DOCSLIB.ORG

A Prima Vista

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Prima Vista A PRIMA VISTA a survey of reprints and of recent publications 2003/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2003/1 PAGE HEADING 03 PIANO 2-HANDS 08 PIANO 4-HANDS, 2 AND MORE PIANOS 09 HARPSICHORD, ORGAN 12 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 13 VIOLIN SOLO, CELLO SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 13 VIOLIN with accompaniment 15 VIOLIN PLAY-ALONG 16 VIOLA with accompaniment, VIOLA PLAY-ALONG, CELLO with accompaniment 17 CELLO PLAY-ALONG, DOUBLE BASS with accompaniment, VIOLA DA GAMBA with accompaniment 17 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 21 FLUTE SOLO 22 OBOE SOLO, CLARINET SOLO 23 BASSOON SOLO, HORN SOLO, TROMBONE SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 24 PICCOLO with accompaniment, FLUTE with accompaniment 25 FLUTE PLAY-ALONG, OBOE with accompaniment 26 CLARINET with accompaniment, CLARINET PLAY-ALONG, SAXOPHONE with accompaniment 27 SAXOPHONE PLAY-ALONG, BASSOON with accompaniment 28 TRUMPET with accompaniment, TRUMPET PLAY-ALONG, HORN with accompaniment 29 TROMBONE with accompaniment, BARITONE with accompaniment 30 TENOR HORN with accompaniment, TUBA with accompaniment 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 30 2 AND MORE WOODWIND INSTRUMENTS 33 2 AND MORE BRASS INSTRUMENTS, COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS 34 COMBINATIONS OF WIND AND STRING INSTRUMENTS 35 RECORDER 37 GUITAR 39 HARP, PERCUSSION 41 MISCELLANEOUS 42 SOLO VOICE, SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT 46 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT, UNACCOMPANIED CHOIR 47 UNACCOMPANIED CHOIR 49 OPERA, OPERETTA, MUSICAL, ORATORIO, ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS 51 BOOKS OF MUSICAL INTEREST 62 CD-ROMs 63 CDs compilation by Jan A. Hollanders . 100202 . prices in EURO (€) subject to changes and errors 3 PIANO 2-HANDS: ALBUM 153140 Von Schoenberg bis Ligeti. Leichte Klaviermusik des 20. Jahrhunderts (Arnold SCHOENBERG 1874-1951: Kleines Klavierstück; Cyrill SCOTT 1879-1970: Der Affe & Die Giraffe; Serge PROKOFIEFF 1891-1953: Promenade; Erwin SCHULHOFF 1894-1942: Invention; Paul HINDEMITH 1895-1963: Lied; Francis POULENC 1899-1963: Complainte; Dimitrij KABALEWSKI 1904-1987: Sonatine; Matyas SEIBER 1905-1960: Blues & Toccatina; Eduard PÜTZ 1911-2000: 5/4-Boogie; Jean FRANCAIX 1912-1997: L’enfant rêveur; Ilja HURNIK *1922: Wehmutiger Walzer; György LIGETI *1923: Tempo di Valzero; Berthold HUMMEL *1925: Präludium & Kleine Melodie; Mikis THEODORAKIS *1925: Prelude; Hermann REGNER *1928: In der Höhle; Frank Michael BEYER *1928: Avanti; Petr EBEN *1929: Spieldose; Paul CONSTANTINESCU *1931: Der Fuchs und der Rabe; Rodion SHCHEDRIN *1932: Zwölf Noten; Alfred SCHNITTKE 1934-1998: Kinderstück; Arvo PÄRT *1935: Für Alina; Hans ZENDER *1936: Mag heute nicht; Mike SCHOENMEHL *1957: Die kaputte Schallplatte & Sound Sheets) (Emonts, Mohrs) 17,35 ALBUM 153145 Abbey Voluntaries. Favourite classical pieces [Johann Sebastian BACH 1685-1750: Air from Suite No. 3 & Jesu, joy of man’s desiring; Georg Frriedrich HÄNDEL 1685-1759: Air from The Water Music, Largo & March from Scipio; All through the night (traditional Welsh melody); Wolfgang Amadeus MOZART 1756-1791: Ave verum corpus; Be thou my vision & Danny Boy (traditional Irish melodies); Richard WAGNER 1813-1883: Bridal March from Lohengrin; Greensleeves (traditional English melody); Antonín DVOŘÁK 1841-1904: Largo from New World Symphony; Ludwig van BEETHOVEN 1770-1827: Minuet in G major; Felix MENDELSSOHN-BARTHOLDY 1809-1847: O for the wings of a dove & Wedding March from A Midsummernight’s Dream; César FRANCK 1822-1890: Panis angelicus; Gabriel FAURÉ 1845-1924: Pie Jesu; Marc-Antoine CHARPENTIER 1636-1754: Prelude from Te Deum; Steal away & Swing low, sweet chariot (spritiuals); Edward MacDOWELL 1861-1908: To a wild rose; Robert SCHUMANN 1810-1856: Träumerei; Jeremiah CLARKE 1673-1707: Trumpet Voluntary] 14,27 ALBUM 153152 Irish Jigs and Reels (One reel: Over the moor to Maggie; Two reels: Father Kelly’s & Father Kelly’s too; Two reels: Paddy on the turnpike & Heather breeze; Two reels: Return to Miltown & Sailor on the rock; Three reels: Sally gardens, Shannon breeze & Temperance reel; Three reels: Peter Street, Star of Munster & Jenny’s chickens; Two jigs: Carraroe & Gander in the praitie hole; Two jigs: Munster buttermilk & Road to Lisdoonvara; One jig: Old grey goose; Two jigs: Old woman tossed up a blanket & Tea song; Three jigs: Irish washerwoman, Lannigan’s ball & Pay the reckoning; Three jigs: Tobin’s favourite, Connaughtman’s rambles & Top of Cork Road) (Mawby) 11,23 ALBUM 153676 Romantic Pop Piano. Traumelodien in leichten Arrangements 14 [Robbie WILLIAMS: 1. Eternity; Joshua KADISON: 2. Carolina’s Eyes; Bette MIDLER: 3. The Wind Beneath My Wings; Shirley BASSEY: 4. As Long As He Needs Me; 5. You Don’t Have To Say I Love You (Io Che Non Vivo Senza Te); The Carpenters: 6. Yesterday Once More; Perry COMO: 7. And I Love You So; Hans-Günther HEUMANN: 8. All That I Need Is You, 9. I Can’t Believe It’s Really Love & 10. You Belong To Me Forever] (Heumann) 12,14 ALBUM 709329 Pop Piano Classics. The Top Hits of the 90s [Elton JOHN: Circle Of Life; THE BANGLES: Eternal Flame; Bryan ADAMS: (Everything I Do) I Do It For You; Vanessa WILIAMS: Save The Best For Last; THE SPICE GIRLS: From the Disney Movie The Three Musketeers: All For Love; EMILIA: Big, Big World; Elton JOHN: Sacrifice; CHER: Believe; THE BACKSTREET BOYS: Show Me The Meaning Of Being Lonely] (Heumann) easy piano , Play-Along CD included 26,14 ALBUM 709326 Step by Step 2. Spiel- und Arrangierbuch mit den Superhits der Pop-Musik. Chart Toppers arranged the way you want to play them (HERMES HOUSE BAND/John DENVER: Take Me Home,. Country Roads; Sarah CONNOR: From Sarah With Love; THE BANGLES/ATOMIC KITTEN: Eternal Flame; REDNEX: Spirit Of The Hawk; ABBA: Mamma Mia; Elton JOHN: Candle In The Wind; NO ANGELS: When The Angels Sing; ANASTACIA: I’m Outta Love; Traditional: Swing Low) (Wierzyk) 19,58 4 ALBUM 709330 Summer Feeling – Sommerfrische. Hits und Originalkompositionen (Phil COLLINS: Another Day In Paradise; Traditional: Get Readuy; Walter MÜLLER-DE REUTER: Waves; ORANGE BLUE: She’s Got That Light; Walter MÜLLER-DE REUTER: Solo Piano; Traditional: Get The Blues; Traditional: Boogie; THE BEATLES: Lady Madonna; SAILOR: Girls, Girls, Girls; Vanessa WILLIAMS: Save The Best For Last) (Müller-de Reuter) 16,29 ALBUM 709395 Csárdás Album (NAGY: Amolyan csárdás, Irén-csárdás & Kipi-kopi-csárdás; BIHARI: Bercsényi nótája, Hadik óbester nótája, Hat vágás-verbunkos & Húsz talléros-verbunkos; SZENTIRMAY: Csak égy kislányi; ALFÖLDI: Csak titokban; Egri-csárdás; FAULWETTER: Éljen a haz; Ez ám a csárdás; TAJBER-LÁNYI: Gentry-csárdás; SIMONFFY: Három a tánc & Több is veszett mohácsnál; KONKOLY-THEGE: Hejre kati & Szegény paraszt; Hermin. Palotás-mayar; RÓSZAVÖLGYI: Lakodalmas; MOLNÁRFFY: Molinári baka-csárdás & Ritka csárdás; Piros-piros-piros; Souper-csárdás; BÓKA: Száz ember-verbunkos; ALLAGA: Szeretlek én; Tolnai lakodalmas; Virágvölgyi emlék) (Deményi) 20,80 ALBUM 154008 Henle Album. Klaviermusik von Bach bis Debussy [BACH J.S.: Aria aus Partita 4 BWV 828, Fuga 10 BWV 855; SCARLATTI D.: Sonate h-Moll K.197/L.147; HÄNDEL G.F.: Courante aus Suite B-Dur HWV 440 & Sarabande aus Suite g-Moll HWV 432; BACH C.Ph.E.: Sonatensatz aus Sonate C-Dur Wq 62/10; HAYDN F.J.: Sonatensatz aus Sonate C-Dur Hob.XVI:10 & Sonatensatz aus Sonate h-Moll Hob.XVI:32; MOZART W.A.: Menuett G-Dur KV 1(1c), Marche funèbre KV 452a & Sonatensatz aus Sonate C-Dur KV 330(300h); BEETHOVEN L.van: Sonatensatz aus Sonate E-Dur Op. 14/1, 6 Variationen über ein Schweizer Lied WoO 64 & Bagatelle WoO 56; WEBER C.M. von: Sonatensatz aus Klaviersonate C-Dur Op. 24; SCHUBERT F.: Moment musical Nr. 6 aus Moments musicaux Op. 94 D 780, Sonatensatz aus Sonate Es-Dur Op. posth. 122 D 718 & Variationen über ein Walzer von A.Diabelli D 718; MENDELSSOHN-BARTHOLDY F.: Kinderstück aus Kinderstücke Op. 72 & Lied ohne Worte Op. 19/4; CHOPIN F.: Prélude h- Moll Op. 28/6, Nocturne c-Moll KK Ivb Nr. 8 & Mazurka a-Moll Op. 68/2; SCHUMANN R.: Verrufene Stelle aus Waldszenen Op. 82, Armes Waisenkind aus Album für die Jugend Op. 68 & Impromptu aus Albumblätter Op. 124; LISZT F.: Le mal du pays aus Années de Pèlerinage. Première Année & Consolation; WIECK-SCHUMANN Cl.: Romance aus Quatre Pièces Caractéristiques Op. 5; KIRCHNER Th.: Albumblatt Op. 7/9; BRAHMS J.: Walzer A-Dur Op. 39/15 & Intermezzo a-Moll Op. 118/1; TSCHAIKOWSKY P.I.: Feuillet d’album aus Sechs Stücke für Klavier Op. 19; DVOŘÁK A.: Plauderei aus Poetische Stimmungsbilder Op. 85; GRIEG E.: Knut Lurasens Halling I aus Norwegische Bauerntänze Op. 72; DEBUSSY Cl.: Des pas sur la neige aus Préludes. Premier Livre & Morceau de concours aus Klavierstücke; SKRJABIN A.: Prélude E-Dur Op. 11/9; REGER M.: Melodie aus Blätter und Blüten. Zwölf Klavierstücke] 6,43 ALBUM 708452 Easy Hits for Kids 5. Leicht spielbare Arrangements für Piano (Around The World; Bataillon d’Amour; Bye Bye Bye; Hey Baby; Junimond; Lucky; Oops! I Did It Again; Owner Of My Heart; Shape Of My Heart; Spirit Of The Hawk; Stronger) (Gerlltz) 12,85 ALBUM 709455 Children’s Classic Piano 1: Arrangements faciles. Les thèmes classiques les plus célèbres (BACH: menuet; BEETHOVEN: Hymmna à la joie, Lettre pour Elise, Danse allemande; BIZET: Marche; BRAHMS: Berceuse, Danse hongroise; CHOPIN: Tristesse; DVORAK: Largo de la 9e Symphonie; HEUMANN: Mazurka; LISZT: Rêve d’amour; MARTINI: Plaisir d’amour; MOZART: Air du Champagne, Menuet, Petite musique de nuit, Marche turque; OFFENBACH: Cancan d’”Orphée aux enfers”; RAMEAU: Menuet; SCHUBERT: Marche militaire, Valse du désir, Écossaise; SCHUMANN: Rêverie; STRAUSS fils: Valse de l”Empereur, Le Beau Danube bleu; VERDI: La donna è mobile de “Tigoletto”, Choeur des esclaves; WAGNER: Marche nuptiale) (Heumann) 14,14 ALBUM 900756 Spiel mit! 66 Kinderlieder und Spielstücke für Klavier (1.
Load more

Recommended publications
  • Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
    [Show full text]
  • Catalogue of Works Barry Peter Ould
    Catalogue of Works Barry Peter Ould In preparing this catalogue, I am indebted to Thomas Slattery (The Instrumentalist 1974), Teresa Balough (University of Western Australia 1975), Kay Dreyfus (University of Mel- bourne 1978–95) and David Tall (London 1982) for their original pioneering work in cata- loguing Grainger’s music.1 My ongoing research as archivist to the Percy Grainger Society (UK) has built on those references, and they have greatly helped both in producing cata- logues for the Society and in my work as a music publisher. The Catalogue of Works for this volume lists all Grainger’s original compositions, settings and versions, as well as his arrangements of music by other composers. The many arrangements of Grainger’s music by others are not included, but details may be obtained by contacting the Percy Grainger Society.2 Works in the process of being edited are marked ‡. Key to abbreviations used in the list of compositions Grainger’s generic headings for original works and folk-song settings AFMS American folk-music settings BFMS British folk-music settings DFMS Danish folk-music settings EG Easy Grainger [a collection of keyboard arrangements] FI Faeroe Island dance folk-song settings KJBC Kipling Jungle Book cycle KS Kipling settings OEPM Settings of songs and tunes from William Chappell’s Old English Popular Music RMTB Room-Music Tit Bits S Sentimentals SCS Sea Chanty settings YT Youthful Toneworks Grainger’s generic headings for transcriptions and arrangements CGS Chosen Gems for Strings CGW Chosen Gems for Winds 1 See Bibliography above. 2 See Main Grainger Contacts below.
    [Show full text]
  • Dj Chachi Allen Carter Hevad Kahn
    FAIRWAY JAY: COLLEGE BASKETBALL CONFERENCE PLAY ROUNDERLIFE.com HEVAD KAHN DJ CHACHI HAS HIS SIGHTS SET MIX MASTER SPINS ON THE PLAYER OF HIS WAY TO THE TOP THE YEAR AWARD TOM “DURR” DWAN ISSUES HEADS-UP CHALLENGE ALLEN CARTER WINS SOUTHERN POKER CHAMPIONSHIP AND $1,000,000 FEBRUARY 2009 $4.95US WE HIT THE JACKPOT…IT’S JENNA! INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR PUBLISHER he Beau Rivage Resort & Casino in Biloxi, MS recently crowned Greg McDonald - [email protected] two champions on the same night. Two of the worlds most popular forms of entertainment, had the AAA four-diamond destination alive with excitement EDITOR-IN-CHIEF T Evert Caldwell - [email protected] January 17th, 2009 as undefeated WBC welterweight champion Andre Berto defended his title in a close, but unanimous decision over number-one rated challenger and former MANAGING EDITOR WBA world champion Luis Collazo. e warriors battled ‘toe to toe’ for twelve rounds Johnny Kampis in what boxing fans were hailing as an instant classic. Two of the three judges had the fi ght even, going into the fi nal round. When they went to the scorecards, Berto was given CONTRIBUTING EDITOR the edge, sealing the victory and his second successful title defense, in front of a rowdy, Dave Lukow packed-out show room. ART & DESIGN [email protected] Casey Wiesel, Nathan Hess, Whitney Prewitt At the other end of the casino, upstairs in the convention center, the fi nal table of the WPT Main Event was taking place.
    [Show full text]
  • Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
    HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ......................................................................................
    [Show full text]
  • Bernard Coutaz Carlos Sandúa Las Músicas Del Agua La ONE Republicana Natalie Dessay Peter Donohoe Lado Ataneli Gaspard De La N
    REVISTA DE MÚSICA Año XXIII - Nº 228 - Marzo 2008 - 6,50 € DOSIER Las músicas del agua ENCUENTROS ROLA Bernard Coutaz ND Carlos Sandúa C O ACTUALIDAD R V E IL Natalie Dessay A L N A Peter Donohoe D ZÓN Lado Ataneli O EM REPORTAJE OCIONES La ONE republicana Año XXIII - Nº 228 Marzo 2008 REFERENCIAS Gaspard de la nuit de Ravel INTERIORPORTADA FILM:SCHERZO 22/2/08 18:37 Página 1 1-16 FILM:SCHERZO 22/2/08 17:36 Página 1 AÑO XXIII - Nº 228 - Marzo 2008 - 6,50 € 2 OPINIÓN DOSIER Las músicas del agua CON NOMBRE José Luis Carles PROPIO y Cristina Palmese 113 6 Natalie Dessay Rafael Banús Irusta ENCUENTROS 8 Peter Donohoe Bernard Coutaz Bruno Serrou Emili Blasco 126 10 Lado Ataneli Carlos Sandúa Pablo J. Vayón Barbara Röder 132 12 AGENDA REPORTAJE La Orquesta Nacional 18 ACTUALIDAD Republicana NACIONAL Enrique Lacomba y Gúzman Urrero Peña 136 46 ACTUALIDAD INTERNACIONAL EDUCACIÓN Pedro Sarmiento 140 60 ENTREVISTA JAZZ Rolando Villazón Pablo Sanz 142 Juan Antonio Llorente LIBROS 144 64 Discos del mes LA GUÍA 146 65 SCHERZO DISCOS CONTRAPUNTO Norman Lebrecht 152 Sumario Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Joaquín García, José Antonio García y García, Carmen Dolores García González, Juan García-Rico, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Enrique Lacomba, Antonio Lasierra, Norman
    [Show full text]
  • Renaissance Receptions of Ovid's Tristia Dissertation
    RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological.
    [Show full text]
  • Annual Report 2012
    © Ludwig Boltzmann Institute of Human Rights – LBI and Research Association A-1010 Vienna, Freyung 6 (Schottenhof), Hof 1, Stiege II T +43/1/42 77-274 20, [email protected], http://bim.lbg.ac.at Vienna, April 2013 INHALTSVERZEICHNIS Introduction ........................................................................................................................... 5 20 Years Ludwig Boltzmann Institute of Human Rights. 20 Years Committed to Human Rights Research. ..................................................................................................... 7 Human Dignity and Public Security .................................................................................... 9 Human Rights in Development Cooperation and Business / Digital Rights ................................................................................................... 11 European Neighbourhood and Integration Policy ........................................................... 14 Anti-Discrimination | Diversity | Asylum .......................................................................... 17 Women‘s Rights | Children‘s Rights | Trafficking in Human Being ............................... 19 Human Rights Education and Education for Democratic Citizenship .......................... 22 Staff ...................................................................................................................................... 25 Finances .............................................................................................................................
    [Show full text]
  • Vahdah Olcott-Bickford Collection, 1800-2008
    http://oac.cdlib.org/findaid/ark:/13030/c8zp4c79 No online items Guide to the Vahdah Olcott-Bickford Collection, 1800-2008 Special Collections & Archives Oviatt Library California State University, Northridge 18111 Nordhoff St. Northridge, CA, 91330 URL: http://library.csun.edu/SCA Email: [email protected] Phone: (818) 677-2832 Fax: (818) 677-2589 © Copyright 2012 Special Collections & Archives. All rights reserved. Guide to the Vahdah IGRA/VOB 1 Olcott-Bickford Collection, 1800-2008 Overview of the Collection Collection Title: Vahdah Olcott-Bickford Collection Dates: 1800-2008 Bulk Dates: 1923-1979 Identification: IGRA/VOB Creator: Olcott-Bickford, Vahdah, 1885-1980 Physical Description: 88.71 linear feet Language of Materials: English French German Spanish; Castilian Italian Portuguese Repository: International Guitar Research Archives (IGRA) Abstract: Vahdah Olcott-Bickford, née Ethel Lucretia Olcott, was an professional teacher of the Guitar, most well known for her influential Guitar Method, Op. 25, and the Advanced Course, Op. 116. She also wrote numerous articles about the guitar, and corresponded with other musicians and enthusiasts about the instrument throughout her long career. The Vahdah Olcott-Bickford Collection documents Olcott-Bickford’s professional life as a classical guitarist, an avid member of various organizations in the United States, her work with guitarists around the world, and her personal life. The collection includes scores, letters, photographs, newspaper clippings, receipts, articles, lecture notes, and guest books, and dates from 1874-1980. Biographical Information: Ethel Lucretia Olcott was born on October 17, 1885 in Norwalk, Ohio. She was three years old when she and her parents moved to Los Angeles, California. At the age of eight she started guitar lessons with George Lindsay, a well-known classic guitarist.
    [Show full text]
  • 2019 Roslindale Porch Fest Schedule by Zone
    Zone 1- North of Adams Park between Belgrade & Washington 1:30-2:30pm Description 3:00-4:00pm Description 4:30-5:30pm Description Barry Hynes Singer/guitarist doing covers, with Barry Hynes Singer/guitarist doing covers, with 1 39 Ardale Band special guests Band special guests Muddy River Trio with banjo, guitar, Muddy Artisan Cheese Singer, guitarist, bass player and harmonica & vocals. American River/Artisan drummer playing covers, from the 2 97 Ardale roots music. Cheese 80's to today. Basement Covers of some of our favorite The Nocturnal Duo with Bass,Vocals & Mandolin. Martin, Morell Power trio composed of Boston Ramblers tunes from last 50 years or so Adoration Original music, fast, slow, medium. and Fredette music veterans Eric Martin, Steve 3 37 Fairview Society Morell & David Fredette. Sleepyhead- Pop/Rock. A touch of Big Star and a 4 25 Farquhar little side of Fleetwood Mac The Melted Classic Rock Band. 2 guitars Coo & Howl Quintet (3/5 from Rozzie): lead Chapstixs Bass and Lead singer. vocalist, bassist, guitarist, keys/backup vocalist, & 1aux- percussionist. Mostly original 5 46 Farquhar rock/folk. This Crazy Acoustic-electric duo playing Birds aren’t 5 person band, guitarist,bassist, Thing an eclectic mix of well-known real piano, drums, & vocals classic pop/rock from the 60's 6 16 Fletcher /70s / 80s / 90s / 00s The Next Band jazz ensemble with drums, The Grand Original rock songs intended to Theo's Little Vocal Pop Band (covers) bass, guitar, trumpet, flute & Undoing accompany the big slide off of the Combo 7 109 Hewlett vocalist dish.
    [Show full text]
  • Steve Brecher Wins $1,025,500 Poker Palooza
    FAIRWAY JAY’S MASTERS PREVIEW ROUNDERLIFE.com KEN DAVITIAN BORAT’S CHUM EXUDES CHARISMA AND CLASS ROY JONES JR Y’ALL MUST HAVE FORGOT STEVE BRECHER WINS $1,025,500 NICK BINGER SURVIVING LONGEST FINAL FROM $50 TABLE IN WPT HISTORY TO $1,000,000 ALL CANADIAN FINAL WSOP CIRCUIT EVENT FEATURED MONTREAL’S SAMUEL CHARTIER VS POKER TORONTO’S JOHN NIXON PALOOZA APRIL 2009 $4.95US DREAM A LITTLE DREAM INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR Before you can be a legend, PUBLISHER You gotta get in the game. he World Series of Poker Circuit Event, recently held at Caesars Atlantic Greg McDonald - [email protected] City, has consistently become one of the most well attended events on the circuit schedule. e eleven tournaments that took place from Mach 4th - 14th attracted EDITOR-IN-CHIEF T Evert Caldwell - [email protected] over 5000 players and generated more than $3 million dollars in prize money. is years champion was 23 year old Montreal, Quebec native, Samuel Chartier. e young pro MANAGING EDITOR took home $322,944, and the Circuit Champion’s gold ring for his eff ort. Second place Johnny Kampis fi nisher John Nixon from Toronto, Ontario, made it an All Canadian fi nal. e full time student took home $177,619. Could this be the year a Canadian wins the WSOP Main CONTRIBUTING EDITOR Event ? Canadians were well represented at last years Main Event, making up the highest Dave Lukow percentage of players from a country outside of the US.
    [Show full text]
  • REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
    3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris.
    [Show full text]
  • Acoustic Guitar
    794 ACOUSTICACOUSTIC GUITARGUITAR ACOUSTIC THE ACOUSTIC INCLUDES THE NEW TAB NEW GUITAR GUITAR COMPLETE INCLUDES MAGAZINE’S PRIVATE METHOD, ACOUSTIC TAB LESSONS VOLUME 1 BOOK 2 GUITAR METHOD 24 IN-DEPTH LESSONS by David Hamburger LEARN TO PLAY USING String Letter Publishing String Letter Publishing THE TECHNIQUES & With this popular guide and Learn how to alternate the bass SONGS OF AMERICAN two-CD package, players will notes to a country backup ROOTS MUSIC learn everything from basic pattern, how to connect chords by David Hamburger techniques to more advanced with some classic bass runs, and String Letter Publishing moves. Articles include: Learning to Sight-Read (Charles how to play your first fingerpicking patterns. You’ll find out A complete collection of all three Acoustic Guitar Method Chapman); Using the Circle of Fifths (Dale Miller); what makes a major scale work and what blues notes do to books and CDs in one volume! Learn how to play guitar Hammer-ons and Pull-offs (Ken Perlman); Bass Line a melody, all while learning more notes on the fingerboard with the only beginning method based on traditional Basics (David Hamburger); Accompanying Yourself and more great songs from the American roots repertoire American music that teaches you authentic techniques and (Elizabeth Papapetrou); Bach for Flatpickers (Dix – especially from the blues tradition. Songs include: songs. Beginning with a few basic chords and strums, Bruce); Double-Stop Fiddle Licks (Glenn Weiser); Celtic Columbus Stockade Blues • Frankie and Johnny • The Girl you’ll start right in learning real music drawn from blues, Flatpicking (Dylan Schorer); Open-G Slide Fills (David I Left Behind Me • Way Downtown • and more.
    [Show full text]