DOCSLIB.ORG

HOLLY ARSENAULT Playwright

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HOLLY ARSENAULT Playwright [email protected] | 206.794.3299 HOLLY ARSENAULT www.holly-arsenault.com playwright FULL-LENGTH PLAYS AWARDS & RESIDENCIES National Winter Playwriting Retreat, 2018 The Great Inconvenience Workshop production, Annex Theatre, July 2018 Artist Trust James W. Ray Venture Project Award nominee, 2016 The Manor Equity staged reading, Seattle Repertory Theatre, Seattle Rep Writers Group, 2013 - 2015 June 2015 Princess Grace Award semi-finalist for Undo, 2014 The Cut Equity staged reading, Seattle Repertory Theatre, American Theatre Critics Association new play June 2014 awards nominee for Undo, 2014 Educational developmental reading, University of Theatre Puget Sound Gregory Award for Washington School of Drama, February 2015 Outstanding New Play for Undo, 2013 Seattle Theatre Writers Gypsy Rose Lee Award Marvelous for Excellence in Local Playwriting for Undo, Original adaptation of Hans Christian Andersen’s 2013 The Snow Queen, commissioned by The Drama School at Seattle Children’s Theatre Seattle Office of Arts & Culture CityArtist grant for Undo, 2012 Educational production, Seattle Children’s Theatre Drama School, July 2014, Heideman Award finalist for 24 Pictures of a Pilot, 2009 Educational production, Bainbridge Island Performing Arts Center, August 2015 PUBLICATIONS Developmental reading, Live Girls! Theater, UPCOMING: Scattered Thoughts as I Prepare March 2016 a Eulogy on the Occasion of the Tragic Death of the Royal Children (short play, full text), Undo Caffe Cino magazine, Fall 2018 Workshop production, Annex Theatre, January 2013 The Octavia: A Post-Electric Play (essay) The Dramatist, Summer 2017 Production, Parade Productions, January 2015 A Portrait of the Artist as a Young Mother Educational Production, The Theatre School at (essay), City Arts Magazine, 2015 DePaul University, April 2015 Undo (full-length play, full text), Manifesto Series v.4, edited by Chay Yew, Rain City Projects, 2014 24 Pictures of a Pilot (short play, full text), Manifesto Series v.2, edited by Steven Dietz, Rain City Projects, 2012 SHORT PLAYS DRAMATURGY & LITERARY MANAGEMENT Lavender 14/48: Nordo—Food Theatre Thunderdome ACT Theatre (Seattle) Cafe Nordo, August 2018 Script reader 2004 - 2006 The Editors Thought Experiments Death of a Salesman by Arthur Miller Infinity Box Theatre, October 2016 Dramaturg March, 2005, Capitol Hill Arts Center, directed Juice and Fortune by Aimée Bruneau One-Minute Play Festival ACT Theatre, May 2014 2004 Women Playwrights Festival plays by Honour Molloy, Eisa Davis, Alfred Tanya Barfield & Rosanna Staffa 14/48: The World’s Quickest Theatre Festival, Literary Assistant June 2013 June 2004, Seattle Repertory Theatre & Hedgebrook Writers Retreat A Fish and a Bear in Purgatory 14/48: The World’s Quickest Theatre Festival, The O’Connor Girls by Katie Forgette June 2013 Asst. Director & Dramaturg March 2004, Seattle Repertory Theatre, 14/48: Mixtape (Best-of Festival), July 2014 directed by Christine Sumption 24 Pictures of a Pilot The Time of Your Life by William Saroyan Live Girls! Theater, May 2008 2nd Asst. Director & Local Dramaturg February 2004, Seattle Repertory Theatre, BoxFest: Detroit, August 2013 directed by Tina Landau Seattle Repertory Theatre COLLABORATIVE Artistic (casting) intern WORK 2003 - 2004 season American Archipelago (co-writer) Pony World Theatre, July 2017 Rooms (co-writer/performer) EXITheatre, May 2006 AFFILIATIONS Seattle Repertory Theatre Writers Group, 2013 - 2015 cohort Dramatists Guild of America, member EDUCATION BA, Drama University of Washington, 2001.
Load more

Recommended publications
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • Aactfest History
    AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven- year-old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Extraordinary Entertainment in an Exceptional Setting
    Extraordinary Entertainment in an Exceptional Setting Charles Fee Bob Taylor Producing Artistic Director Executive Director By William Shakespeare Directed by Charles Fee Created by Larry Gallagher Directed by Victoria Bussert July 6–August 26, 2018 | Sand Harbor | L akeTahoeShakespeare.com | 1.800.74.SHOWS Enriching lives, inspiring new possibilities. At U.S. Bank, we believe art enriches and inspires our community. That’s why we support the visual and performing arts organizations that push our creativity and passion to new levels. When we test the limits of possible, we fi nd more ways to shine. usbank.com/communitypossible U.S. Bank is proud to support the Lake Tahoe Shakespeare Festival. Incline Village Branch 923 Tahoe Blvd. Incline Village, NV 775.831.4780 ©2017 U.S. Bank. Member FDIC. 171120c 8.17 “World’s Most Ethical Companies” and “Ethisphere” names and marks are registered trademarks of Ethisphere LLC. 2018 Board of Directors Patricia Engels, Chair Michael Chamberlain, Vice Chair Atam Lalchandani, Treasurer Mary Ann Peoples, Secretary Wayne Cameron Scott Crawford Katharine Elek Amanda Flangas John Iannucci Vicki Kahn Charles Fee Bob Taylor Nancy Kennedy Producing Artistic Director Executive Director Roberta Klein David Loury Vicki McGowen Dear Friends, Judy Prutzman Welcome to the 46th season of Lake Tahoe Shakespeare Festival, Nevada’s largest professional, non-profit Julie Rauchle theater and provider of educational outreach programming! Forty-six years of Shakespeare at Lake Tahoe D.G. Menchetti, Director Emeritus is a remarkable achievement made possible by the visionary founders and leaders of this company, upon whose shoulders we all stand, and supported by the extraordinary generosity of this community, our board Allen Misher, Director Emeritus of directors, staff, volunteers, and the many artists who have created hundreds of evenings of astonishing Warren Trepp, Honorary Founder entertainment under the stars.
    [Show full text]
  • Gibraltar Program (PDF)
    This Season at the School of Drama Fair Play by Anna Rosa Parker directed by Shanga Parker Meany Studio Theatre April 27 — May 11 Events start taking frenetic spins for friends planning a high school reunion in this clever and outrageous comedy. The Misanthrope by Molière translation by Richard Wilbur directed by David Crowe Penthouse Theatre May 25 — June 8 This sharply written comedy is considered one of Molière’s “most intelligent” plays. Tickets available at 206.543.4880 and on-line at http://depts.washington.edu/uwdrama Support the School of Drama! To donate to the School of Drama, please make your check payable to UW Foundation/Drama and mail to: UW School of Drama, Box 353950, Seattle WA 98195-3950. Penthouse Theatre 68th Season To give on-line, go to: www.uwfoundation.org 444th Production February 24—March 9, 2008 School of Drama EXECUTIVE DIRECTOR Gibraltar Sarah Nash Gates by Octavio Solis FACULTY RETIRED & EMERITUS FACULTY Jack Clay, Betty Comtois, James Crider, Director Desdemona Chiang Professors Jon Jory, Sarah Nash Gates, Robert Dahlstrom, William Forrester, Thomas Lynch, Barry Witham Vanick Galstaun, Robert Hobbs, Jack Set Designer Edward Ross Sydow, Aurora Valentinetti, Jack Wolcott Associate Professors STAFF Sarah Bryant-Bertail, Costume Designer Kimberley Newton Kris Bain, director of communications Valerie Curtis-Newton, Mark Jenkins, Odai Johnson, Jordan Baker, scenic artist Lighting Designer Geoff Korf Shanga Parker, Andrew Tsao Tres Tracy Ballon, master carpenter Bob Boehler, technical director Sound Designer Desdemona
    [Show full text]
  • The Drowsy Chaperone (Mrs
    Department of Theatre Arts Producer of Edgewood College Theatre, Department Chair & Professor of Theatre: ........................................................ Dr. Jeanne Leep Assistant Professor of Technical Theatre: ..... Christopher R. Dunham Instructor of Theatre Arts: ............................... Audrey Lauren Standish Instructor of Theatre Education: ................... Susan Nanning-Sorenson Theatre Arts Department Instructor: ............................. Donna Peckett Resident Costume Designer: ............................................. Mary Waldhart Costume Shop Manager: .................................................... Mary Waldhart Box Office Manager: ......................................... Audrey Lauren Standish Professor Emerita: ........................................................ Jewell P. Fitzgerald Department Work Studies Department Work Studies: Scene Shop Work Studies: Anna Carullo Veronika Bienvenu-Neville Breanna Kluz Alan Lau-Brown Box Office Work Studies: Shawn D. Padley Jade Proctor Cassidy Calaway Emma Sorenson Rachel Seizer Costume Assistant Work Study Emma Sorenson Production Team Co-Producer: ............................................... Dr. Jeanne Leep Co-Producer: ................................ Audrey Lauren Standish Stage Manager: .............................................. Breanna Kluz Stage Management Mentor: ... Audrey Lauren Standish Resident Costume Designer: .................... Mary Waldhart Hair and Makeup Design: ........................ Emma Sorenson Scenic Designer: ................................
    [Show full text]
  • March 8-March 31, 2019 Fridays & Saturdays 7:30Pm Sundays 2:00Pm
    Funded in part by March 8-March 31, 2019 Fridays & Saturdays 7:30pm Sundays 2:00pm Pay What You Can Thursday, March 21st at 7:30pm Sponsorship provided by: 901 Broadway, Suite 500 Tacoma, WA 98402 253-627-2792 www.tysamusic.org A Little Night Music Drinks $6.00 Mrs. Anderssen Mrs. Anderssen likes to keep her voice in shape to hit the high notes with a classic daquiri. Rum, Lime juice, and simple syrup shaken, not frozen. —OR— A Weekend in the Country What better way to stay refreshed while traveling to the country than with a classic Gin & Tonic? Do you want to save $1.00 every time that you order a drink at TLT? For $3.00 you can get your very own TLT Sippy Cup and whenever you come back with it, you’ll get $1.00 off any drink.* *excludes water, tea, and coffee PRE-ORDER YOUR DRINK FOR INTERMISSION! A Little Night Music Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced and Directed on Broadway by Harold Prince Directed by John Munn Musically Directed by Deborah Lynn Armstrong Choreographed by Lexi Barnett A LITTLE NIGHT MUSIC is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com TACOMA LITTLE THEATRE STAFF Managing Artistic Director .......................................... Chris Serface Office Manager .................................................... Karen Christensen Technical Director ........................................................ Blake R. York Lead Carpenter ............................................................ Frank Roberts Education/Production Manager .................................. Nena Curley Development Director ............................................... Diana George House Managers ...........
    [Show full text]
  • 03 Man-Of-La-Mancha
    2017 2018 IN THIS ISSUE DECEMBER 2017 Title Page . 2 Cast . 3 Musical Numbers . 4 Letter from Artistic Director David Ivers . 5 Letter from Managing Director Billy Russo . 6 Director’s Note . 7 The Cast . 8 The Creative Team . 14 Executive Leadership . 19 About Arizona Theatre Company . 21 ATC Board of Trustees . 22 Donors . 23 ATC Staff . 30 Theater Information . 32 The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix. Cover art by: ESSER DESIGN 1 2017 2018 David Ivers Billy Russo Artistic Director Managing Director MAN OF LA MANCHA BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION ORIGINAL PRODUCTION STAGED BY ALBERT MARRE ORIGINALLY PRODUCED BY ALBERT W. SELDEN AND HAL JAMES David Bennett ........................................................ Director Kathryn Van Meter .............................................. Choreographer Tim Symons ................................................... Music Supervisor Greg Fulton ...................................... Associate Music Director, Arranger William Bloodgood ............................................. Scenic Designer Melanie Burgess .............................................. Costume Designer Mary Louise Geiger ............................................ .Lighting Designer Abe Jacob .................................................... Sound Designer Brian Jerome Peterson .................................... Resident Sound Designer William Kirkham ...................................... Associate Lighting Designer Geoff Josselson, CSA ................................................
    [Show full text]
  • Aactfest History
    AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven year old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success.
    [Show full text]
  • Modern Drama II: 1950-1990 Spring 2008 – CFA DR 202 11:00A – 12:30P, Tuesday & Thursday Room 104, College of Fine Arts, 855 Commonwealth Ave
    DR 202 Syllabus v. 1.15.08 Dean Cameron’s Andak Mural, at the now-demolished New Place Theatre in L.A. Modern Drama II: 1950-1990 Spring 2008 – CFA DR 202 11:00a – 12:30p, Tuesday & Thursday Room 104, College of Fine Arts, 855 Commonwealth Ave Instructor Ilana Brownstein Literary Manager, Huntington Theatre Company Contact via email: [email protected] or [email protected] Teaching Assistants Jeffry Stanton [email protected] David Gram [email protected] CourseInfo Site http://courseinfo.bu.edu/courses/08sprgcfadr202_a1 1 DR 202 Syllabus v. 1.15.08 COURSE DESCRIPTION & OBJECTIVES DR 202 is a survey of important plays and trends from 1950-1990. We will examine North American, British, European, and African writers, with a balance between recognized canonical works, and plays by writers historically excluded from the canon due to gender, ethnicity, or aesthetic orientation. This delicate balance of texts – plays that have, on the one hand, been canonized by a traditionally Anglo, male establishment, and texts that, on the other hand, come to our attention via insurgent writers battling down the doors of the canon – provides fertile ground for exploration. Though this is a literature course, it is literature of the theatre – a living, breathing art. For this reason, while lectures will guide each class meeting, a premium will be placed on discussion that relies primarily on each student’s informed reading of the texts. This course is reading-heavy, and as second-semester sophomores, you are expected to keep up. Furthermore, despite its size, this is not a class for shrinking violets; you will be expected to participate, and your final grade will reflect the quality and quantity of that participation.
    [Show full text]
  • The Cradle Will Rock Program
    THE CRADLE WILL ROCK written by Marc blitzstein directed by valerie curtis-newton^° Scenic Design Lighting Design Musical Directors Technical Director Stage Manager Jennifer Zeyl^ Kyle Soble* Scott Hafso^° Alex Danilchik^ Robin Obourn José Gonzales Costume Design Sound Design Fawn Bartlett* Jacob Israel * Member of the Master of Fine Arts Program in Design ^Alumnus/Alumna of UW Drama °Faculty of UW Drama Prop Master Asst. Costume Designer Costume Crew Jake Lemberg Andrea Bush^ Monica Gonzalez Lindsey Crocker Becky Su Emma Halliday Lingjiao Wang Assistant Stage Managers Asst. Lighting Designer Hannah Knapp-Jenkins Megan Bernovich Amber Parker* Caitlin Manske Photographer Aaron Jin Lina Phan Mike Hipple Model Builder House Manager Montana Tippett Laundry Tickets Monica Gonzalez ArtsUW Ticket Office Light Board Operator Samantha de Jong Asst. Scenic Designer Jacqueline Wagner Running Crew Julia Welch^ Gabi Boettner Ross Jackson Yuchen Jin Mercedes Larkin Special Thanks: 5th Avenue Theatre, ACT Theatre, Jerry Chambers, Seattle Children's Theatre, Seattle Opera, Seattle Repertory Theatre, Theatre Puget Sound, UW Student Technology Fee, Village Theatre *member of the Professional Actor Training Program (PATP) CAST ^Alumnus/Alumna of UW Drama °Faculty of UW Drama John Houseman....................................... Andrew McMasters^ Editor Daily.............................................. AJ Friday* Orson Welles............................................ Andrew Russell Yasha........................................................ Hazel Lozano*
    [Show full text]
  • At Play Spring Summer 02
    representing the american theatre byy DRAMATISTS publishing and licensing the workss Obie Award Winner Pamela Gien PLAY SERVICE, INC. of new and established playwrights.. Julia Miles on the state of Women Playwrights the Wit initiative a tpIssuel 8, Spring/Summera 2002y WOMEN PLAYWRIGHTS A scene from Kia Corthron’s A scene from La Femme Kia While we usually do one-on- one interviews here at DPS, with scheduling conflicts, Director of Professional Rights Robert Lewis Vaughan and playwright Kia Corthron ended up communicating by e-mail. Robert asked several seemingly small questions to get the ball rolling, and he and Kia planned to talk in Seeking the Genesis person later — to finish off the interview. But that wasn’t necessary. Kia answered the questions (or as she put it, “Those weren’t small questions, those were BIG questions!”). Obviously we here at DPS love Kia’s writ- ing, and we decided to just let her tell you all about her- self in her own words. We’re sure you’ll fall in love . Photo by Joan Marcus with her too — Continued on page 2 I grew up in Cumberland, a factory/mill town in Circle Rep LAB; and afterwards was produced by stu- his hide, he came from the South and went back down Western Maryland. The skinny part of Maryland, kiss- dents at Ramapo, a small state college in New Jersey. I South. For good. That was husband number one. They ing Pennsylvania and West Virginia. From my house it did massive rewrites every time. Ultimately I submit- was three.
    [Show full text]