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Non-Equity Jeff Award Nominations Rescinded for the Hypocrites
Editor’s Note: The complete list of Non-Equity Jeff Awards nominees follows this release and is also available on-line in the News and Events section at www.jeffawards.org. Non-Equity Jeff Award Nominations Rescinded for The Hypocrites Additional Nominations Announced Saturday, April 25, 2015 - Chicago, IL. Early Friday, April 24, 2015, Sean Graney, who recently returned to Chicago to resume his post as Artistic Director of The Hypocrites, informed the Joseph Jefferson Awards Committee that he just learned the theater company had been operating under an Equity CAT-N contract for the duration of the 2014-2015 Non-Equity season. Over the past year, requests for judging its productions were made to the Non-Equity Wing without the committee having knowledge of the company’s Equity status. The Jeff Committee was aware that two of the productions had Equity performers (as indicated in the program); however, the committee has now confirmed that these were not guest contracts. As such, the company’s productions are not eligible for consideration in the Non- Equity Wing, and all related Non-Equity Jeff Award nominations have been rescinded. The productions in question will be shifted to the Equity Wing for awards consideration during its current season, which commenced on August 1, 2014 and will end on July 30, 2015. A revised listing of nominees follows for the 2014-2015 Non-Equity Jeff Awards. 2015 NON-EQUITY JEFF AWARD NOMINEES PRODUCTION - PLAY "Exit Strategy" - Jackalope Theatre Company "The Jungle" - Oracle Productions "Men Should Weep" - Griffin Theatre Company "Monstrous Regiment" - Lifeline Theatre "Ruined" - Eclipse Theatre Company" PRODUCTION - MUSICAL "Assassins" - Kokandy Productions "The Full Monty" - Kokandy Productions "Jesus Christ Superstar" - Theo Ubique Cabaret Theatre "Titanic" - Griffin Theatre Company "The Wild Party" - Bailiwick Chicago PRODUCTION - REVUE "Always.. -
Lifeline Theatre Announces Six New Ensemble Members-Fall 2017FINAL
November 1, 2017 Jill Evans La Penna SHOUT Marketing & Media Relations 312-226-6727 [email protected] Media passes, photographs, videos, interviews and additional materials are available on request. LIFELINE THEATRE ANNOUNCES SIX NEW ENSEMBLE MEMBERS CHICAGO – Lifeline Theatre is proud to announce six new members of its artistic ensemble: Bilal Dardai, Andrés Enriquez, Diane D. Fairchild, Anthony Kayer, Martel Manning, and Michael McKeogh. Lifeline’s ensemble determines the company’s artistic programming and provides leadership, support, and counsel in the play development process. Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close. Founded by five Northwestern graduates in 1982, the theatre now employs over 150 artists per year. In addition to the six new members listed above, Lifeline’s artistic ensemble is led by Artistic Director Dorothy Milne, and consists of Aly Renee Amidei, Patrick Blashill, Jessica Wright Buha, Christina Calvit, Heather Currie, Victoria DeIorio, Amanda Delheimer Dimond, Alan Donahue, Kevin D. Gawley, Peter Greenberg, James E. Grote, Chris Hainsworth, John Hildreth, Paul S. Holmquist, Elise Kauzlaric, Robert Kauzlaric, Frances Limoncelli, Amanda Link, Katie McLean Hainsworth, Shole Milos, Sandy Snyder Pietz, Suzanne Plunkett, Maren Robinson, Phil Timberlake, Jenifer Tyler, and Christopher M. Walsh. -
<I>Ensemble-Made Chicago</I>
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Ensemble-Made Chicago Ensemble-Made Chicago: A Guide To Devised Theater. Chloe Johnson and Coya Paz Brownrigg. Evanston: Northwestern University Press, 2019. Pp. 202. Chloe Johnson and Coya Paz Brownrigg’s Ensemble-Made: A Guide to Devised Theater (2019) is a valuable resource for theater educators and practitioners, particularly those who wish to deepen their knowledge of the craft variously known as devised theater, ensemble-based performance, and collective creation. Each short chapter of the book focuses on a distinct Chicago-based theater company (15 in total)—which range from large, nationally-renowned companies such as Lookingglass Theatre and The Second City to smaller, community-based collectives. Each chapter includes a brief history of the company alongside descriptions of games and exercises emblematic of their process and pedagogy. The co-written book also includes an Introduction which places the field of devising in its larger cultural and historical context, as well as a Time Line of the field and List of Exercises By Type, which function as the book’s conclusion. The authors’ methodologies are informed by their own relationship to devised theater in Chicago: Johnson is an ensemble member of the Neo-Futurists and Paz Brownrigg is the Artistic Director of Free Street Theater and cofounder of Teatro Luna—both of which are featured in the book. In this regard, they write as scholars and practitioners of devised theater but also as colleague- critics within the expansive but close-knit network of the Chicago theater community. -
Visit Chicago Area Independent Schools This Fall!
CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks. -
THE 42Nd COMPARATIVE DRAMA CONFERENCE the Comparative Drama Conference Is an International, Interdisciplinary Event Devoted to All Aspects of Theatre Scholarship
THE 42nd COMPARATIVE DRAMA CONFERENCE The Comparative Drama Conference is an international, interdisciplinary event devoted to all aspects of theatre scholarship. It welcomes papers presenting original investigation on, or critical analysis of, research and developments in the fields of drama, theatre, and performance. Papers may be comparative across disciplines, periods, or nationalities, may deal with any issue in dramatic theory and criticism, or any method of historiography, translation, or production. Every year over 170 scholars from both the Humanities and the Arts are invited to present and discuss their work. Conference participants have come from over 35 countries and all fifty states. A keynote speaker whose recent work is relevant to the conference is also invited to address the participants in a plenary session. The Comparative Drama Conference was founded by Dr. Karelisa Hartigan at the University of Florida in 1977. From 2000 to 2004 the conference was held at The Ohio State University. In 2005 the conference was held at California State University, Northridge. From 2006 to 2011 the conference was held at Loyola Marymount University. Stevenson University was the conference’s host from 2012 through 2016. Rollins College has hosted the conference since 2017. The Conference Board Jose Badenes (Loyola Marymount University), William C. Boles (Rollins College), Miriam M. Chirico (Eastern Connecticut State University), Stratos E. Constantinidis (The Ohio State University), Ellen Dolgin (Dominican College of Blauvelt), Verna Foster (Loyola University, Chicago), Yoshiko Fukushima (University of Hawai'i at Hilo), Kiki Gounaridou (Smith College), Jan Lüder Hagens (Yale University), Karelisa Hartigan (University of Florida), Graley Herren (Xavier University), William Hutchings (University of Alabama at Birmingham), Baron Kelly (University of Louisville), Jeffrey Loomis (Northwest Missouri State University), Andrew Ian MacDonald (Dickinson College), Jay Malarcher (West Virginia University), Amy Muse (University of St. -
The Brief Chronicle ANOTHER PART of the FOREST
WRITERS’ THEATRE THE BRIEF CHRONICLE ISSUE FOurTEEN SEPTEMBER 2006 1 SHOW TITLE ANOTHER PART OF THE FOREST Michael Halberstam Artistic Director Jennifer Bielstein Executive Director 05 ON STAGE: ANOTHER PART OF THE FOREST 06 THE ART OF SELF-PRESERVATION 08 ARTISTIC CONVERSATION 11 “Change is the law of life. And those who DOWN SOUTH 17 STARS, BARS AND THE STORY OF SALT look only to the past or present are certain BACKSTAGE: 20 EVENTS 24 DONOR SPOTLIGHT 31 CELEBRATING 15 YEARS 35 IN BRIEF to miss the future.” JOHN F. KENNEDY 2 SHOW TITLE 847-242-6000 | writerstheatre.org 1 Dear Friends: Dear Friends, By now, many of you will have heard that Jennifer Bielstein, our esteemed Executive Director, As you are now aware, I am leaving Writers’ Theatre to become the Managing Director at is leaving us to fulfill the same role at Actors Theatre of Louisville. Jennifer has been a Actors Theatre of Louisville, a regional theatre known internationally for their ambitious remarkable presence at Writers’ Theatre and her excellent management skills and nurturing commitment to the development of new work for the theatre. They have an annual festival personal instincts have transformed our infrastructure during her tenure. Where she has called the Humana Festival of New American Plays which is attended by people from not served as initiator or catalyst for innovation, she has been present to provide stability, around the world who love theatre. encouragement and communication tools in order to assure success. Personally, I have been freed from the shackles of administrative tasking which frequently exhausted me prior I have to extend my most sincere thanks to Michael Halberstam, the Board of Trustees, to rehearsal. -
Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters. -
Theatre Facts 2017
THEATRE FACTS 2017 THEATRE COMMUNICATIONS GROUP’S REPORT ON THE FISCAL STATE OF THE U.S. PROFESSIONAL NOT-FOR-PROFIT THEATRE FIELD By Zannie Giraud Voss, Glenn B. Voss, and Lesley Warren, SMU DataArts and Ilana B. Rose and Laurie Baskin, Theatre Communications Group x,QWURGXFWLRQ x([HFXWLYH6XPPDU\ x7KH8QLYHUVH x7UHQG7KHDWUHV (DUQHG,QFRPH $WWHQGDQFH7LFNHWDQG3HUIRUPDQFH7UHQGV &RQWULEXWHG,QFRPH ([SHQVHVDQG&KDQJHLQ8QUHVWULFWHG1HW$VVHWV &81$ %DODQFH6KHHW 7HQ<HDU7UHQG7KHDWUHV x3URILOHG7KHDWUHV (DUQHG,QFRPH &RQWULEXWHG,QFRPH ([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW(DUQHG,QFRPH %XGJHW*URXS6QDSVKRW$WWHQGDQFH7LFNHWVDQG3HUIRUPDQFHV %XGJHW*URXS6QDSVKRW&RQWULEXWHG,QFRPH %XGJHW*URXS6QDSVKRW([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW%DODQFH6KHHW x&RQFOXVLRQ x0HWKRGRORJ\ x3URILOHG7KHDWUHV &RYHUSKRWRFUHGLWV Top row (left to right): Bottom right (left to right): x 7KHFDVWLQ.DUDPX+RXVH¶VSURGXFWLRQRIYou Can’t Take It x -DPHV'RKHUW\DQG.LD\OD5\DQQLQ6WHHS7KHDWUH¶VSURGXFWLRQRI With YouE\0RLVHVDQG.DXIPDQGLUHFWHGE\)UHG6WHUQIHOG3KRWR HookmanE\/DXUHQ<HHGLUHFWHGE\9DQHVVD6WDOOLQJ3KRWRE\/HH E\0DUN+RUQLQJ 0LOOHU x .DUWKLN6ULQLYDVDQ$QMDOL%KLPDQLDQG3LD6KDKLQ6RXWK&RDVW x (PLO\.XURGD :LOOLDP7KRPDV+RGJVRQLQWKH7KHDWUH:RUNV 5HSHUWRU\¶VSURGXFWLRQRIOrange E\$GLWL%UHQQDQ.DSLOGLUHFWHGE\ 6LOLFRQ9DOOH\¶VSURGXFWLRQRICalligraphy E\%\9HOLQD+DVX+RXVWRQ -HVVLFD.XE]DQVN\3KRWRE\'HERUD5RELQVRQ6&5 'LUHFWHGE\/HVOLH0DUWLQVRQ3KRWRE\.HYLQ%HUQH Second row (left to right): Bottom left (top to bottom): x -HVVLHH'DWLQRDQG-DVRQ.RORWRXURVLQ*HYD VZRUOGSUHPLHUH x 0DLQ6WUHHW7KHDWHU¶VSURGXFWLRQRIThe Grand ConcourseE\+HLGL -
(Apr '18) Kristin Idaszak Cloudgate Theatre Octagon
Director 312.636.6783 * [email protected] Another Jungle* (Apr ’18) Kristin Idaszak Cloudgate Theatre Octagon (US Premiere) Kristiana Rae Colón Jackalope Theatre Devour Ensemble Devised Poetic Forum Collective good friday* Kristiana Rae Colón Oracle Theater Co-Production BARS and MEASURES* Idris Goodwin Prop Thtr (NNPN) Twisted Knots* Dale Danner Chicago Commercial Collective DUST* Rob Smith lower case theatre the old ball game* Kristiana Rae Colón First Floor Theater DisConnected Ensemble Devised Poetic Forum Collective good friday^ Kristiana Rae Colón Stage Left Theatre in your own backyard* Kristiana Rae Colón Chicago Home Theater Festival DeHuman* Ensemble Devised Poetic Forum Collective The Foreplay Play Mariah MacCarthy Realize Theatre Group Octagon^ Kristiana Rae Colón National New Play Network Cauldron of Morning* Kristiana Rae Colón Broken Nose Theatre Chicago Afterdark* Tate Geborkoff Chicago Fringe El Stories XVI* Devised/Adaptation The Waltzing Mechanics RAW Chris O’Connell Deluge Theatre Collective The BenchMark Richard A. Roberts Step Up Productions one week in spring^ Kristiana Rae Colón Halcyon Theatre Patria Libre* Zoe Miller-Lee Prologue Theatre Company The All-American Genderfuck Cabaret Mariah McCarthy Pride Films and Plays at Mary’s Attic The Last Daughter of Oedipus* Jennifer Mickelson Babes with Blades Assistant Director (Opera) La Traviata (May ’18) dir. Patricia Racette Opera Theater St. Louis The Consul dir. Andreas Mitisek Chicago Opera Theater The Consul dir. Andreas Mitisek Long Beach Opera Theater The Fairy Queen dir. Andreas Mitisek Chicago Opera Theater Le Vin Herbe (The Love Potion) dir. Andreas Mitisek Chicago Opera Theater La Voix Humaine dir. Andreas Mitisek Chicago Opera Theater Gianni Schicchi dir. -
Mary Stuart First Mortality in the Film, Public Enemies, Taking a .45 Slug in the Solar Plexus from a Deranged Stephen Dorff
Artist Biographies Jeff Christian (Director, Leicester) led the company for eight Peter Garino (Sir Amias Paulet, Artistic Director) is a founding seasons, having adapted and directed A Midsummer Night’s Dream, member of The Shakespeare Project of Chicago and has contributed to Henry VIII, the gender-swapped The Comedy of Errors, In Medea Res over 50 theatrical readings as an actor and director since 1995. He (from Euripides’ Medea), Henry VI (from Shakespeare’s trilogy), directed Measure For Measure to open the current season and is Faust (from Marlowe and Goethe), The Parvenu (from Moliere’s Le scheduled to appear in The Merry Wives of Windsor prior to directing Bourgeois Gentilhomme), Ibsen’s Ghosts, Dickens’s The Cricket on The Tempest in the spring. This past season, he appeared in Paradise the Hearth, the outreach program 50 Minute Hamlet, as well as having Lost, directed Antony & Cleopatra played Thomas and David in The staged King Lear, Love’s Labours Lost, As You Like It, Sheridan’s The Rivals and Cardinal Wolsey in Henry VIII. On behalf of The Rivals, Somerset Maugham's The Constant Wife, and Regina M. Shakespeare Project, he has facilitated his Sonnet Workshop and Page Schwartz’s adaptation of John Milton’s Paradise Lost. Other to the Stage Macbeth for local public and private schools and colleges. directing credits include Mojo Mickybo, A Whistle in the Dark and Previous roles include Lord Stanley in Richard III, Creon in Jeff Our Father (Seanachai Theatre Company), The Skin of Our Teeth Christian's adaptation, In Medea Res, Duke Senior and Duke Frederick (The Artistic Home), Proof and Driving Miss Daisy (New American in As You Like It, Don Pedro in Much Ado About Nothing, Mortimer in The Constant Wife, Rev. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
Play Guide for Gloria
Play Guide September 28-October 20, 2019 by Emily Mann directed by Risa Brainin 2019 and the recent past. This new work by Tony Award-winning playwright Emily Mann celebrates the life of one of the most important figures of America's feminist movement! Nearly half a century later, Ms. Steinem's fight for gender equality is still a battle yet to besimplifying won. IT 30 East Tenth Street Saint Paul, MN 55101 651-292-4323 Box Office 651-292-4320 Group Sales historytheatre.com Page 2 Emily Mann—Playwright Pages 3-4 Gloria Steinem Timeline Page 5-7 Equal Rights Amendment Page 8-11 Second Wave Feminism Page 12 National Women’s Conference Page 13 Phyllis Schlafly Pages 14-15 Milestones in U.S. Women’s History Page 16 Discussion Questions/Activities Page 17 Books by Gloria Steinem able of Content T Play Guide published by History Theatre c2019 Emily Mann (Playwright, Artistic Director/Resident Playwright) is in her 30th and final season as Artistic Director and Resident Playwright at the McCarter Theatre Center in Princeton, New Jersey. Her nearly 50 McCarter directing credits include acclaimed produc- tions by Shakespeare, Chekhov, Ibsen, and Williams and the world premieres of Christopher Durang’s Turning Off the Morning News and Miss Witherspoon; Ken Ludwig’s Murder on the Orient Express; Rachel Bonds’ Five Mile Lake; Danai Guri- ra’s The Convert; Sarah Treem’s The How and the Why; and Edward Albee’s Me, Myself & I. Broadway: A Streetcar Named Desire, Anna in the Tropics, Execution of Justice, Having Our Say.