(Apr '18) Kristin Idaszak Cloudgate Theatre Octagon

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Director 312.636.6783 * [email protected] Another Jungle* (Apr ’18) Kristin Idaszak Cloudgate Theatre Octagon (US Premiere) Kristiana Rae Colón Jackalope Theatre Devour Ensemble Devised Poetic Forum Collective good friday* Kristiana Rae Colón Oracle Theater Co-Production BARS and MEASURES* Idris Goodwin Prop Thtr (NNPN) Twisted Knots* Dale Danner Chicago Commercial Collective DUST* Rob Smith lower case theatre the old ball game* Kristiana Rae Colón First Floor Theater DisConnected Ensemble Devised Poetic Forum Collective good friday^ Kristiana Rae Colón Stage Left Theatre in your own backyard* Kristiana Rae Colón Chicago Home Theater Festival DeHuman* Ensemble Devised Poetic Forum Collective The Foreplay Play Mariah MacCarthy Realize Theatre Group Octagon^ Kristiana Rae Colón National New Play Network Cauldron of Morning* Kristiana Rae Colón Broken Nose Theatre Chicago Afterdark* Tate Geborkoff Chicago Fringe El Stories XVI* Devised/Adaptation The Waltzing Mechanics RAW Chris O’Connell Deluge Theatre Collective The BenchMark Richard A. Roberts Step Up Productions one week in spring^ Kristiana Rae Colón Halcyon Theatre Patria Libre* Zoe Miller-Lee Prologue Theatre Company The All-American Genderfuck Cabaret Mariah McCarthy Pride Films and Plays at Mary’s Attic The Last Daughter of Oedipus* Jennifer Mickelson Babes with Blades Assistant Director (Opera) La Traviata (May ’18) dir. Patricia Racette Opera Theater St. Louis The Consul dir. Andreas Mitisek Chicago Opera Theater The Consul dir. Andreas Mitisek Long Beach Opera Theater The Fairy Queen dir. Andreas Mitisek Chicago Opera Theater Le Vin Herbe (The Love Potion) dir. Andreas Mitisek Chicago Opera Theater La Voix Humaine dir. Andreas Mitisek Chicago Opera Theater Gianni Schicchi dir. Andreas Mitisek Chicago Opera Theater Lucio Silla dir. Andreas Mitisek Chicago Opera Theater Assistant Director (Theatre) I Will Be Gone* dir. Kip Fagan Actors Theatre of Louisville The Hot L Baltimore dir. Tina Landau Steppenwolf Theatre Company American Buffalo dir. Amy Morton Steppenwolf Theatre Company Ski Dubai^ dir. Lisa Portes Steppenwolf Theatre Company The North Plan dir. Kimberly Senior Theatre Wit Bordello* dir. Meghan Beals Chicago Dramatists The Hundred Dresses* dir. Sean Graney Chicago Children’s Theatre Awards Puffin Foundation Grant Recipient (2016), SDC Observership Fellow (2014/2015) ^ new play development *World Premiere .

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Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh.
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STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.
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Showtime 2004
FOR IMMEDIATE RELEASE Contact: Cathy Taylor, Cathy Taylor Public Relations (773) 564-9564; [email protected] Laura Nair, League of Chicago Theatres (312) 554-9800; [email protected] League of Chicago Theatres, in partnership with Choose Chicago, announces dates for Chicago Theatre Week 2020 February 13 – 23, 2020 Chicago – Chicago Theatre Week (#CTW20), an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets, will take place February 13-23, 2020. From joy to heartache and every feeling in between, Chicago theatre tells stories that evoke big emotions. Stories that take risks, inspire awe, ask tough questions – and dare audiences to do the same. From musicals to plays to comedy, theatre is for everyone in Chicago. Chicago Theatre Week is a celebration of the stories we share. Chicago Theatre Week, spanning a week and two full weekends, is heading into its eighth year. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, over 100 theatre productions are expected to participate in neighborhoods throughout the city and suburbs. The value-priced CTW tickets will be $30, $15, or less. In early January 2020, tickets will go on sale and a list of participating productions will be available at ChicagoTheatreWeek.com. A small sample of the many productions expected to participate are: An American in Paris – Drury Lane Theatre Bug – Steppenwolf Theatre Chicago Musical Theatre Festival – Underscore Theatre Company Emma – Chicago Shakespeare Theater Freedom Ride – Chicago Opera Theater at The Studebaker Theater How a Boy Falls – Northlight Theatre Ivy + Bean – Emerald City Theatre at the Athenaeum Theatre Madama Butterfly – Lyric Opera of Chicago The Mousetrap – Court Theatre Roe – Goodman Theatre Sophisticated Ladies – Porchlight Music Theatre Spoken Word – MPAACT at the Greenhouse Theater Center Stick Fly – Writers Theatre SUMMER: The Donna Summer Musical – Broadway In Chicago at the James M.
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