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Leadership Profile
Leadership Profile Dean, VCU School of the Arts and Special Assistant to the Provost for the VCU School of the Arts in Qatar 1 Photo by Steven Casanova (BFA ’15) 1 The Opportunity The Virginia Commonwealth University School of the Arts (VCUarts) seeks a deeply experienced and visionary leader. The next dean of the VCU School of the Arts will also serve as the special assistant to the provost for the School of the Arts in Qatar and will have the opportunity to join a highly energetic, engaged and talented faculty, staff and student population. The school, with a graduate arts program that has the highest U.S. News & World Report ranking ever achieved by a public university arts and design school, has established itself as a creative force, locally, nationally and internationally. The school encompasses a wide spectrum of disciplines whose distinctiveness fosters opportunities for premier collaborations and synergies within the school, across the university and around the globe. The next dean must embrace the opportunity to provide leadership for the caliber of creative work within the school. The faculty, students, staff and community set high aspirations for themselves, individually and as a school, and will expect the same from their next dean. The School of the Arts educates approximately 3,000 undergraduates and more than 140 graduate students through programs both in Richmond and in Doha, Qatar. In Richmond, students are taught by over 175 full- time teaching and research faculty members and more than 200 others who bring direct artistic experience into the classroom on a part-time basis, as well as 39 staff members that assist in in daily processes. -
Pinch with Ing Pennies Penny Marshall
PINCH ING PENNIES WITH PENNY MARSHALL DEATH RITUALS FOR PENNY MARSHALL BY PROJECT MANAGER Alfredo Macias Victor I. Cazares DIRECTION Alton Alburo Martin Manzanita Barna Barzin Randa Jarrar Olivia Jimenez Frances McDormand as Madre Cabrona April Matthis Ellen DeGeneres Pooya Mohseni Leo Scorpio, Esq. MD/PHO MBA Ashton Muiiiz BBSloppyJoe Jesus I. Valles Penny Marshall EPISODE1 A Zoom Webinar Offering Financial Advice for OnlyFans Content Creators EPISODE2 Sliding Scales NEW YORK EPISODE3 Dia de la Muerta THEATRE WORKSHOP Victor I. Cazares is a Tow Playwright in Residence. just to name a few. Wearing all those hats has The Guggenheim (Machine Dazzle), Art Institute resulted in 1) a strong core & excellent posture, Chicago/Swiss Institute/New Museum (Cally 2) delight in working and playing with all sorts of Spooner), Biennial Performa/Lehmann Maupin people, 3) an enduring belief in the power of play. (Nicholas Hlobo) & Pace Gallery (Lilleth Glimcher). Olivia’s curiosity currently lies at the intersections Additionally, Ashton has danced for Marc Jacobs of embodied healing, civic practice, and FW 2020 (Karole Armitage), A$AP Rocky (Lab sustainability. Olivia holds a B.A. in Theater from Rat-Sotheby’s), Rihanna (MTV VMAs 2016). Muñiz is the University of Southern California and studied a co-founder of Legacy: A Black Queer Production interactive storytelling with Deep Dive Austin. She Collective & received training at Ithaca College, is a company member of the VORTEX Repertory Moscow Arts Theatre School and Shakespeare & Company and Shrewd Productions, and an Company. Enterprise Rose Artist Fellow working at Foundation Communities in Austin, TX. Jesús I. Valles Penny Marshall April Matthis Jesús I. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
The Playhouse a Special Virtual Series July 16-August 15, 2020
the playhouse a t W h i t e La k e A Special Virtual Series July 16-August 15, 2020 Live, Outdoor Performances at The Playhouse at White Lake The Playhouse Presents From Our House to Yours Free A Special, Virtual Series Admission to Both Shows! July 16-18 A Betrothal by Lanford Wilson Chicks by Grace McKeaney White Lake Youth Theatre Presents: LOVE by Finegan Kruckmeyer Happy by Alan Zweibel July 30, 31 and August 1 at 7:00pm Sponsored by Carmichael Heating & Air Conditioning July 23-25 Mind the Gap by Kimberly, Sky and Jacy Harsch Donations Welcome! August 6-8 Violet by Bebe Sanders Clear Glass Marbles by Jane Martin August 13-15 An Evening of Live Music Co-hosted by Muskegon Civic Theatre 2 Across by Jerry Mayer Max & Ruth Bloomquist, Karen & Eric Smith, Dale Clock, Diane VanWesep, Regina Schlaff, Kyle Schlaff, David Riegler, Heather MacCallum, Claire Root Benson, and many more! showtix4u.com August 22 at 7:00pm Visit, Click, Buy, Settle in and Enjoy! Rain Date: August 23 at 7:00pm Sponsored by White Lake Area Chamber of Commerce Proud to Sponsor the White Lake Youth Theatre! 231.766.9133 www.carmichaelheating.com Cast Natalie Carmolli as Ms. Joslyn Joe Carmolli as Mr. Wasserman Production Team Director Beth Pierson Managing Director Beth Beaman Assistant Managing Director A Betrothal Cindy Beth Davis Dykema by Lanford Wilson Technical Director, Scenic and Lighting Designer Streaming July 16-18 at 7:30pm Claire Beaman Production Manager and Costumer Lanford Wilson received the 1980 Pulitzer Prize for Caroline Arana Drama and the New York Drama Critics Circle Award Production Assistant and Stage Manager for TALLEY’S FOLLY. -
The Caffe Cino
DESIGNATION REPORT The Caffe Cino Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 DESIGNATION REPORT The Caffe Cino LOCATION Borough of Manhattan 31 Cornelia Street LANDMARK TYPE Individual SIGNIFICANCE No. 31 Cornelia Street in the Greenwich Village neighborhood of Manhattan is culturally significant for its association with the Caffe Cino, which occupied the building’s ground floor commercial space from 1958 to 1968. During those ten years, the coffee shop served as an experimental theater venue, becoming the birthplace of Off-Off-Broadway and New York City’s first gay theater. Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 Former location of the Caffe Cino, 31 Cornelia Street 2019 LANDMARKS PRESERVATION COMMISSION COMMISSIONERS Lisa Kersavage, Executive Director Sarah Carroll, Chair Mark Silberman, Counsel Frederick Bland, Vice Chair Kate Lemos McHale, Director of Research Diana Chapin Cory Herrala, Director of Preservation Wellington Chen Michael Devonshire REPORT BY Michael Goldblum MaryNell Nolan-Wheatley, Research Department John Gustafsson Anne Holford-Smith Jeanne Lutfy EDITED BY Adi Shamir-Baron Kate Lemos McHale and Margaret Herman PHOTOGRAPHS BY LPC Staff Landmarks Preservation Designation Report Designation List 513 Commission The Caffe Cino LP-2635 June 18, 2019 3 of 24 The Caffe Cino the National Parks Conservation Association, Village 31 Cornelia Street, Manhattan Preservation, Save Chelsea, and the Bowery Alliance of Neighbors, and 19 individuals. No one spoke in opposition to the proposed designation. The Commission also received 124 written submissions in favor of the proposed designation, including from Bronx Borough President Reuben Diaz, New York Designation List 513 City Council Member Adrienne Adams, the LP-2635 Preservation League of New York State, and 121 individuals. -
Keeping America Safe from Rentboy Escorts
local name global coverage September 2, 2015 vol. 6 // issue 35 s o u t h f l o r i d a g a y n e w s CHECKKC OUTTUO THEEHT NEWWEN GaGaWiltonznotl ManoeonaM rstte ITINSERT IN CENTER pages 18, 34 - 35 Keeping America safe from Rentboy escorts SOUTHFLORIDAGAYNEWS SOFLAGAYNEWS SFGN.COM SouthFloridaGayNews.com comments from sfgn’s The opening Line online outlets SEPTEMBER 2, 2015 •VOLUME 6 • ISSUE 35 Compiled by John McDonald 2520 N. DIXIE HIGHWAY • WILTON MANORS, FL 33305 PHONE: 954-530-4970 FAX: 954-530-7943 Photos: Facebook. PUBLISHER • NORM KENT Ted cRuz says [email protected] an open Letter CHIEF EXECUTIVE OFFICER • PIER ANGELO GUIDUGLI To The Owners of Tropics Gays should be able to discriminate against Christians ASSOCIATE PUBLISHER / EXECUTIVE EDITOR • JASON PARSLEY [email protected] debbie chamberlin – SFGN embarrasses Luimar zibetti garza – Editorial ART DIRECTOR • BRENDON LIES themselves yet again. Very And flowers around the world just shake their blooming [email protected] unprofessional on both sides, heads at our self proclaimed “intelligence.” Dude....it’s a DESIGNER • MARTIN GOULD but this is the kind of pissy f**ken bouquet of flowers just trying to either stay planted [email protected] writing you save for yourself and live, or die while somebody else smiles at their fading INTERNET DIRECTOR • DENNIS JOZEFOWICZ and never allow to see the petals ..... light of day. If the editor pitches a public [email protected] EDITORIAL ASSISTANT • JILLIAN MELERO bitch fit, how can any reasonable person ....seriously, pick a “new” analogy and git over yourselves.. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Iain Robertson
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir. -
3. New York City's Theater
Diplomarbeit Titel der Diplomarbeit Stage New York City Verfasserin Katja Moritz Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil) Wien, im Oktober 2008 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin/Betreuer: Ao. Univ.- Prof. Dr. Brigitte Marschall INDEX__________________________________________ 1. PREFACE AND INTRODUCTION …………………………………. Seite 4 2. INTRO: BIG CITY LIFE ……………………………………………... Seite 6 2.1. Introduction New York …………………………………………. Seite 8 3. NEW YORK CITY‘S THEATER ……………………………………. Seite 12 3.1.1. Broadway, Off And Off-Off Broadway: Differences ...………….. Seite 13 4. BROADWAY …………………………………………………………... Seite 16 4.1. New York City’s Broadway – What Is It About? ……………….. Seite 18 4.2. Broadway History: Changes …………………………………….. Seite 21 4.2.1. Early Attraction ……………………………………………………... Seite 21 4.2.2. Broadway 1900 – 1950 ……………………………………………… Seite 24 4.2.3. Broadway 1950 – 2008 ……………………………………………… Seite 26 4.3. Commercial Production: Broadway ……………………………... Seite 27 4.3.1. Broadway Producer: Money Makes The (Broadway) World Go Round ………………….. Seite 29 4.3.2. Critics: Thumbs Up? ………………………………………………… Seite 32 4.3.3. Musical ……………………………………………………………… Seite 33 4.4. Competition Calls For Promotion ……………………………….. Seite 35 4.4.1. Federal Theatre Project 1935 – 1939 ………………………………... Seite 36 4.4.2. Theatre Development Fund TDF ……………………………………. Seite 37 4.4.3. I Love NY …………………………………………………………… Seite 38 4.5. Reflection ………………………………………………………... Seite 39 5. OFF AND OFF-OFF BROADWAY DEVELOPMENT ……………. Seite 41 5.1. Showplace Greenwich Village And East Village ……………….. Seite 41 5.2. Showplace Williamsburg, Brooklyn …………………………….. Seite 45 1 6. OFF BROADWAY AND OFF-OFF BROADWAY – WHAT IS IT ABOUT? ………………………………………………... Seite 47 6.1. First Steps Into Off Broadway …………………………………… Seite 48 6.2. The Real Off Broadway – The 1950s ……………………………. -
Wilson, Doric (B
Wilson, Doric (b. 1939) by Brandon Hayes Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com A portrait of Doric Wilson by Robert Giard. A pioneer in the development of contemporary gay theater, Doric Wilson has been Courtesy Doric Wilson. instrumental in Off-Off-Broadway theater in New York City since the early 1960s. Wilson uses theater as a means of anatomizing the lives of gay New Yorkers, particularly gay men, and to motivate his audiences toward activism. His most famous play, Street Theater (1981), is a heartfelt depiction of the Stonewall riots, in which Wilson took part. Wilson was born in Los Angeles on February 24, 1939. He was raised on his grandfather's ranch in Washington state. He attended high school in Kennewick, Washington, where he came out in the 1950s. He has ever since lived as an out gay man. Wilson trained for a short time in the Drama Department at the University of Washington. He was asked to leave the university in 1958 after he protested anti-gay harassment at a local park. Wilson moved to New York City in 1958, where, under the mentorship of producer Richard Barr, he became active in the burgeoning Off-Off-Broadway theater scene. Along with Sam Shepard and Lanford Wilson, he was involved in Caffe Cino, a coffee shop and theatrical space owned by producer Joe Cino. In 1961, Wilson's first major play, And He Made a Her, opened at Caffe Cino. Wilson became a founding member of Circle Repertory Theatre and the Barr/Wilder/Albee Playwright's Unit.