Terry Helgesen Collection
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HOW the CAST of TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED on BROADWAY!
SHANDON TRAVEL | SPRING 2020 HOW THE CAST OF TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED ON BROADWAY! SPRING 2020 - BROADWAY SPOTLIGHT BOOK YOUR BROADWAY TICKETS before you fly! Online booking facility now available! Buy great value Broadway tickets before you fly. Enjoying a Broadway show has never been easier! Don’t waste your valuable sight-seeing time waiting in long queues in Times Square or on Broadway. Many shows sell out and you may be disappointed if you wait until the last minute. Book in advance to guarantee the seat of your choice. Check our current schedule for the shows you would like to see by visiting our website at https://www.shandontravel.ie/broadway-tickets You can also call us at 021 4277094 or email [email protected] for ticket information and reservations. Let us help you enjoy the perfect Broadway experience that only Broadway can offer! 021 427 7094 • www.shandontravel.ie/broadway-tickets 76 Grand Parade, Cork, T12 WPV2 Ireland HOW THE CAST OF TINA GETS INSPIRED BY THE LEGEND HERSELF WHAT'S LOVE GOT TO DO WITH IT? Well, everything! Since it opened on ... 2020 SPRING ISSUE 1 BROADWAY SPOTLIGHT Holli’ Conway (Ikette) HOW HAS TINA TURNER INSPIRED OR INFLUENCED YOU? Tina has inspired me because her ... story has no end. From her journey Broadway in November 2019, with Ike, her solo career, her works we’ve loved Tina – The Tina as an author, to this musical. She has Turner Musical. Full disclosure, taught me that as long as you’re alive we loved it when we got a sneak you have space to continue writing peek of it when the show was in your story. -
Great Offers for Your Employees
Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice. -
An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
E X P L O R E OWNED by PLAYHOUSE SQUARE I D E a C E N T E R Participating in Economic Development in Greater Cleveland
E X P L O R E OWNED BY PLAYHOUSE SQUARE I D E A C E N T E R Participating in economic development in Greater Cleveland 1375 Euclid Avenue, Cleveland, Ohio 44115 NUMBER OF FLOORS 6 FULL FLOOR SQUARE 36,700 RSF The Idea Center at FOOTAGE Playhouse Square is OFFICE RENTAL $18.00 per rentable SF, modified the result of a RATES gross partnership TENANT Negotiable between WVIZ/PBS IMPROVEMENTS and 90.3 WCPN OPERATING Tenants pay their pro rata share of ideastream and EXPENSE increases (if any) in operating ADJUSTMENTS expenses and real estate taxes over a PlayhouseSquare. base year UTILITIES Electric Individually controlled and Encompassing over separately metered for lights, wall plugs and air 243,035 SF, the conditioning building offers Water AC water separate annual innovative office charge for cooling tower space. PARKING Adjacent parking garage and many reasonably-priced surface lots surrounding the building BUILDING ACCESS / 24-hours, seven days per week SECURITY BUILDING Teleconferencing and distance The information contained herein was AMENITIES learning technology available. obtained from sources believed reliable; however, Playhouse Square Real Estate Services makes no guarantees, warranties 300-seat Westfield Insurance Studio For leasing information, contact or representations as to the completeness Theatre available for seminars and or accuracy thereof. The presentation of Joseph P. Fegen ▪ 216-640-8722 this property is submitted subject to errors, conferences. [email protected] omissions, change of price or conditions -
El Vado Motel Redevelopment Development & Architectural Services / Request for Proposal / 07.03.2014
City of Albuquerque El Vado Motel Redevelopment Development & Architectural Services / Request for Proposal / 07.03.2014 TABLE OF CONTENTS EL VADO MOTEL REDEVELOPMENT CITY OF ALBUQUERQUE / 07.03.2014 A. DEVELOPMENT OVERVIEW Contact Information . .P 01 Project Summary . .P 01 B. CONSISTENCY WITH CITY’S PROJECT GOALS Design Information . .P 02 Historic Preservation . .P 08 Economic Redevelopment. .P 09 Aff ordable Housing Component . .P 09 Project Team / Proposer’s Experience . .P 10 Time Frame . .P 13 Compatibility with Adopted Plans . .P 14 C. BENEFIT TO THE SURROUNDING COMMUNITY Benefi t to the Community . .P 16 D. FINANCIAL STRUCTURE Project Budget . .P 17 Financial Pro-Forma . .P 19 E. FINANCIAL CAPACITY Letters of Interest . .P 23 Proposer Financial Risk . .P 23 Other Financial Obligations . .P 23 Financing References . .P 23 Financial Statements . SEPARATE PACKET F. PROJECT DETAILS Other Information . .P 24 DEVELOPMENT OVERVIEW A. DEVELOPMENT OVERVIEW A.1 CONTACT INFORMATION PALINDROME COMMUNITIES, LLC Attention: Chad Rennaker 412 NW 5th Avenue, Suite 200 Portland, OR 97209 Phone: 503-752-1393 E-mail: crennaker@pacifi cap.com and hboyd@pacifi cap.com A.2 PROJECT SUMMARY Rarely does one property off er so many opportunities to energize a community with so many public benefi ts. The El Vado Motel is a historic treasure that belongs to everyone and must be preserved in a way that allows everyone to enjoy its charm. Many people have visited rehabilitated historic hotels. Unfortunately, most of these properties do not transport guests and visitors to the bygone era the properties represent. In addition to the physical restoration of this Route 66 treasure, the development plan that follows includes numerous features that will immerse guests and visitors in the grand history of El Vado and Route 66. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
The Auditorium Theatre Celebrates 50Th Anniversary of Their Grand Re
10/12/2017 Auditorium Theatre One-Night-Only Performance Honoring the Theatre's Past, Present, Future View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 5, 2017 THE AUDITORIUM THEATRE CELEBRATES 50th ANNIVERSARY OF THEIR GRAND RE-OPENING WITH ONE-NIGHT-ONLY PERFORMANCE FEATURING PREMIER DANCERS FROM TOP COMPANIES AROUND THE WORLD THE EVENING INCLUDES PERFORMANCES BY DANCERS FROM ALVIN AILEY AMERICAN DANCE THEATER, AMERICAN BALLET THEATRE, DUTCH NATIONAL BALLET, THE JOFFREY BALLET, NEW YORK CITY BALLET, THE WASHINGTON BALLET, AND FINALISTS FROM YOUTH AMERICA GRAND PRIX A Golden Celebration of Dance – November 12, 2017 On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world’s premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington http://tracking.wordfly.com/view/?sid=NjUzXzQ4NTRfMjc3ODA2XzY5NTk&l=4d2b8dea-61af-e711-8416-e41f1345a486&utm_source=wordfly&utm_me… 1/5 10/12/2017 Auditorium Theatre Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers. In 1941, the Auditorium Theatre closed its doors to the public in the wake of the Great Depression. Aside from when it was used as a servicemen’s center during World War II, the theatre sat unused and in disrepair, until a 7-year-long fundraising campaign – led by Beatrice Spachner and the Auditorium Theatre Council – covered the costs of theatre renovation, culminating with a grand re-opening on October 31, 1967. -
Boston Performing Arts Facility Assessment
Boston Performing Arts Facility Assessment DRAFT FOR PUBLIC COMMENT July 2017 Authors: Christopher Perez, Vice President Susan Nelson, Executive Vice President Elizabeth Wiesner, Senior Associate Prepared by TDC Table of Contents I. About TDC....................................................................................................................... 3 II. Acknowledgments............................................................................................................ 3 III. Introduction ...................................................................................................................... 4 IV. Methodology .................................................................................................................... 6 V. Definitions........................................................................................................................ 7 VI. What is the demand for spaces serving performing arts? .............................................. 10 A. What does the landscape look like? ............................................................................... 10 B. How do organizations and artists operate within the landscape? ................................... 11 C. What concerns or barriers were expressed? ................................................................... 13 VII. What is the supply of spaces that serve performing arts? .............................................. 16 A. What does the landscape look like? .............................................................................. -
Theater Evacuation and Emergency Situation Guidelines
THEATER EVACUATION AND EMERGENCY SITUATION GUIDELINES As volunteer STARS or RedCoats, you have a unique role in the safety of guests who attend shows at Playhouse Square. We ask that you take this role very seriously. In an emergency, our primary responsibility is to ensure the safety of guests, volunteers, performers and employees of Playhouse Square. When you are assigned to work inside a theater or any other position within the complex, it is imperative that you are familiar with your surroundings. You will often be the first person a guest encounters if they have a question or need assistance. If something doesn’t look or feel right, do not hesitate to seek out a Head Usher or House Manager to assist. Your role is to “See Something. Say Something.” If everyone raises their level of awareness about their surroundings and pays attention to the details, it will assist Playhouse Square in making our theaters a special place for everyone to enjoy. Please take time to become familiar with the following evacuation guidelines in the unlikely event that any/all of the theaters in Playhouse Square need to be evacuated. These are general guidelines to follow regardless of the location and information about evacuation routes for each theater. We have also included guidelines for active shooter response and your role if a guest is reported missing. THEATER EVACUATION Upon Arrival In The Theater: Check emergency exit doors in your area to be sure they are functional and free of obstructions. Open emergency exit doors, see what’s on the other side of the door and get your bearings. -
Tri-C Jazzfest Cleveland Adds New Features for 2017
Here is the indoor lineup, with show times and locations: Chris Botti Dianne Reeves Jane Bunnett and Maqueque Boz Scaggs Catherine Russell Thursday, June 22 Saturday, June 24 BOZ SCAGGS WITH CATHERINE CHRIS BOTTI WITH DIANNE JANE BUNNETT RUSSELL OPENING — 8:05 P.M. REEVES OPENING — 7:30 P.M. AND MAQUEQUE/ Connor Palace Connor Palace ALICIA OLATUJA — Boz Scaggs performed with the Steve Trumpeter Chris Botti is a Grammy winner, 1 P.M. Miller Band in the ’60s before embarking with four albums having reached No. 1 Allen Theatre on a solo career that produced classic on Billboard’s jazz charts. With a buttery- Saxophonist Jane albums such as Silk Degrees (1976) rich and fluid voice, the legendary Dianne Alicia Olatuja Bunnett, a Juno and Middle Man (1980). Catherine Reeves has won five Grammys for Best Award winner, Russell’s musical resume includes six Vocal Jazz Performance. routinely launches creative and exciting chart-topping albums and a Grammy as a projects with Cuban artists such as featured artist on the Boardwalk Empire Friday, June 23 the five young women in Maqueque. soundtrack. TERENCE Newcomer Alicia Olatuja earned praise BLANCHARD’S from the New York Times as “a singer TERENCE BLUE NOTE with a strong and luscious tone and an BLANCHARD’S SESSIONS — amiably regal presence on stage.” E-COLLECTIVE — 6 P.M. 10:15 P.M. Ohio Theatre Allen Theatre Terence Blanchard Trumpeter Terence Terence Blanchard’s Blanchard and a few E-Collective offers a Terence Blanchard musical friends — Kenny Barron, Ravi socially conscious Tri-C JazzFest Cleveland takes it to both the streets Coltrane, Carl Allen and David Pulphus journey into an and the theaters at Playhouse Square June 22–24. -
The Nightmare Before Christmas
Featuring the Chicago Philharmonic View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: July 17, 2018 DISNEY IN CONCERT: TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS COMES TO THE AUDITORIUM THEATRE ON OCTOBER 31 TICKETS ON SALE JULY 27 AT NOON COMMEMORATING THE 25th ANNIVERSARY OF THE CLASSIC FILM Chicago Philharmonic Performs Danny Elfman’s Renowned Score Live to Film Disney in Concert: Tim Burton’s The Nightmare Before Christmas – October 31, 2018 (Chicago, IL) – Jack Skellington and the residents of Halloween Town pay a visit to Chicago on October 31, 2018, when Disney in Concert: Tim Burton’s The Nightmare Before Christmas comes to the Auditorium Theatre. Tickets go on sale Friday, July 27 at noon and will be available online at AuditoriumTheatre.org, by phone at 312.341.2300, or in person at the Auditorium Theatre Box Office (50 E Congress Pkwy). Tickets start at $30. Tickets are also on sale now as part of the Auditorium's American Music Series subscription and for groups of 10 or more people. The Halloween screening commemorates the 25th anniversary of Tim Burton's stop-motion masterpiece and features the Chicago Philharmonic performing Danny Elfman's beloved score. Attendees are encouraged to dress in costume and celebrate Halloween in the Auditorium Theatre lobby. "We are beyond thrilled to celebrate the 25th anniversary of this classic film on our historic stage with the acclaimed musicians of the Chicago Philharmonic, right on Halloween!" says C.J. -
Ate9 Dance Company (With Glenn
Featuring Ate9 Dance Company, Deeply Rooted Dance Theater, View in browser and Visceral Dance Chicago 50 E Congress Pkwy (50 E Ida B. Wells Dr) Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 10, 2018 ATE9 DANCE COMPANY (WITH GLENN KOTCHE OF WILCO), DEEPLY ROOTED DANCE THEATER, AND VISCERAL DANCE CHICAGO PERFORM AT THE AUDITORIUM THEATRE AS PART OF THE “MADE IN CHICAGO” 312 DANCE SERIES ON NOVEMBER 16 AN EVENING OF INNOVATIVE CONTEMPORARY DANCE Ate9 Dance Company/Deeply Rooted Dance Theater/Visceral Dance Chicago on November 16, 2018 (CHICAGO, IL) – On Friday, November 16, three groundbreaking contemporary dance companies perform on the Auditorium Theatre’s landmark stage in the “Made in Chicago” 312 Dance Series. The evening features Ate9 Dance Company, performing the work calling glenn with live music from Chicago-based percussionist Glenn Kotche (Wilco); Deeply Rooted Dance Theater, performing Kevin Iega Jeff’s Church of Nations, Kevin Iega Jeff and Gary Abbott’s Heaven, and Nicole Clarke-Springer’s Until Lambs Become Lions; and Visceral Dance Chicago, performing company founder Nick Pupillo’s Soft Spoken. “We are thrilled to feature these three innovative companies as we open our 2018-19 ‘Made in Chicago’ 312 Dance Series,” says Rachel Freund, Interim Chief Executive Officer of the Auditorium Theatre. “This evening will highlight the creativity of these distinct companies and showcase the breadth of contemporary dance styles that we present on our historic stage.” The Los Angeles-based Ate9 Dance Company makes its Auditorium Theatre debut with calling glenn (2017), created by company founder and artistic director Danielle Agami in collaboration with Chicagoan Glenn Kotche.