Grew up in New Jersey and Studied Ballet at a Young Age with the New Jersey Ballet School
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Twyla Tharp Th Anniversary Tour
Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F. -
Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Dance Department Consultants
Dance Department Consultants Lisa Alfieri Ballo Ms. Ballo - Consultant in Ballet - trained on full scholarship at the Pennsylvania Ballet under Lupe Serrano and at the San Francisco Ballet and Cleveland Ballet schools. Her professional career includes dancing with Sandra Organ Dance Company, Fort Worth- Dallas Ballet and prior to that with Cleveland - San Jose Ballet where she rose to principal dancer during her ten year stay. She has also danced as a principal guest artist nationally as well as internationally. As a teacher, she has taught in schools for the Cleveland Ballet, Ballet Arkansas, Twin City Ballet and the Houston Ballet Academy. Recently, she was Ballet Mistress for the Houston Repertoire Ballet's senior company and is currently teaching at the Hope Center. Lauren Bay Consultant in modern dance, ballet and tap dance. Ms. Perrone holds a BFA in Modern Dance Pedagogy from the University of Oklahoma where she studied with Mary Margaret Holt, Denise Vale and Austin Hartel. She is a 2000 HSPVA Dance graduate and a native Houstonian where she began her dance training with Paula Sloan and performed with The Texas Tap Ensemble. After college she also studied in New York City with Mark Morris, the Limon Dance Company, Nicole Wolcott, and Julian Barnett, among others. Her professional credits include: Houston Grand Opera's Aida; Galveston Island Musicals' My Fair Lady, America the Beautiful, and Hello Dolly. She has toured nationally as the dance captain of Mame and internationally to France and Paraguay with the Modern Repertory Dance Theater. Her New York City credits include the Jeff Rebudal Dance Company, Murray Hill Productions, and Lance Cruze Performance Group. -
Raising the Barre: the Geographic, Financial, and Economic Trends of Nonprofit Dance Companies
Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Research Division Report #44 RESEARCH DIVISION REPORT #44 1 COVER PHOTO Hubbard Street Dance Chicago’s production of Jim Vincent’s counter/part. (Photo by Todd Rosenberg) Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Foreword by Douglas C. Sonntag Edited by Bonnie Nichols Contributions by Janelle Ott and Don Ball Research Division Report #44 This report was produced by the National Endowment for the Arts Research Division Tom Bradshaw, Director Acknowledgements The NEA Research Division would like to thank Kelly Barsdate (National Assembly of State Arts Agencies), Thomas Pollak (National Center on Charitable Statistics), and John Munger (Dance/USA) for their contributions and counsel; and Stephanie Colman (former division assistant with the NEA Dance Department) for her database assistance. August 2003 Library of Congress Cataloging-in-Publication Data Smith, Thomas M., 1969- Raising the barre: the geographic, financial, and economic trends of nonprofit dance companies: a study by Thomas M. Smith; foreword by Douglas C. Sonntag; edited by Bonnie Nichols; contributions by Janelle Ott and Don Ball. p. cm. -- (Research Division report; #44) 1. Dance companies--Economic aspects--United States. 2. Nonprofit organizations--Economic aspects--United States. 3. National Endowment for the Arts. I. Nichols, Bonnie. II. Ott, Janelle. III. Ball, Don, 1964- -
Student Ballet 4 PLUS! This Link Contains All of the Information You Need to Register for 2016–2017 at Princeton Ballet School
301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 Photo: Horst Frankenberger Horst Photo: From the Director’s Desk Welcome to Student Ballet 4 PLUS! This link contains all of the information you need to register for 2016–2017 at Princeton Ballet School. Please be sure to read through each of these elements as you prepare to register; there is new information you will want to be aware of. Table of contents: • Student Ballet 4 PLUS information • Class schedule • Fees and registration information • Registration form • Student uniform order form (Giselle of Princeton) » Orders received after July 15 may not be available in time for the start of classes (more detailed information can be found on the order form) • Princeton Ballet School Handbook » Includes uniform requirements » Includes school calendar • Directions to our studios • Link to 2016 Summer Adult Open Enrollment brochure (located at the end of class schedules) • American Repertory Ballet Juniors audition (June 22) and membership information 301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 ARBW Junior Audition Information Dear dancer, If you’ve ever wondered how we get our thrilling productions up on the stage in such a way as to keep everyone talking about them for days; if you’ve ever wondered why people keep saying “it’s so professional”; if you’ve ever wondered how our dancers get this done — come and try for a chance to find out! We haven’t time to bask in the glow of our school show, Swan Lake: the American Repertory Ballet Workshop Juniors audition is just around the corner! We invite you to come audition for the opportunity to join this special group of dancers who comprise ARBW Jr, our entry level performing company. -
4XJG R 7'1985 Sheila L
ORGANIZATIONAL CONFLICT: IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell B.S., Guilford College (1982) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements of the Degree of Master in City Planning June 1985 at the Massachusetts Institute of Technology 1985 Signature of Authorc Deparient of Urban Studies and PJanning Certified by Professor Donald Schon Thesis Supervisor Accepted by professor Phillip Clay Vf Head, M.C.P. Committee AF TECHNOLOGY 4XJG r 7'1985 Sheila L. Strain-Bell 1985 ii ORGANIZATIONAL CONFLICT IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell Submitted to the Department of Urban Studies and Planning on May 28, 1985 in partial fulfillment of the requirements for the Degree of Master in City Planning ABSTRACT A qualitative research study was carried out to explore problems of organizational conflict. The conditions and processes of organizational conflict, issues of substantive organizational conflict, and organizational learning or failure to learn were investigated. A variation of intensive interviewing, semi-structured, was used to obtain primary information on organizational events at the Boston Ballet, a nonprofit performing arts organization made up of a ballet school and a ballet company. Six organizational members occupying different positions from the art, teaching, and administrative staffs were interviewed. Five of the six had been interviewed ten months earlier in 1984. There were four telephone interviews, two were follow-up and two were conducted with former organization members. On average, interviews lasted two hours. A tape recorder was used during face-to-face interviews. Thirty-one questions were formulated to focus on substantive issues of organizational conflict. -
Tasha Golis Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Jr
Tasha Golis Lisa Scott Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Fitness Director & Barre Fitness Jr. & Apprentice Company Assistant Choreographer Lisa has always been fitness oriented. Lisa was formerly of the Barre 54 team, the first studio to bring Tasha is an Orlando native who grew up dancing. After graduating from the University of Florida, Barre workouts to the Orlando area. Parlaying her dance training as a child, into a strong she returned to Central Florida to perform at WDW, Universal, and Sea World. She was invited to professional career as an actress, dancer, and stunt performer, she has enjoyed performing on join an international cast onboard Costa Cruise Lines and began an exciting career performing stages throughout the United States, Europe, and as far east as Tokyo, Japan. As a professional around the globe. She was dance captain for numerous cruising companies and saw the world. model and spokesperson, Lisa has endorsed many quality fitness products and realizes the Performance contracts followed in Australia, Guam, and South America. Tasha is back in Florida importance of not only physical fitness, but mental discipline and commitment. As a break from and loving it! You can find her teaching at the barre, performing on stage, or boating and water her demanding schedule, Lisa finds comfort in reading a good book or watching an old classic skiing. movie. Her favorite role is playing mom to her 13 yr. old daughter, Emma. Douglas Horne Ballet & Brain Fitness Robert Scott Douglas Horne danced professionally after studying on full scholarship with American Ballet Theatre (New The Art & Technique of Acting York), Miami City Ballet (Miami, Florida) and Studio Maestro (New York). -
Competition Schedule
Sunday, April 14th, 2019 John R. Armstrong Performing Arts Center 24600 F.V. Pankow Building Clinton Township, MI 48036 ~Dedicated to the Memory of the Cecchetti Council of America Charter Board~ It is with great respect and admiration that we remember our Charter Board. Their dedication and love of the Cecchetti method lives on in every CCA member. Jack Bickle Olga Fricker Sylvia Hamer Marjorie Hassard Gertrude Edwards-Jory Leona Lucas Jane Caryl Miller Chula (Harriet) Morrow Phyllis Peterson-Thorne Enid Ricardeau Virgiline Simmons Theodore Smith Competition Schedule Please be advised this is a live competition and the schedule may shift. Dancers need to be prepared to dance sooner or later than the time listed below. 8:30am Building opens/Check-in Begins Teachers must check in dancers in at the registration desk upon arrival. Check in will be one hour prior to the start of each category. Doors open at 8:30am. 9:15-9:30am Junior Contemporary Open Stage 9:30-10:15am Junior Contemporary Competition 10:15-10:30am Senior Contemporary Open Stage 10:30-11:45am Senior Contemporary Competition 11:45-12:15pm Break 12:15-12:30pm Junior Classical Open Stage 12:30-1:30pm Junior Classical Competition 1:30-1:45pm Senior Classical Open Stage 1:45-3:15pm Senior Classical Competition 3:15-3:30pm Break 3:30-4:15pm Ensemble Competition 4:15-5:00pm Deliberation 5:00pm Awards Ceremony 1 Participating Studios Dear Participants, Parents and Teachers, Welcome to the first Cecchetti Classical Ballet Competition! We are thrilled that you are taking part in this competition and hope that you will learn from each other and the feedback that you receive. -
2.08 Summer Workshop PRINT
MARY BETH CABANA Founding Artistic Director MARY BETH CABANA, Founding Artistic Director, has been a Principal Dancer with In Cooperation with Cleveland Ballet, Ballet Oklahoma, Arizona Dance Theatre, and San Diego Ballet. She began her professional career at the age of 14 with Pittsburgh Ballet Theatre and graduated from the National The University of Arizona School of Dance Academy of Dance where she was a full scholarship student and member of the National Academy Ballet. She has performed extensively in the United States and has toured Europe performing in a wide variety of roles by such noted choreographers as Balanchine, Tudor, DeMille, Joos, Forsythe, Fokine, Petipa, and Nahat to name just a few. 29th Annual Ms. Cabana has been on the faculties of the School of Cleveland Ballet, Ballet Arts-Carnegie Hall, Dance Concepts-NYC and was the Principal Instructor and Administrator for Arizona Dance Theatre (Ballet Arizona). She has guest taught for Kiev Ukraine Ballet and Palace of Pioneers in SUMMER DANCE the former Soviet Union, in France and Mexico and continues to guest teach throughout the United States. She has also directed summer intensive programs for Ballet Pacifica in Irvine, California (under the direction of Ethan Stiefel). As a choreographer, she has produced numerous original works for Ballet Tucson and has staged dances for Arizona Opera Company, Arizona WORKSHOP 2014 Theatre Company, Yuma Ballet Theatre, Blue Lake Fine Arts Camp, Ohio Ballet, and Burklyn Ballet Theatre. Since beginning in 1986, she has been responsible for the establishment of four professional training institutions in Southern Arizona including studios in Tucson and Nogales and branch programs in Patagonia and Sierra Vista. -
Dance Major Handbook
DANCE MAJOR 2020-2021 HANDBOOK www.dance.uga.edu Remembering the Class of 2020 August, 2020 Welcome to the UGA Department of Dance! This Dance Handbook provides “everything you need to know” as a dance major at UGA!!! In addition to providing information on degree requirements and policies, this handbook will also answer some of the many questions you will have as you work toward your undergraduate degree in dance. Due to the COVID-19 pandemic, there will be some adaptions and changes to the information provided in this handbook, including measures to keep all UGA students, faculty and staff safe. As a student at UGA, you are responsible for knowing what classes you need to take and when those classes are offered. This handbook contains most of the information that you will need. Each semester you will have an advising session with your academic advisor who is available to assist you in mapping-out your schedule and graduation requirements. By cross-referencing the Dance Handbook and ATHENA (UGA's online list of classes) before your advisement session, your advisor can make sure you enroll in the right classes at the right time. Your advisor will inform you of any changes in the policies or requirements in the Department of Dance and the University of Georgia System. Your successful completion of all course work toward completion of your degree is ultimately your responsibility. Changes in your academic journey - such as a change of major, leave of absence, academic probation, tours and travels - are also your responsibility when keeping up with your program of study. -
2019-2020 Course Catalog + Program Policies
2019-2020 Course Catalog + Program Policies Phone: 541-342-4611 Email: [email protected] Web: www.balletfantastique.org Academy of Ballet Fantastique Professional Division Program Guide ACADEMY OF BALLET FANTASTIQUE 1... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide FOR MORE INFORMATION CITY CENTER FOR DANCE ANNEX STUDIO 541.342.4611 960 Oak St. 60 E. 10th Ave [email protected] Eugene, OR 97401 Eugene, OR 97401 www.balletfantastique.org (Oak b/t Broadway & 10th) (10th & Oak Alley) Northeast elevator Southwest elevator ACADEMY OF BALLET FANTASTIQUE 2... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide CORE PROGRAM Official training school of the Ballet Fantastiq ue Company, a Resident Company of the Hult Center for the Performing Arts Academy of Ballet Fantastique students benefit from the association with a professional company, daily mentorship by top professional company dancers and teachers hailing from all over the world. The benefits of this association include work under and alongside top professionals in the industry, exposure to and immersion in a professional standards and atmosphere, and experience watching and participating in professional productions with live musicians. Training Syllabus Our Professional Division follows the eight levels of the internationally renowned Vaganova Syllabus, a notated, progressive