American Ballet Theatre Wishes to Express Its Gratitude to the Council of Fashion Designers of America for Its Generous Contribution to the Production of Swan Lake

~ BROO KLYN AC ADEMY OF MUSIC DECEMBER 19S8 ABRAHAM ct U\ ...=a J> c Bravado bolero "' 'n pleated pants •••

Night-flight of fancy rna he onto the swinging scene with the jingle, jangle, jeweled bolero topping pleated pants and the wildly sleeved shirt. BROO KLYN ACADEMY OF MUSIC I DECEM B ER 1968 I 3

Tuesday Evening, December 10, 1968

Opening Night

Subscription Performance

The Brooklyn Academy of Music presents SWAN LAKE

BALLET IN FOUR ACTS

Music by PETER I LICH TCHAI KOVSKY

Choreography by MARIUS PETIPA and LEV IVANOV

Staged and Directed by DAVID BLAIR

Choreography for the Peasant Dance, Goblet Dance, Act I, the Neapolitan Dance and revised Spanish Dance, Act Il l, and the Storm Scene, Act IV, by DAVID BLAIR

Scenery by OLIVER SMITH

Costumes by FREDDY WITTOP

Lighting by JEAN ROSENTHAL

The American Ballet Theatre wishes to express its gratitude to the Council of Fashion Designers of America for its generous contribution to the production of Swan Lake.

ACT I A meadow near the Castle. Afternoon. Prince Siegfried has organized a hunting party to ce lebrate his twenty-first birthday. The peasants of the district have been given a holiday and have arranged a picnic which the Prince has promised to attend. The picnic is interrupted by the arrival of the Princess-Mother who reminds her son that it is his duty at his coming-of-age ball to choose a bride from one to six eligible Prin­ cesses. As the day draws to a close, the peasants take their leave, and the Prince, sad at the thought of his carefree youth slipping from him, is roused out of his mood by Benno, who has sighted a flight of swans. The Prince, deciding the night is still to be enjoyed, orders pursuit, and the hunters leave.

ACT II Some hours later. By the Lake. 1. First the hunters and then the Prince arnve. The swans have eluded them, and t he Pri nce declares he wishes

(continued on page 7) 4 I BROOKLYN ACADE MY OF MUSIC I DECEMBER 1168

First night excitement 200 times each year!

Grace knows the feeling. The electricity in 12 g-uests. And from the C .. \\'est Coast, our the air. The thrill of anticipation. The glo­ cargo Santas take passengers around Cape Horn rious confusion. The threshold of adventure. to Buenos Aires and Rio. or through the Canal A sailing! to the Caribbean. It's as glamorous and romantic as an open­ In one way, our sailings arc more exciting ing night in the theatre. And we stage one than first nights. Because you arc not just a with our Santa liners 200 times each year. spectator but a part of the play. And your great That's how many crUises we have sailing show is going to last for days. from ::'\ev,· York to fabled Caribbean islands and fascinating South American lands. SAFETY INFORMATION: All Grace Line passen­ Cruises that last 13 days. Others of 19, 24, ger ships arc registered in the United tates and 26 days. Longer voyages of 40 and 47 and meet International afety Standards for davs. Great liners of two types designed to new ships developed in 1960 and meet the 1966 accommodate m luxury no more than 117 and fire safety requirements. 3('0 passengers Passenger/cargo vessels of two GRACE LI.:\E, 319 Public Ledg-er Building sizes ,.,.·ith spacious staterooms for just 52 or Independence Square, Philadelphia, Pa. 19106 Go with Grace- to the Caribbean and South America. BROOKLYN ACADEMY OF MUSIC I DECEMBER 1968 I 5

Swan Lake-Act American Ba I let Theatre

A GYPSIE IN BROOKLYN In the program that was pub I ished for American Ballet Theatre's per­ formances at Lincoln Center in July, Walter Terry referred to Ballet Theatre as a "gypsy"-a company without a home base, and as such, unique among the great ballet compan1es of the world. This gypsy heritage makes the 32 performance engagement at the Academy of Music this season all the more auspicious. Never before has Ballet Theatre played so long a season here, and, rarely, has the Academy presented so many contmuous performances by a single group or company in its llO year history. It is hoped that these performances will become an annual holiday event in Brooklyn, and that Ballet Theatre and its directors, Lucia Chase and Ol1ver Smith (himself a Brooklyn resident), will look on the Academy as the1r permanent home in New York. Last month Clive Barnes in The New York Times referred to the Academy of Mus1c as "the dance ce nter of the entire world." The Academy's current Festival of Dance 68-69, including the recently announced resident companies of Merce Cunningham, Alvin Ailey, and the possible creation of a new ballet company under the artistic direction of Eliot Feld, lend more than credence to Mr. Barnes statement. With the annual participation of Ballet Theatre in this festival and that of other ballet companies, foreign and native, the Academy of Music can continue to hold strong claim to being the international center for dance- modern and classical. € B RO OKLYN ACADEMY OF MUSIC DECEMBER 1968 "BEYOND TECHNIQUE"

DANCE PERSPECTIVES FOUNDATION 29 East 9th St , New York, N.Y. 10003 Please enter my subscnpt1on beginning wi th issue DP36 NAME ______

ADDRESS ______

DCITY______STATE __ _ __ ZIP____ _ Dance Perspect ves publ1shed quarterly Annual subscrtpt1 on $7 00, stngle cop1es $2 50 BROOKLYN ACADEMY OF MU SIC I DECEMBER 1968 I 1

to go no farther but urges the others to continue. Left alone, he suddenly sees a magnificent Swan in f light. His enthusiasm is again aroused and he carefully takes aim. To his astonishment, the bird transforms into a most beautiful girl, and he withdraws into the trees to observe her. Un­ able to restrain his curiosity, he revea ls himself, only to startle and frighten her. He assures her he will do her no harm and asks her to explain the marvel he has just seen. Impressed by his gentleness, she unburdens the story of her plight. She tells him she is a Princess of high birth who fell under the spell of an evi l sorcerer, and how her fate is to be a Swan; and only in the hours of darkness may she assume her human gu ise. Indeed, this very lake is filled with her mother's tears. She tells him she is condemned for eternity, and only if a virgin youth swears eternal fidelity to her and marries her can she find release. Only then can the spell be broken. But if he should forswear her, then she must be a Swan forever. Siegfried, instantly overcome by love, declares he is indeed that youth and wi II be fa ithfu I to her forever. At that moment, the sorcerer appears. The Prince in his passion reaches for his crossbow but Od ette immediately protects the sorcerer with her body, for she knows that if he is killed before the spel l is broken, she too w ill die. The sorcerer disappears, and she slips away from the Prince into the forest. 2. Benno discovers a flock of swans and immediately summons the hunting party for the sport. The Prince's timely arrival prevents the shooting of the enchanted maidens. He tells them what he has learned and suggests that they return to the Castle. 3. Now Odette and Siegfried are alone. Siegfried realizes his destiny is changed. Dawn approaches and Odette is compelled by the spe ll to return to her guise as a Swan. Siegfried is left distraught.

ACT Ill The next night. The Great Hall. Guests assemble for the birthday ball from many roya i houses, each bringing a Princess eligible for the Prince's hand in marriage. As the evening continues, the Prince sinks more into despair at the choice he will have to make. At the moment of decision, a fanfare announces the arrival of the Baron von Rothbart and his daughter Odile, disguised as Odette. The Prince, being convinced he is with his beloved, declares to al l his true fidelity. Too late, he realizes he is the victim of a terrible plot. He rushes into the night.

ACT IV The lakeside. That night. The Swan-maidens are anxious at the dis­ appearance of Odette. She returns and tel ls of Rothb ~:trt'~ treach~ry; before dawn, she intends to die. A great storm rages. S1gfned burstmg into the glade, discovers her and begs her forgiveness. As dawn ap­ proaches, Rothbart appears aga in in his disguise as a sorcerer. Od~tte tells Siegfried she must kill herself, or she will forever be a Swan. Sieg­ fried knowing t'lat his destiny is forever changed by Odile, declares he wil l die with her, thus breaking the power of von Rothbart. The l ove~s throw themselves into the lake. Rothbart is mortally struck and h1s power ended.

Apotheosis

The lovers are united in life after death. 8 I BROOKLYN ACADEMY OF MUSIC DECEMBER 1968

We can do it because we know There's only Brooklyn. We've been serving the banking needs of Brooklynites for one 'Nay more than 60 years. And our 45 of­ Manufacturers fices cover the Borough from end to end. That's more than any other bank. Hanover Manufacturers Hanover offers over 80 of the most convenient banking serves your services including savings and check­ ing accounts ... personal and auto banking needs loans ... safe deposit facilities ... and many more. in Brooklyn With all this going for us ... who ... and that's knows Brooklyn better? •• it's good to have a great bank behind you BETTER. MANUFACTURERS HANOVER TRUST Member Federal Deposit Insurance Corporation BROOKLYN ACADEMY OF MUSIC I DECEMBER 1968 I 9

The Brooklyn Academy of Music

DIRECTORY OF FACILITIES AND SERVICES

Box Office Special Academy Buses Ticket booth in Main Lobby Express direct from Manhattan to the with 3 windows Academy. Returns 15 minutes after con­ clusion of performance. In operation for Telephone: 783-2434 most evening events including all dance Hours: programs. Monday through Saturday Fare: $1.25 round trip, 75c return single 10 am to 6 pm (if available) On performance days Schedule: 10 am to 9 pm (Bus leaves from S.W. Corner unless other­ wise noted.) Sunday performance days Lex. Ave. & 86th St.-7 :24 PM 1 pm to 9 pm Lex. Ave. & 72nd St.-7:28PM Lex. Ave. & 60th St.-7:32 PM Check Room Second Ave. & 14th St.-7:47 PM Located on the Orchestra Level of both Bdwy. & 86th St.-7:22 PM the Opera House and the Music Hall Bdwy. & 72nd St.-7 :26 PM Bdwy. & 58th St. (N.W. Corner)-7:30 PM Bdwy. & 14th St.-7:45 PM Drinking Fountains Located 1n the rest rooms 1n both the Opera House and the Music Hall Ticket Reservation Systems Computerized ticket selling system which Elevators permits purchase of tickets to Academy 2 elevators from Main Lobby to events at the following locations: Opera House Balcony Manhattan: Gimbels 33rd St.; American Express, 65 Bdwy. and 150 E. 42nd St.; Information Chase Manhattan Bank, 1 Chase Manhattan Round stands in lobby near front Plaza entrances or at box office Long Island: Gimbels, Roosevelt Field and Valley Stream; Grand Union, Great Neck; Lost and Found Gertz, Flushing, Jamaica, Hicksv ille; Tail­ ored Travel, Port Jefferson. House Manager's Office, Stage Entrance Telephone: ST 3-6700, ext. 26 Staten Island: Majors Travel Westchester: Gimbels, Cross County Shop­ Lounges and Restrooms ping Center; B. Altman and Company, Opera House White Plains. Ladies, Orchestra and Balcony Levels New Jersey: Gimbels, Paramus; Broadway Men, Mezzanine and Balcony Levels Bank and Trust, Paterson; Grand Union, Morristown. Music Hall Connecticut: Gimbels, Stamford; Grand Ladies, Orchestra Level Union, Greenwich; Temple Travel, New Men, Bal co ny Level Haven. Public Telephones Ma in Lobby, Ashland Place Entrance Transportation SUBWAYS. (All subway stops are located Refreshments within one block of the Academy.) Available in Main Lobby during intermis· sions. Please do not bring refreshments Atlantic Avenue Stop into the Auditoriums. I RT (Lex. Ave.) I RT (Bdwy and 7th Ave.) BMT (Brighton) School of Ballet Pacific Street Stop Alan Banks, Director BMT (West End, Sea Beach, 4th Ave. Local) Telephone: ST 3-6700 Fulton Street Stop Smoking IND ("GG" Train) In Main Lobby, Lounges and Restrooms Lafayette Avenue Stop only IND ("A" Train) 10 I BROOKLYN ACADEMY OF MUSIC DECEMBE ~ 1958

\Vonderju I \ Vorld of iY!shJrJII with a repertory of new St) les.

Stored with fashions for the family, gay gifts and complete home furn1shings Mays F.tll '68 present.t­ tion calls for encore after entOre ~ ee the sparkling Starllght Room , Des1gner's Room, rur S:don and the Boutique v.1lh 1ls imports from .dl CJ\Cr the world. Easy to reach from

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PFIZER SALUTES OUR FRIENDS A D NEIGHBORS

\Ve began in Brooklyn 119 years ... ""\ T".: ~ l v:~· (,,-:r 1 ago. From modest beginnings in a · ...... 2, ~ V:G".... ~ --~ red brick building - still in use - generations of Pfizer people have found Brooklyn a fine community in which to live and to work. Today, Pfizer is a worldwide organiza­ tion doing business in over 100 countries. In Brooklyn, more than 2,000 of us produce ethical pharmaceuticals, consumer health products, veterinary medicines and chemi- cals for better living. \Ve also conduct research to formulate new pharmaceuticals. For more than a century, Pfizer roots have run deep in Brooklyn. \Ve take great r

pride in our contributions to its past, pres- A ent and future. ' _/,t ~" ~J\ Science [o1· the woTld's 'well-being ® BROOKLYN ACADEMY OF MUSIC I DECEMBER 1968 I 11

CAST Odette-Odile Toni Lander Prince Siegfried Bruce Marks The Princess-Mother Lucia Chase Wolfgang, the tutor Enrique Martinez Ben no Ted Kivitt Von Rothbart Richard Gain

ACT I Pas de Trois Ellen Everett, Diana Weber, Ted Kivitt A Peasant Girl Gilda Mullett Peasant Girls and Boys Misses Algase, Blaisdell, Fenster, Lee, Lynn, Rodriguez, Sorkin, Strickler, Vidal, Williamson, Wojcik Messrs. Eb belaar, Haworth, Hoff, Horvath, Smuin, Zynda Aristocrats Misses Dishong, Douglas, Erickson, Gellert, Jorgenson, O'Neill, Seravalli, Tracy, Youskevitch Messrs. Anderson, Gladstein, Nickel, Paredes, Sowinski, Vest Ladies of the Court and Huntsmen

INTERMISSION

ACT II Two Swans Rosanna Seravalli and Paula Tracy Cygnets Ellen Everett, Alexandra Rad ius, Christine Sarry, Diana Weber Swans Misses Algase, Axtmann, Blaisdell, Casey, Dishong, Douglas, Erickson, Fenster, Gellert, Israel, Jorgenson, Lee, Lynn, Mullett, Rodriguez, Sorkin, Strickler, Vidal, Williamson, Wojcik, Youskevitch Huntsmen

INTERMISSION

(continued on page 14) 12 I BROOKLYN ACADEMY OF MUSIC I DECEMBER 1968 DINE BY GASLIGHT Monday and Tuesday evenings. It's pleasant, nostalgic. Don't miss it.

Winner of 16 annual HOLID AY GAGE AND TOILILNER MaRa' ne Awards BROOKLYN'S LANDMARK RESTAURANT

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Complete Banquet Fac!litie:· 346 FLATBUSH A VENUE BROOKLYN. N.Y. Frc«? Park ng NEvins 8-4552 BROOKLYN ACADEMY OF MUSIC I DECEMBER 1968 I 13

The Brooklyn Academy of Music

The Brooklyn Academy of Music is a department of the Brooklyn Institute of Arts and Sciences.

The Governing Committee Administrative Staff

Seth S. Faiso n, Chairman Ha rvey Lichtenstein, Director Edward S. Reid, Vice Cha irman Lloyd Hezekiah, Assistant Director for Administration Monroe D. Stein, Vice Chairman John Latham, Han. Alexander Aldrich Assistant Director for Publ ic Affairs Bernard S. Barr Lewis L. Lloyd, Assistant l)irector for Dance Production Mrs. H. Haughton Bell Jan Henry James, Associate, Public Affairs Donald F. Benjamin Ph ilip Barnes Dr. Edward G. Bernard Associate, Publ ic Affairs Dr. William M. Birenbaum Betty Rosendorn, Administrator, School Time Program John R. H. Blum Sarah Walder, Thomas A. Donnelly Administrator, Membership Program Gordon Braithwaite, William B. Hewson Dance Subscription Manager Winston E. Hi msworth Adele Allen, Administrative Secretary Rev. W. G. Henson Jacobs Sylvia Rodin, Administrative Assistant Max L Koeppel Mildred Levinson, Msgr. Raymond S. Leonard Assistant, Public Affairs Mrs. George Liberman Frances Seidenberg, Assistant, Public Affairs Harvey Lichtenstein Merle Johnson, Financial Secretary Mrs. Constance J. McQueen Evelyn August, Arthur William Rashap Staff Ass1stant

James Q. Riordan Gail Kupermann, Assistant, School Time Program Donald G. C. Sinclair Anne Kelly, Assistant, Membership Program William Tobey

House Staff Alfred Salmaggi , House Manager Ex Officio M1chael McPh1ll1ps, Asst. House Manager Edward Hochner, Box Office Treasurer Han. John V. Lindsay, Harry H. Redd, Assistant Mayor of New York Kay McMahon, Assistant Han. August Hecksche~ Ri chard Beck, Master Carpenter Commissioner of Parks Edward Cooney, Assistant Dona ld Beck, Chief Electrician Han. Mario Procacci no, Lou is Beck, Assistant Comptroller of New York John Cooney, Property Manager Han. Abe Stark, Cha rles Brette, Custodian Borough President, Brooklyn Jerry Kean, Photographer 14 I BROOKLYN ACADEMY OF MUSIC DECEMBER 1968

ACT Ill

Master of Ceremonies David Anderson Czardas Ellen Everett, Michael Smuin and Nancy Fenster, Rosamond Lynn, Naomi Sorkin, Kasana Wojcik, Han Ebbelaar, Reese Haworth, lan Horvath, James Zynda Spanish Dance Rosanna Seravalli, Paula Tracy, Marcos Paredes, Dennis Nahat Neapolitan Dance Diana Algase, Gail Israel, Zhandra Rodriguez, Christine Sarry, Steven-Jan Hoff, Terry Orr Mazurka lola Dishong, Helyn Douglas, Betsy Erickson, Maria Youskevitch, Robert Gladstein, Paul Nickel, John Sowinski, Vane Vest Princesses Misses Blaisdell, Brock, Jorgenson, Mullett, Strickler, Vidal Black Swan Pas de Deux Odile and Prince

Ladies and Gentlemen of the Court

INTERMISSION

ACT IV

Swans and Cygnets

Conductor: Jaime Leon

Violin Soloist: Guy Lumia BROOKLYN AC A DEMY OF MUSIC I DECEMBER 1968 I 15

The BROOKLYN SAVINGS BANK Assets Total Over $550,000,000 l\1 \ l OFFICE: Corner of Fulton and Montague Streets "In Tlz e Brooklyn Civic C enter"

C0!\11\IUTER 13A KING OFFICE: Borough H all Subway Station Mezzanine between IRT and 13MT Bay Ridgr Offia: 13ay Ridge Parkway and 13th Avenue Ki11gs Highway Offia: Kings Ilighway and M cDonald Avenue Lakr Suca.r.r O.ffia: U nion Turnpike opposite Sperry, orth Tew H yde Park, . Y.

!II rmbrr f'rdflal Dr posit l ll!llrauu Corporati011 bnote tn• convement• ba •

MEI'IBER f(O(AAl O£PO$•T INSUAAhCE COAPORATIO"f Headquarters for both Savings and Mortgage Loans

ltd I ( / ) I I ,/ ! I . I '

SAVINGS BANK DIME OF BROOKLYN the b:g savings bank for all New York DOWNTOWN- Fulton Street and DeKalb Ave. 11201 BENSONHURST - 86th Street and 19th Ave. 11214 FL.ATBUSH - Avenue J and Coney Island Ave. 11230 CONEY ISLAND- Mermaid Avenue and W. 17th St. 11224 GREEN ACRES - Green Acres Shopping Center, Sunrise H'way, Valley Stream, N.Y. 11582 Mo-nt.er FDIC FESTIVAL OF DANCE 68-69 THE BROOKLYN ACADEMY OF MUSIC AND BALLET THEATRE FOUNDATION

PRESENT AMERICAN BALLET THEATRE

LUCIA CHASE and OLIVER SMITH, DIREcToRs

TONI LANDER ROYES FERNANDEZ BRUCE MARKS SALLIE WILSON ELEANOR D'ANTUONO RUTH ANN KOESUN GAYLE YOUNG CYNTHIA GREGORY TED KIVITT

GUEST ARTISTS CAR LA FRACC I ERIK BRUHN

ALEXANDRA RADIUS IVAN NAGY ELLEN EVERETT HAN EBBELAAR DIANA WEBER MICHAEL SMUIN GAIL ISRAEL PAUL NICKEL CHRISTINE SARRY RICHARD GAIN ROSANNA SERAVALLI TERRY ORR KARENA BROCK PAULA TRACY SUSAN CASEY MARCOS PAREDES JOY O'NEILL

Diana Algase David Anderson Ann Axtmann Amy Blaisdell Robert Brassel Zola Dishong Helyn Douglas Betsy Erickson Nancy Fenster Karen Gellert Robert Gladstein Reese Haworth Steven-Jan Hoff lan Horvath Rhodie Jorgenson Elizabeth Lee Rosamond Lynn Gilda Mullett Dennis Nahat Janet Panetta Phyllis Papa Zhandra Rodriguez Naomi Sorkin John Sowinski Lynda Strickler Vane Vest Georgina Vidal Karen Williamson Kasana Wojcik Maria Youskevitch James Zynda

PRINCIPAL CONDUCTOR GUEST CONDUCTOR CONDUCTOR JAIME LEON SIEGFRIED LANDAU ANDREW APOSTLE

LIGHTING DIRECTOR JEAN ROSENTHAL

REGISSEUR ASS ISTANT TO THE DIRECTORS BALLET MASTER DIMITRI ROMANOFF JOHN KRIZA ENRIQUE MARTINEZ

CHARLES PAYNE, GENERAL ADMINISTRATOR STAFF FOR AMERICAN BALLET THEATRE Daryl Dod son Genera I Manager Company Manager Phillipe de Conville General Press Representatives Samuel Lurie & Associates Press Representative Stanley F. Kaminsky Stage Manager Ralph McWilliams Carpenter Gene Geasl in Electrician Melvin Siegel Flyman John Gutierrez Assistant Electrician Alan Price Assistant Carpenter Donald McCracken Property Master Thomas Seymour Wardrobe Master Robert Holloway Lighting Supervisor Gilbert V. Hemsley, Jr. Production Co-ord inator H. R. Poindexter Assistant to Mr. Smith David Guthrie Production Assistants Spence Masse, Maxine Glorsky Production Assistant to Miss Rosentha I Marion Kinsella Orchestra Personnel Manager Alexander Horvath Company Pianists Gladys Celeste, Howard Barr Guest Violin Soloist Guy Lumia Associate Concertmaster I srae I C horberg Music Librarian Alfred Loeb Photographer Jack Mitchell Assistant Ballet Master, James Moore

Official School of American Ballet Theatre American Ballet Theatre School 316 West 57 Street, New York, N. Y. 10019 Tour Direction Columbia A rtists Management, Inc. 165 West 57 Street, New York, N. Y. 10019 BALLET THEATRE FOUNDATION , INC. 1790 Broadway, New York, N. Y. 10019

GOVERNING TRUSTEES Lucia Chase Charles Payne Henry Clifford Robert E. Rubin Mrs. S. Hallock duPont Oliver Smith Mrs. Bruce A. Gimbel Mrs. Byam K. Stevens, Jr. Sherwin M. Goldman Charles P. Taft A. Lawrence Groo F. Robert Wheeler Jr. John L. Magro Mrs. William Zeckendorf, Jr. Mrs. Aristotle S. Onassis Executive Secretary, Fl orence Pe ttan

Costumes for "Coppelia," "Danses Concertantes," "Gartenfest," "Giselle," " Harbinger," "Les Sylphides,' 'Swan Lake" and ladeis' costumes for "Etudes" executed by Grace Costumes, Inc.; for "Concerto" and men's costumes in "Etudes" by John Allen; for " Pulcinel la Variations" by Barbara Matera Ltd. Scenery for "Billy the Kid,'' "Etudes," "Fancy Free," "Les Sylphid es" and " Pillar of Fire" executed by Scenicraft, Inc.; for "Concerto," "Coppelia," "Gartenfest," "Giselle," " Harbinger,'' "Pulcinella Variations" and "Swan Lake" by Nolan Scenery StudiOS. Fabrics by Gladstone Fabrics and J. C. Hanson Co. Wigs by Alfred Barris and Ella Bouchard. Tights by Jesse Zimmer. Shoes and boots by Anello & Davide Ltd., Capezio Inc., La Ray and Selva & Sons, Inc. Lighting Equipment by Altman Rental, Inc. Sound by Masque Sound & Recording Corporation. Body make-up by Braggi. Insurance .Agents, F. J. Turner Associates; Legal Counsel, Golenbock & Barrell. AMERICAN BALLET THEATRE

December 10, 1968

Please note the following Cast changes:

Act 11

The Two Swans will be danced by:

Rosanna Seravalli and Betsy Ericl

The Spanish Dance will be perfonned by:

Rosanna Seravalli and Joy O'Neill