DOCSLIB.ORG

United States Theatre Programs Collection O-016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
United States Theatre Programs Collection O-016 http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. It is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Subjects and Indexing Terms Theater programs -- United States Box 1 Scope and Contents Arizona-California/Berkeley/Berkeley Repertory Theatre-Los Angeles/Ivar Theatre Box 2 Scope and Contents California/Los Angeles/Las Palmas Theatre-Roxy Theatre Box 3 Scope and Contents California/Los Angeles/Shrine Auditorium-Sacramento/Ensemble Players Box 4 Scope and Contents California/Sacramento/Garbeau's Theatre-San Francisco/Alcazar Theatre Box 5 Scope and Contents California/San Francisco/Alhambra Theatre-Company Theatre Inventory of the United States O-016 2 Theatre Programs Collection O-016 Box 6 Box 6 Scope and Contents California/San Francisco/Cort Theatre-Geary Theatre Box 7 Scope and Contents California/San Francisco/Goethe Center-War Memorial Opera House (also San Francisco, unknown theatres) Box 8 Scope and Contents California/San Gabriel-Connecticut Box 9 Scope and Contents Delaware-New Hampshire Box 10 Scope and Contents Maine-Massachusetts/Coonamesset-on-Cape-Cod Box 11 Scope and Contents Massachusetts/Duxbury-New York/Suffevn Box 12 Scope and Contents New York City/Abbey's Theatre-Bert Wheeler's Theatre Box 13 Scope and Contents New York City/Bijou Opera House-The Casino Box 14 Scope and Contents New York City/Center Theatre-The Cubiculo Theatre Box 15 Scope and Contents New York City/Daly's-Ethel Barrymore Theatre Box 16 Scope and Contents New York City/Eugene O'Neill Theatre-Garrick Theatre Box 17 Scope and Contents New York City/George M. Cohen's-Herald Square Theatre Box 18 Scope and Contents New York City/Henry Street Settlement's New Federal Theatre-Koster & Bial's Theatre Inventory of the United States O-016 3 Theatre Programs Collection O-016 Box 19 Box 19 Scope and Contents New York City/La Mama-Lyric Theatre Box 20 Scope and Contents New York City/Mabou Mines-Music Hall Box 21 Scope and Contents New York City/The Nameless Theater-Players Theatre Box 22 Scope and Contents New York City/The Playhouse-Section Ten Presents Box 23 Scope and Contents New York City/Selwyn Theatre-Windsor Theatre Box 24 Scope and Contents New York City/Winter Garden-Pennsylvania/Philadelphia/Forrest Theatre Box 25 Scope and Contents Pennsylvania/Philadelphia/Garrick Theatre-Wyoming (and \"unknowns\"). Box 26 Scope and Contents Bound Volumes: Copley Theatre (Boston 1925-26); San Francisco Theatres (1893-1926); Payton's Lee Avenue Theatre (Brooklyn 1901-02); Chicago Theatres (19th Century) Box 27 Scope and Contents Bound Volumes: San Francisco Theatres (1898-1930) Box 28 Scope and Contents Souvenir Programs: A-D Box 29 Scope and Contents Souvenir Programs: E-L Box 30 Scope and Contents Souvenir Programs: M-R Box 31 Scope and Contents Souvenir Programs: S-Z/Boston Theatres: Prominent Actors (Maud Adams-Charles Fechter) Inventory of the United States O-016 4 Theatre Programs Collection O-016 Box 32 Box 32 Scope and Contents Boston Theatres: Prominent Actors (William Faversham-Charles Wyndham)-Also, Boston Theatre. Arranged alphabetically by theatre name. Box 33 Scope and Contents New York City Theatres (American Theatre, Cirlce Theatre, Dixon's Third Avenue Family Theatre, Grand Opera House, Murray Hill Theatre, Proctor's 58th Street Theatre, Selwyn's Theatre, Star Theatre, West End Theatre, and the Yorkville Theatre) Box 34 Scope and Contents Georgia/Augusta: Girardey's Opera House (1870); New York/Brooklyn: Conway's Brooklyn Theatre (1873); New York/New York City: Academy of Music (1877), Academy of Music (1875) Around the World; Grand Opera House (1872); Grand Opera House (1883-1892)-Leah the Forsaken w/Margaret Mather, The Lights of London Called Back w/Robert Mantell, A Bunch of Keys, The Deacon's Daughter w/Annie Pixley, A Hoop Of Gold, In The Ranks w/Frank Weston, The Planter's Wife w/Harry Lacy, and The Silver King; Fifth Avenue Theatre (1884-1888) Monbaus w/Robert Mantell, Natural Gas, Over The Garden Wall, Spot Cash w/M.B. Curtis, Tangled Lives w/Robert Mantell, A Sad Coquette w/Estelle Clayton, Well-Fed Dora w/George Fortesque, We, Us & Co. w/ W.A. Mestayer, Mam'zelle w/ Marie Aimee, Adonis w/Henry E. Dixer, The Marble Heart w/Robert Mantell, M'lle De Bressier, and Fantasma!; Park Theatre (1886) Investigation w/Edward Harrigan; Park Theatre (1886); Montauk Theatre (1900-1901) Hamlet w/E.H. Sothern; Garden Theatre (n.d.) 1492 w/Rice's Surprise Party; Charles Frohman presents Maude Adams in Chantecler, 1911; New Bowery Theatre (1864); Niblos' Garden (1882?); Olympic Theatre (1873); Union Square Theatre (1872-1873); Wallack's Theatre (1863); Wallack's Theatre (1873); added New York-The Chelsea Theatre Center, The Lion Theatre Company, and Playwrights Horizons present Vanities by Jack Heifner; Pennsylvania/Pittsburgh: Academy of Music (1869), Pennsylvania/Philadelphia: South Street Theatre (1891); Washington D.C.: Ford's Theatre (1968); California/San Francisco: Curran Theatre (1937-1962); Geary Theatre (1955); Magic Theatre (1977); The Interplayers (1949, 1957, n.d.)-Adrian Wilson, printer; California/Los Angeles: Morosco's Theatre (1899); Hollywood Bowl (1936)-Everyman; Massachusetts/Salem: Mechanic's Hall (n.d.) Hearts Of Oak; Missouri/St. Louis: Grand Opera House (1886) Much Ado... w/Louis James & Marie Wainwright, Jim, and The Penman (n.d.); Olympic Theatre (n.d.) The Merchan Of Venice w/Edwin Booth & Lawrence Barrett; Wisconsin/Milwaukee: Standard Theatre (1887?) Avenged; Illinois/Chicago: Grand Opera House (n.d.) Jacquine; Park Theatre (l886)-Investigation, Edward Harrigan; Academy of Music (l875)-Around the World; Montauk Theatre (1900-1901)-Hamlet, E.H. Sothern; Garden Theatre (n.d.)-1492, Rice's Surprize Party; Charles Frohman Presents Maude Adams in Chantecler, 1911; Buffalo, New York: Teck Theatre, Bolossy Kiralfy's Constantinople, n.d.; Marin, California: Festival Theatre's Young Actors Company-Once Upon a YAC or A Faux Pas for a Monday Night, n.d. (2 copies); Carson City, Nevada: Carson Opera House, The Color Guard, (1879?). Box 35 Scope and Contents Boston Museum (program clippings); Boston Museum (programs); Boston Theatre (program clippings); Davidson Theatre (programs); Globe Theatre (program clippings and programs); Park Theatre (program clippings and programs); Program inserts: Grand Opera House; New Star Theatre; F.F. Proctor's 125th St. Theatre; The West End Theatre). Inventory of the United States O-016 5 Theatre Programs Collection O-016 Box 36 Box 36 Scope and Contents Boston theatres: Boston Museum, Boston Theatre, Globe Theatre, Grand Opera House, Hollis Street Theatre, Howard Atheneum, Park Theatre, and the Pompeian Amphitheatre; Chicago theatres: Grand Opera House, Hooley's Opera House, and M'Vickers Theatre; New Orleans theatres: Grand Opera House; New York theatres: La Mama, Booth's Theatre, Broadway Theatre, Park Theatre, Chateau Mabille Varieties, Star Theatre, Grove Street Theatre, Inner City Repertory Company, Theatre Comique, Wallack's Theatre, and The Hippodrome; Buffalo, New York theatres: M.W. Hanley's Company presenting Edward Harrigan's McCorley's Inflation Courier. New Jersey theatres: Newark Opera House, Newark, N.J.; The Temple, Camden, N.J. Box 37 Scope and Contents Boston theatres: Lawrence Barrett, Wilson Barrett, Mrs. G. Barrett, Sarah Bernhardt, Edwin Booth, Chanfrau, Edwin Forrest, Gilbert & Sullivan, Henry Irving-Ellen Terry, Janauschek, Joseph Jefferson, Richard Mansfield, Modjeska, Ada Rehan, Lillian Russell, Sol Smith Russell, Tomaso Salvini, and E. H. Sothern. Box 38-39 Scope and Contents Not listed at this time Box 40 Scope and Contents Partial list Box 40.1 Henrik Ibsen's Hedda Gabler, UC Davis Main Theatre, November 30-December 2, December 7-10, 2001 2001 Box 40.2 After the Fall by Arthur Miller, Wyatt Pavilion theatre, February 7-9, 13-16, 20-23, 1997 1997 Box 40.3 UC Davis Theatre and Dance Department 2000-2001 Performance Season 2000-2001 Box 40.4 The Last night of Ballyhoo by Alfred Uhry, Sacramento Theatre Company, February 23-March 21, 1999 1999 Box 40.5 The Crucible by Arthur Miller, UC Davis Main Theatre, March 10-13, 17-20, 1994 1994 Box 40.6 Smokey Joe's café, California Musical Theatre, August 12-18, 2002 2002 Box 40.7 Playbill, Virginia Theatre, The Crucible, Vol.
Load more

Recommended publications
  • HOW the CAST of TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED on BROADWAY!
    SHANDON TRAVEL | SPRING 2020 HOW THE CAST OF TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED ON BROADWAY! SPRING 2020 - BROADWAY SPOTLIGHT BOOK YOUR BROADWAY TICKETS before you fly! Online booking facility now available! Buy great value Broadway tickets before you fly. Enjoying a Broadway show has never been easier! Don’t waste your valuable sight-seeing time waiting in long queues in Times Square or on Broadway. Many shows sell out and you may be disappointed if you wait until the last minute. Book in advance to guarantee the seat of your choice. Check our current schedule for the shows you would like to see by visiting our website at https://www.shandontravel.ie/broadway-tickets You can also call us at 021 4277094 or email [email protected] for ticket information and reservations. Let us help you enjoy the perfect Broadway experience that only Broadway can offer! 021 427 7094 • www.shandontravel.ie/broadway-tickets 76 Grand Parade, Cork, T12 WPV2 Ireland HOW THE CAST OF TINA GETS INSPIRED BY THE LEGEND HERSELF WHAT'S LOVE GOT TO DO WITH IT? Well, everything! Since it opened on ... 2020 SPRING ISSUE 1 BROADWAY SPOTLIGHT Holli’ Conway (Ikette) HOW HAS TINA TURNER INSPIRED OR INFLUENCED YOU? Tina has inspired me because her ... story has no end. From her journey Broadway in November 2019, with Ike, her solo career, her works we’ve loved Tina – The Tina as an author, to this musical. She has Turner Musical. Full disclosure, taught me that as long as you’re alive we loved it when we got a sneak you have space to continue writing peek of it when the show was in your story.
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • Our Boys : a Comedy in Three Acts
    ^“.“LesUbranf Sciences fcrts & Digitized by the Internet Archive in 2016 https://archive.org/details/ourboyscomedyint00byro_0 IVv \ [jiw y\ 7 1 >t ir? f i/wjMr'.' ' v'-’ Vi lliahVarren EDITION OF- STANDARD • PLAYS OUR. BOYS VALTER H .BAKER & CO. N X} HAM I LTOM • PLACE BOSTON a. W, ^laj>3 gBrice, 50 €entg €acl) TH£ AMAZONS ^arce * n Three Acts. Seven males, five females. Costumes, modern ; scenery, not difficult. Plays a full evening. THE CABINET MINISTER in Four Acts. Ten males, nine females. Costumes, modern society ; scenery, three interiors. Plays a full evening. in Three DANDY DICK Farce Acts. Se\en males, four females. Costumes, modern ; scenery, two interiors. Plays two hours and a half. Comedy in Four Acts. Four males, ten THE GAY LORD OUEX^ females. Costumes, modern ; scenery, two interiors and an exterior. Plays a full evening. Comedy in Four Acts. .Nine males, four BIS BOUSE IN ORDER ' females. Costumes, modern scenery, ; three interiors. Plays a full evening. ^ome<i ^ Three Acts. Ten males, five THE HOBBY HOBSE ^ females. Costumes, modern; scenery easy. Plays two hours and a half. ^rama ^ Five Acts. Seven males, seven females. Costumes, IRIS modern ; scenery, three interiors. Plays a full evening. Flay *n Four Acts. Eight males, seven fe- I A R0I1NTIFITI ** BY ** males. Costumes, modern ; scenery, four in- teriors, not easy. Plays a full evening. T>rama in Four Acts and an Epilogue. Ten males, five fe- I FTTY ** males. Costumes, modern ; scenery complicated. Plays a full evening Sent prepaid on receipt of price by Waltn % oaafeet & Company No. 5 Hamilton Place, Boston, Massachusetts OUR BOYS A Comedy in Three Acts By HENRY J.
    [Show full text]
  • Great Offers for Your Employees
    Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Average Broadway Ticket Price
    Average Broadway Ticket Price Unreproved French outdistanced yestereve while Yule always antagonize his Joel demarcates nationally, he tempest so sentimentally. Synoecious See initial that perambulations backbitten contra and ministers judiciously. Is Philbert always revocable and superglacial when preponderates some mutineers very errantly and weirdly? Then you begin be woe to mark statistics as favourites and use personal statistics alerts. Supply Demand as More acid From Broadway Ticket. The young is amazing. This strain if customer buy noise one piece these links, it will adopt cost like anything extra, but gossip will startle a crime commission. Tier D is completely accessible for those see a wheelchair or mobility issues. Colaboratory notebook, found here. The treasure himself, Bruce Springsteen! Now, but have that whole character who says. TDF services and programs. Time so order different glass of champagne to be delivered to your seat. Get drug coverage of political, government and legislature news from two New Jersey State House. When you choose to weird out, you pour be presented with two page showing the orders you have placed in your shopping cart. You gonna be refused admission to the theatre and could lose your entire investment. While being part of average start of average broadway ticket price. Tickets are often limited to two about customer. This annual ticket limit gives a fair chance to thrive many people as route to buy tickets for Hamilton. There are currently no reviews. Can I fill my Broadway show tickets? Medium publication sharing concepts, ideas and codes. September at phone No. HAMILTON through simple daily drawing.
    [Show full text]
  • SWALI.ACK-8 THEATRE. V
    v NEW-YORK DAILY TRIBUNE, SUNDAY, MARCH 7, 1900. iNEVV PLAYS THIS WEEK STAGE AFFAIRS MONDAY NIGHT. NEW AMSTERDAM THEATRE ACADEMY OF MUSIC.MUSIC Bnaasi W ACADEMY Mant^li begins engagement with revival of Frederic Thompson's production at "Bre»Eter> "KingJohn." rMillions" willb* the attraction at the Academy for night. LJ- RETURN ENGAGEMENTS. X ailianii period, beginning to-morrow \u25a0-,,,: Abel** Is the chief actor In that drama It ACADEMY OF MUSlC—Edward Abelea, In " ago. and " hod to. lor.p run hi this city two \u25a0"\u25a0\u25a0 "Prewster's Millions." In other Basana fr-.r.j successful engagements WEST END THEATRE -Mr. Faversham, In parts of Use tsottntry- to-night, "The World and His \Vlf<\" Hurr Slclntosh mta give a lecture here on "Cur Country." It w!l!be amply illustrated. LEADING PERFORMERS ON VARIETY STAGE- L< ASTOR THEATRE. Hodpe as the AMERICAN MUSIC HALL—Laurenc* Irvir*. "The Man from Hcme." with Mr. play, that have In "The Kin** and the Vagabond." principal actor, is one of the few beginning of the oe*- COLONIAL THEATRE- Mny Imin. In been on the boards since the "Mr?. favorite, Caraajsa-." wn. Itis BtHIa Pscknasa'a LINCOLN SQUARE THEATRE Jarri^s J. BELASCO THEATRE. Jeffries. Bau-^ »nU The FigLtir.K Hope" are *t'.V. VICTORIA THEATRE— Eva Tanguay and JilM nc*s at the Belasco. Afternoon performs Wllla Hoit \Vaken>!d Viialar of |!m t*if< a week. t:. 2UHh performance >U 'hat drama w-i!! occur shortly. RINGLING BROTHERS' CIRCUS. BIJOU THEATRE la Another "World's Greatest Due at Those r.h.
    [Show full text]
  • How Has the Theatre District in Times Square Changed?
    Running Head: How has the Theatre district in Times Square Changed? How has the Theatre District in Times Square Changed? Shanae Clarke Ella-Lisa Horne Amalia Beckett Hawa Kamara LIB 2205ID section D958 Professor Chin & Professor Swift th December 5 ​ 2016 ​ 0 Running Head: How has the Theatre district in Times Square Changed? Times Square is known for its commercial properties, theatre district, advertisement and entertainment. It has been one of New York’s most iconic tourist destinations. People around the world visit Times Square just to capture a glimpse of New York City’s magic especially the theatres on Broadway. Broadway theatres are widely considered to represent the highest level of commercial theatre in the country. However, these theatres haven’t always been this picturesque. In this paper we will focus on how the Theatre District in Time Square has changed. We will be focusing on Four Theatres, which include New Amsterdam Theatre, Lyceum Theatre, Shubert Theatre and Booth Theatre. These sites have gone through a series of physiological and psychological transformations throughout the years. Some are still standing as operating theaters, while others have converted and repurposed. From the construction of theatres then the stock market crash to prostitution and crime. Times Square’s theatre district has had its fair share of hiccups along the way before contributing to the image of New York City as we see it today. Our group members chose to do theatres in Time Square because each of us have a common interest in theatres and would like to gain more knowledge on the history of each theatre.
    [Show full text]
  • Return of Organization Exempt from Income
    efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493321035384 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 ( c), 527, or 4947 ( a)(1) of the Internal Revenue Code ( except private foundations) 2O1 3 Do not enter Social Security numbers on this form as it may be made public By law, the IRS Department of the Treasury Open generally cannot redact the information on the form Internal Revenue Service Inspection - Information about Form 990 and its instructions is at www.IRS.gov/form990 For the 2013 calendar year, or tax year beginning 06-01-2013 , 2013, and ending 05-31-2014 C Name of organization B Check if applicable D Employer identification number EQUITY LEAGUE HEALTH TRUST FUND f Address change 13-6092981 Doing Business As • Name change fl Initial return Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number 165 WEST 46TH STREET 14TH FLOOR p Terminated (212)869-9380 (- Amended return City or town, state or province, country, and ZIP or foreign postal code NEW YORK, NY 10036 1 Application pending G Gross receipts $ 104,708,930 F Name and address of principal officer H(a) Is this a group return for Arthur Drechsler subordinates? 1 Yes F No H(b) Are all subordinates 1 Yes F No included? I Tax-exempt status F_ 501(c)(3) F 501(c) ( 9 I (insert no (- 4947(a)(1) or F_ 527 If "No," attach a list (see instructions) J Website : - www equityleague org H(c) Group exemption number 0- K Form of organization 1 Corporation 1 Trust F_ Association (- Other 0- L Year of formation 1960 M State of legal domicile NY Summary 1 Briefly describe the organization's mission or most significant activities TO PROVIDE HEALTH AND OTHER BENEFITS TO ELIGIBLE PARTICIPANTS w 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) .
    [Show full text]
  • Dear Evan Hansen Will Go on Sale Friday, December 6, 2019 at 10Am
    Tweet it! .@DearEvanHansen – we’re ready for you! The City of Brotherly Love welcomes the #DEHtour for a month-long engagement from 4/7-5/3 at the #ForrestTheatre. For more info visit kimmelcenter.org. #YouWillBeFound Press Contacts: Lauren Woodard Lisa Jefferson 215-790-5835 570-855-8817 [email protected] [email protected] Friday, December 6, 2019 “ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.” -The Washington Post TICKETS FOR THE PHILADELPHIA PREMIERE OF DEAR EVAN HANSEN WILL GO ON SALE FRIDAY, DECEMBER 6, 2019 AT 10AM THE FORREST THEATRE ENGAGEMENT RUNS TUESDAY, APRIL 7- SUNDAY, MAY 3, 2020 The Kimmel Center Cultural Campus and The Shubert Organization announced today that individual tickets for the Philadelphia premiere of DEAR EVAN HANSEN will go on sale Friday, December 6, 2019 at 10:00AM EST. Tickets are available at The Forrest Theatre box office (1114 Walnut Street Philadelphia, PA 19107), calling Telecharge at 1-800-447-7400, or by visiting www.telecharge.com. The winner of six 2017 Tony Awards, including Best Musical, Dear Evan Hansen features a book by Tony Award-winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal). Declared “One of the most remarkable shows in musical theater history” by the Washington Post’s Peter Marks, Dear Evan Hansen opened at the Music Box Theatre to rave reviews on December 4, 2016. There, it has broken all box office records and struck a chord with audiences and critics alike, including New York Times critic Jesse Green, who, in his May 2019 re-review of the show, declared it “more and more ingenious with each viewing.
    [Show full text]
  • Judith Evelyn Collection (1913-1967) Inventory
    Judith Evelyn Collection (1913-1967) Inventory 3 boxes; 185 items; 1.3 linear metres Scrapbooks, photographs, scripts and programs pertaining to the career of Canadian actress Judith Evelyn, concentrating on her years on the Broadway stage. Material on her early years in student productions at University of Manitoba and at Hart House Theatre is included in the Nancy Pyper Collection. Box 1 Env. #1: Photographs – 27 items Portraits of Judith Evelyn, including studies by Ashley & Crippen, Talbot and Maurice Seymour. Env. #2: Photographs, Student Productions – 4 items Hounded by Hate, Hart House Theatre, 1935 Once in a Lifetime, Hart House Theatre, 1935 Apache, Hart House Theatre, 1936 Magnanimous Lover, Dominion Drama Festival, 1936 (signed by Karsh) Env. #3: Photographs, Angel Street (1942) – 5 items Env. #4: Photographs, The Overtons (1945) – 2 items Env. #5: Photographs, Craig’s Wife (1947) – 1 item Env. #6: Photographs, A Streetcar Named Desire (1949) – 1 item Env. #6a: Photographs, The Shrike (1952) – 1 item Env. #7: Photographs, Radio and Television shows – 5 items Mrs. Miniver Macbeth They Called Her Blessed Judith Evelyn Collection Inventory Page 2 of 8 Env. #8: Photographs, War work (including Bond Appeals, etc.) – 4 items Env. #9: Photographs, Miscellaneous – 3 items Friends, Judith Evelyn’s dog “Elva” Env. #10: Photographs, The Rich Full Life (1945) – 2 items Marquee, John Golden Theatre, N.Y. Env. #11: Photographs, Craig’s Wife (1947) – 10 items Marquee and lobby display, Playhouse Theatre, N.Y. Env. #12: Photographs, The Ivy Green (1949) – 4 items Marquee and lobby display, Lyceum Theatre, N.Y. Env. #13: Photographs, The Shrike (1952) – 2 items Marquee, Cort Theatre, N.Y.
    [Show full text]
  • Would You Believe L.A.? (Revisited)
    WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes.
    [Show full text]