List of All the Audiobooks That Are Multiuse (Pdf 608Kb)
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Grey Lodge Occult Review™
May 1 2003 e.v. Issue #5 Grey Lodge Occult Review™ Gems from the Archives Selections from the archived Web-Material C O N T E N T S Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake by Mark L. Troy The Man Who Invented Flying Saucers by John A. Keel SF, Occult Sciences, and Nazi Myths by Manfred Nagl Exegesis excerpts 1974-1982 "The Ten Major Principles of the Gnostic Revelation" by Philip K. Dick I Understand Philip K. Dick by Terence Mckenna Dr. Green and the Goblins of Langley by Jim Schnabel Brother Dave Morehouse D:.I:.A:. Remote Viewer & NDE Experiencer Excerpt from: Psychic Warrior by David Morehouse The Oberg Files by Blue Resonant Human, Ph.D. (Agent BlueBird) EXIT Communication to all Brethren (Information) from Robert De Grimston The Process - Church of the Final Judgement The Gitanjali or `song offerings' by Rabindranath Tagore with an introduction by William B. Yeats Rosa Alchemica by William B. Yeats (Note: PDF) John Dee by Charlotte Fell-Smith (Note: PDF) Serapis A Romance by Georg Ebers (Note: PDF) Home GLORidx Close Window Except where otherwise noted, Grey Lodge Occult Review™ is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Grey Lodge Occult Review™ 2003 e.v. - Issue #5 Mummeries of Resurrection The Cycle of Osiris in Finnegans Wake Mark L. Troy Uppsala 1976 Doctoral dissertation at the University of Uppsala 1976 HTML version prepared by Eric Rosenbloom Kirby Mountain Composition & Graphics 2002 Note: Page numbers from the printed text have been retained in the table of contents to use as approximate guides for the references in the bibliographies, line index, and elsewhere. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
Hyperreal Australia the Construction of Australia in Neighbours and Home & Away
Hyperreal Australia the construction of Australia in Neighbours and Home & Away Melissa McEwen March 2001 This volume is submitted in partial fulfilment of the requirements for the degree of Master of Arts of the Australian National University in the Department of Australian Studies I wish to confirm that the thesis is my own work and that all sources used have been acknowledged. Melissa McEwen 30 March 2001 TABLE OF CONTENTS Statement of authorship ii Table of contents iii Acknowledgments iv 1. Introduction 1 2. Neighbours 5 Employment 7 Education 10 E thnicity 12 W om en 14 Masculinity 18 Relationships and sexuality 20 Lifestyle 22 Disease and mental illness 25 C onclusion 26 3. Home & Away 27 Employment 30 Education 32 Ethnicity 34 W om en 37 Masculinity 42 Relationships and sexuality 45 Lifestyle 48 Disease and mental illness 49 Conclusion 51 4. National Stories 52 What is soap opera? 52 National myths and representation 56 Jobs and education 60 Ethnicity and racism 64 W om en 67 Masculinity 72 Relationships and sexuality 75 Lifestyles 77 Disease and mental illness 79 C onclusion 80 iii j. Constructing Australia 81 Construction and reception of soaps 81 Impact of television 88 Hyperreal Australia 92 Conclusion 107 i. A Moment’s Reflection 108 Mbliography 111 iv ACKNOWLEDGMENTS As this thesis has been a long time in gestation, there are a number of people to thanks for their assistance and help: Jon McConachie for starting me down this path and John Docker for guiding me to the end; Ann Curthoys and Noel Purdon for helping to ensure -
Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
20Th October 2013
THE The Magazine Of Genesis Sci-Fi October 2013 The Magazine Of Genesis Sci-Fi September 2013 Hello, one and all, welcome back to Genesis. First of all, I would like to thank Paul Belsey for last Chairman: month’s programme, and it was so good to see some old Paul Russell favourites not seen in a long time. This month sees the return of Matt as programme editor and quiz master. Now, Vice Chairman this month I have already seen a copy of the programme; David Offen-James unlike last month; and know it is up to Matt’s usual high standard of illustrious innovation (We’re also showing the Treasurer: original Star Trek episode Spock’s Brain - Ed). The choices Matthew Greet for the film vote are somewhat different, but what else would we expect from Matt? Events Secretary: Paul Belsey Now I am “semi” retired, and by this I mean working longer and harder than I ever did when in full time Membership employment, it was with some surprise that I looked at Secretary: my calendar and noticed it was already October! Now of Louise Stanley cause this is probably not news to you, but I thought ‘oh my goodness, where has the year gone to?’ The drawing of Honorary President: the evenings, the fact that I am now going to work in the Jeremy Bulloch dark (often returning in the dark as well) could, of course been construed as clues, but as I have often remarked Website: before I can sometimes be ‘not the sharpest tool in the www.genesis-sf.org.uk box’. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Performance Theory
Performance Theory “Reading Performance Theory by Richard Schechner again, three decades after its first edition, is like meeting an old friend and finding out how much of him/her has been with you all along this way.” Augusto Boal “It is an indispensable text in all aspects of the new discipline of Performance Studies. It is in many ways an eye-opener par- ticularly in its linkage of theater to other performance genres.” Ngu˜ gı˜ wa Thiong’o, University of California “Richard Schechner has defined the parameters of con- temporary performance with an originality and insight that make him indispensable to contemporary theatrical thought. For many years, both scholars and artists have been inspired by his unique and powerful perspective.” Richard Foreman “Schechner has a place in every theater history textbook for his ground-breaking work in environmental theater in the 1960s and 1970s and for his vision in helping to found the discipline of performance studies.” Rebecca Schneider “Richard Schechner is the master teacher and the master conversant on the transformative power of performance to both performer and spectator, at its deepest level. Perform- ance Theory is the essential book which brilliantly illuminates the world as a performance space on stage and off.” Anna Deveare Smith A highlands Papua New Guinea man takes a break from dancing (see chapter 4, “From ritual to theater and back: the efficacy– entertainment braid”). Richard Schechner Performance Theory Revised and expanded edition, with a new preface by the author London and New York Essays on Performance Theory published 1977 by Ralph Pine, for Drama School Specialists Second edition first published 1988 by Routledge 29 West 35th Street, New York, NY 10001 First published in the United Kingdom 1988 by Routledge First published in Routledge Classics 2003 by Routledge 29 West 35th Street, New York, NY 10001 11 New Fetter Lane, London EC4P 4EE Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. -
Vector » Email: [email protected] Features, Editorial and Letters the Critical Journal of the BSFA Andrew M
Sept/Oct 1998 £2.25 David Wingrove • John Meaney The Critical Tetsuo and Tetsuo II • Gattaca • John Wyndham Journal of George Orwell • Best of British Poll • Dr Who the BSFA Editorial Team Production and General Editing Tony Cullen - 16 Weaver's Way, Camden, London NW1 OXE Vector » Email: [email protected] Features, Editorial and Letters The Critical Journal of the BSFA Andrew M. Butler - 33 Brook View Drive, Keyworth, Nottingham, NG12 5JN Email: [email protected] Contents Gary Dalkin - 5 Lydford Road, Bournemouth, 3 Editorial - The View from Hangar 23 Dorset, BH11 8SN by Andrew Butler Book Reviews 4 TO Paul Kincaid 60 Bournemouth Road, Folkestone, Letters to Vector Kent CT19 5AZ 5 Red Shift Email: [email protected] Corrections and Clarifications Printed by: 5 Afterthoughts: Reflections on having finished PDC Copyprint, 11 Jeffries Passage, Guildford, Chung Kuo Surrey GU1 4AP .by David Wingrove |The British Science Fiction Association Ltd. 6 Emergent Property An Interview with John Meaney by Maureen Kincaid Limited by guarantee. Company No. 921500. Registered Speller Address: 60 Bournemouth Road, Folkestone, Kent. CT19 5AZ 9 The Cohenstewart Discontinuity: Science in the | BSFA Membership Third Millennium by lohn Meaney UK Residents: £19 or £12 (unwaged) per year. 11 Man-Sized Monsters Please enquire for overseas rates by Colin Odell and Mitch Le Blanc 13 Gattaca: A scientific (queer) romance Renewals and New Members - Paul Billinger , 1 Long Row Close , Everdon, Daventry, Northants NN11 3BE by Andrew M Butler 15 -
Plague of the Daleks Iris Wildthyme
ISSUE #10 DECEMBER 2009 FREE! NOT FOR RESALE PLAGUE OF THE DALEKS Susan Brown & Keith Barron take a trip to Stockbridge IRIS WILDTHYME Katy Manning and David Benson get into the Christmas spirit CYBERMAN 2 THERE IS NOTHING TO FEAR FROM MARK MCDONNELL & barnaby EDWARDS PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL THE BIG FINISH SALE Hello! This month’s editorial comes to you direct Now, this month, we have Sherlock Holmes: The from Chicago. I know it’s impossible to tell if that’s Death and Life, which has a really surreal quality true, but it is, honest! I’ve just got into my hotel to it. Conan Doyle actually comes to blows with Prices slashed from 1st December 2009 until 9th January 2010 room and before I’m dragged off to meet and his characters. Brilliant stuff by Holmes expert greet lovely fans at the Doctor Who convention and author David Stuart Davies. going on here (Chicago TARDIS, of course), I And as for Rob’s book... well, you may notice on thought I’d better write this. One of the main the back cover that we’ll be launching it to the public reasons we’re here is to promote our Sherlock at an open event on December 19th, at the Corner Holmes range and Rob Shearman’s book Love Store in London, near Covent Garden. The book will Songs for the Shy and Cynical. Have you bought be on sale and Rob will be signing and giving a either of those yet? Come on, there’s no excuse! couple of readings too. -
Doctor Who Situation Vacant by Eddie Robson Doctor Who: Situation Vacant by Eddie Robson
Read Ebook {PDF EPUB} Doctor Who Situation Vacant by Eddie Robson Doctor Who: Situation Vacant by Eddie Robson. THIS STORY TAKES. PLACE BETWEEN THE. BIG FINISH AUDIOS "AN EARTHLY CHILD" AND "NEVERMORE." EDDIE ROBSON. DIRECTED BY. NICHOLAS BRIGGS. RECOMMENDED. BIG FINISH 8TH DOCTOR. CD#4.02 (ISBN 1-8443. 5-476-4) RELEASED IN. TRAVELLER IN TIME. AND SPACE seeks. male or female. companion with. sense of humour. for adventures. in the Fourth and. Fifth Dimensions. No experience. No time wasters, no space wasters. Whilst the debut of an audio-exclusive companion is now a far more regular occ- urrence than it once was, it�s still always a cause for tremendous excitement, particularly when the listener doesn�t actually know who the new companion is going to turn out to be. Situation Vacant takes the inspired approach of presenting the listener with four aspirant assistants for the Doctor, each played by an actor or actress of the same sort of calibre as outgoing foil Sheridan Smith, and each vying for the role of �companion with good sense. of humour for adventures in the Fourth and Fifth Dimensions�. No time (or space) wasters please� I understand that this conceit was the brainchild of Big Finish founder Jason Haigh-Ellery, who drunkenly posited the idea of doing what he called �Companion Idol� � four different companions in four different episodes, with Big Finish subscribers voting to decide which character would stay on for the season. This impractical idea was then developed by script editor Alan Barnes and writer Eddie Robson, culminating in an exceedingly enjoyable yarn that is as much a pastiche of the typical Doctor Who �companion introduction� story as it is The Apprentice and reality television in general.