BECK CENTER EDUCATION FACULTY Edward P
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COLLEGE and CAREER FAIR TUESDAY, OCTOBER 8 Th 6 - 7:30 P.M
2019 Stark County COLLEGE AND CAREER FAIR TUESDAY, OCTOBER 8 th 6 - 7:30 p.m. $30.7 96% 7 Canton Memorial Civic Center MILLION SUCCESS RATE U.S. NEWS AND IN GRANTS AND 10-YEAR GRADUATE WORLD REPORT 1101 Market Avenue North, Canton, OH 44702 SCHOLARSHIPS SUCCESS AVERAGE RANKING FOR BEST ARE OFFERED COLLEGES IN THE 2019 Stark County Whether you’ve just begun to look for the right EACH YEAR MIDWEST college or narrowed down your search to a few, the Stark County College and Career Fair will be a great opporitunity for you. COLLEGE AND VISIT OUR CAMPUS Make plans now to attend the largest college career fair in Stark County! Visit us at Mount Union to experience our beautiful CAREER FAIR campus, state-of-the-art facilities, and dynamic campus life Representatives from more than 100 colleges and firsthand. Visit, mountunion.edu/visit-campus to schedule universities will be available to provide information a visit. TUESDAY, OCTOBER 8 on choosing a college, persuing a career and 6 - 7:30 p.m. planning your future. DOWNLOAD OUR MOBILE APP Canton Memorial Civic Center • No registration is necessary Download the Discover Mount Union App to learn more 1101 Market Avenue North, Canton, OH 44702 • Free admission about our upcoming events, explore our academic majors, • Contact your school counselor for more information and enagage with one of our admission counselors. • More than 100 colleges and universities present The Discover Mount Union App is available on both Apple and Android devices. • Learn the fundamentals of financial aid 1101 Market Ave N • Contact your guidance office for more information Canton, OH 44702 • Free parking in the Cultural Center parking lot 6 - 7:30 p.m. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Sheffia Randall Dooley Actress/Singer/Director AEA
Sheffia Randall Dooley Actress/Singer/Director AEA 3017 Joslyn Rd. Hair: Black Cleveland, Ohio 44111 Eyes:Brown (216)502-0417 Voice: Mezzo- Soprano [email protected] Theatre- Directing Fences, AD Karamu House Jiminirising Cleveland Public Theatre/ Entry Point Sister Act Karamu House The Book of Grace Cleveland Public Theatre Napoleon of the Nile Cleveland Public Theatre/ Black Box Aladdin Karamu House Sister Cities Baldwin Wallace College Theatre- Acting Simply Simone Nina 4 Karamu House The Colored Museum Topsy Washington Karamu House, One Voice Dontrell, Who Kissed the Sea Sophia Jones (Mom) Cleveland Public Theatre The Loush Sisters Butter Rum (reoccurring) Cleveland Public Theatre Ruined Mama Nadi Karamu House Open Mind Firmament Aoife Cleveland Public Theatre Caroline, or Change Caroline Karamu House w/ Dobama The Crucible Tituba Great Lakes Theatre Festival Pulp Bing Cleveland Public Theatre Our Town Mrs. Webb Cleveland Public Theatre Respect: A Musical Journey U/S Rosa, Eden (roles perf.) Playhouse Square, Hanna Theatre Community Engagement and Education Playhouse Square Community Engagement and Education Assistant Director Karamu House Cultural Arts Education and Outreach Director Cleveland Municipal School District All City Arts Program Theatre Director Cleveland Playhouse Summer Academy Artist-Instructor The Musical Theatre Project Master Artist in Residence Great Lakes Theater Festival School Residency Program Actor/ Teacher Cleveland Public Theatre Brick City and STEP programs Artist-Instructor/ Director Kaiser Permanente Educational Theatre Programs Actor/ Director Video/ Voice Overs YMCA Commercial Mom Adcom Communications Ask Gilby Izzy Belle Akron Public Schools Mending Spirits Featured Voice Over Moongale Productions Bus Safety Video Bus Driver Avatar Productions Allied Human Resource Video Alcohol Avatar Productions ISG Human Resource Video Featured Employee OSV Studios Spike Live! Aramark Show Trainer Julie Zakarak Productions Training Cleveland Play House Directors Gym- Laura Kepley, Robert Fleming Baldwin-Wallace College: B.A. -
Theatre Facts 2017
THEATRE FACTS 2017 THEATRE COMMUNICATIONS GROUP’S REPORT ON THE FISCAL STATE OF THE U.S. PROFESSIONAL NOT-FOR-PROFIT THEATRE FIELD By Zannie Giraud Voss, Glenn B. Voss, and Lesley Warren, SMU DataArts and Ilana B. Rose and Laurie Baskin, Theatre Communications Group x,QWURGXFWLRQ x([HFXWLYH6XPPDU\ x7KH8QLYHUVH x7UHQG7KHDWUHV (DUQHG,QFRPH $WWHQGDQFH7LFNHWDQG3HUIRUPDQFH7UHQGV &RQWULEXWHG,QFRPH ([SHQVHVDQG&KDQJHLQ8QUHVWULFWHG1HW$VVHWV &81$ %DODQFH6KHHW 7HQ<HDU7UHQG7KHDWUHV x3URILOHG7KHDWUHV (DUQHG,QFRPH &RQWULEXWHG,QFRPH ([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW(DUQHG,QFRPH %XGJHW*URXS6QDSVKRW$WWHQGDQFH7LFNHWVDQG3HUIRUPDQFHV %XGJHW*URXS6QDSVKRW&RQWULEXWHG,QFRPH %XGJHW*URXS6QDSVKRW([SHQVHVDQG&81$ %XGJHW*URXS6QDSVKRW%DODQFH6KHHW x&RQFOXVLRQ x0HWKRGRORJ\ x3URILOHG7KHDWUHV &RYHUSKRWRFUHGLWV Top row (left to right): Bottom right (left to right): x 7KHFDVWLQ.DUDPX+RXVH¶VSURGXFWLRQRIYou Can’t Take It x -DPHV'RKHUW\DQG.LD\OD5\DQQLQ6WHHS7KHDWUH¶VSURGXFWLRQRI With YouE\0RLVHVDQG.DXIPDQGLUHFWHGE\)UHG6WHUQIHOG3KRWR HookmanE\/DXUHQ<HHGLUHFWHGE\9DQHVVD6WDOOLQJ3KRWRE\/HH E\0DUN+RUQLQJ 0LOOHU x .DUWKLN6ULQLYDVDQ$QMDOL%KLPDQLDQG3LD6KDKLQ6RXWK&RDVW x (PLO\.XURGD :LOOLDP7KRPDV+RGJVRQLQWKH7KHDWUH:RUNV 5HSHUWRU\¶VSURGXFWLRQRIOrange E\$GLWL%UHQQDQ.DSLOGLUHFWHGE\ 6LOLFRQ9DOOH\¶VSURGXFWLRQRICalligraphy E\%\9HOLQD+DVX+RXVWRQ -HVVLFD.XE]DQVN\3KRWRE\'HERUD5RELQVRQ6&5 'LUHFWHGE\/HVOLH0DUWLQVRQ3KRWRE\.HYLQ%HUQH Second row (left to right): Bottom left (top to bottom): x -HVVLHH'DWLQRDQG-DVRQ.RORWRXURVLQ*HYD VZRUOGSUHPLHUH x 0DLQ6WUHHW7KHDWHU¶VSURGXFWLRQRIThe Grand ConcourseE\+HLGL -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: July 19, 2019 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2019 DATE local EVENT NAME WHERE TYPE WEBSITE LINK JULY 18-21 NYS MISTI CON Doubletree/Hilton, Tarrytown, NY limited size Harry Potter event http://connecticon.org/ JULY 18-21 CA SAN DIEGO COMIC CON S.D. Conv. Ctr, San Diego, CA HUGE media & comics show NO DW GUESTS YET! Neal Adams, Sergio Aragones, David Brin, Greg Bear, Todd McFarlane, Craig Miller, Frank Miller, Audrey Niffenegger, Larry Niven, Wendy & Richard Pini, Kevin Smith, (Jim?) Steranko, J Michael Straczynski, Marv Wolfman, (most big-name media guests added in last two weeks or so) JULY 19-21 OH TROT CON 2019 Crowne Plaza Htl, Columbus, OH My Little Pony' & other equestrials http://trotcon.net/ Foal Papers, Elley-Ray, Katrina Salisbury, Bill Newton, Heather Breckel, Riff Ponies, Pixel Kitties, The Brony Critic, The Traveling Pony Museum JULY 19-21 KY KEN TOKYO CON Lexington Conv. Ctr, Lexington, KY anime & gaming con https://www.kentokyocon.com/ JULY 20 ONT ELMVALE SCI-FI FANTASY STREET PARTY Queen St, Elmvale, Ont (North of Lake Simcoe!) http://www.scififestival.ca/ Stephanie Bardy, Vanya Yount, Loc Nguyen, Christina & Martn Carr Hunger, Julie Campbell, Amanda Giasson JULY 20 PA WEST PA BOOK FEST Mercer High School, Mercer, PA all about books http://www.westpabookfestival.com/ Patricia Miller, Michael Prelee, Linda M Au, Joseph Max Lewis, D R Sanchez, Judy Sharer, Arlon K Stubbe, Ruth Ochs Webster, Robert Woodley, Kimberly Miller JULY 20-21 Buf WILD RENN FEST Hawk Creek Wildlife Ctr, East Aurora, NY Renn fest w/ live animals https://www.hawkcreek.org/wp/ "Immerse yourself in Hawk Creek’s unique renaissance-themed celebration of wildlife diversity! Exciting entertainment and activities for all ages includes live wildlife presentations, bird of prey flight demonstrations, medieval reenactments, educational exhibits, food, music, art, and much more! JULY 20-21 T.O. -
May 22 - 26 • a Virtual Event Dear Friends
MAY 22 - 26 • A VIRTUAL EVENT DEAR FRIENDS WELCOME to Blackademics by Idris Goodwin, the final performance of Cleveland Play House’s 2020-21 Virtual Season. In the midst of this terrible time of loss, sorrow, isolation, displacement, and division, we were determined to persevere—just like our CPH predecessors did during the Great Depression and WWII—continuing our service to the community in times of crisis and refusing to “go dark.” This season we produced over 47 hours of unique theatrical digital programming that employed more than 100 artists. We experimented, widened our circle of collaborators, and kept the metaphoric lights on to illuminate stories of joy, family, and resilience, to spotlight a diverse group of artists, to reflect back the experiences of this moment, and to keep the warm glow of connection with you. Tonight’s show is a razor-sharp satire that features dynamic, funny, and very talented local actors Mariah Burks, Colleen Longshaw, and Lisa Marie Schueller. One of the challenges of producing virtual theatre remotely is that the actors, working from home, don’t have a technical crew to support them. Their acting job is hard enough without having to worry about managing lighting, cameras, and sound equipment on their own. To meet this challenge, CPH hired their loved ones, who were part of their COVID bubbles, to serve as production assistants. A big thank you to Rob Grant III, Adam Howard, and Emmanuel Jackson who played these vital “backstage” roles. Stage manager Olivia Louise Tree Plath, production assistant/script supervisor Ashley Raymer-Brown, video editor Ben Needham, composer Aaron Needham, and CPH’s Artistic Digital Programs Manager Adam Kern round out this incredible, hard-working team. -
Dance Department Consultants
Dance Department Consultants Lisa Alfieri Ballo Ms. Ballo - Consultant in Ballet - trained on full scholarship at the Pennsylvania Ballet under Lupe Serrano and at the San Francisco Ballet and Cleveland Ballet schools. Her professional career includes dancing with Sandra Organ Dance Company, Fort Worth- Dallas Ballet and prior to that with Cleveland - San Jose Ballet where she rose to principal dancer during her ten year stay. She has also danced as a principal guest artist nationally as well as internationally. As a teacher, she has taught in schools for the Cleveland Ballet, Ballet Arkansas, Twin City Ballet and the Houston Ballet Academy. Recently, she was Ballet Mistress for the Houston Repertoire Ballet's senior company and is currently teaching at the Hope Center. Lauren Bay Consultant in modern dance, ballet and tap dance. Ms. Perrone holds a BFA in Modern Dance Pedagogy from the University of Oklahoma where she studied with Mary Margaret Holt, Denise Vale and Austin Hartel. She is a 2000 HSPVA Dance graduate and a native Houstonian where she began her dance training with Paula Sloan and performed with The Texas Tap Ensemble. After college she also studied in New York City with Mark Morris, the Limon Dance Company, Nicole Wolcott, and Julian Barnett, among others. Her professional credits include: Houston Grand Opera's Aida; Galveston Island Musicals' My Fair Lady, America the Beautiful, and Hello Dolly. She has toured nationally as the dance captain of Mame and internationally to France and Paraguay with the Modern Repertory Dance Theater. Her New York City credits include the Jeff Rebudal Dance Company, Murray Hill Productions, and Lance Cruze Performance Group. -
Structure in Persuasion
English Structure in Persuasion About this Lesson The purpose of this lesson is to compare, analyze, and evaluate the claims, persuasive techniques, and structures of two opinion pieces originally printed in newspapers. Students will read the texts, paragraph by paragraph, and determine the purpose of each paragraph while analyzing and evaluating the effectiveness of the techniques the writers use to defend their claims. Students will also read an additional brief excerpt, identify the claim, and practice writing a concession and counterargument following a model. Passages for LTF® lessons are selected to challenge students while lessons and activities make texts accessible. Guided practice with challenging texts allows students to gain the proficiency necessary to read independently at or above grade level. This lesson is included in Module 10: Analyzing Organization and Syntax. Objectives Students will compare, analyze, and evaluate claims, persuasive techniques, and structures in two TEACHER contrasting texts. evaluate the effectiveness of techniques a writer uses to defend his or her claims. write a concession and counterargument in response to an argument. Level Grades Six through Ten Connection to Common Core Standards for English Language Arts LTF Foundation Lessons are designed to be used across grade levels and therefore are aligned to the CCSS Anchor Standards. Teachers should consult their own grade-level-specific Standards. The activities in this lesson allow teachers to address the following Common Core Standards: Explicitly addressed in this lesson Code Standard Level of Depth of Thinking Knowledge R.1 Read closely to determine what the text says Understand III explicitly and to make logical inferences from it. -
2019-2020 Counselor's Guide
2019-2020 COUNSELOR’S GUIDE Ohio Independent Colleges and Universities Art Academy of Cincinnati | Ashland University | Aultman College | Baldwin Wallace University | Bluffton University | Capital University Case Western Reserve University | Cedarville University | The Christ College of Nursing & Health Sciences | Cleveland Institute of Art Columbus College of Art & Design | University of Dayton | Defiance College | Denison University | The University of Findlay Franciscan University of Steubenville | Franklin University | Good Samaritan College of Nursing and Health Science | Heidelberg University Hiram College | John Carroll University | Kenyon College | Kettering College | Lake Erie College | Lourdes University | Malone University Marietta College | Mercy College of Ohio | Mount Carmel College of Nursing | Mount St. Joseph University | University of Mount Union Mount Vernon Nazarene University | Muskingum University | University of Northwestern Ohio | Notre Dame College | Oberlin College Ohio Christian University | Ohio Dominican University | Ohio Northern University | Ohio Wesleyan University | Otterbein University University of Rio Grande | Tiffin University | Union Institute & University | Urbana University | Ursuline College | Walsh University Wilmington College | Wittenberg University | The College of Wooster | Xavier University Cover photo provided by: University of Mount Union Table of Contents Why Independent Colleges? 2-3 Denison University 34 University of Northwestern Ohio 54 Frequently Asked Questions 4-5 The University -
The Changs Next Door to the Díazes
7KH&KDQJV1H[W'RRUWRWKH'¯D]HV :HQG\&KHQJ 3XEOLVKHGE\8QLYHUVLW\RI0LQQHVRWD3UHVV :HQG\&KHQJ 7KH&KDQJV1H[W'RRUWRWKH'¯D]HV5HPDSSLQJ5DFHLQ6XEXUEDQ&DOLIRUQLD 0LQQHDSROLV8QLYHUVLW\RI0LQQHVRWD3UHVV 3URMHFW086( :HE0DUKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9781452940267 Access provided by Yale University Library (12 Jan 2016 16:44 GMT) · CHAPTER 2 · “The Asian and Latino Thing in Schools” Academic Achievement and Racialized Privilege I guess in Alhambra you only have a choice— a “choice,” and that’s in quotations— between Latinos or Asians. —Nancy Tran,1 former student, Alhambra High School [I]n this concert [of reproduction of capitalist relations], one ideological State apparatus certainly has the dominant role, although hardly anyone lends an ear to its music: it is so silent! Th is is the School. —Louis Althusser, “Ideology and Ideological State Apparatuses” n the spring of 2005, Alhambra High received the Title I Academic IAchievement Award, which recognizes schools with low- income stu- dent populations that have made progress in closing the achievement gap.2 Principal Russell Lee- Sung arranged a meeting with student government leaders to announce the good news. One of the students present at the meeting was Robin Zhou, an inquisitive, first- generation Chinese American senior, who began to wonder why this gap— a persistent discrepancy in test scores and grade point averages between Alham- bra’s Asian American and Latina/o students— existed in the first place. The results of his speculations ran -
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THE PANTHER DANCER Written by Logan Cutler Smith Directed by Jimmie Woody CAST Andrea Belser Actor 3 Robert Branch Actor 5 Corin B. Self Actor 1 Kim Simbeck Actor 2 Anthony Velez Actor 4 CREATIVE TEAM Stephanie Bahnij Stage Manager/Board Operator Chelby Benson Set Designer Inda BlatchGeib Costume Designer Wes Calkin Lighting Designer Tyler Collins Social Media Coordinator/Frontofhouse Coordinator Drake Crowind Projection Designer Susan Dicken Production Manager/House Manager Tom Hayes Carpenter Jocelyn Laracuente Assistant Director/Backstage Coordinator David Todd Dramaturg Brianna Williams Sound Designer NOTES The run time is approximately 1:40 with one fifteenminute intermission. Video/audio recording of this performance by any means is prohibited. The Panther Dancer was previously developed in Playwrights Local’s 2017 Play Lab (directed by Tyson Douglas Rand) and presented in the 2016 NEOMFA Playwrights Festival at convergencecontinuum (directed by Clyde Simon). ORIGINAL MUSIC "Ben" and "Ben Reprise": Arrangement and programming by Chris Gillooly. © 2018 Chris Gillooly. SPECIAL THANKS Waterloo Arts; Near West Theatre; Stephanie, Jocelyn, and the rest of the creative team; and all of our patrons and supporters, including the following organizations: THE COMPANY Stephanie Bahnij (Stage Manager/Board Operator) is ecstatic to make her return to Cleveland Theatre after a brief hiatus in ND, where she managed an antique furniture restoration shop. Past credits include SM for ConvergenceContinuum; run crew and follow spot for Cleveland Play House; and SM, lights, and props for the TriC Theatre Departments. She thanks Jocelyn, the real MVP, and Jimmie, her wonder twin. Andrea Belser (Actor 3) is a performing and teaching artist with a Bachelor of Arts in Theater Studies from Wright State University. -
Raising the Barre: the Geographic, Financial, and Economic Trends of Nonprofit Dance Companies
Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Research Division Report #44 RESEARCH DIVISION REPORT #44 1 COVER PHOTO Hubbard Street Dance Chicago’s production of Jim Vincent’s counter/part. (Photo by Todd Rosenberg) Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Foreword by Douglas C. Sonntag Edited by Bonnie Nichols Contributions by Janelle Ott and Don Ball Research Division Report #44 This report was produced by the National Endowment for the Arts Research Division Tom Bradshaw, Director Acknowledgements The NEA Research Division would like to thank Kelly Barsdate (National Assembly of State Arts Agencies), Thomas Pollak (National Center on Charitable Statistics), and John Munger (Dance/USA) for their contributions and counsel; and Stephanie Colman (former division assistant with the NEA Dance Department) for her database assistance. August 2003 Library of Congress Cataloging-in-Publication Data Smith, Thomas M., 1969- Raising the barre: the geographic, financial, and economic trends of nonprofit dance companies: a study by Thomas M. Smith; foreword by Douglas C. Sonntag; edited by Bonnie Nichols; contributions by Janelle Ott and Don Ball. p. cm. -- (Research Division report; #44) 1. Dance companies--Economic aspects--United States. 2. Nonprofit organizations--Economic aspects--United States. 3. National Endowment for the Arts. I. Nichols, Bonnie. II. Ott, Janelle. III. Ball, Don, 1964-