SWALI.ACK-8 THEATRE. V
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Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA Participation List Name City State Alabama Theatre Birmingham Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Sudio Muscle Shoals Alabama Jonathan Edwards Home Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Nick Pratt Boathouse Orange Bach Alabama David &DeAnn Milly Boathouse Orange Beach Alabama The Wharf Mainstreet Orange Beach Alabama Enlighten Entertainment Orange Beach Alabama Orange Beach Preforming Arts Studio Orange Beach Alabama Greg Trenor Boathouse Orange Beach Alabama Russellville Municipal Auditorium Russellville Alabama The Historic Bama Theatre Tuscaloosa Alabama Rawhide Chandler Arizona Rawhide Motorsports Park Chandler Arizona Northern Arizona university Flagstaff Arizona Orpheum Theater - Flagstaff location Flagstaff Arizona Mesa Arts Center Mesa Arizona Clearwing Productions Phoenix Arizona Creative Backstage/Pride Group Phoenix Arizona Crescent Ballroom Phoenix Arizona Herberger Theatre Phoenix -
Hochman's Bakery ' I• Established 1920 160 CHALKSTONE AVE
Home Beautiful· Edition THE R. l. REVIEW Vol. XVII, No. 15 PROVIDENCE, R. I., JANUARY 12, 1939 5 Cents the Copy S. H. WORKMAN MAKE·s APPEAL /NOTED SCHOLAR I LEADERS TO DISCUSS \ PROBLEMS OF Almost 26 years ago, In 1914. young people who are not reached I WILL SPEAK REFUGEES a group of J ewish leaders pur-1 by the Center because of lnade- I AT CONFERENCE cbased the present building. Flor quate faclllties. I Palestine In 1938, American· Not only will hundreds of lead- many • years It was c9nducted as Furthermore, our present build· I Word has just been r eceived Jewry's role In the rebuilding of ers from scores of J ewish commu- a Hebrew school and for meeting Ing more than 70 years old, Is I nltl_es throughout the country Purposes. rapidly outliving Its usefulness that Professor Alvin S. Johnson, the Jewish National Homeland, I participate In the deliberations, In' 1925 the name was changed and Is being worn down 'by the one ' of this count~;"• great econ- and Palestine as the key to the but nation-wide broadcasts by the from the Hebrew Educational In· use made of It by many people. omists and director of the New refugee problem, will be the fun- three major radio chains will stitute to that of the Jewish Com- We are a lso concerned about the ISc hool for Social Research, has damental questions to be consld· bring to tens of tbousands of J ews munlty Center. fact that there should be neces- accepted the Invitation of the Am· ered In the sessions of the Na- and non-Jews throughout the Uni- Since that time a board of di· sary safety provisions In a publfo Ie rlcan ORT Federation to ad· tional Conference for Palestine ted Slates addresses by the prln- rectors composed of leading clti- building of this type. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York City Permalink https://escholarship.org/uc/item/3x19f20h Author Schmitz, Sandra Elizabeth Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Sandra Elizabeth Schmitz June 2015 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Jason Weems Dr. Catherine Gudis Copyright by Sandra Elizabeth Schmitz 2015 The Thesis of Sandra Elizabeth Schmitz is approved: Committee Chairperson University of California, Riverside Acknowledgements I would like to thank my thesis advisor, Dr. Patricia Morton, for helping me to arrive at this topic and for providing encouragement and support along the way. I’m incredibly grateful for the time she took to share her knowledgeable insight and provide thorough feedback. Committee members Dr. Jason Weems and Dr. Catherine Gudis also brought valuable depth to my project through their knowledge of American architecture, urbanism, and preservation. The department of Art History at the University of California, Riverside (UCR) made this project possible by providing me with a travel grant to conduct research in New York City. Carnegie Hall’s archivists graciously guided my research at the beginning of this project and provided more information than I could fit in this thesis. I could not have accomplished this project without the support of Stacie, Hannah, Leah, and all the friends who helped me stay grounded through the last two years of writing, editing, and talking about architecture. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Matilda-Playbill-FINAL.Pdf
We’ve nevER been more ready with child-friendly emergency care you can trust. Now more than ever, we’re taking extra precautions to keep you and your kids safe in our ER. AdventHealth for Children has expert emergency pediatric care with 14 dedicated locations in Central Florida designed with your little one in mind. Feel assured with a child-friendly and scare-free experience available near you at: • AdventHealth Winter Garden 2000 Fowler Grove Blvd | Winter Garden, FL 34787 • AdventHealth Apopka 2100 Ocoee Apopka Road | Apopka, Florida 32703 Emergency experts | Specialized pediatric training | Kid-friendly environments 407-303-KIDS | AdventHealthforChildren.com/ER 20-AHWG-10905 A part of AdventHealth Orlando Joseph C. Walsh, Artistic Director Elisa Spencer-Kaplan, Managing Director Book by Music and Lyrics by Dennis Kelly Tim Minchin Orchestrations and Additional Music Chris Nightingale Presenting Sponsor: ADVENTHEALTH VIP Sponsor: DUKE ENERGY Matilda was first commissioned and produced by the Royal Shakespeare Company and premiered at The Courtyard Theatre, Stratford-upon-Avon, England on 9 November 2010. It transferred to the Cambridge Theatre in the West End of London on 25 October 2011 and received its US premiere at the Shubert Theatre, Broadway, USA on 4 March 2013. ROALD DAHL’S MATILDA THE MUSICAL is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. 423 West 55th Street, New York, NY 10019 Tel: (212)541-4684 Fax: (212)397-4684 www.MTIShows.com SPECIAL THANKS Garden Theatre would like to thank these extraordinary partners, with- out whom this production of Matilda would not be possible: FX Design Group; 1st Choice Door & Millwork; Toole’s Ace Hardware; Signing Shadows; and the City of Winter Garden. -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
Download Resume
Paul HeeSang Miller AEA. SAG-AFTRA th 214 West 29 Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 BROADWAY / NYC THEATER Aladdin Ensemble New Amsterdam Theatre (Casey Nicholaw) Soft Power Roller Skater / Thug / Ensemble The Public Theater (Leigh Silverman) Miss Saigon Ensemble (u/s Thuy) Broadway Theatre (Laurence Connor) The King and I Ensemble (u/s Lun Tha) Vivian Beaumont Theatre (Bartlett Sher) Mamma Mia! Eddie Broadhurst Theatre (Martha Banta) Mamma Mia! Ensemble (u/s Eddie) Winter Garden Theatre (Martha Banta) Chonburi International Hotel and Butterfly Club Duan Williamstown Theatre Festival (Laura Savia) Bisland & Bly Lafcadio Hearn New York Musical Festival (Avital Shira) Island People Kevin O’Connell NYC Reading (Ashley Brooke Monroe) Jawbreaker: The Musical Jock / Cheap Suit NYC Reading (Gabriel Barre) CRUDE: The Musical Brian Scribner New York Musical Festival (Ilana Toeplitz) Empty City: A New Musical Grave Digger NYC Reading (Josh Sassanella) Reefer Madness: In Concert Ensemble New World Stages (Ilana Toeplitz) REGIONAL THEATER West Side Story Gee-Tar (u/s Action) Lyric Opera of Chicago (Francesca Zambello) Soft Power Ensemble / Thug Center Theatre Group (Leigh Silverman) Ahmanson Theatre (LA) and Curran Theatre (SF) The King and I Ensemble (u/s Angel, Unc Thomas) Walnut Street Theatre (Marc Robin) The King and I Phra Alack Kansas City Starlight (Susan Kikuchi) Bye Bye Birdie Bar Quartet / Ensemble North Shore M.T. (Michael Lichtefeld) The King and I Ensemble North Shore M.T. (Richard Stafford) Miss Saigon Male Swing Pittsburgh C.L.O. (Barry Ivan) Four Seasons Centre Toronto Joseph … Dreamcoat Benjamin ArtPark & Co (Randy Kramer) Kiss Me, Kate Ensemble M.T. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
The Theater Designs of C. Howard Crane
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C. -
NEHAL JOSHI: Broadway
Nehal Joshi SAG-AFTRA/AEA www.nehaljoshi.com Height: 5’9” Hair: Black Weight: 167 Eyes: Brown FILM/TV Search Party Co-Star TBS Law & Order: SVU Co-Star NBC/Dir. Jean de Segonzac New York, I Love You Gabbi Dir: Randall Balsmeyer Blackout Ali (Principal) BET/Dir. Jerry Lamothe The Wire – Moral Midgetry Baba Jani HBO War of Warcraft-Cataclysm Worgen Venders (v/o) Blizzard Entertainment BROADWAY/TOUR All My Sons Frank Lubey American Airlines Theatre Gettin’ the Band Back Together Ensemble Belasco Theatre School of Rock Ensemble / Ned u/s Winter Garden Theatre Les Miserables (Revival) Lesgles, Enjolras u/s Broadhurst Theatre The Threepenny Opera Swing Roundabout @ Studio 54 The Emperor’s New Clothes Simon Kennedy Center NEW YORK Cyrano Ragueneau New Group Grand Hotel Zinnowitz Encores! City Center Working* Man 2 59E59 / Prospect Theatre Co Falling For Eve Michael York Theatre Co. The Secret Garden (Concert) Fakir World Aids Day/Storm The High Life Otto Musicals Tonight *Drama Desk Award REGIONAL Fly Smee La Jolla Disgraced Amir Arena Stage Peter and the Starcatcher Smee Actors Theatre of Louisville Man of La Mancha Sancho Panza Shakespeare Theatre Company Les Miserables Jean Valjean Dallas Theater Center Breath and Imagination Teacher ArtsEmerson Mother Courage and Her Children Swiss Cheese Arena Stage The Jungle Book Rama Goodman Theatre/Huntington Theatre Next to Normal Dr. Madden Hangar Theatre Oklahoma! Ali Hakim Arena Stage Working (2008-version premiere) Charlie, Utkarsh, etc. The Old Globe, Asolo Rep Mister Roberts Gerhart Kennedy Center Tommy Capt. Walker Dallas Theater Center Music Man Marcellus Washburn Arena Stage Carousel Enoch Snow Olney Theatre Center Arsenic and Old Lace Dr.