the Shoes of (One an) Other’: Multiple Character Solo Performers and Utopian Performatives.” Modern Drama 45.4 (2002): 495-518. Driving Miss Daisy . By Alfred Uhry. Dir. Ron Lagomarsino. Perf. Dana Ivey, Morgan Freeman, and Ray Gill. Playwrights Horizons Theatre, New York. 07 May 1987. New York Public Library Theatre on Film and Tape Archive. Eads, Martha Greene. “Unwitting Redemption in Margaret Edson’s Wit .” Christianity & Literature 51.2 (2002): 241-54. Edson, Margaret. Wit. New York: Faber and Faber, 1999. Ellis, Anthony. Old Age, Masculinity, and Early Modern Drama. Burlington, VT: Ashgate, 2009. Erikson, Erik, and Richard E. Evans. Dialogue with Erik Erikson . Lanham: Jason Aronson, 1995. Esslin, Martin. The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen . New York: Methuen, 1987. Fallis, Richard C. “‘Grow Old along with Me’: Images of Older People in British and American Literature.” Perceptions of Aging in Literature: A Cross-Cultural Study . Ed. Prisca von Dorotka Bagnell and Patricia Soper. New York: Greenwood, 1989. 35-50. Favorini, Attilio. Memory in Play from Aeschylus to Sam Shepard . New York: Palgrave, 2008. Featherstone, Mike, and Mike Hepworth. “The Mask of Ageing and the Postmodern Life Course.” The Body: Social Process and Cultural Theory . Ed. Mike Featherstone, Mike Hepworth, and Bryan S. Turner. London: Sage, 1991. 371-89. Featherstone, Mike, and Andrew Wernick, eds. Images of Aging: Cultural Representations of Later Life . London: Routledge, 1995. Feingold, Michael. “Fable Settings: When a Story Has a Moral, the Moral May Have a Story.” The Village Voice 23 Nov. 1999: 121. Felton-Dansky, Miriam. “Donald Margulies’s Dinner with Friends Could Use Some More Spice.” Village Voice 19 Feb. 2014. BIBLIOGRAPHY 187 Fleming, John. Stoppard’s Theatre: Finding Order Amid Chaos . Austin: U of Texas P, 2001. Florescu, Catalina Florina. “Verbal and Visual Rhetorics of Cancer: Defying Silence in Margaret Edson, Audre Lorde and Jo Spence’s Works.” Journal of International Women’s Studies 8.1 (2006): 271-92. Franchey, John. “Mr. Wilder Has an Idea.” New York Times
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