Bruce Mccarty 3555 Oxford Avenue No. 6A Riverdale, New York 10463 917.447.4758

Total Page：16

File Type：pdf, Size：1020Kb

Bruce McCarty 3555 Oxford Avenue No. 6A Riverdale, New York 10463 917.447.4758 Teaching Experience William Esper Studio Meisner Technique Teacher 2008 - Present Private Coaching for Stage, Film and Television New York, Los Angeles 1992- Present American Academy of Dramatic Arts, New York Visiting Teacher/Director 2007 - 2008 Circle Repertory Company, New York New Play Development 1992 - 1996 Related Experience Actor, New York, Los Angeles (See Attached Bio) 1991-Present Stage, Film, Television, Commercials Member of the Circle Repertory Company, New York John Barrymore Award Nominee/Leading Actor Obie Award Best Ensemble/Balm In Gilead 1st Annual Young Playwrights' Festival 1991 Produced by Circle Repertory Co. with The Dramatists Guild Worked with Playwrights ages 8 -18 Director, New York, Los Angeles 1992-Present SheshYak by Laith Nakli 2015 RattleStick Playwright’s Theater, NYC Parts I've Played, Dana Reeve one-woman show Co-wrote and Directed Feinstein's at the Regency 2005 The Rivers and Ravines, American Academy of Dramatic Arts 2001 Major Zero, Circle Repertory 1995 Teeny Tiny Potatoes 1993 Developed and Directed HBO Comedy Showcase, Los Angeles Public Theater Latino Lab, New York Meat & Potatoes Company, New York Sex on the Beach, Circle Repertory 1992 Assistant Director, New York 1990 Fifth of July, Broadway Corporate Development Assisted in development and Hosted roll-out show for Bristol-Myers Squib, Atlanta, GA 2005 Phoenix, AZ 2008 Orlando, FL 2010 Training William Esper: 2-year Program 1993 - 95 William Esper Studio, New York Harold Guskin: Private Intensive Study 1995 New York Circle Rep Company & Lab 1980 -1996 Working with Professional Artists such as Jeff Daniels, Peter Hedges, William Hurt, Timothy Hutton, John Malkovich, Joe Mantello, Marshall W. Mason, Lanford Wilson, Erin Cressida Wilson, etc. Grotowski Workshop Hypnosis for Actors Workshop Clyde Vinson: Feldenkrais, Linklater 1990 - 92 Clyde Vinson Studios .

Copy Link

Recommended publications

By Lanford Wilson Directed by Kati Oltyan
By Lanford Wilson Directed by Kati Oltyan July 1 ~ 3, 2021 Lakewood, CO Presented by special arrangement with Dramatists Play Service, Inc., New York. About the Playwright Compiled by Jan Sutton Lanford Eugene Wilson (1937-2011) was born on April 13, 1937, in Lebanon Missouri, a town that he used as the setting for several of his plays, including the one you are seeing tonight. His parents divorced when he was 5 and he was raised by his mother and her second husband, a Missouri farmer. He attended college in Missouri and San Diego but left in 1957 to live in Chicago. He experimented with writing short stories but decided that his ideas might do better as plays so he attended play-writing classes through the University of Chicago Extension Program. In 1962 he moved to New York City where his plays were widely performed in Off-Off- Broadway theaters such as La MaMa Experimental Theater and Café Cino. In 1967, he received the Drama Desk Award for Outstanding New Playwright for The Rimers of Eldritch. In 1969 he co-founded the Circle Repertory Theater, an Off-Broadway theater that was his literary home for almost 30 years. The first play of his that was successfully performed there was The Hot l Baltimore in 1973, for which he received the New York Drama Critics’ Circle Award and the Obie Award for Best New American Play. In 1975, he received his second Obie for Playwriting for The Mound Builders, also performed at Circle Rep. Talley’s Folly is part of a trilogy of plays about the Talley family, all of which explore the effects of war on a family in Missouri.
[Show full text]
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
[Show full text]
The Playhouse a Special Virtual Series July 16-August 15, 2020
the playhouse a t W h i t e La k e A Special Virtual Series July 16-August 15, 2020 Live, Outdoor Performances at The Playhouse at White Lake The Playhouse Presents From Our House to Yours Free A Special, Virtual Series Admission to Both Shows! July 16-18 A Betrothal by Lanford Wilson Chicks by Grace McKeaney White Lake Youth Theatre Presents: LOVE by Finegan Kruckmeyer Happy by Alan Zweibel July 30, 31 and August 1 at 7:00pm Sponsored by Carmichael Heating & Air Conditioning July 23-25 Mind the Gap by Kimberly, Sky and Jacy Harsch Donations Welcome! August 6-8 Violet by Bebe Sanders Clear Glass Marbles by Jane Martin August 13-15 An Evening of Live Music Co-hosted by Muskegon Civic Theatre 2 Across by Jerry Mayer Max & Ruth Bloomquist, Karen & Eric Smith, Dale Clock, Diane VanWesep, Regina Schlaff, Kyle Schlaff, David Riegler, Heather MacCallum, Claire Root Benson, and many more! showtix4u.com August 22 at 7:00pm Visit, Click, Buy, Settle in and Enjoy! Rain Date: August 23 at 7:00pm Sponsored by White Lake Area Chamber of Commerce Proud to Sponsor the White Lake Youth Theatre! 231.766.9133 www.carmichaelheating.com Cast Natalie Carmolli as Ms. Joslyn Joe Carmolli as Mr. Wasserman Production Team Director Beth Pierson Managing Director Beth Beaman Assistant Managing Director A Betrothal Cindy Beth Davis Dykema by Lanford Wilson Technical Director, Scenic and Lighting Designer Streaming July 16-18 at 7:30pm Claire Beaman Production Manager and Costumer Lanford Wilson received the 1980 Pulitzer Prize for Caroline Arana Drama and the New York Drama Critics Circle Award Production Assistant and Stage Manager for TALLEY’S FOLLY.
[Show full text]
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year.
[Show full text]
Newcircletheatrecompany.Org 140 W. 44Th Street, 2Nd Floor New York, NY 10036
NewCircleTheatreCompany.org 140 W. 44th Street, 2nd Floor New York, NY 10036 New Circle Theatre Company NCTCompany newcircletheatrecompany Buy New Circle merchandise: www.zazzle.com/newcircletheatre ROBERT WRAY† (Playwright, Sam’s Lament) is a graduate of the Iowa From the Interim Artistic Director Playwrights Workshop where he was awarded both the Norman Felton and Zeta Phi Eta Memorial Scholarship. His work has been produced in New York, Welcome to our inaugural production of The Inferno Project: Limbo. I regionally and abroad. Other plays include: The Secret Rain, Ocean View hesitate to say “inaugural,” because while it is the first production of Odyssey, and All is Always Now. New Circle Theatre Company, we’re a company that has been in existence in one form or another for over 20 years! You will see people on stage today who were part of Circle Repertory Company, ACTORS EQUITY ASSOCIATION (AEA), founded in 1913, or the Circle Rep Lab, or The LAB Theater Company, or Circle East, represents more than 50,000 actors and stage managers in the or all of them, all of which are our ancestors. Through all of those United States. Equity seeks to advance, promote and foster the art years, our mission has remained the same: to develop and produce of live theatre as an essential component of our society. Equity new American plays. negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of When I was asked to become the Interim Artistic Director following the AFL-CIO, and is affiliated with FIA, an international organization the death of Michael Warren Powell last year, I was deeply honored of performing arts unions.
[Show full text]
Download Press Kit Here
Directed by Timothy Busfield Written by Jeff Daniels Produced by Michael A. Alden, Timothy Busfield, Jeff Daniels, Melissa Gilbert Executive Produced by Donald Clark Grand River Productions, LLC RUNNING TIME: 75min Guest Artist Production Information Pulitzer Prize-winning playwright, Joseph Harris (Jeff Daniels), has not written a play in twenty years. Unable to unleash his voice in a way that he sees fit, Harris finds himself trapped in a no man’s land of artistic discontent with his only refuge in the bottom of a glass. When he is commissioned to write a play for a small-town theatre company, in a place he would rather not be in, Harris unwillingly emerges from his self-imposed exile. Upon Harris’ arrival at the local train station, he is met by an eager to please apprentice, Kenneth Waters (Thomas Macias). Not in the habit of being chaperoned, Harris demands to be booked on the next train back to New York. As Kenneth desperately tries to keep his gin-swigging hero from leaving, the two strike a deal that leads them to explore the tangled relationship between the dreams of youth and the wisdom of age. Grand River Productions presents Guest Artist. Jeff Daniels writes, produces and stars in the film, alongside Thomas Macias, Erika Slezak, Richard McWilliams, McKara Bechler, Ruth Crawford, Dan Johnson and Lynch R.Travis. It is directed as well as produced by Timothy Busfield. Also producing the film are Melissa Gilbert and Michael A. Alden. Donald Clark is the executive producer. The filmmaking team includes director of photography Willy Busfield, editor Alyssa Loveall and music by Ben Daniels.
[Show full text]
Prelude to a Kiss.Qxd 4/29/2010 5:07 PM Page I
Prelude to a Kiss.qxd 4/29/2010 5:07 PM Page i PRELUDE TO A KISS BY CRAIG LUCAS ★ ★ DRAMATISTS PLAY SERVICE INC. Prelude to a Kiss.qxd 4/29/2010 5:07 PM Page 2 PRELUDE TO A KISS Copyright © 1990, 2010, Craig Lucas All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of PRELUDE TO A KISS is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for PRELUDE TO A KISS are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016.
[Show full text]
The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman .....................................................................................................
[Show full text]
Angels Fall by Lanford Wilson
BookRags Literature Study Guide Angels Fall by Lanford Wilson For the online version of BookRags' Angels Fall Literature Study Guide, including complete copyright information, please visit: http://www.bookrags.com/studyguide-angelsfall/ Copyright Information ©2000-2012 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. (c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.
[Show full text]
A Background to Balm in Gilead
A Background to Balm in Gilead: A little bit of information to give you a deeper look at the time, place, and themes in the play 1 | Page Table of Contents Lanford Wilson ............................................................................... Page 3 Balm in Gilead ................................................................................ Page 6 Book of Jeremiah ........................................................................... Page 7 1960s ............................................................................................... Page 9 History of New York City (1946–1977) ........................................ Page 30 Classic ‘New York’: The 1960s .................................................... Page 35 Important Events of the 1960s .................................................... Page 37 Heroin ............................................................................................ Page 46 2 | Page Lanford Wilson (1937- ) American playwright. The following entry provides an overview of Wilson's career through 2003. For further information on his life and works, see CLC, Volumes 7, 14, and 36. INTRODUCTION A prolific writer of experimental and traditional drama, Wilson launched his career at the avant-garde Caffe Cino during the off-off-Broadway movement of the 1960s. He later co-founded the renowned Circle Repertory Company, for which he wrote many of his major works, including the Pulitzer Prize-winning Talley's Folly (1979). Through his dynamic characters, many of whom are misfits of low social
[Show full text]
Caffe Cino Multiple Property Listing: No Other Names/Site Number  2
NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials and areas of significance, enter only categories and subcategories listed in the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Caffe Cino multiple property listing: no other names/site number 2. Location street & number 31 Cornelia St not for publication city or town New York vicinity state New York code NY county New York code 061 zip code 10014 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I certify that this x nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets does not meet the National Register criteria. I recommend that this property be considered significant nationally statewide x locally.
[Show full text]
EIU' S '60S Reunion Proves Successful
EIU's '60s reunion proves successful Before The Big Chlll there was Fine Arts Center Playroom, was nothing wrong with that. Fifth ofJuly. brought out its good and bad Eileen Sullivan had some amusing The Big Chlll is, of course, points. It's a long, talky play which moments as Aunt Sally. MichaelS. Lawrence Kasdan's 1983 fUm, seems to drift along from one act O'Brien, as Ken, was personable, already a classic, about the reu to the next, and it takes a while to but reserved and unimpassioned, nion of seven graduates of the Uni Carl sort out the relationships. But the and did a good job of hobbling versity of Michigan at Ann Arbor dialogue, often witty, sometimes about on crutches. The playwright from the '60s who mourn their lost Lebovitz overlapping, and the collection of never fully develops Jed as a youth, ideals and passions. <In the disparate characters holds your in character, butT. James Estep did same vein was the 1981 John terest, and before the evening ends what he could with the role. Sayles film, Return of the with a bwst of violence, there are Patrick N. Clayberg was dapper as Secaucus Seven.) a number of revelations and ~ John. Fifth of July, which has just con Gwen's recording career as a lutlons. There was some tepid kissing cluded a six-performance run at country-and-western singer. Com Terry Allen directed it with skill and hugging by the gay lovers and EIU, is Lanford Wilson's Chekh~ pleting the quartet is Ken's sister and good timing.
[Show full text]