DOCSLIB.ORG

Theatre Facts 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theatre Facts 2017 THEATRE FACTS 2017 THEATRE COMMUNICATIONS GROUP’S REPORT ON THE FISCAL STATE OF THE U.S. PROFESSIONAL NOT-FOR-PROFIT THEATRE FIELD By Zannie Giraud Voss, Glenn B. Voss, and Lesley Warren, SMU DataArts and Ilana B. Rose and Laurie Baskin, Theatre Communications Group x,QWURGXFWLRQ x([HFXWLYH6XPPDU\ x7KH8QLYHUVH x7UHQG7KHDWUHV (DUQHG,QFRPH $WWHQGDQFH7LFNHWDQG3HUIRUPDQFH7UHQGV &RQWULEXWHG,QFRPH ([SHQVHVDQG&KDQJHLQ8QUHVWULFWHG1HW$VVHWV &81$ %DODQFH6KHHW 7HQ<HDU7UHQG7KHDWUHV x3URILOHG7KHDWUHV (DUQHG,QFRPH &RQWULEXWHG,QFRPH ([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW(DUQHG,QFRPH %XGJHW*URXS6QDSVKRW$WWHQGDQFH7LFNHWVDQG3HUIRUPDQFHV %XGJHW*URXS6QDSVKRW&RQWULEXWHG,QFRPH %XGJHW*URXS6QDSVKRW([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW%DODQFH6KHHW x&RQFOXVLRQ x0HWKRGRORJ\ x3URILOHG7KHDWUHV &RYHUSKRWRFUHGLWV Top row (left to right): Bottom right (left to right): x 7KHFDVWLQ.DUDPX+RXVH¶VSURGXFWLRQRIYou Can’t Take It x -DPHV'RKHUW\DQG.LD\OD5\DQQLQ6WHHS7KHDWUH¶VSURGXFWLRQRI With YouE\0RLVHVDQG.DXIPDQGLUHFWHGE\)UHG6WHUQIHOG3KRWR HookmanE\/DXUHQ<HHGLUHFWHGE\9DQHVVD6WDOOLQJ3KRWRE\/HH E\0DUN+RUQLQJ 0LOOHU x .DUWKLN6ULQLYDVDQ$QMDOL%KLPDQLDQG3LD6KDKLQ6RXWK&RDVW x (PLO\.XURGD :LOOLDP7KRPDV+RGJVRQLQWKH7KHDWUH:RUNV 5HSHUWRU\¶VSURGXFWLRQRIOrange E\$GLWL%UHQQDQ.DSLOGLUHFWHGE\ 6LOLFRQ9DOOH\¶VSURGXFWLRQRICalligraphy E\%\9HOLQD+DVX+RXVWRQ -HVVLFD.XE]DQVN\3KRWRE\'HERUD5RELQVRQ6&5 'LUHFWHGE\/HVOLH0DUWLQVRQ3KRWRE\.HYLQ%HUQH Second row (left to right): Bottom left (top to bottom): x -HVVLHH'DWLQRDQG-DVRQ.RORWRXURVLQ*HYD VZRUOGSUHPLHUH x 0DLQ6WUHHW7KHDWHU¶VSURGXFWLRQRIThe Grand ConcourseE\+HLGL SURGXFWLRQRIOther Than Honorable E\-DPLH3DFKLQRGLUHFWHGE\ 6FKUHFNGLUHFWHGE\5DFKHO'LFNVRQ3KRWRE\3LQ/LP .LPEHUO\6HQLRU3KRWRE\+XWK3KRWR x 7DWLDQD:LOOLDPV$OH[LV6LPVDQG&KLQD%ULFNH\LQ3HQXPEUD x 7KHFDVWLQ&ODUHQFH%URZQ7KHDWUH¶VSURGXFWLRQRIThree Sisters E\ 7KHDWUH¶VA Girl Shakes Loose E\=DNL\\DK$OH[DQGHUDQG,PDQL $QWRQ&KHNRYGLUHFWHGE\0LFKDHO)U\3KRWRE\%U\QQ<HDJHU 8]XULGLUHFWHGE\0D\$GUDOHV3KRWRE\$OOHQ:HHNV 7+($75()$&76 &RS\ULJKW²7KHDWUH&RPPXQLFDWLRQV*URXS :HOFRPHWRTheatre Facts7KHDWUH&RPPXQLFDWLRQV*URXS¶V 7&* DQQXDOUHSRUWRQWKH86SURIHVVLRQDOQRWIRUSURILWWKHDWUHILHOG¶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²ERWK WKRVH WKDW SDUWLFLSDWHG LQ )LVFDO 6XUYH\DQGWKRVHWKDWGLGQRW²DQGDGGLWLRQDOSURIHVVLRQDOQRWIRUSURILWWKHDWUHVWKURXJKRXWWKH86WKDWILOHG,QWHUQDO5HYHQXH 6HUYLFH ,56 )RUPRUSURYLGHGGDWDWKURXJK608'DWD$UWV¶&XOWXUDO'DWD3URILOH 7KH7UHQG7KHDWUHVVHFWLRQSUHVHQWVDQDQDO\VLVRIWKH7&*WKHDWUHVWKDWSDUWLFLSDWHGLQWKH7&*)LVFDO6XUYH\HDFK\HDUIURP WR7KHORZHVWDQQXDOH[SHQVHVUHSRUWHGRYHUWKHSHULRGZHUHDQGWKHKLJKHVWRYHUPLOOLRQ7KHWDEOHEHORZ SURYLGHVWKHQXPEHURIWKHDWUHVLQFOXGHGLQWKLVVHFWLRQE\WKHLUEXGJHWJURXS EDVHGRQDQQXDOH[SHQVHV SHU\HDU2QHWKHDWUHHQGHG LQDVPDOOHUVL]HEXGJHWJURXSWKDQLQZKHUHDVPRYHGXSLQEXGJHWJURXS:KLOHZHUHIUDLQIURPGUDZLQJFRQFOXVLRQVRU PDNLQJREVHUYDWLRQVDERXWWKHDWUHWUHQGVE\EXGJHWVL]HLQWKH7UHQG7KHDWUHVVHFWLRQZHSURYLGHWKLVWDEOHWRLOOXVWUDWHWKHGLVWULEXWLRQ RIEXGJHWVL]HVDQGWRVKRZKRZWKHDWUHVQDWXUDOO\FKDQJHEXGJHWVL]HRYHUWLPH ANNUAL NUMBER OF TREND THEATRES PER BUDGET GROUP (129 THEATRES) %XGJHW*URXS $QQXDO([SHQVHV PLOOLRQRUPRUH PLOOLRQ± PLOOLRQ± PLOOLRQ± ±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¶V%XUHDXRI/DERU 6WDWLVWLFV:HDGMXVWIRULQIODWLRQVLQFHSULFHVDQGZDJHVULVHDQGWKDWPHDQVWKHDWUHVQHHGWREULQJLQPRUHLQFRPHRYHUWLPHMXVWWR NHHSXSZLWKWKHIDFWWKDWDGROODUWRGD\GRHVQ¶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± PLOOLRQ± PLOOLRQ± ± RUOHVV :HKLJKOLJKWNH\RYHUDOOILQGLQJVLQWKHExecutive SummaryWKDWIROORZVWKHQPRYHWRWKHUniverse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²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¶VVHULHV GHYHORSPHQWDOZRUNVWDJHGUHDGLQJVWRXULQJSURGXFWLRQVDQGRWKHUSURGXFWLRQVSURGXFHGE\WKHWKHDWUH 0DLQ6HULHVDFWLYLW\DQGDWWHQGDQFHFDSWXUHVXSWRWKUHHSULPDU\SURGXFWLRQVHULHV,WGRHVQRWLQFOXGHVSHFLDOSURGXFWLRQVWKDWZHUHQRWSDUWRID SURGXFWLRQVHULHVFKLOGUHQ¶VVHULHV XQOHVVWKHWKHDWUHSULPDULO\SURGXFHVSOD\VIRU\RXQJDXGLHQFHV GHYHORSPHQWDOZRUNERRNHGLQHYHQWVRU WRXUHGSURGXFWLRQV &KLOGUHQ¶V 6HULHV UHIOHFWV SURGXFWLRQV FUHDWHG VSHFLILFDOO\ IRU \RXQJ WHAT IS CUNA? DXGLHQFHVXQOHVVWKHWKHDWUHSULPDULO\SURGXFHVSOD\VIRU\RXQJDXGLHQFHVLQ ZKLFK FDVH DOO DFWLYLW\ LV UHSRUWHG DV ³PDLQ VHULHV´ UDWKHU WKDQ ³FKLOGUHQ¶V VHULHV´ &81$ 727$/815(675,&7(',1&20(±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¶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²DUWLVWLFGLUHFWRU OLWHUDU\ PDQDJHU FDVWLQJ GLUHFWRU HWF²DQG FRQWUDFWHG DUWLVWV VXFK DV DFWRUV :25.,1*&$3,7$/ VWDJH PDQDJHUV SOD\ZULJKWV GLUHFWRUV GHVLJQHUV FKRUHRJUDSKHUV PXVLFLDQV 727$/815(675,&7('1(7$66(76±),;('$66(76 DQGGDQFHUV ±815(675,&7('/21*7(50,19(670(176 3URGXFWLRQ7HFK 3D\UROOLQFOXGHVVDODULHVDQGIHHVIRUVWDIIDQGFRQWUDFWHG :RUNLQJFDSLWDOUHSUHVHQWVWKHUHDGLO\DYDLODEOHIXQGVWKDWDWKHDWUH SURGXFWLRQWHFK SHUVRQQHO VXFK DV SURGXFWLRQ PDQDJHUV WHFKQLFDO GLUHFWRUV KDV WR PHHW GD\WRGD\ REOLJDWLRQV DQG FDVK QHHGV 1HJDWLYH
Load more

Recommended publications
  • Sheffia Randall Dooley Actress/Singer/Director AEA
    Sheffia Randall Dooley Actress/Singer/Director AEA 3017 Joslyn Rd. Hair: Black Cleveland, Ohio 44111 Eyes:Brown (216)502-0417 Voice: Mezzo- Soprano [email protected] Theatre- Directing Fences, AD Karamu House Jiminirising Cleveland Public Theatre/ Entry Point Sister Act Karamu House The Book of Grace Cleveland Public Theatre Napoleon of the Nile Cleveland Public Theatre/ Black Box Aladdin Karamu House Sister Cities Baldwin Wallace College Theatre- Acting Simply Simone Nina 4 Karamu House The Colored Museum Topsy Washington Karamu House, One Voice Dontrell, Who Kissed the Sea Sophia Jones (Mom) Cleveland Public Theatre The Loush Sisters Butter Rum (reoccurring) Cleveland Public Theatre Ruined Mama Nadi Karamu House Open Mind Firmament Aoife Cleveland Public Theatre Caroline, or Change Caroline Karamu House w/ Dobama The Crucible Tituba Great Lakes Theatre Festival Pulp Bing Cleveland Public Theatre Our Town Mrs. Webb Cleveland Public Theatre Respect: A Musical Journey U/S Rosa, Eden (roles perf.) Playhouse Square, Hanna Theatre Community Engagement and Education Playhouse Square Community Engagement and Education Assistant Director Karamu House Cultural Arts Education and Outreach Director Cleveland Municipal School District All City Arts Program Theatre Director Cleveland Playhouse Summer Academy Artist-Instructor The Musical Theatre Project Master Artist in Residence Great Lakes Theater Festival School Residency Program Actor/ Teacher Cleveland Public Theatre Brick City and STEP programs Artist-Instructor/ Director Kaiser Permanente Educational Theatre Programs Actor/ Director Video/ Voice Overs YMCA Commercial Mom Adcom Communications Ask Gilby Izzy Belle Akron Public Schools Mending Spirits Featured Voice Over Moongale Productions Bus Safety Video Bus Driver Avatar Productions Allied Human Resource Video Alcohol Avatar Productions ISG Human Resource Video Featured Employee OSV Studios Spike Live! Aramark Show Trainer Julie Zakarak Productions Training Cleveland Play House Directors Gym- Laura Kepley, Robert Fleming Baldwin-Wallace College: B.A.
    [Show full text]
  • Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
    dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters.
    [Show full text]
  • Return of Organization Exempt from Income
    efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493321035384 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 ( c), 527, or 4947 ( a)(1) of the Internal Revenue Code ( except private foundations) 2O1 3 Do not enter Social Security numbers on this form as it may be made public By law, the IRS Department of the Treasury Open generally cannot redact the information on the form Internal Revenue Service Inspection - Information about Form 990 and its instructions is at www.IRS.gov/form990 For the 2013 calendar year, or tax year beginning 06-01-2013 , 2013, and ending 05-31-2014 C Name of organization B Check if applicable D Employer identification number EQUITY LEAGUE HEALTH TRUST FUND f Address change 13-6092981 Doing Business As • Name change fl Initial return Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number 165 WEST 46TH STREET 14TH FLOOR p Terminated (212)869-9380 (- Amended return City or town, state or province, country, and ZIP or foreign postal code NEW YORK, NY 10036 1 Application pending G Gross receipts $ 104,708,930 F Name and address of principal officer H(a) Is this a group return for Arthur Drechsler subordinates? 1 Yes F No H(b) Are all subordinates 1 Yes F No included? I Tax-exempt status F_ 501(c)(3) F 501(c) ( 9 I (insert no (- 4947(a)(1) or F_ 527 If "No," attach a list (see instructions) J Website : - www equityleague org H(c) Group exemption number 0- K Form of organization 1 Corporation 1 Trust F_ Association (- Other 0- L Year of formation 1960 M State of legal domicile NY Summary 1 Briefly describe the organization's mission or most significant activities TO PROVIDE HEALTH AND OTHER BENEFITS TO ELIGIBLE PARTICIPANTS w 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) .
    [Show full text]
  • 2021 Cityarts Grantees
    2021 CITYARTS GRANTEES 2nd Story Chicago Jazz Philharmonic 3Arts, Inc. Chicago Kids Company 6018North Chicago Maritime Arts Center A.B.L.E. - Artists Breaking Limits & Expectations Chicago Media Project a.pe.ri.od.ic Chicago Public Art Group About Face Theatre Collective Chicago Shakespeare Theater Access Contemporary Music Chicago Sinfonietta Africa International House USA Chicago Tap Theatre Aguijon Theater Company Chicago West Community Music Center American Indian Center Chicago Youth Shakespeare Apparel Industry Board, Inc. Cinema/Chicago Art on Sedgwick Clinard Dance Arts Alliance Illinois Collaboraction Theatre Company Arts & Business Council of Chicago Collaborative Arts Institute of Chicago Arts of Life, Inc. Community Film Workshop of Chicago Asian Improv aRts: Midwest Community Television Network Avalanche Theatre Constellation Men's Ensemble Balzekas Museum of Lithuanian Culture Contextos Beverly Arts Center Court Theatre Beyond This Point Performing Arts Association Crossing Borders Music Black Alphabet Dance in the Parks, NFP Black Ensemble Theatre DanceWorks Chicago Black Lunch Table D-Composed Gives Cedille Chicago, NFP Definition Theatre Company Cerqua Rivera Dance Theatre Design Museum of Chicago Changing Worlds Erasing the Distance Chicago a cappella Fifth House Ensemble Chicago Architecture Foundation Filament Theatre Ensemble Chicago Art Department Forward Momentum Chicago Chicago Arts and Music Project Free Lunch Academy Chicago Arts Partnerships in Education Free Spirit Media Chicago Balinese Gamelan Free Street Theater Chicago Blues Revival FreshLens Chicago Chicago Cabaret Professionals Fulcrum Point New Music Project Chicago Childrens Choir Garfield Park Conservatory Alliance Chicago Composers Orchestra Global Girls Inc. Chicago Dance Crash Goodman Theatre Chicago Dancemakers Forum Guild Literary Complex Chicago Filmmakers Gus Giordano's Jazz Dance Chicago, Inc.
    [Show full text]
  • The Gordon Square Arts District in Cleveland's Detroit Shoreway
    Cleveland State University EngagedScholarship@CSU Maxine Goodman Levin College of Urban Urban Publications Affairs 3-18-2014 The Gordon Square Arts District in Cleveland’s Detroit Shoreway Neighborhood W Dennis Keating Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/urban_facpub Part of the Urban Studies and Planning Commons How does access to this work benefit ou?y Let us know! Repository Citation Keating, W Dennis, "The Gordon Square Arts District in Cleveland’s Detroit Shoreway Neighborhood" (2014). Urban Publications. 0 1 2 3 1162. https://engagedscholarship.csuohio.edu/urban_facpub/1162 This Report is brought to you for free and open access by the Maxine Goodman Levin College of Urban Affairs at EngagedScholarship@CSU. It has been accepted for inclusion in Urban Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. The Gordon Square Arts District in Cleveland’s Detroit Shoreway Neighborhood By W. Dennis Keating Professor and Director, Master of Urban Planning, Design and Development Program Department of Urban Studies, Maxine Goodman Levin College of Urban Affairs Cleveland State University Cleveland, Ohio 44115 Email: [email protected] March, 2014 Beginnings: The Playhouse Square Theaters and the Gordon Square Theaters In 1921, post-World War I Cleveland was a bustling, industrial city that had benefitted from wartime production. Fueled by pre-war immigration from Europe and then the Great Migration north by African-Americans, Cleveland in 1910 was the sixth largest city in the United States. The city’s cultural life was also growing with the opening of the Cleveland Museum of Art in 1916 and the formation of the Cleveland Orchestra in 1918.
    [Show full text]
  • Annual Report
    18 ANNUAL REPORT 19 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening skill and artistry in an inclusive and changing profession. • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s 2018-19 Annual Report. This year we auditioned and admitted students in our new Comedy Arts and Projection Design majors. We also received approval for a new BFA degree in Wig and Makeup Design & Technology, which will greet its first class in Fall 2020.
    [Show full text]
  • INVISIBLE-HAND-Program-Digital.Pdf
    hand_program.pdf 1 9/13/17 7:54 PM C M Y CM MY CY CMY K STEEP THEATRE COMPANY COMPANY MEMBERS James Allen Jonathan Edwards Jim Poole Kendra Thulin Jonathan Berry Alex Gillmor Egan Reich Robin Witt Lucy Carapetyan Nick Horst Joel Reitsma Brendan Melanson George Cederquist Ashleigh LaThrop Melissa Riemer in memoriam Brad DeFabo Akin Cynthia Marker Michael Salinas Patricia Donegan Peter Moore Joanie Schultz Peter Dully Caroline Neff Julia Siple ARTISTIC ASSOCIATES Matthew Chapman Lauren Lassus Alison Siple Dan Stratton Maria DeFabo Akin Kristin Leahey Simon Stephens Brandon Wardell Thomas Dixon Emily McConnell Assoc. Playwright Chelsea M. Warren BOARD OF DIRECTORS Jessica Schrey David Bock Doug Passmore Sonya Dekhtyar President Vice President Secretary Treasurer Dave Bartusek Ian Galleher Ted Lowitz Shawn Sackett Kelly Carpenter Molly Johnson Anne Marie Mitchell Kelly Fitzgerald Stu Kiesow Elizabeth Moore STAFF Peter Moore Staci Weigum Egan Reich Stu Kiesow Artistic Director House Manager Literary Manager Graphic Designer Kate Piatt-Eckert Caroline Neff Lee Miller Julianna Jarik Executive Director Casting Director Photographer Management Intern Julia Siple Lucy Carapetyan Gregg Gilman Managing Director Casting Associate Photographer FRIENDS OF STEEP Heidi Brock Sara Foster Katie Kett Christine Rousseau Reid & Jennifer Diane Galleher Jennifer Collins Craig Steadman Quinn Broda Barry Grant Moore John C. White John Dunnigan Neil Jain Jon Putnam Steep Theatre Company is supported in part by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, the Sol R.
    [Show full text]
  • William Shakespeare's
    Flip to the back page to read what the cast says! cast the what read to page back the to Flip WHAT LINES DO YOU CONNECT TO? CONNECT YOU DO LINES WHAT /chicagoshakespearetheater @chicagoshakes @chicagoshakes /chicagoshakespeare * denotes members of Actors’ Equity Association Equity Actors’ of members denotes * Trevor Strahan for for Strahan Trevor Benvolio Tybalt ; Cage Sebastian Pierre for for Pierre Sebastian Cage ; , , Balthazar #SHORTSHAKES WWW.CHICAGOSHAKES.COM ; and Philip Winston for Winston Philip and ; Echaka Agba for for Agba Echaka Paris ; Eric Schabla for for Schabla Eric ; Lady Capulet Lady Lord Capulet Lord ; Jack DeCesare for for DeCesare Jack ; Mercutio/Friar John Mercutio/Friar . Understudies never substitute for listed players unless a specific announcement is made at the time of the performance: performance: the of time the at made is announcement specific a unless players listed for substitute never Understudies Romeo , , Peter ; Elizabeth Dowling for for Dowling Elizabeth ; ; Peter Sipla for for Sipla Peter ; Friar Laurence Friar POST, COMMENT, SHARE, EXPLORE EXPLORE SHARE, COMMENT, POST, Nurse , , Prince/Apothecary ; ; ; Ayssette Muñoz for for Muñoz Ayssette ; APOTHECARY Juliet , , ELIZABETH LAIDLAW* ELIZABETH Mantua PETER This page: Emma Ladji, photos by Michael Brosilow Michael by photos Ladji, Emma page: This PETER SIPLA PETER Santana; Nate and Ladji Emma Cover: TYBALT FRIAR JOHN FRIAR SAM PEARSON SAM (beginning April 10) April (beginning BRIAN GREY* BRIAN FRIAR LAURENCE FRIAR NURSE DEMETRIOS TROY* DEMETRIOS COLLEEN MADDEN* COLLEEN Capulets vow at last to end their families’ hatred. families’ their end to last at vow Capulets The Church The (through April 7) April (through NURSE NURSE tomb and discovering the carnage it holds, the Montagues and and Montagues the holds, it carnage the discovering and tomb KAREN JANES WODITSCH* JANES KAREN PARIS LORD CAPULET LORD ANDREW SAENZ ANDREW Left alone there by Friar Laurence, she takes her life.
    [Show full text]
  • 2019 Broadway in Chicago Emerging Theatre Award
    FOR IMMEDIATE RELEASE Contact: Cathy Taylor Cathy Taylor Public Relations, Inc. [email protected] (773) 564-9564 The League of Chicago Theatres Announces the 2019 Broadway In Chicago Emerging Theatre Award Finalists: Interrobang Theatre Project, Midsommer Flight, Underscore Theatre Company, Water People Theater and Windy City Playhouse Recipient to be honored at the League of Chicago Theatres Gala on Monday, May 20 at the Palmer House Hilton CHICAGO (March 22, 2019) – The League of Chicago Theatres, now celebrating its 40th Anniversary, announces the 2019 Broadway In Chicago Emerging Theatre Award Finalists: Interrobang Theatre Project, Midsommer Flight, Underscore Theatre Company, Water People Theater and Windy City Playhouse. The award recipient will be determined by a majority vote of member companies of the League of Chicago Theatres. The 2019 Broadway In Chicago Emerging Theatre Award recipient will be honored at the League of Chicago Theatre Annual Gala on Monday, May 20, 2019 at the Palmer House Hilton, 17 E. Monroe St. in Chicago. The event will bring together friends of Chicago theatre to raise funds for programs to support Chicagoland’s more than 250 member-theatre companies. The Broadway In Chicago Emerging Theatre Award was created in 2007 to encourage, support, and promote young theatres in Chicago that have demonstrated great ability and promise, artistic excellence and fiscal responsibility in business practices. Applications for the award were accepted during March 2019. Eligible companies are members of the League of Chicago Theatres, have been incorporated at least 3 and no longer than 10 years, and have demonstrated artistic excellence and fiscal responsibility. Broadway In Chicago will provide a $5,000 cash prize and marketing support, including an advertising package.
    [Show full text]
  • BECK CENTER EDUCATION FACULTY Edward P
    BECK CENTER EDUCATION FACULTY Edward P. Gallagher, MT-BC – Director of Education 216.521.2540 x12 | [email protected] Ed holds a Bachelor of Music in Music Therapy from Cleveland State University and a graduate certificate in nonprofit management from the University of North Carolina at Greensboro. Founded Beck Center’s Creative Arts Therapies program in 1994. He is co-chair of the Ohio Music Therapy Task Force and has been appointed to serve on the Ohio Arts Council’s Artists with Disabilities Access Program. He is Past President of the Cleveland Arts Education Consortium as well as the Great Lakes Region of the American Music Therapy Association (GLRAMTA) and the Association of Ohio Music Therapists (AOMT). He received the GLR-AMTA 2007 Service Award, the AOMT Past President’s Award in 2012 and has been inducted into the Ohio State Fair Hall of Fame. He has been recognized by the City of Lakewood for bringing the healing power of music to the community. He is also Director of Operations for the All-Ohio State Fair Band and Youth Choir, two organizations featuring the talents of 400 talented high school instrumentalists and vocalists which are comprised of students from throughout the state. DANCE EDUCATION Melanie Szucs – Associate Director of Dance Education 216.521.2540 x26 | [email protected] Melanie has been an instructor in jazz and ballet for over 30 years and serves as the director and choreographer of the Beck Center Dance Workshop. In her early years, she was named Miss Dance Michigan and performed as a soloist with Dance Detroit; she studied with George Zorich and on full scholarship with the School of Cleveland Ballet.
    [Show full text]
  • Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees �
    Performing Arts Venue Relief Grants Program � Round 1 & 2 Grantees � A Red Orchid Theatre The Gift Theatre Stage 773 Adventure Stage Chicago Goodman Theatre Steppenwolf Theatre Aguijon Theater Company Green Mill Company Aloft Dance Harris Theater for Music and Subterranean Andy's Dance Thalia Hall The Annoyance The Hideout Theater Wit Artango Bar and Steakhouse Hungry Brain Tight Five Productions Auditorium Theatre The Hyde Room Timeline Theatre Avondale Music Hall Hydrate Nightclub The Tonic Room Beat Kitchen The Jazz Showcase Trap Door Theatre Beauty Bar Lifeline Theatre Trickery Berlin Lincoln Hall The Underground Beverly Arts Center Links Hall The Vig Black Ensemble Theater Local 83 Victory Gardens Theatre Chicago Children's Theatre Lookingglass Theatre Watra Nightclub Chicago Chop Shop Company West Loop Entertainment Chicago Dramatists Martyrs' Windy City Playhouse Chicago Magic Lounge Metro Smartbar Zanies Comedy Club Chicago Shakespeare Theater The Miracle Center Chicago Symphony Orchestra The Neo-Futurists Chopin Theatre Newport Theater City Lit Theater Nocturne Cobra Lounge Old Town School of Folk Cole's Bar Music The Comedy Clubhouse Otherworld Theatre ComedySportz Company Concord Music Hall Owl Bar Constellation Arts The Patio Theater Copernicus Center persona Corn Productions Prysm Dance Center of Columbia Public Media Institute College Chicago Radius Davenport's Piano Bar and Raven Theatre Company Cabaret Redtwist Theatre The Den Theatre Reggie's Music Club Dorian's The Revival Drunk Shakespeare Rosa's Lounge Elastic Arts Rufuge Live! The Empty Bottle Schubas Epiphany Center for the Arts Silk Road Rising Escape Artistry Silvie's Escape Artistry II Sleeping Village eta Creative Arts Foundation Slippery Slope .
    [Show full text]
  • Christine Bunuan Resume
    Christine Bunuan AEA, SAG-AFTRA Stewart Talent * 400 Michigan Ave Suite 700, Chicago, IL 60611 * 312.943.3131 Height: 4’10” Hair: Black Eyes: Brown Voice: Mezzo-Soprano [email protected] * 773.793.8918 * www.christinebunuan.com Film and Television Chicago PD Kate Chen NBC Universal Mark Tinker Come on Over Cindy Enthusiastic Productions, LLC Stephen Feldmen Wingmen Miel Rising Star Productions Jack Newell National Tour Miss Saigon Broadway Revival Gigi (original cast) Laurence Connor The 25th Annual Putnam County Spelling Bee u/s Marcy & Rona James Lapine Theatre Smart People u/s Ginny Writers Theatre Hallie Gordon Honeymoon in Vegas Mahi Marriott Theatre Gary Griffin The Emperor’s New Clothes Deena Marriott Theatre Amanda Tanguay Wild Boar Tricia Silk Road Rising Helen Young My Way Residential* Sister Chang Irish Theatre of Chicago Kevin Theis The Hundred Dresses Maddie Chicago Children’s Theatre Sean Graney Christmas at Christine’s Herself Silk Road Rising J.R. Sullivan Julius Caesar Calphurnia/Metella Cimber Writers Theatre Michael Halberstam Chimerica Mary, Deng, Michelle TimeLine Theatre Company Nick Bowling Frederick* Baby Mouse Chicago Children’s Theatre Stuart Carden Avenue Q Christmas Eve Mercury Theater Chicago L. Walter Stearns A Year With Frog and Toad Mouse/Bird/Young Frog Chicago Children’s Theatre Henry Godinez Re-Spiced: A Silk Road Cabaret* Herself Silk Road Rising Steve Scott Jade Heart* Jade Chicago Dramatists Russ Tutterow The Mistress Cycle Ching Apple Tree & Auditorium Theater Kurt Johns Kafka on the Shore*
    [Show full text]