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Paul HeeSang Miller AEA. SAG-AFTRA th 214 West 29 Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 BROADWAY / NYC THEATER Aladdin Ensemble New Amsterdam Theatre (Casey Nicholaw) Soft Power Roller Skater / Thug / Ensemble The Public Theater (Leigh Silverman) Miss Saigon Ensemble (u/s Thuy) Broadway Theatre (Laurence Connor) The King and I Ensemble (u/s Lun Tha) Vivian Beaumont Theatre (Bartlett Sher) Mamma Mia! Eddie Broadhurst Theatre (Martha Banta) Mamma Mia! Ensemble (u/s Eddie) Winter Garden Theatre (Martha Banta) Chonburi International Hotel and Butterfly Club Duan Williamstown Theatre Festival (Laura Savia) Bisland & Bly Lafcadio Hearn New York Musical Festival (Avital Shira) Island People Kevin O’Connell NYC Reading (Ashley Brooke Monroe) Jawbreaker: The Musical Jock / Cheap Suit NYC Reading (Gabriel Barre) CRUDE: The Musical Brian Scribner New York Musical Festival (Ilana Toeplitz) Empty City: A New Musical Grave Digger NYC Reading (Josh Sassanella) Reefer Madness: In Concert Ensemble New World Stages (Ilana Toeplitz) REGIONAL THEATER West Side Story Gee-Tar (u/s Action) Lyric Opera of Chicago (Francesca Zambello) Soft Power Ensemble / Thug Center Theatre Group (Leigh Silverman) Ahmanson Theatre (LA) and Curran Theatre (SF) The King and I Ensemble (u/s Angel, Unc Thomas) Walnut Street Theatre (Marc Robin) The King and I Phra Alack Kansas City Starlight (Susan Kikuchi) Bye Bye Birdie Bar Quartet / Ensemble North Shore M.T. (Michael Lichtefeld) The King and I Ensemble North Shore M.T. (Richard Stafford) Miss Saigon Male Swing Pittsburgh C.L.O. (Barry Ivan) Four Seasons Centre Toronto Joseph … Dreamcoat Benjamin ArtPark & Co (Randy Kramer) Kiss Me, Kate Ensemble M.T. of Wichita (Jimmy Brennan) Camelot Ensemble M.T. of Wichita (Wayne Bryan) Miss Saigon Ensemble M.T. of Wichita (Melanie Lockyer & Darren Lee) Barnum Ensemble St. Michael’s Playhouse (Keith Andrews) Hairspray Fender Weston Playhouse (Schele Williams) SCHOOL Elon University: BFA Music Theater Walnut Hill School of the Arts: Theater .

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Great Offers for Your Employees
Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice.
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SWALI.ACK-8 THEATRE. V
v NEW-YORK DAILY TRIBUNE, SUNDAY, MARCH 7, 1900. iNEVV PLAYS THIS WEEK STAGE AFFAIRS MONDAY NIGHT. NEW AMSTERDAM THEATRE ACADEMY OF MUSIC.MUSIC Bnaasi W ACADEMY Mant^li begins engagement with revival of Frederic Thompson's production at "Bre»Eter> "KingJohn." rMillions" willb* the attraction at the Academy for night. LJ- RETURN ENGAGEMENTS. X ailianii period, beginning to-morrow \u25a0-,,,: Abel** Is the chief actor In that drama It ACADEMY OF MUSlC—Edward Abelea, In " ago. and " hod to. lor.p run hi this city two \u25a0"\u25a0\u25a0 "Prewster's Millions." In other Basana fr-.r.j successful engagements WEST END THEATRE -Mr. Faversham, In parts of Use tsottntry- to-night, "The World and His \Vlf<\" Hurr Slclntosh mta give a lecture here on "Cur Country." It w!l!be amply illustrated. LEADING PERFORMERS ON VARIETY STAGE- L< ASTOR THEATRE. Hodpe as the AMERICAN MUSIC HALL—Laurenc* Irvir*. "The Man from Hcme." with Mr. play, that have In "The Kin** and the Vagabond." principal actor, is one of the few beginning of the oe*- COLONIAL THEATRE- Mny Imin. In been on the boards since the "Mr?. favorite, Caraajsa-." wn. Itis BtHIa Pscknasa'a LINCOLN SQUARE THEATRE Jarri^s J. BELASCO THEATRE. Jeffries. Bau-^ »nU The FigLtir.K Hope" are *t'.V. VICTORIA THEATRE— Eva Tanguay and JilM nc*s at the Belasco. Afternoon performs Wllla Hoit \Vaken>!d Viialar of |!m t*if< a week. t:. 2UHh performance >U 'hat drama w-i!! occur shortly. RINGLING BROTHERS' CIRCUS. BIJOU THEATRE la Another "World's Greatest Due at Those r.h.
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Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L.
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Matilda-Playbill-FINAL.Pdf
We’ve nevER been more ready with child-friendly emergency care you can trust. Now more than ever, we’re taking extra precautions to keep you and your kids safe in our ER. AdventHealth for Children has expert emergency pediatric care with 14 dedicated locations in Central Florida designed with your little one in mind. Feel assured with a child-friendly and scare-free experience available near you at: • AdventHealth Winter Garden 2000 Fowler Grove Blvd | Winter Garden, FL 34787 • AdventHealth Apopka 2100 Ocoee Apopka Road | Apopka, Florida 32703 Emergency experts | Specialized pediatric training | Kid-friendly environments 407-303-KIDS | AdventHealthforChildren.com/ER 20-AHWG-10905 A part of AdventHealth Orlando Joseph C. Walsh, Artistic Director Elisa Spencer-Kaplan, Managing Director Book by Music and Lyrics by Dennis Kelly Tim Minchin Orchestrations and Additional Music Chris Nightingale Presenting Sponsor: ADVENTHEALTH VIP Sponsor: DUKE ENERGY Matilda was first commissioned and produced by the Royal Shakespeare Company and premiered at The Courtyard Theatre, Stratford-upon-Avon, England on 9 November 2010. It transferred to the Cambridge Theatre in the West End of London on 25 October 2011 and received its US premiere at the Shubert Theatre, Broadway, USA on 4 March 2013. ROALD DAHL’S MATILDA THE MUSICAL is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. 423 West 55th Street, New York, NY 10019 Tel: (212)541-4684 Fax: (212)397-4684 www.MTIShows.com SPECIAL THANKS Garden Theatre would like to thank these extraordinary partners, with- out whom this production of Matilda would not be possible: FX Design Group; 1st Choice Door & Millwork; Toole’s Ace Hardware; Signing Shadows; and the City of Winter Garden.
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Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously inﬂuential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a signiﬁcant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
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Six Years of Drama at the Castle Square Theatre, with Portraits of The
U\'\U: iiir THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Pliolo l<y Tai'li liron. J . H. EMERY, Manager and 'I'reasurer. Six Years of Drama AT THE Castle Square Theatre With Portraits of the Members of the Company and Complete Programs of all Plays Produced MAY 3, 1897 — MAY 3, 1903 BOSTON CHARLES ELWELL FRENCH 1903 Copyright, 1903, By Chari.es Elwhi.i. ?"rknch, Boston, Mass. SIX YEARS OF DRAMA TO tup: many patrons whose LOVAI, SII'I'ORT HAS MADE POSSH^l.i: SIX YEARS OF DRAMA AT THE CASTLE SQUARE THEATRE The Castle Square Theatre " That Exemplary Theatre in Boston,'" William Dean Howklls successfully complete six years of continuous dramatic TOperformances, with twelve appearances for each of the three hundred and twelve weeks, is a record which has made the Castle Square Theatre Dramatic Stock Company known throughout America, and gained for the Castle Square Theatre a prominent place in the dramatic history of Boston. The patrons of this playhouse have always shown a peculiar personal interest in its achievements and the work of those who have from time to time been members of the stock com- the which has resulted in pany identified with it, and demand the present publication is typical of the fidelity and loyalty of the Boston amusement seeking public. One of the most noteworthy features of the Castle Square Theatre is the extreme liberality of the management. Everything is done for the convenience and comfort of the patrons, and great care is taken to remove all the objectionable features so common in public places.
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