2016 - 2017 Season Passion
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Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. -
Performance and Discourse of Musicality in Cuban Ballet Aesthetics
Smith ScholarWorks Dance: Faculty Publications Dance 6-24-2013 “Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics Lester Tomé Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/dan_facpubs Part of the Dance Commons Recommended Citation Tomé, Lester, "“Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics" (2013). Dance: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/dan_facpubs/5 This Article has been accepted for inclusion in Dance: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] POSTPRINT “Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics Lester Tomé Dance Chronicle 36/2 (2013), 218-42 https://doi.org/10.1080/01472526.2013.792325 This is a postprint. The published article is available in Dance Chronicle, JSTOR and EBSCO. Abstract: Alicia Alonso contended that the musicality of Cuban ballet dancers contributed to a distinctive national style in their performance of European classics such as Giselle and Swan Lake. A highly developed sense of musicality distinguished Alonso’s own dancing. For the ballerina, this was more than just an element of her individual style: it was an expression of the Cuban cultural environment and a common feature among ballet dancers from the island. In addition to elucidating the physical manifestations of musicality in Alonso’s dancing, this article examines how the ballerina’s frequent references to music in connection to both her individual identity and the Cuban ballet aesthetics fit into a national discourse of self-representation that deems Cubans an exceptionally musical people. -
Company Dancer Nichola Montt Photography by Stephen Stinson
Company Dancer Nichola Montt Photography by Stephen Stinson IndividualIndividual HealthplansIndividualIndividualIndividual Healthplans Healthplans HealthplansHealthplans rownrownrownrownrownMedicareMedicare SupplementMedicareMedicareMedicare Supplement Supplement SupplementSupplement BB& BB&&Life& InsuranceLife LifeInsuranceLifeLife • Insurance InsuranceLong Insurance Term • • Long •Care Long LongLong Term Term Term Care CareCare Care rown& rownrownFor a Quote Contact:For a Quote Contact: B BBBrown ForFor aa Quote Contact: Contact: rown Laura LynnFor Meador aLL auraQuoteaura Lynn Lynn Contact: Meador Meador INSURANCEB INSURANCEINSURANCE® ®® Laura Lynn Meador INSURANCE ® (864) 208-0648Laura(864) Lynn(864) 208-0648 208-0648 Meador INSURANCE ® (864) 208-0648 [email protected]@[email protected](864) 208-0648 Brown & Brown,BrownBrown Inc. & & Brown, Brown, Inc. Inc. [email protected] Individual & ShopIndividual Certified,Individual & & Shop Shop Certified, Certified, 103 N. PineBrown St.103 Suite103 & N. Brown,N. A Pine Pine St. St. Inc.Suite Suite A A [email protected] America’s Health America’sInsuranceAmerica’s HealthPlans Health Insurance Insurance Plans Plans BrownP.O. Box 103 &5139 Brown, N. P.O.P.O. Pine Box Box Inc.St. 5139 5139 Suite A Individual & Shop Certified, Spartanburg, S.C.Spartanburg, 29304 S.C.(AHIP) 29304 Certified, (AHIP)Long(AHIP) Term Certified, Certified, Care Certified Long Long Term Term Care Care Certified Certified 103 N. P.O.Pine BoxSt.Spartanburg, Suite5139 A S.C. 29304 IndividualAmerica’s & Health Shop InsuranceCertified, Plans P.O. BoxSpartanburg, 5139 S.C. 29304 America’s(AHIP) Certified, Health Long Insurance Term Care Plans Certified Spartanburg, S.C. 29304 (AHIP) Certified, Long Term Care Certified In this moment . It doesn’t matter if you saved money in 15 minutes. It doesn’t matter if your neighbor has the same insurance you do. -
IATSE and Labor Movement News
FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M. -
How Cuba Produces Some of the Best Ballet Dancers in the World by Noël Duan December 14, 2015 9:01 PM
http://news.yahoo.com/how-cuba-produces-some-of-the-best-ballet-dancers-020100947.html How Cuba Produces Some of the Best Ballet Dancers in the World By Noël Duan December 14, 2015 9:01 PM Recent graduates of the Ballet Nacional de Cuba School performing at the National Theater of Cuba in Havana in February 2015. (Photo: Getty Images) This story is part of a weeklong Yahoo series marking one year since the opening of relations between the United States and Cuba. Cuba is well known for many forms of dance, from the mambo and the tango to salsa, the cha- cha and the rumba. But only ballet enthusiasts know that the dance form is one of the country’s biggest cultural exports. In Cuba, ballet is just as popular as baseball, a sport where players from the Cuban national team regularly defect to the major leagues in the United States. Unlike in the United States, where ballet is generally considered highbrow art and Misty Copeland is the only ballerina with a household name, the Cuban government funds ballet training and subsidizes tickets to ballet performances. “Taxi drivers know who the principal dancers are,” Lester Tomé, a dance professor at Smith College and former dance critic in Cuba and Chile, tells Yahoo Beauty. Like Cuban baseball players, Cuban ballet dancers have made international marks around the world, from Xiomara Reyes, the recently retired principal dancer at New York City’s American Ballet Theatre to London’s English National Ballet ballet master Loipa Araújo, regarded as one of the “four jewels of Cuban ballet.” In September 2005, Erika Kinetz wrote in the New York Times that “training, especially Cuban training, has been a key driver of the Latinization of ballet,” an important note, considering that European ballet companies dominated the dance world for decades. -
With the Grace of a Swan Extracurricular Students Choose Myspace, fl Iers Ballet San Jose Prepares to Bring a Classic to the Stage Over SJSU.Edu to Post Events
MORE BLOOD DRIVE TALK His story in colors Richard Tuker, 61, a former SJSU Policies, principles, protests ... student, speaks through oil on can- and Rip Van Winkle vas about his life, love and culture. See OPINION, page 5. TOMORROW in the Spartan Daily VOLUME 130 ISSUE 12 Spartan Daily 63˚ / 39˚ thespartandaily.com MOSTLY SUNNY SERVING SAN JOSE STATE UNIVERSITY WEDNESDAY, FEBRUARY 13, 2008 FREE SINCE 1934 With the grace of a swan Extracurricular Students choose MySpace, fl iers Ballet San Jose prepares to bring a classic to the stage over SJSU.edu to post events By CHRIS BAUSINGER have to get their events approved for Staff Writer the calendar. The organization must fi ll out a one-page form that is sub- Since Sept. 17, 2007 the Student ject to review and approval. Involvement Web calendar has listed “Most students don’t go to the four events. SJSU Web site to look for clubs,” said The lack of student events is not a Stephanie Jwo, a senior psychology result of clubs not hosting any events, major and member of Tau Delta Phi. but instead because student organiza- Tau Delta Phi spreads information tions often choose not to post their about its events by handing out fl iers events on the Web calendar. in front of a table outside the Student Events on the calendar ranged Union as well as through their own from academic integrity week to stu- Web site. dent organization fairs. Other student organizations feel According to the Student Involve- the same way about the Student In- ment Web calendar the last event to volvement calendar and have created be posted by a student organization and managed their own Web pages was the Associated Students’ bar- separate from the SJSU Web site. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
National Ballet of Cuba to Make First Appearance in Capital Region As One of Four U.S
National Press Contact: Rebecca Davis Public Relations Rebecca Davis 347-432-8832 (m.) [email protected] Press Contact: Kristy Godette – 518-584-9330 ext. 125 518-316-1435 (m.) [email protected] National Ballet of Cuba to Make First Appearance in Capital Region as One of Four U.S. Locations Saratoga Performing Arts Center to present three performances of Alicia Alonso’s Giselle on June 6, 7 & 8 Saratoga Springs, NY – National Ballet of Cuba (BNC), internationally renowned as one of the premier ballet institutions in the world, will make its first appearance at Saratoga Performing Arts Center as one of just four U.S. locations on its tour, presented in partnership with Skidmore College. Known for its exuberant flair and historically informed style that are uniquely Cuban, BNC will perform three performances of Alicia Alonso’s classic Giselle on June 6, 7 and 8. National Ballet of Cuba was founded in 1948, by the legendary ballerina Alicia Alonso who – at the age of 97 – remains the Director of the company to this day. The Alicia Alonso National Ballet School, created in 1950, is attached to the professional company and is now the largest ballet academy in the world with more than 3,000 students. Alumni of the school perform in leading companies around the world. BNC’s tour will be the company’s 11th tour in U.S. cities with the last one taking place in 2015. Alicia Alonso is one of the most important personalities in the history of dance and is renowned as a leading figure of classical ballet. -
International Dance Day 2020 Brochure in English, Double Pages
International Dance Day 2020 International Dance Day 2020 Message Author Gregory Vuyani MAQOMA Dancer, choreographer South Africa Online Celebration www.international-dance-day.org InternationalInternational Dance Day 2020 Dance DayMessage Author: Gregory 2020 Vuyani MAQOMA Editorial – Let‘s Celebrate International Dance Day 2020 And this intention is even more important during the time of social distancing. We need to encourage. We need to keep our passion alive. That is the reason the members and friends of dance are continuing to celebrate International Dance Day in 2020 online: www.iti-worldwide.org is showing initiatives of encouragement and support and www.international-dance-day.org is presenting actions concerning the celebration of the Day and translations of the message. For 2020 the Executive Council of ITI in alignment with the Dance Committee of ITI and World Dance Alliance selected Gregory Vuyani Maqoma, the eminent dancer, choreographer and dance educator from South Africa, to share his inspiring thoughts about dance, peace and mutual understanding. Please celebrate dance on 29 April 2020. Let‘s be thankful to those who take care of individuals who are ill. Let´s be thankful to those who help to soothe the pains of those who are old and need special care. And let´s be grateful of those who are guiding us with In times of in Covid-19 virus-related “confinement”, health and encouragement and makes us aware of what is important for now well-being are of utmost importance, even if we have to change and for the future of mankind. our habits and routines. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Ballet Instructors 2012/2013
BALLET INSTRUCTORS 2012/2013 MARION CHAEFF, DIRECTOR received her professional training at American Ballet Theatre in New York under world renowned teachers: Alexandra Danilova, Igor Schwezoff, Anatole Vilzak, Ludmilla Schollar, Yurek Lazovsky and Valentina Pereyaslavec. She received her teacher's training in Vienna, Austria and is accredited to teach the Bolshoi School (Moscow Choreographic School) syllabus. After dancing professionally, she directed her own School and company in Oakland, New Jersey for 9 years and currently is Artistic Director of San Jose Ballet Association, a non-profit performing organization. RIMA CHAEFF, DIRECTOR began her studies with her mother and was later a government sponsored scholarship student in Vienna, Austria for 3 years studying with Irina Borovska-Musil. She has studied with Rosella Hightower in Cannes, Zurich Opera Ballet, Saile Academy in Sydney, Australia, Boston Ballet and in New York with Sulamith Messerer, David Howard and the Joffrey School. She completed 3 years in the professional division of San Francisco Ballet School and danced in their Nutcracker and Showcase performances. She appeared as soloist with San Jose Dance Theatre and toured Europe with Ballet San Jose as Principal dancer. She is presently dancing with Pacific Ballet Theatre. She has created original roles with choreographers Lawrence Pech, Audrey King and Harold Lang and danced the roles of Giselle, Odette in Swan Lake, Nikiya in La Bayadere, and leading roles in Les Sylphides and Paquita. BRIANNE ACKROYD danced professionally for 7 years in companies in West Germany and toured in France and Sweden. She holds a teaching degree in Ballet and Character Dance from the Hanover University of Music and Theatre and is a member of R.A.D., London. -
2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
2017 - 2018 SEASON World Ballet Stars • Giselle • The Nutcracker • Peter Pan Lightwire Theater: A Very Electric Christmas 2017-2018 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Welcome to the 48th season of the Northwest Florida Ballet! With the return of the Northwest Florida Ballet Symphony Orchestra and FIVE productions at venues all along the Emerald Coast, we have proven our commitment to elevating the performing arts in the communities we serve. As friends of NFB and valued patrons of the arts, we have listened to your feedback and identified new performance locations and expanded use of others to continue bringing you the world-class productions our organization is known for. Todd Eric Allen, NFB Artistic Director & CEO The season begins with World Ballet Stars, a main stage production at the Mattie Kelly Arts Center in September. Through our expanded partnership with Grand Boulevard, we will present Giselle to the community as a free outdoor performance in Grand Park in October. We return to the Mattie Kelly Arts Center in November for our 38th annual production of The Nutcracker. In December we bring back the electrifying Lightwire Theater with A Very Electric Christmas for two performances at the Destin United Methodist Church Life Center.