Dance Major Handbook
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Metro Atlanta Cultural Assessment FINAL REPORT
metro atlanta cultural assessment FINAL REPORT table of contents acknowledgements. .3 executive summary. .4 cultural inventory cultural inventory summary. .8 creative industries revenue & compensation. 10 creative industries businesses & employment. 12 nonprofit cultural organizations. 27 cultural facilities. .40 where audiences originate. 53 cultural plans, programs, policies & ordinances cultural plans, programs & policies overview. 58 cultural affairs departments, plans, ordinances & policies. .59 regional planning agencies with cultural components. 63 regional cultural agencies. .65 examples of cultural plans. .67 cultural planning funding sources. .70 cultural forums cultural forums overview. 72 key findings, issues & opportunities. 73 all findings. 87 minutes Cherokee. 84 Clayton. 87 Cobb. 93 DeKalb. .98 Douglas. 105 North Fulton. 112 South Fulton. 120 Gwinnett. .127 Henry. .135 Rockdale. .142 City of Atlanta. 148 external appendices appendix A: cultural industries revenue and compensation technical codes appendix B: cultural industries employment and businesses technical codes appendix C: nonprofit cultural organizations technical codes appendix D: list of nonprofit cultural organizations by county appendix E: list of cultural facilities by county 2 | METRO ATLANTA CULTURAL ASSESSMENT FINAL REPORT acknowledgements This report would not have been possible without the strong support of the Boards of Directors of both the Atlanta Regional Commission and the Metro Atlanta Arts and Culture Coalition. Atlanta Regional Commission Board Members Tad Leithead (ARC Chair), Buzz Ahrens, W. Kerry Armstrong, Julie K. Arnold, Eldrin Bell, Kip Berry, C. J. Bland, Mike Bodker, Dennis W. Burnette, John Eaves, Burrell Ellis, Todd E. Ernst, Bill Floyd, Herbert Frady, Rob Garcia, Gene Hatfield, Bucky Johnson, Doris Ann Jones, Tim Lee, Liane Levetan, Lorene Lindsey, Mark Mathews, Elizabeth “BJ” Mathis, Randy Mills, Eddie L. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Grew up in New Jersey and Studied Ballet at a Young Age with the New Jersey Ballet School
Patricia Brown: grew up in New Jersey and studied ballet at a young age with the New Jersey Ballet School. As a teenager, Patricia was awarded full scholarships to the American Ballet Theatre School and the Joffrey Ballet School. Ms. Brown has danced professionally with the New Jersey Ballet Company, Joffrey II Ballet Company, Cleveland Ballet (soloist), the Elliot Feld Ballet, and the Joffrey Ballet Company (soloist). She has worked with many well-known choreographers such as Agnes DeMille, Anthony Tudor, Gerald Arpino, Elliot Feld, Paul Taylor, Laura Dean, and Dennis Nahat. Ms. Brown has served as principal teacher for trainee programs at the Milwaukee Ballet School, Joffrey Ballet School, Harrisburg Ballet School, Nashville Ballet School, The Dance Center, and the Mill Ballet School. She has taught company classes for Joffrey II Ballet, the Elliot Feld Ballet, Nashville Ballet, Harrisburg Ballet, Brandywine Ballet Theatre, the Roxey Ballet, and she has served as Ballet Mistress for the Pennsylvania Ballet. Ms. Brown has choreographed ballets performed at Joffrey Ballet workshop, Milwaukee Ballet workshop, Harrisburg Ballet Company, Brandywine Ballet Theater, the Roxey Ballet and for the international competition at Avery Fisher Hall in New York. Patricia has been asked to join the faculty of the Joffrey School in New York City and commutes weekly to teach class. Val Gontcharov: In 1974 at the age of 11 Val successfully competed against 40 other applicants for the one opening in the Kieu Ballet School. After graduation in 1982, five different companies offered him positions, but he chose the Donetsk Ballet to be closer to his parents' home. -
Competition Schedule
Sunday, April 14th, 2019 John R. Armstrong Performing Arts Center 24600 F.V. Pankow Building Clinton Township, MI 48036 ~Dedicated to the Memory of the Cecchetti Council of America Charter Board~ It is with great respect and admiration that we remember our Charter Board. Their dedication and love of the Cecchetti method lives on in every CCA member. Jack Bickle Olga Fricker Sylvia Hamer Marjorie Hassard Gertrude Edwards-Jory Leona Lucas Jane Caryl Miller Chula (Harriet) Morrow Phyllis Peterson-Thorne Enid Ricardeau Virgiline Simmons Theodore Smith Competition Schedule Please be advised this is a live competition and the schedule may shift. Dancers need to be prepared to dance sooner or later than the time listed below. 8:30am Building opens/Check-in Begins Teachers must check in dancers in at the registration desk upon arrival. Check in will be one hour prior to the start of each category. Doors open at 8:30am. 9:15-9:30am Junior Contemporary Open Stage 9:30-10:15am Junior Contemporary Competition 10:15-10:30am Senior Contemporary Open Stage 10:30-11:45am Senior Contemporary Competition 11:45-12:15pm Break 12:15-12:30pm Junior Classical Open Stage 12:30-1:30pm Junior Classical Competition 1:30-1:45pm Senior Classical Open Stage 1:45-3:15pm Senior Classical Competition 3:15-3:30pm Break 3:30-4:15pm Ensemble Competition 4:15-5:00pm Deliberation 5:00pm Awards Ceremony 1 Participating Studios Dear Participants, Parents and Teachers, Welcome to the first Cecchetti Classical Ballet Competition! We are thrilled that you are taking part in this competition and hope that you will learn from each other and the feedback that you receive. -
The Edward Villella Dancers EDWARD VILLELLA
Presented by THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN The Edward Villella Dancers EDWARD VILLELLA Roseanne Germer Sheri Little Carol Stone Susan Strain Kim Vickers Ric Abel James Caton Joseph Fritz Paulo Manso de Sousa Oswaldo Muniz Tuesday and Wednesday Evening, July 17 and 18, 1984, at 8:00 Power Center for the Performing Arts Ann Arbor, Michigan An American Salute PRELUDE, FUGUE, AND RIFFS Choreography: Edward Villella Music: Leonard Bernstein Kim Vickers Susan Strain Carol Stone Ric Abel Oswaldo Muniz Joseph Fritz TARANTELLA Choreography: George Balanchine Music: Louis Gottschalk, arranged by Hershey Kay Roseanne Germer Paulo Manso de Sousa INTERMISSION THE WALTZ PROJECT Choreography: Richard Tanner Music: Waltzes by Robert Moran, Lou Harrison, Joseph Fennimore, Ivan Tcherepnin, Robert Helps, Tom Constanten, Philip Glass, and Morton Gould's "Rag Waltz for Edward Villella June 1984" Edward Villella Sheri Little Carol Stone Susan Strain "The Waltz Project" was commissioned for The Edward Villella Dancers by the Empire State Institute for the Performing Arts, Albany, New York. These concerts mark the first performances of this lyric piece; its official premiere will take place in October in Albany. These performances are made possible, in part, by a grant from the National Endowment for the Arts. STARS AND STRIPES (pas de deux) Choreography: George Balanchine Music: John Philip Sousa, arranged by Hershey Kay Shed Little Oswaldo Muniz INTERMISSION LEGS OF LAMB Choreography: Edward Villella Music: Joseph Lamb Roseanne Germer Kim Vickers Joseph Fritz Paulo Manso de Sousa Sheri Little Carol Stone Susan Strain Ric Abel James Caton Oswaldo Muniz Sheri Little, Carol Stone, Susan Strain, Kim Vickers, Ric Abel, and Oswaldo Muniz appear courtesy of Ballet Oklahoma; Roseanne Germer and Joseph Fritz appear courtesy of the New Jersey Ballet: Paulo Manso de Sousa appears courtesy of Festival Ballet; and James Caton appears courtesy of U. -
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9 GINGER THATCHER, former principal dancer of the Cleveland Ballet and former soloist of the Lar Lubovitch Dance Company, and PHILLIP BROOMHEAD, former principal dancer of the Royal Ballet and the Houston Ballet, will members of the faculty for the Goh Ballet Academy's Summer Program in Vancouver, Canada from July 7-August 9, 2014. GINGER THATCHER began her professional dance career as an apprentice with the Houston Ballet. She later joined the Cincinnati Ballet and in 1981 joined the Cleveland Ballet, rising to the rank of principal dancer. Ms. Thatcher's repertoire with the Cleveland Ballet included principal roles in ballets by George Balanchine (Agon, Concerto Barocco, The Four Temperaments, Serenade, Theme and Variations), Dennis Nahat (Brahms Quintet, Cannonade, Celebration and Ode, Contra Concerti, In Concert, In Studio D, Ontongeny, Pas de Dix, Quicksilver, Slavonic and Hungarian Dances, Some Times, Summerscape, Wu T'ai Shih), Murray Louis (By George), Daniel Levans (Concert Waltzes), Louis Falco (Escargot), Leonide Massine (Gaite Parisienne), David Lichine (Graduation Ball), Kurt Joos (The Green Table), Antony Tudor (Lilac Garden), Ian Horvath (Ozone Hour, Piano Man), Agnes de Mille (Rodeo, Three Virgins And A Devil), and Jose Limon (The Moor's Pavane, There Is A Time). Ms. Thatcher has also received acclaim for her performances in classical pieces such as Don Quixote Pas de Deux, The Nutcracker, Bluebird Pas de Deux, and the Prelude in Fokine's Les Sylphides. From 1991-93 Ms. Thatcher danced with the Lar Lubovitch Dance Company and danced roles in American Gesture, Concerto 622, Symphonie Concertante, and Waiting For The Sunshine. -
Dance Major 2016-2017 Handbook
DANCE MAJOR 2016-2017 HANDBOOK The University of Georgia DEPARTMENT OF DANCE www.dance.uga.edu August, 2016 Welcome to the UGA Department of Dance! This Dance Handbook is a “survivor’s guide” to being a dance major!!! In addition to providing information on degree requirements and policies, this handbook will also answer some of the many questions you will have as you work toward your undergraduate degree in dance. As a student at UGA, you are responsible for knowing what classes you need to take and when those classes are offered. This handbook contains most of the information that you will need. Your academic advisor is available to assist you in mapping-out your schedule and graduation requirements. Each semester you will have an advising session with your advisor. By cross-referencing the Dance Handbook and ATHENA (UGA's online list of classes, formerly OASIS) before your advisement session, your advisor can make sure you have the right classes at the right time. Your advisor will inform you of any changes in the policies or requirements in the Department of Dance and the University of Georgia System. Your successful completion of all course work toward completion of your degree is ultimately your responsibility. Changes in your academic journey - such as a change of major, leave of absence, academic probation, tours and travels - are also your responsibility when keeping up with your program of study. Be conscientious about your education and college career. This can be a wonderfully challenging and magical time in your life. Make the most of it, explore the many pathways toward knowledge, but plan your journey well and . -
Spring Dance Concert
Stockton University School of Arts and Humanities and Studies in the Arts: Dance Presents: The Stockton Dance Company Spring Dance Concert Thursday, March 4, 2021 at 7:30 PM Friday, March 5, 2021 at 7:30 PM Saturday, March 6, 2021 at 7:30 PM Sponsored by the Faculty of Arts and Humanities, Stockton University. 2021 Spring Dance Concert Program Things that Remain (premiere) Choreography: Caitlin Quinn Pittenger in collaboration with the dancers Music: Six Breaths: III. Breath, Crying Breath and Clouds, The Mind on (Re)Wind by Ezio Bosso Costumes: Janessa Urwin Videography: Kent Green Dancers: Alexa Angelucci, Jaylynn Aponte, Agnes Cancio, Ciara Civitello, Sienna DePinto, Taylor Hurle, Leesa Hovius, Lauren Hurtado, Jacqueline Kolmer, Naomi Pagan, Adriana Trigiani, Alyssa Todaro Saor (2020) Fall Choreography Project Faculty Selection Choreography: Alexa Angelucci Music: Your Hand in Mine by Explosions in the Sky Costumes: Alexa Angelucci Videography: Alexa Angelucci and Erin Ryan Dancers: Alexa Angelucci and Erin Ryan Perspective (premiere) Choreography: Chandra Moss-Thorne Music: Forest and Escape Artist by Zoe Keating Lighting: Daniel Wright Costumes: Janessa Urwin and Chandra Moss-Thorne Videography: Shannon Aungst, Kent Green, and Amanda Martinez Dancers: Jaylynn Aponte, Abigail Bell, Abigail Butler, Micheala Kochy, Cecilia Mitchell, Anodja Peck, Deonna Powell, Deivin Velasquez, Saita Westervelt Moray Lane (2020) Fall Choreography Project Faculty Selection Choreography: Morgan Potter Music: Hyperballad by Björk Costumes: Morgan Potter -
In Balanchine's Classroom
IN BALANCHINE’S CLASSROOM A film by Connie Hochman Theatrical & Festival Booking contacts: Nancy Gerstman & Emily Russo, Zeitgeist Films 212-274-1989 • [email protected] • [email protected] Press contact: Sasha Berman • [email protected] A ZEITGEIST FILMS RELEASE in association with KINO LORBER IN BALANCHINE’S CLASSROOM SYNOPSIS IN BALANCHINE’S CLASSROOM takes us back to the glory years of Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Opening the door to his studio, Balanchine’s private laboratory, they reveal new facets of the groundbreaking choreographer: taskmaster, mad scientist, and spiritual teacher. Today, as his former dancers teach a new generation, questions arise: what was the secret of his teaching? Can it be replicated? Filled with never before seen archival footage of Balanchine at work, along with interviews with many of his adored and adoring dancers and those carrying on his legacy today, this is Balanchine as you have never seen him. This film will thrill anyone interested in the intensity of the master-disciple relationship and all who love dance, music, and the creative process. ABOUT GEORGE BALANCHINE [partially excerpted from The George Balanchine Foundation website] Born in St. Petersburg, Russia, George Balanchine (1904-1983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in 1933 at age 29, at the invitation of the young American arts patron Lincoln Kirstein (1907-96), whose great passions included the dream of creating a ballet company in America. -
Winter Wonder Dance Festival Press Release
The Dance Complex’s Annual Winter Wonder Dance Festival Cambridge, MA- December 5th 2018: The Dance Complex’s annual Winter Wonder Dance Festival features classes, repertory, and performance opportunities with internationally renowned Teaching Artists, both Boston-based and from around the world. Held every December, this festival is an opportunity to kick off the New Year with time dedicated to taking your next deep step in dance and movement. This year’s festival will be held December 27th-31st, with opportunities for dancers of all levels to get into the studio with The BANG Group, Chavi Bansal, Christal Brown, Peter DiMuro/Public Displays of Motion, Derick Grant, Eliza Mallouk, Donna Mejia, Pam Pietro, Viktor Plotnikov, Sylver Rochelin, Laura Sanchez, and Aaron Tolson! An evening of performances featuring our celebrated guests, the Winter Wonder Dance Festival Guest Artist Performance will be held on December 29th at 8PM. Peter DiMuro will perform excerpts of Light Reading, a series of solos using the texts of letters from his father, mother and sister. Created over a span of ten years, the cornerstone work, Dad’s Letter, written by Peter’s father Ben in 1983 when the elder DiMuro was in his late 50’s, will be performed. Donna Mejia performs transnational fusion dance- a mashup of North African, Arabian and American Dances. She will present two works during this show: We Are Thirsty and The Inner/The Outer. The Bang Group’s David Parker and Jeffrey Kazin will present a new tap dance duet that translates Steve Reich's Clapping Music into a percussive dance.