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Handbook of Experimental Pharmacology Volume 83
Handbook of Experimental Pharmacology Volume 83 Editorial Board G.y' R. Born, London P. Cuatrecasas, Research Triangle Park, NC H. Herken, Berlin A. Schwartz, Cincinnati, OH Calciumin Drug Actions Contributors D. M. Bers, P. 1. R. Bevis, M. P. Blaustein, R. D. Bukoski, B. Ceccarelli, R. A. Chapman, S. Cockcroft, M. Crompton, A.W. Cuthbert, S. Ebashi, C. H. Evans, H. Fleisch, M. Fosset, M. L. Garcia, T. Godfraind, B. D. Gomperts, T. R. Hinds, P. Honerjager, M. Hugues, G. 1. Kaczorowski, U. Kikkawa, V. F. King, M. Lazdunski, B.A. Levine, I. MacIntyre, K.T. MacLeod, D. A. McCarron, 1. Meldolesi, C. Milet, C. Mourre, H. Nagamoto, T. Narahashi, Y. Nishizuka, Y Ogawa, T. Pozzan, 1. F. Renaud, G. Romey, H. Schmid-Antomarchi, M. Schramm, I. Schulz, T. 1. B. Simons, R. S. Slaughter, R. Towart, D. 1. Triggle, 1. Tunstall, F. F. Vincenzi, H. 1. Vogel, R.1. P. Williams, M. Zaidi Editor P.R Baker Springer-Verlag Berlin Heidelberg New York London Paris Tokyo PETER F. BAKER, Professor Sc. D., F.R.S. (t) Department of Physiology King's College, University of London, Strand, London WC2R 2LS, Great Britain With 123 Figures ISBN-13: 978-3-642-71808-3 e-ISBN-13: 978-3-642-71806-9 DOl: 10.1007/978-3-642-71806-9 Library of Congress Cataloging-in-Publication Data. Calcium in drug actions/contributors. D. M. Bers ... let al.]: editor, P. F. Baker. p. cm. -(Handbook of experimental pharmacology: v. 83) Includes bibliographies and index. 1. Calcium-Therapeutic use-Testing. 2. Calcium channels-Effect of drugs on. -
Catalogo Giornate Del Cinema Muto 2011
Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A. -
Walter Dominic Wetzels Professor Emeritus
Walter Dominic Wetzels Professor emeritus Ph.D., German Literature, Princeton University Career Highlights Research Focus: Eighteenth-century literature; German literature and science; the literature which popularized science, with particular emphasis on the eighteenth century Education 1965-1968 PhD, German Literature, Princeton University 1964-1965 German Literature, University of Cologne 1949-1954 University of Cologne; Staatsexamen in mathematics and physics Employment 1996- Professor emeritus, Dept. of Germanic Languages, U of Texas at Austin 1984-1996 Professor, Department of Germanic Languages, UT Austin 1973-1984 Associate Professor, Department of Germanic Languages, UT Austin 1968-1973 Assistant Professor, Department of Germanic Languages, UT Austin Awards Spring 1989 University of Texas Faculty Research Assignment Fall 1988 University of Texas Presidential Leave Publications: Books (Edited with Leonard Schulze) Literature and History. Lanham, New York, London: University Press of America, 1983 Johann Wilhelm Ritter: Physik im WIrkungsfeld der deutschen Romantik. Quellen und Forschungen, N.F., 59. Berlin and New York: Walter de Gruyter, 1973. (Edited with and introduction) Myth and Reason. Austin: University of Texas Press, 1973 Publications: Articles "Physics for the Ladies: Early Literary Voices and Strategies For and Against the Popularization of Copernicus and Newton." In: Themes and Structures: Studies in German Literature from Goethe to the Present. Ed. Alexander Stephan. Columbia, SC: Camden House, 1997: 21-38 "Newton for the Ladies: Algarotti's Popularization of Newton's Optics." Studies on Voltaire and the Eighteenth Century. Vol. 304. Oxford: The Voltaire Foundation, 1992: 1152-55 "Johann Wilhelm Ritter: Romantic Physics in Germany." Romanticism and the Sciences, ed. A Cunningham and N. Jardino. Cambridge: Cambridge UP, 1990. -
Ein Film Um Mozart
Ein Film um Mozart Autor(en): Betschon, Alfred Objekttyp: Article Zeitschrift: Schweizer Film = Film Suisse : offizielles Organ des Schweiz. Lichtspieltheater-Verbandes, deutsche und italienische Schweiz Band (Jahr): 8 (1943) Heft 117 PDF erstellt am: 01.10.2021 Persistenter Link: http://doi.org/10.5169/seals-733400 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Meyendorff mit. Die Aufnahmen in Babels- So kehrt Prof. Karl Ritter, der Regisseur zarte Innigkeit MozarFscher Musik mag in berg stehen kurz vor dem Abschluß. des Ufa-Filmes «Besatzung Dora», dieser uns ein Bild von Mozart formen, das in Hingegen befindet sich das zweite Harlan- Tage aus dem Süden zurück, wo er zum starkem Kontrast zu dem Mozart steht, Farbenprojekt noch mitten in der Teil selbst in Nordafrika Szenen des Filmes dessen Leben uns Regisseur Karl Hartl in Dreharbeit. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
GDR Films Various Authors
GDR Bulletin Volume 2 Issue 1 February Article 4 1976 GDR Films various authors Follow this and additional works at: https://newprairiepress.org/gdr This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation authors, various (1976) "GDR Films," GDR Bulletin: Vol. 2: Iss. 1. https://doi.org/10.4148/gdrb.v2i1.323 This Announcement is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in GDR Bulletin by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. authors: GDR Films -it- Mr. Peet fought in the Spanish Civil War with the British Battalion of the Inter• militarist society. Even such classics as Kiohard Wagner's THE national Brigade. After service with the FLYING DUTCHMAN. Geore Buchner's WOZZECK. and E. T. A. Hoffman's THE DEVIL'S ELIXIR are recreated from a socialist British Army in the Middle East during point of view. Thus the socialist realism of East German cinema can be studied as a cultural extension of a government that had the World War II he became editor of the enormous task of unifying a shattered nation and declared its belief in a democratic, humanist society constructed on the firm Jerusalem Radio. He later became a cor• foundation of socialism. It is not the purpose of this program to question the reality of these commitments, but it is necessary to respondent for Reuter's in Vienna, War• consider these stated national goals since they are reflected in the cut and fabric of the cinema from the German Democratic saw and West Berlin. -
ANNUAL REVIEW Contents
MAK 2018 ANNUAL REVIEW Contents Preface of the Board of Directors ............................................................................................................................................................... 3 MAK Exhibitions 2018 .................................................................................................................................................................................................... 4 MAK Events 2018 ............................................................................................................................................................................................................... 14 MAK Collection / Purchases / Donations 2018 .................................................................................................................... 15 MAK Research Projects 2018 ........................................................................................................................................................................... 17 MAK Publicatios 2018 ................................................................................................................................................................................................. 18 MAK Library and Works on Paper Collection .............................................................................................................................. 18 EU Projects 2018 .............................................................................................................................................................................................................. -
Noah Isenberg
Noah Isenberg Department of Radio-TV-Film 1410 Woodlawn Blvd., Apt. A The University of Texas at Austin Austin, TX 78703 2504 Whitis Ave. Stop A0800 Mobile: 917.689.6453 Austin, TX 78712-1067 www.noahisenberg.com Email: [email protected] Twitter: @NoahIsenberg EDUCATION Ph.D. German Studies, University of California at Berkeley, 1995 M.A. German Literature, University of Washington, 1991 B.A. European History, University of Pennsylvania, 1989 Ludwig-Maximilians-Universität, Munich, Germany, 1987-88 ACADEMIC APPOINTMENTS George Christian Centennial Professor, University of Texas at Austin, 2019-present Professor of Culture and Media, Eugene Lang College of Liberal Arts, 2013-2018 Visiting Professor of Cinema Studies, University of Pennsylvania, Spring 2017 Visiting Professor of Film and Media Studies, Dartmouth College, Summer 2013+ Associate Professor of Culture and Media, Eugene Lang College, 2007-2013 Associate Professor of University Humanities, The New School, 2004-2007 Visiting Professor of German, University of Pennsylvania, Fall 2005 Associate Professor of German Studies, Wesleyan University, 2001-2004 Assistant Professor of German Studies, Wesleyan University, 1995-2001 ACADEMIC ADMINISTRATION Chair of the Department of Radio-TV-Film, University of Texas at Austin, 2019-present Founding Director of Screen Studies, Eugene Lang College, 2010-2018 Chair of the Department of Culture and Media, Eugene Lang College, 2013-2015 Co-Chair of the Department of Literary Studies, Eugene Lang College, 2007-2008 Chair of Humanities, -
Chapter 1. Jews in Viennese Popular Culture Around 1900 As Research
Chapter 1 JEWS IN VIENNESE POPULAR CULTURE AROUND 1900 AS RESEARCH TOPIC d opular culture represents a paradigmatic arena for exploring the interwove- ness and interactions between Jews and non-Jews.1 When considering the Ptopic of Jews in the realm of Viennese popular culture at the end of the nine- teenth and turn of the twentieth centuries, we must realize that this was an as- pect of history not predominantly characterized by antisemitism. To be sure, antisemitism has represented one aspect characterizing the many and various re- lationships between Jews and non-Jews. But there was also cooperation between the two that was at times more pronounced than anti-Jewish hostility. We see evidence of the juxtaposition between Judeophobia and multifaceted forms of Jewish and non-Jewish coexistence in a brief newspaper quotation from 1904. Th e topic of this quotation is the Viennese folk song, and the anonymous author states that after a long time “an authentic, sentimental song, infused with folk hu- mor, that is, an authentic Viennese folk song [Wiener Volkslied]” had fi nally once again been written. Th e song in question was “Everything Will Be Fine Again” (“Es wird ja alles wieder gut”). Martin Schenk (1860–1919) wrote the song’s lyrics, and Karl Hartl composed the tune.2 Th e quotation continues, “After . the prevalence of Yiddish and Jewish anecdotes on the Viennese stage, following the unnatural fashions that have been grafted onto Viennese folk culture and which, as fashion always does, are thoughtlessly imitated, it does one good to hear once again something authentically Viennese.”3 Th e article in which this quotation appeared indicates that the song appeared in Joseph Blaha’s publishing house. -
Smith Alumnae Quarterly
ALUMNAEALUMNAE Special Issueue QUARTERLYQUARTERLY TriumphantTrT iumphah ntn WomenWomen for the World campaigncac mppaiigngn fortififorortifi eses Smith’sSSmmitith’h s mimmission:sssion: too educateeducac te wwomenommene whowhwho wiwillll cchangehahanngge theththe worldworlrld This issue celebrates a stronstrongerger Smith, where ambitious women like Aubrey MMenarndtenarndt ’’0808 find their pathpathss Primed for Leadership SPRING 2017 VOLUME 103 NUMBER 3 c1_Smith_SP17_r1.indd c1 2/28/17 1:23 PM Women for the WoA New Generationrld of Leaders c2-50_Smith_SP17.indd c2 2/24/17 1:08 PM “WOMEN, WHEN THEY WORK TOGETHER, have incredible power.” Journalist Trudy Rubin ’65 made that statement at the 2012 launch of Smith’s Women for the World campaign. Her words were prophecy. From 2009 through 2016, thousands of Smith women joined hands to raise a stunning $486 million. This issue celebrates their work. Thanks to them, promising women from around the globe will continue to come to Smith to fi nd their voices and their opportunities. They will carry their education out into a world that needs their leadership. SMITH ALUMNAE QUARTERLY Special Issue / Spring 2017 Amber Scott ’07 NICK BURCHELL c2-50_Smith_SP17.indd 1 2/24/17 1:08 PM In This Issue • WOMEN HELPING WOMEN • A STRONGER CAMPUS 4 20 We Set Records, Thanks to You ‘Whole New Areas of Strength’ In President’s Perspective, Smith College President The Museum of Art boasts a new gallery, two new Kathleen McCartney writes that the Women for the curatorships and some transformational acquisitions. World campaign has strengthened Smith’s bottom line: empowering exceptional women. 26 8 Diving Into the Issues How We Did It Smith’s four leadership centers promote student engagement in real-world challenges. -
Carmen Cartellieri
Carmen Cartellieri Also Known As: Franziska Ottilia Cartellieri, Carmen Teschen, Mrs. Emanuel Ziffer Edler von Teschenbruck, Mrs. Mano Ziffer-Teschenbruck Lived: June 28, 1891 - October 17, 1953 Worked as: co-screenwriter, film actress, producer, theatre actress Worked In: Austria, Germany, Hungary by Robert von Dassanowsky Carmen Cartellieri was born Franziska Ottilia Cartellieri in Prossnitz, Austria-Hungary, which is today Prostejov, Czech Republic, but spent her childhood in Innsbruck, Austria. In 1907, at age sixteen, she married the aristocratic artist-turned-director, Emanuel Ziffer Edler von Teschenbruck. Her husband and Cornelius Hintner, a cameraman from South Tyrol who had worked for Pathé in Paris and then as a director in Hungary, helped make her one of the most fashionable stars in German-language film of the 1920s. Using the stage name of Carmen Teschen, she appeared in several Hungarian silent films between 1918 and 1919 and made her Austrian film debut in Hintner’s Die Liebe vom Zigeunerstamme/The Gypsy Girl (1919), which she reportedly cowrote. Political changes in postwar Hungary made her relocate to Vienna where she returned to her exotic surname, suggesting to the press that she was born in Italy, and founded the Cartellieri-Film company in 1920 with her husband and Hintner. The first two Cartellieri-Film productions in Vienna transferred her Hungarian fame into true stardom. Carmen lernt Skifahren/Carmen Learns to Ski (1920), a broad comedy directed by her husband, now known as Mano Ziffer-Teschenbruck, was clearly aimed at gaining Cartellieri wider recognition. Die Würghand/Die Hand des Teufels/The Hand of the Devil (1920), a crime drama set in the mountains and directed by Hintner, was critically praised for its style and narrative effectiveness as well as for Cartellieri’s performance as the femme fatale. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated