STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. All of these roles continue to be held predominantly by men and their victims are predominantly women. An unresolved conflict with a person in power can easily become an ongoing barrier to career opportunities throughout a woman’s career. Harassment and abuse are contributing factors that slow the advancement of women in theater. We are aware of men being intentionally injured during performances, as well as gay and straight men being harassed and abused in much the same way as women have been. Victims can be anyone, stagehands as well as actresses, designers as well as writers. A more robust and victim-centered response to the problem will move the culture forward and benefit all. On January 12th at New Dramatists, a meeting was held of members of the theater community, including representatives from the Dramatists Guild of America, the Actor’s Equity Association and the Stage Directors and Choreographers Society. Three proposals for change and enhancement of their existing procedures were generated and discussed: 1) We recommend that a clear statement be read at each professional production’s first company meeting outlining the procedure to file a complaint. The procedures and related contact numbers should be prominently posted on theater and union/guild websites. 2) We recommend that each union or guild designate a specific person to receive complaints. This person should be thoroughly educated and knowledgeable about the procedures and be prepared to guide victims to them and to appropriate support services. 3) We recommend that, when appropriate, a mediation process overseen by a neutral professional be added to what the unions and guilds currently offer to parties in dispute over a claim of abuse or harassment. Mediation has an overwhelming success rate. Over the past twenty years it has become a broadly endorsed method for handling harassment claims in the courts and in private practice. All federal district courts are required by law to devise and implement programs to promote and encourage alternative dispute resolution. The New York Supreme Court has both mandatory and voluntary mediation programs, depending on the nature of the dispute. A study of the U.S. Equal Employment Opportunity Commission’s (EEOC) mediation program found that 91% of claimants and 96% of respondents who used mediation to solve their dispute would use it again. It is commonly held that when disputing parties voluntarily participate in mediation they are more likely to abide by the terms of their agreement and there is less likely to be retribution, one of the most common reasons victims do not come forward with complaints. Moreover, mediation provides a complainant the opportunity to speak for herself and empowers her to participate in shaping a remedy. It also allows the accused to clarify his side of the story and avoid public charges. In addition, mediation is the most likely method to reach an amicable resolution in a relatively short time, which limits costs and disruption to the production, theater, union or guild. We strongly recommend and support making these simple changes to recognize and address the needs of the victims of abuse. By instituting these measures, the unions and guilds will be taking steps towards ensuring the safety and dignity of their members. The theater community has long whispered, laughed and written about harassment in its ranks, telling tales of the casting couch and out of control stars. It is past time we stopped ignoring or even encouraging abusive behavior and publicly recognize the existence of sexual discrimination, harassment, and gender-based violence within our community. It is time to confront and overcome this abuse. New Georges New York Theater Workshop The Lilly Awards Foundation Alliance of Resident Theatres/New York (A.R.T./New York) The League of Professional Theater Women 50/50 in 2020 International Center for Women Playwrights Los Angeles Female Playwrights Initiative Voice of the City Two Birds Casting Theatre Wit Oracle Productions The Hypocrites Knife & Fork Chicago Bailiwick Chicago Pride Film and Plays Kate Erbe, Actor Joanna Gleason, Actor Jane Alexander, Actor & former Director of the NEA Norman Siegal, Attorney at Law Marsha Norman, Playwright Jessica Chastain, Actor Jess Weixler, Actress Neil Labute, Playwright &Director Terry Kinney, Actor & Director & Steppenwolf Theater Company founder Jose Rivera, Playwright & Screenwriter Tracey Scott Wilson, Playwright & Screenwriter Thandie Newton, Actor Todd London, Director U of WA Drama, former director New Dramatists Gloria Steinem, Journalist and Activist Karen Hartman, Playwright Lynn Nottage, Playwright, Jo Bonney, Director Tony Goldwyn, Actor& Director Amy Morton, Actor Martha Plimpton, Actor Amanda Green, Lyricist David Cromer, Actor & Director Jonathan Marc Sherman, Playwright Stephen Adly Gurgis, Actor & Playwright Richard LaGravenese, Playwright, Screenwriter & Director Vivienne Benesch, Actor & Director Mairin Lee, Actor Sheri Wilner, Playwright Nina Hellman, Actor Katie Finneran, Actor Shannon Burkett, Actor & Playwright Jeannie Dorsey, Playwright & Screenwriter Kristen Anderson Lopez, Actress, Lyricist Bobby Lopez, Composer & Lyricist Georgia Stitt, Composer & Lyricist Jason Robert Brown, Composer & Lyricist Lear deBessonet, Director Sasha Eden, actress, Artistic Director Women’s Expressive Theater Casey Childs, director, Executive Producer of Primary Stages Andrew Leynse, Artistic Director of Primary Stages Elliot Fox, Managing Director of Primary Stages Adam Greenfield, Associate Artistic Director of Playwrights Horizons Maddie Corman, Actress Randy Graff, Actress Kelli Garner, Actor Adam Bock, Playwright Brooke Berman, Playwright Susan Bernfield, Artistic Director of New Georges Deb Laufer, Playwright David Friedlander, Entertainment Lawyer Linda Chapman, Associate Artistic Director Jim Nicola, Artistic Director Jack Doulin, casting director, NYTW Jeremy Blocker, Managing director of NYTW Stephen Belber, Playwright Anne Washburn, Playwright Tanya Barfield, Playwright Lucy Thurber, Playwright Betsy Aidem, Actor Maddie Corman, Actor Carmen Zilles, Actor Evan Cabnet, Director Daniel Talbott, Playwright, Director, Actor, Artistic Director of Rising Pheonix Rep Cusi Cram, Playwright Eisa Davis, Actor,Playwright & Composer Lucas Papaelias, Actor & Composer Mike Lew, Playwright Adam Gwon, Composer & Lyricist Francine Volpe, Playwright Marin Ireland, Actor Dana Eskelson, Actor Julia Jordan, Playwright & Lyricist Polly Lee, Actor Michele Pawk, Actor Sevrin Mason, Actor Andrea Ciannavei, Playwright Charlayne Woodard, Actress & Playwright Bekkah Brunstetter, Playwright Dallas Roberts, Actor Melissa Kievman, Director Winter Miller, Playwright & Journalist Erica Gould, Director & Fight Director Adam Rapp, Playwright & Director Adriana Perez, Actor and Educator Didi O’Connell, Actor Courtney Baron, Playwright Leigh Silverman, Director Mary Testa, Actor Maggie Keenan-Bolger, Actor, Singer & Playwright Daniel Goldstein, Director Caissie Levy, Actor Laura Maria Censabella, Playwright Rachel Bonds, Playwright Susan Louise O’Connor, Actor Rachel Hauck, Set Designer Tatiana Suarez-Pico, Playwright Barbara Cassidy, Playwright Hilary Bettis, Playwright Dipika Guha, Playwright Andrea Lepcio, Playwright Cori Thomas, Playwright & Actor Joan Lipkin, Playwright & Director Mandy Siegfried, Actor Young Jean Lee, Playwright & Director Keith Nobbs, Actor Alice Gordon, Playwright Cathy Gropper, Playwright Alexis Clements, Playwright Mallery Avidon, Playwright Lori Myers, Actor Peggy Miller, Actor Elaine Grogran Luttrell Cecilia Copeland, Playwright Amy Driesler, Actor Beth Blatt, Lyricist Carrie Brewer, Fight Choreographer Karina Richardson, Playwright Emma Goldman-Sherman, Playwright Jeffrey Frace, Actor Jenny Lyn Bader, Playwrighy Peggy Stafford, Playwright Siobahn O’Neill, Producer Christen Gee, Actor P. H. Lin, Playwright Yvette Heyliger, Playwright