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A Aging and Its Discontents (Woodward, age-appropriate casting, 88–9, 127, 138 Kathleen), 15 age continuity, tension in, 57 aging process, social perceptions of, Aged by Culture (Gullette, Margaret 2, 5 Morganroth Gullette), 3, 87, 90, Agitated States: Performance in the 153, 159 American Theater of Cruelty ageism, 5–6, 118, 122, 179 (Kubiak, Anthony), 2 ageless self, sense of, 2, 8, 43, 64 Albee, Edward, 9, 10, 117, 129, 130, age performance, 4, 21, 48, 73 136 and age performativity, 23 Allen, Brooke, 22 fl uidity of, 66 anti-Semitism, 118 initial issue of, 50 apparent age, 5, 48, 89 midlife progress, 86–7 Aristotle, 103, 140 tension in, 14, 22, 57, 60, 87, 98 Auslander, Philip, 160 age performativity, 3, 4, 13, 23, 154 avenues for senior-theatre research, age-related infantilization, 123 178–81 age stereotypes, 122, 124, 126 age studies, 6, 85, 127 age transformation, 100 B aging Basting, Anne Davis, 3, 4, 10, 75, cultural understanding of, 3, 87 130, 152, 157, 158, 180–1 image of, 36 Beckett, Samuel, 14, 133 issues of, 147 Bentley, Eric, 44 makeup, 39 Berryman, John, 69 physical changes of, 75 Big Band Blowout , 165–7

Bildungsroman plot, 94 The Creative Age (Cohen, Gene), 158 binary opposition, 5, 6 cultural construction of age, 2, 3, 87 Blau, Herbert, 131 Cummings, Jack, 22 The Blue Revue , 161–5, 170, 177 Brantley, Ben, 40, 103, 128, 138 Burbank, Rex, 14 D burlesque section of show, 161 “Da,” 8, 47, 49–57 Butler, Judith, 42 Dancing at Lughnasa , 8, 47, 57–65 Butler, Robert N, 102–3, 105, 111, Death of a Salesman , 13, 32–44 113, 129, 137 Der Blaue Engel , 163 design challenges, 32–3 diminished self, 166 C Dinner with Friends , 9, 117, Carlson, Marvin, 176 139–47 casting, 1, 22–3, 30–1, 39–42, 50, 66, documentary theatre, 147, 152 87–9, 91, 95, 99, 107, 111–2, Dolan, Jill, 85, 149, 151, 154 127–8, 138–9, 152–4, 168, 172, double casting, 66, 99 180 dramatic convention, 1, 25, 91 against chronological age, 5, 30 dramatic tension, 84 age-appropriate, 88–9, 127, 138 DraMature, 170–4 and apparent age, 89 Driving Miss Daisy , 9–10, 117–28 double , 66, 99 dry textual correctness, 71 successful, 42 duality theme, 69 “changing creativity,” 175 character’s age, 48–9 chorus characters, age transformation E among , 100 Edson, Margaret, 9, 77, 102, 109, chronological age, 2 113 age-appropriate casting, 88 Encore Phase, 158 casting against, 5, 30 end-of-life review, 102–14 character’s age and, 48–9 Erikson’s model of psychosocial Cohen, Gene, 158, 175 development, 85, 111, 158 Cohn, Ruby , 34 Essay Concerning Human “collaborative creativity,” 175 Understanding (Locke, J.), 7 Collected Plays (Miller, Arthur), 36 ethnic diversity, in plays, 149 comedy , 167–8 “commencing creativity,” 175 community theatre, 157, 160, 174–5 F confl icts, potential and reality, 34–6 Female Greek Chorus, 99 “continuing creativity,” 175 female midlife progress novel, 77 continuity of self, 5, 7, 57, 75, 101 fl ashback, 10, 33, 44, 79, 81, 88, 90, convention of continuity, 34 104, 112, 143, 144, 146 INDEX 199

Fleming, John, 65, 69 image of aging, 36 fl uidity of age performance, 66 infantilization, 122–3 fragmentation of self, 44, 75, 92 “in temporal depth,” 169 Friel, Brian, 8, 47, 57–65 “intergenerational creativity,” 175 fullness of self In the Blood , 139 senior-theatre process, 170–4 The Invention of Love , 8, 47, 65–75 on stage in Sarasota area, 160–70 Isherwood, Charles, 145

G J generational difference, sense of, 82 Jenckes, Norma, 136 ghosting , 176–7 The Glass Menagerie , 13, 24–32 acting edition, reading edition and, K 26 Kaufman, Moises, 147 Gobert, R. Darren, 3 Kaufman, Sharon R., 42–3 Greek Chorus, 91, 99, 101 Kerby, Rick, 170–4 Gullette, Margaret Morganroth, 3, 9, Kimbrough, Andrew, 95 11, 54, 77, 80, 87, 88, 90, 91, King Hedley II , 139 113, 114 Krapp’s Last Tape , 14, 133 Gussow, Mel, 127 Kubiak, Anthony, 2

H L The Haunted Stage (Carlson, Lacan, Jacques, 48, 64, 74, 92, 135 Marvin), 176 The Laramie Project , 147 Healy, Patrick, 40 Leonard, Hugh, 8, 47, 49–57 The Heidi Chronicles , 9, 77–90 Levin, Macey, 22–3 Housman, A.E., 65–73 Liberation Phase, 158–9 How I Learned to Drive , 9, 77, life review, 102–14, 129, 132 90–102 Lifton, Paul, 15–16 human potential phases, 158 liminoid space, 162–3 Hume, David, 7 literary studies, 6 The Long Christmas Dinner , 24 “lugubriousness,” 14 I I Am My Own Wife , 9, 117, 147–54 identity, 7, 73, 89, 106, 129-30, M 139-143, 162, 170 makeup construction, issues of, 147 aging, 39 sense of, 42–3, 66–7 stage , 43 200 INDEX

Male Greek Chorus, 99, 100 P Mangan, Michael, 3–4, 14, 25, 111, Parker, R.B., 26 119, 122, 126, 129 Parks, Suzan-Lori, 139 Mann, Bruce J., 136 performance studies, 6 Margulies, Donald, 9, 16, 117, 139, performative life review, 102–14 142, 143, 145, 146 performative transformation, 181 Marks, Peter, 145 performativity, 2–4, 6, 7, 9, 13, 24, Marshall, Leni, 48, 54, 75 42, 87, 90, 102, 104, 106–7, Martin, Carol, 152 112, 114, 142, 146, 149, 151–9, Mays, Jefferson, 152 174, 181 McDaniel, L. Bailey, 124, 125 and age performativity, 23 “méconnaissance,” 48, 54, 70, 72, 74–5 “personal creativity,” 176 memory, theory of, 7 93 physical changes of aging, 75 middle age, 90 physical continuity of self, 31 midlife progress narrative, 77, 85, 86, physiological age, 2 88, 113 platonic relationship, 124–5 Midlife Reevaluation Phase, 158 Playboy-style photo-shoot scene, 97 Miller, Arthur, 13, 25, 32–44 Port, Cynthia, 4 The Mineola Twins , 91 The Power of One , 148 mirror stage pre-feminist life course, 80 of infancy, 48, 74, 92, 135 “prologue” scene, 78–80 of old age, 8, 15, 38, 48, 75, 135, psychosocial development, Erikson’s 136, 168 model , 85, 111, 158 Modern Drama , 3 “public creativity,” 175 monodrama, 148–9 Pulitzer-Prize-winning dramas, 9, 77, monologue , 78 117, 147 monopolylogue, 149, 154 Moore, Bridie, 169 multi-disciplinary research, 178 R Murphy, Brenda, 32, 33, 130, 132 racism, 118 reading edition, acting edition and, 26 Remember When , 166–70 N reminiscence, 58, 109, 129, 133, 135 Nichols, Mike, 40–1 Robinson, Marc, 6, 30 The Runaway Bunny , 110

O The Oldest Profession , 91 S O’Toole, Fintan, 63 Sarasota Senior Theater (SST), 161, Our Town , 13–24 162, 165 INDEX 201

Segal, Lynne, 14 Stoppard, Tom, 8, 47, 65, 68, 72 self, 14 Strimling, Arthur, 164, 171, 179 self-assessment, 90 Summing-Up Phase, 158 self-construction confl icts, 34–5 Swinnen, Aagje, 4 self-contained truth, 64 self-presentation, 104 senior theatre, 157 T avenues for research, 178–81 Taylor, Laurette, 26, 30 diminished self in, 166 Teachout, Terry, 148 fullness of self, 160–70 Teenage Greek Chorus, 91, 92, 96, groups, 159–60 99, 100 process, 170–4 tension in age continuity, 57 social aspect of, 160 textual analysis, 3, 86 transformative creativity in, 174–7 textual correctness, 71 sense of ageless self, 2, 8, 43, 64 theatre-centered intervention, based sense of essential self, 15, 24, 66 on components, 173 sense of generational difference, 82 theatre-training programs, 181 sense of identity, 42–3, 66–7 theatrical skills, 171 sense of mortality, 131 Three Tall Women , 9, 10, 117, sense of self-continuity, 154 129–39 sentimentalism, 14 time delivering comedy, 168 Silver-Stender, Irene, 166, 170, 174 time shifts, 32–3 “simple images,” 36 transformation of age, 100 social perceptions of aging process, transformative creativity, in senior 2, 5 theatre, 174–7 SST . See Sarasota Senior Theater (SST) stage directions, 16–17, 20, 21, 35, 59, 85, 99, 104, 113, 121 U stage makeup, 43 Uhry, Alfred, 9, 117–28 The Stages of Age: Performing Age in utopian performative, 149, 151, Contemporary American Culture 152, 154 (1998) (Basting, Anne Davis), 3, 4, 10, 159, 164, 169 Staging Ageing (Mangan, Michael), 3 V Staging Age: The Performance of Vandecarr, Paul, 30 Age in Theatre, Dance, and Vanhoutte, Jacqueline, 102, 104 Film (Marshall, Leni and Vogel, Paula, 9, 77, 90–3, 95, Lipscomb, Valerie Barnes), 3 100–2 stereotypes of aging, 122, 127 von Mahlsdorf, Charlotte, 147–53 Stevenson, Sarah Lansdale, 92, 93 Vorenberg, Bonnie L., 168 202 INDEX

W Wit , 9, 77, 102–14 Wasserstein, Wendy, 9, 77, 84, 86, 88, Woodward, Kathleen, 8, 15, 38, 48, 90, 113 135, 136, 168 Watermeier, Daniel J., 78 Wright, Doug, 9, 10, 117, 147–54 Western cultural construction of midlife , 90 Wilder, Thornton, 13–24 Z Williams, Tennessee, 13, 25, 58 Zizka, Blanka, 153–4 Wilson, August, 139