2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
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Globalrelations.Ourcuba.Com Cleveland Ballet in Havana
GlobalRelations.OurCuba.com 1-815-842-2475 Cleveland Ballet in Havana In Cuba from Thursday February 27th to Monday March 2, 2020 Day 1 – Thursday :: Arrive Cuba, Iconic Hotel, welcome dinner and evening to explore Depart to Havana via your own arranged flights. You should plan arriving Havana by mid-afternoon. It may take you some time to clear Cuban Immigration, get your bag and go through Customs. You will be met in the arrival hall, after clearing Customs, by our Cuban representative holding a ‘Cuba Explorer’ sign to take you to your hotel. They will have your name and will be monitoring your flight arrival in case there is a delay. Your first tour activity will be the welcome dinner and your guide will finalize details with you on arrival to your hotel. On departure from Cuba you will be asked to be at the airport 3 hours in advance. Havana’s International Airport arrival hall does have bathrooms. They may not have seats or tissue. This is normal in Cuba, so you may wish to bring packets of tissues. It is suggested to use the restroom on your flight before landing. On arrival at Havana’s José Martí International Airport proceed through Immigration. Your carry-on will once again be scanned. Give your ‘Health’ form to the nurses in white uniforms after you go through Immigration & screening. The important question they may ask is if you have been exposed to Ebola. Collect your bags and go through Customs giving them your blue customs form. You will be welcomed at the airport exterior lobby after you exit Cuban Customs. -
DANCER of the WEEK – Dominic North Fri 5 August
DANCER OF THE WEEK – Dominic North Fri 5 August Matthew Bourne’s Sleeping Beauty is in Singapore this week at the Esplanade Theatre before heading to Shanghai, China next week. Nick Kyprianou, our Audience Engagement Coordinator got the chance to speak to Dominic this week. Dominic has been with New Adventures since 2004 and has generated quite a following worldwide, performing in many principal roles for the Company. He was first seen in Swan Lake as a Swan and is currently performing as Leo in Sleeping Beauty. You can also catch Dominic as Angelo in cinemas worldwide in the 2015 film recording of The Car Man. Later this year, Dominic will also be playing the role of Julian Craster, who leading lady Victoria Page falls in love with, in the World Premiere of Matthew’s production of The Red Shoes, inspired by the Powell and Pressburger film. A young Dominic being jazzy! When did you start taking dance classes? I started dancing when I was about 9 I think. My twin sister was already taking classes, then this new girl joined the school and started dancing in the same class as her. I fancied her and thought that dance was a good way in. The relationship ended when we went to different secondary schools, it was very sad – haha! Where did your formal training take place? I was at the Nydza School of Dance in Bingley, just outside of Bradford, from when I started dancing until I was 18. I then auditioned for full time dance courses at Laines Theatre Arts, Bird College, Central School of Ballet and Northern School of Contemporary Dance. -
Annual Report 2 0 1 8
ANNUAL REPORT 2018/19 Hong Kong Ballet Annual Report 2018/19 Published in October 2019 香港芭蕾舞團年報 年 月出版 2018/19 ON THE COVER 2019 10 DANCER CHEN ZHIYAO CREATIVE DESIGN ARMY Hong Kong Ballet is financially supported by the Government of the Hong Kong Special Administrative Region. PHOTOGRAPHY DEAN ALEXANDER Hong Kong Ballet is a Venue Partner of the Hong Kong Cultural Centre. BROCHURE DESIGN 香港芭蕾舞團由香港特別行政區政府資助。香港芭蕾舞團為香港文化中心場地伙伴。 KEVIN LO_SOUTHGATE DESIGN CONTENTS目錄 VISION AND MISSION | 2 PRODUCTIONS | 18 願景及使命 製作 THE BOARD AND COMMITTEES | 5 TOURING | 38 董事局及委員會 巡演 ARTISTIC MEMBERS | 6 AWARDS | 40 藝術人員 獎項 HONG KONG BALLET | 9 EDUCATION AND COMMUNITY OUTREACH | 42 香港芭蕾舞團 教育及外展 MESSAGE FROM THE CHAIRMAN | 10 FUNDRAISING AND SPONSORSHIP | 48 主席獻辭 籌款及贊助 MESSAGE FROM THE ARTISTIC DIRECTOR | 12 FINANCE | 62 藝術總監獻辭 財務概況 MESSAGE FROM THE EXECUTIVE DIRECTOR | 14 MANAGEMENT AND STAFF | 66 行政總監獻辭 管理及行政人員 SNAPSHOT | 16 ACKNOWLEDGMENTS | 67 簡況 鳴謝 DANCERS (FROM LEFT): WEI WEI, LI JIABO, HENRY SELDON, GARRY CORPUZ, LI LIN, SHUNSUKE ARIMIZU, LIN CHANG-YUAN KYLE | CREATIVE: DESIGN ARMY | PHOTOGRAPHY: DEAN ALEXANDER 香港芭蕾舞團年報 2018/19 1 VISION AND MISSION 願景與使命 願景 VISION To be the pre-eminent Ballet company, treasured in Hong Kong and lauded abroad for our unique productions, vibrancy and glamour. 成為卓越的芭蕾舞團,以我們獨特的製作、朝氣和魅力,札根香港,揚名海外。 2 HONG KONG BALLET ANNUAL REPORT 2018/19 使命 MISSION • Produce a repertoire that is exciting and reflective of the • 製作精采節目,彰顯香港的文化和魅力 city’s culture and energy • 增強舞團在香港及海外的知名度 • Heighten our visibility within Hong Kong and overseas -
2014-2015 Fine Arts Mid-Season Brochure
Deana Martin Photo credit: Pat Lambert The Fab Four NORTH CENTRAL COLLEGE Russian National SEASON Ballet Theatre 2015 WINTER/SPRING Natalie Cole Robert Irvine 630-637-SHOW (7469) | 3 | JA NUARY 2015 Event Price Page # January 8, 9, 10, 11 “October Mourning” $10, $8 4 North Central College January 16 An Evening with Jazz Trumpeter Art Davis $20, $15 4 January 18 Chicago Sinfonietta “Annual Tribute to Dr. Martin Luther King Jr.” $58, $46 4 January 24 27th Annual Gospel Extravaganza $15, $10 4 Friends of the Arts January 24 Jim Peterik & World Stage $60, $50 4 January 25 Janis Siegel “Nightsongs” $35, $30 4 Thanks to our many contributors, world-renowned artists such as Yo-Yo Ma, the Chicago FEbrUARY 2015 Event Price Page # Symphony Orchestra, Vienna Boys Choir, Wynton Marsalis, Celtic Woman and many more have February 5, 6, 7 “True West” $5, $3 5 performed in our venues. But the cost of performance tickets only covers half our expenses to February 6, 7 DuPage Symphony Orchestra “Gallic Glory” $35 - $12 5 February 7 Natalie Cole $95, $85, $75 5 bring these great artists to the College’s stages. The generous support from the Friends of the February 13 An Evening with Jazz Vocalist Janice Borla $20, $15 5 Arts ensures the College can continue to bring world-class performers to our world-class venues. February 14 Blues at the Crossroads $65, $50 5 February 21 Béla Fleck and Abigail Washburn $65, $50 6 northcentralcollege.edu/shows February 22 Robin Spielberg $35, $30 6 Join Friends of the Arts today and receive exclusive benefits. -
Soviet-American Dance Medicine. Proceedings of the Glasnost Dance Medicine Conference and Workshops (Boston, Massachusetts, May 18-19, 1990)
DOCUMENT RESUME ED 337 430 SP 033 300 AUTHOR Micheli, Lyle, Ed.; And Others TITLE Soviet-American Dance Medicine. Proceedings of the Glasnost Dance Medicine Conference and Workshops (Boston, Massachusetts, May 18-19, 1990). INSTITUTION American Alliance for Health, Physical Education, Recreation and Dance, Reston, VA. National Dance Association. REPORT NO ISBN-0-88314-512-X PUB DATE 91 NOTE 118p. AVAILABLE FROMAAHPERD, Publications Sales, 1900 Association Drive, Reston, VA 22091. PUB TYPE Collected Works - Conference Proceedings (021) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Adults; Chi.dren; *Dance; *Dance Education; Health Promotion; *Injuries; *Medical Services; Physical Therapy; Physicians; *Sports Medicine IDENTIFIERS Dance Companies; United States; USSR ABSTRACT The information shared in this document representsa dialogue between the United States and the Soviet Unionon the discipline of dance medicine, which involves thecare of injured dancers as well as prevention of injuries. Anintroduction including a preface, opening remarks, and an overview of dancemedicine comprises section 1. The second section containspresentations: "Anatomic, Physiologic, and Developmental Concerns:Dance Injury"; "Orthopaedic Aspents of Uance Medir,ine"; "StressFractures in the Dancer"; "Dance Medicine in the Scviet Union"; "The Roleof Physical Therapy in Dance Medicine"; "Worksiop: Physical Therapyand Dance"; "Treatment and Rehabilitation of Common Dam'sInjuries"; "Strapping for Prevention of Lower Extremity Injuries"; "ThePsychological -
The BALLET RUSSE De Monte Carlo
The RECORD SHOP Phil Hart, Mgr. presents The BALLET RUSSE de Monte Carlo IN THE PORTLAND AUDITORIUM Thursday, November 16,1944 AT 8:30 P. M. * PLEASE NOTE the following cast changes, due to a leg injury sustained by MR. FRANKLIN. In Le Bourgeois Gentilhornrne Cleonte M. Nicholas MAGALLANES In Gaite Parisienne Tbe Baron M. Nihita TALIN In Danses Concertantes Leon DANIELIAN in place of Frederic FRANKLIN In Rodeo Tbe Champion Roper Mr. Herbert BLISS PROGRAM II. A • "*j 3 • ,. y LE BOURGEOIS GENTILHOMME Choreography by George Balanchine Music by Richard Strauss Scenery and costumes by Eugene Berman Scenery executed by E. B. Dunkel Studios Costumes executed by Karinska, Inc. SERENADE This ballet depicts one episode from Moliere's immortal farce, "Le Bourgeois Gentilhomme." A young man, Cleonte, is in love with M. Jourdain's daughter, Luetic M. Jourdain disapproves of the match, as Cleonte is not of noble birth and it is M. Choreography by George BALANCHINE Music by P. I. Tschaikowsky Jourdain's lifetime ambition to shed his middle-class status and rise to aristocracy. Cleonte and his valet, Coviel, impersonate respectively the son of the Great Turk and his ambassador, and under this disguise Cleonte asks for the hand of Lucile. Lucile, at first, unaware of Cleonte's disguise, bitterly resents the wedlock and not Costumes by Jean LURCAT Costumes executed by H. MAHIEU, Inc. until Cleonte raises his mask does she willingly consent. In exchange for the hand of his bride, Cleonte makes M. Jourdain a Mamamouchi—a great dignitary of Turkey—"than which there is nothing more noble in the world," by means of an imposing ceremony. -
A SEASON of Dance Has Always Been About Togetherness
THE SEASON TICKET HOLDER ADVANTAGE — SPECIAL PERKS, JUST FOR YOU JULIE KENT, ARTISTIC DIRECTOR 2020/21 A SEASON OF Dance has always been about togetherness. Now more than ever, we cannot“ wait to share our art with you. – Julie Kent A SEASON OF BEAUTY DELIGHT WONDER NEXTsteps A NIGHT OF RATMANSKY New works by Silas Farley, Dana Genshaft, Fresh, forward works by Alexei Ratmansky and Stanton Welch MARCH 3 – 7, 2021 SEPTEMBER 30 – OCTOBER 4, 2020 The Kennedy Center, Eisenhower Theater The Harman Center for the Arts, Shakespeare Theatre The Washington Ballet is thrilled to present an evening of works The Washington Ballet continues to champion the by Alexei Ratmansky, American Ballet Theatre’s prolific artist-in- advancement and evolution of dance in the 21st century. residence. Known for his musicality, energy, and classicism, the NEXTsteps, The Washington Ballet’s 2020/21 season opener, renowned choreographer is defining what classical ballet looks brings fresh, new ballets created on TWB dancers to the like in the 21st century. In addition to the 17 ballets he’s created nation’s capital. With works by emerging and acclaimed for ABT, Ratmansky has choreographed genre-defining ballets choreographers Silas Farley, dancer and choreographer for the Mariinsky Ballet, the Royal Danish Ballet, the Royal with the New York City Ballet; Dana Genshaft, former San Swedish Ballet, Dutch National Ballet, New York City Ballet, Francisco Ballet soloist and returning TWB choreographer; San Francisco Ballet, The Australian Ballet and more, as well as and Stanton Welch, Artistic Director of the Houston Ballet, for ballet greats Nina Ananiashvili, Diana Vishneva, and Mikhail energy and inspiration will abound from the studio, to the Baryshnikov. -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
DAIMLERCHRYSLER Copyright 2010, Michigan Opera Theatre the DETR.OIT INSTITUTE of AR.TS Red Hot and Ve Coo
A Y TON NTEMPORARY ANCE OMPANY Winter 2004-2005 DETROIT ~ Home of Michigan Opera Theatre David DiChiera, General Director OaimlerChrysler Dance series sponsored by DAIMLERCHRYSLER Copyright 2010, Michigan Opera Theatre THE DETR.OIT INSTITUTE OF AR.TS Red Hot and Ve Coo Murano Glass Off the coast of Venice li es Murano, a small group of islands that is home to the worl d's greatest glass designers. See some of the finest examples of art glass, red hot from Murano's magical furnaces and VERY COOL! Through February 27 Purchase tickets onsite at the DIA Box Office or online at dia,org Members receive FREE tickets. Join today! 313.833.7971 DIA This exhibition was curated by Marino Barovier, designed by Lelia and Massimo Vignelli with David Law, and circulated by Exhibitions you going? International, NY. The national tour of this exhibition is sponsored by Venin i. VE IINI In Detroit, add~jonal support isCopyright provided by the Michigan 2010, Council for MichiganArts and Cultura l Affa irs,Opera and the City Theatreof Detroit. , Gi6 Ponti, Venini & C., A canne (detail), 1955. Photograph by Luca Vignelli. Renew your passion 2004-2005 , The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE .. PUBLICATION Win er CONTRIBUTORS Dr. David DiChiera Laura Wyss Karen VanderKloot DiChiera cason Michigan Opera Theatre Staff Dave Blackburn, Editor WELCOME PUBLISHER Letter from David DiChiera .... 4 Live Publishing Company Frank Cucciarre, Design and Art Direction ON STAGE Blink Concept &: Design, Inc. Production JOFFREY BALLET'S THE NUTCRACKER . ..... ....... 7 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Setting .......... -
American Photographer Exhibits Photos of Cuban National Ballet
American photographer Exhibits Photos of Cuban National Ballet The future stars of the Cuban National Ballet, students of the famed National Ballet School in Havana are the subjects of an exciting new exhibition by American photographer, Rebekah Bowman. Curated by Roberto Chile and Rebekah herself, the exhibition will open next Monday October 27 at Havana's José Martí Memorial in Revolution Square, as part of activities of the International Ballet Festival of Havana, running October 28 to November 7. The images in medium and large format reflect many aspects of the daily ritual of classes and rehearsals at the National Ballet School. Commenting on the photographic display, Miguel Cabrera, Historian of the National Ballet of Cuba, said: "This exhibition, which we gratefully welcome, besides constituting a valuable testimony, is a tribute to the rich heritage of the institution, showcasing the inexhaustible yeast that nurtures the future of Cuban ballet." The National Ballet School in Havana was originally founded in 1931, but grew into the prestigious institution it is now in the 1960s, after Fidel Castro came to power and declared that art and education were for the people. Talented children from all over the island could get free ballet training; the school is open to every child. Since the '60s, the Cuban ballet style has been chiefly formed by prima ballerina assoluta Alicia Alonso, now 93, and her husband Fernando Alonso. According to Bowman, along with its rigorous attention to classical form and technical precision, “the Cuban style has borrowed elements from the then-dominant European schools, influenced by aspects of Cuba’s Spanish and Afro-Cuban cultural heritage, and adapted them to the Cuban dancer’s physiology to express a Latin sensibility and aesthetic.” Many of Cuban ballet school graduates are dispersed all over the globe in prestigious companies such as the San Francisco Ballet, the Royal Ballet, and the American Ballet Theater. -
Press Kit for Ballets Russes, Presented by Capri Releasing
PRESENTS BALLETS RUSSES A film by Dan Geller and Dayna Goldfine. A fifty-year journey through the lives of the revolutionary artists who transformed dance. Running Time: 120 Minutes Media Contact: Anna Maria Muccilli AM Public Relations 1200 Bay St., Suite 900 Toronto, Ontario, M5R 2A5 416.969.9930 x 231 [email protected] For photography, please visit: http://www.caprifilms.com/capri_pressmaterial.html Geller/Goldfine P R O D U C T I O N S Ballets Russes Synopsis Ego, politics, war, money, fame, glamour, love, betrayal, grace… and dance. Ballets Russes is a feature-length documentary covering more than fifty years in the lives of a group of revolutionary artists. It tells the story of the extraordinary blend of Russian, American, European and Latin American dancers who, in collaboration with the greatest choreographers, composers and designers of the first half of the 20th century, transformed ballet from mere music hall divertissement to a true art form. From 1909, when Russian impresario Serge Diaghilev premiered his legendary Ballet Russe company in Paris, to 1962 when Serge Denham’s Ballet Russe de Monte Carlo performed for the last time in Brooklyn, Ballets Russes companies brought their popular, groundbreaking and often controversial choreographies to big cities and small towns around the world. Along the way, these artistic visionaries left their mark on virtually every other area of art and culture – from stage design, painting and music to Hollywood and Broadway. Through their inclusive cosmopolitanism, they also put the first African-American and Native American ballerinas on the stage. Using intimate interviews with surviving members of the Ballets Russes companies (now in their 70s, 80s and 90s) as well as rare archival materials and motion picture footage, Ballets Russes is both an ensemble character film and an historical portrait of the birth of an art form. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin