Company Dancer Nichola Montt Photography by Stephen Stinson
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Valerie Roche ARAD Director Momix and the Omaha Ballet
Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
2016 - 2017 Season Passion
2016 - 2017 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Thank you for joining us for our 47th season of the Northwest Florida Ballet. This year will be the most exciting yet, as we debut the Northwest Florida Ballet Symphony Orchestra led by renowned conductor and composer, David Ott. As a non-prot 501(c)(3) organization, NFB is highly regarded for providing world-class ballet performances, training students in the art of dance, and reaching out into our community through our educational endeavors. The introduction of the NFB Symphony Orchestra only further enriches our productions and programming, adding an unparalleled level of depth that Todd Eric Allen, NFB Artistic Director & CEO no other ballet company in our area can claim. In many ways, this depth showcases NFB as a cultural mosaic arranged to represent the best of the Emerald Coast. From the facility in downtown Fort Walton Beach where we train our students to the local family attending a ballet performance for the rst time, we recognize that every facet of who we are as an organization is part of this mosaic. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download This Media Kit in Printable PDF Format
! FOR IMMEDIATE RELEASE September 21, 2018 Contact: Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download this media kit in printable PDF format. Among this year’s Momentum works: Matthew Lovegood’s French Songs (left); Erika Overturff’s Connemara; and Overturff’s Rhapsody in Blue. More full-resolution photos... NEW BRAND, NEW DANCERS, NEW WORKS IN AMERICAN MIDWEST BALLET'S MOMENTUM OMAHA — The freshly rebranded American Midwest Ballet — formerly known as Ballet Nebraska — will open its ninth season in October with a fresh crop of works, artistic director Erika Overturff said. “Our mixed repertory program, Momentum, has been a must-see since our earliest seasons, because it showcases the exciting range of dance as an expressive art,” Overturff said. “For its first American Midwest Ballet edition, we're mixing some past favorites with works that will be new experiences for our audiences.” Headlining the selection is Overturff's Rhapsody in Blue, to the iconic music of George Gershwin. “When I choreographed it, I listened to the music many times until I knew all of the rhythms and notes by heart,” Overturff said. “The music is so expressive; within one piece it conveys so many different moods. It is flirty, jazzy, big and bold, whiny and sad, sweeping and romantic, daring and quick – lots of personality! “I see the dancers as a personification of the musical notes themselves, as if they floated out of the instruments and onto the stage for us to see.” ! Among the program’s other highlights are three guest works: Frank Chaves’ sultry, flirtatious At Last, is a duet set to lyrics sung by the incomparable Etta James. -
Eva Evdokimova (Western Germany), Atilio Labis
i THE CUBAN BALLET: ITS RATIONALE, AESTHETICS AND ARTISTIC IDENTITY AS FORMULATED BY ALICIA ALONSO A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY by Lester Tomé January, 2011 Examining Committee Members: Joellen Meglin, Advisory Chair, Dance Karen Bond, Dance Michael Klein, Music Theory Heather Levi, External Member, Anthropology ii © Copyright 2011 by Lester Tomé All Rights Reserved iii ABSTRACT In the 1940s, Alicia Alonso became the first Latin American dancer to achieve international prominence in the field of ballet, until then dominated by Europeans. Promoted by Alonso, ballet took firm roots in Cuba in the following decades, particularly after the Cuban Revolution (1959). This dissertation integrates the methods of historical research, postcolonial critique and discourse analysis to explore the performative and discursive strategies through which Alonso defined her artistic identity and the collective identity of the Cuban ballet. The present study also examines the historical context of the development of ballet in Cuba, Alonso’s rationale for the practice of ballet on the Island, and the relationship between the Cuban ballet and the European ballet. Alonso defended the legitimacy of Cuban dancers to practice ballet and, in specific, perform European classics such as Giselle and Swan Lake. She opposed the notion that ballet was the exclusive patrimony of Europeans. She also insisted that the cultivation of this dance form on the Island was not an act of cultural colonialism. In her view, the development of ballet in Cuba consisted, instead, of an exploration of a distinctive Cuban voice within this dance form, a reformulation of a European legacy from a postcolonial perspective. -
Spectrum Dance Theater Donald Byrd, Executive Artistic Director
Friday, February 9, 2018, 8pm Saturday, February 10, 2018, 2pm and 8pm Metro Operahouse, Oakland Spectrum Dance Theater Donald Byrd, executive artistic director A Rap on Race Premiere: May 5, 2016 at The Leo K. Theatre at Seattle Repertory Theatre, Seattle, WA CO-CREATORS Donald Byrd & Anna Deavere Smith CHOREOGRAPHY & DIRECTION Donald Byrd LIGHTING & SCENIC DESIGN Jack Mehler COSTUME DESIGN Doris Black LIGHTING DIRECTION Nathan W. Scheuer STAGE MANAGER Sara Torres TEXT A Rap on Race by James Baldwin and Margaret Mead MUSIC The Black Saint and the Sinner Lady composed by Charles Mingus This performance will last approximately 85 minutes and be performed without an intermission. A Rap on Race used by kind permission of The Estate of James Baldwin and Dr. Mary Catherine Bateson. The creation of A Rap on Race was supported by 4Culture, ArtsFund, the Seattle Office of Arts & Culture, the National Endowment for the Arts, MapFund, Tricia Stromberg Professional Dancers Fund, Nesholm Family Foundation, and Laird Patterson. The presentation of Spectrum Dance Theater was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. Cal Performances presentations in Oakland are generously underwritten by Signature Development Group. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. Anna Deavere Smith and Donald Byrd Talk A Rap on Race Donald Byrd: So the first question… and I about persona and language. I then learned and don’t want to do the interview, I think, as some - performed the edit that you have as a one- body who is not vested in it in some way, be - person piece for the opening of Zankel Theater cause that’s kind of impossible… at Carnegie Hall. -
An Analysis of the Pedagogy for the Training of Young Dancers
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE CLASSICAL BALLET PRE-POINTE EDUCATION: AN ANALYSIS OF THE PEDAGOGY FOR THE TRAINING OF YOUNG DANCERS A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By ROSE E. TAYLOR-SPANN Norman, Oklahoma 2016 CLASSICAL BALLET PRE-POINTE EDUCATION: AN ANALYSIS OF THE PEDAGOGY FOR THE TRAINING OF YOUNG DANCERS A THESIS APPROVED FOR THE SCHOOL OF DANCE BY ______________________________ Mr. Jeremy Lindberg, Chair ______________________________ Ms. Rebecca Herrin ______________________________ Dr. Lara Mayeux ______________________________ Ms. Clara Cravey Stanley © Copyright by ROSE E. TAYLOR-SPANN 2016 All Rights Reserved. Acknowledgements A significant work is the culmination of experiences and achievements realized only through the support and guidance of family, friends, mentors, and colleagues. That said, I would like to express my deepest appreciation to my thesis committee for their guidance throughout this process: my chair Jeremy Lindberg for his steady reassurance, enthusiasm, and utmost professionalism during my graduate career; Clara Cravey Stanley, a mentor of mine for nearly two decades who will always be an irreplaceable source of wisdom, advice, incredible stories, and laughter; Lara Mayeux for her outside perspective and guidance; and Rebecca Herrin who was instrumental through all phases of this project from concept to completion – her influence and attention to detail greatly aided in the realization of my vision. I would like to thank Mary Margaret Holt for the many opportunities and the University of Oklahoma’s School of Dance faculty and staff for their influence and support through this process. -
2018 Elizabeth O'neill Verner Award Recipient
2018 ELIZABETH O’NEILL VERNER AWARD RECIPIENT Strength and support when you need it most. J. Grier Bomar | A. Kyle Milner, III | TJ Walsh 864-585-2256 | georgejohnsonins.com Is an injury or joint pain coming between you and your favorite activities? Then let us help you get back in action. Dr. Gregory Colbath and the team provide comprehensive orthopedic and sports medicine care that ranges from physical therapy to total joint replacement. Ask about same-day appointments. To request your appointment, visit MaryBlackOrthopedics.com. ORTHOPEDIC CARE THAT MAKES YOU FEEL EN POINTE. Orthopedics 1650 Skylyn Drive, Suite 120 Spartanburg 864-216-4525 MaryBlackOrthopedics.com Patient results may vary. Consult your physician about the benefits and risks of any surgical procedure or treatment. free general admission 200 e saint john street spartanburg sc 29306 864.582.7616 | spartanburgartmuseum.org At Home in Spartanburg. www.hodgefloors.com FROM CARPET TO HOME FURNISHINGS, GROWING WITH THE CITY WE SERVE. Dr. Alva S. Pack III Dr. Louis L. Martin Optometric Physicians P: 864-585-0208 399 E. Henry Street F: 864-594-6783 Spartanburg, SC 29302 [email protected] www.eyesonhenry.com [email protected] 864-310-5009 172 James Road • Roebuck, SC 29376 Office (864) 583-5144 Fax (864) 582-2927 • Home (864) 579-7277 360 E. Henry St. • Spartanburg, SC 29302 [email protected] Bucko Brandt and the Company #lovewhereyoudance 2018-2019 SEASON #collectiveworks BREAKING BOUNDARIES FRI., DECEMBER 7 7 PM WITH CONTEMPORARY BALLET SAT., DECEMBER 8 3 PM SUN., DECEMBER 9 3 PM and — TICKETS: 864-596-9724 the balletspartanburg.org — FRI., MARCH 22 7 PM twichell auditorium SAT., MARCH 23 7 PM FRI., OCTOBER 19 7 PM TICKETS: 864-542-2787 Student $18 | Senior $25 | Adult $32 balletspartanburg.org TICKETS: 864-542-2787 SAT., OCTOBER 20 3 PM balletspartanburg.org chapman cultural center APRIL 26 & 27 Ballet Spartanburg Studio SUN., OCTOBER 21 3 PM Student $15 | Senior $20 | Adult $25 6PM & 8PM tickets $20 Chapman Cultural Center CHAMPAGNE & SWEETS FRI., FEB. -
Dance Division Handbook
University of Missouri-Kansas City CONSERVATORY An equal concentration program in ballet and modern Photos by Mike Strong and James Allison; Serenade, Choreography by George Balanchine© The George Balanchine Trust Dance Division 2019-2020 Student Handbook Policies and Procedures ~UMKC is accredited by the National Association of Schools of Dance~ Table of Contents Contact Information ………………………………………………………………………3 Dance Division Dates …………………………………………………………………….7 Senior Capstone Project Schedule ………………………………………………………..9 University Dates …………………………………………………………………………10 Conservatory Performance Link ………………………………………………………...13 Local/Regional Dance Event Dates.…………………………….……………………….13 Dance Vision and Mission ………………………………………………………………17 Conservatory Mission …………………………………………………………………...17 Dance Division General Information …………………………………………………....18 Dance Faculty Bios ……………………………………………………………………...21 Dance Division’s Policies and Procedures ……………………………………………...30 - Dress code …………………………………………………………………………...30 - Dance supply stores ………………………………………………………………….31 - Dance studio etiquette guidelines ……………………………………………………32 - Course evaluation, grading expectations, grading evaluation form, rubrics...……….34 - Grading scale……………………………………………………………………...….45 - Attendance …………………………………………………………………………...45 - Absence policy ………………………………………………………………………46 - Class participation and civility ………………………………………………………47 - Incomplete grading policy …………………………………………………………...47 - Warning letters ………………………………………………………………………48 - Student grade appeal procedure …………………………………….……………….49 -
2015 / 2016 Season Protectingprotecting Property Rights in All Property67 Florida Rights Counties in All 67 Florida Counties
2015 / 2016 Season ProtectingProtecting property rights in all property67 Florida rights counties in all 67 Florida counties We make your closings effortless... Miramar Beach: Fort Walton Beach: 11490 Emerald Coast Pkwy., Ste. 201E 158 N. Eglin Pkwy. Miramar Beach, FL 32550 Fort Walton Beach, FL 32548 (850) 269-1119 (850) 269-1119 MODERN AMERICAN Arti st Series DANCE COMPANY THURSDAY JAN. 28TH 7:30 pm The renowned Modern American Dance Company (MADCO) presents an eclecti c array of repertoire dance featuring some of the nati on’s fi nest professional dancers. MADCO is the Professional Dance Company in Residence at the presti gious Blanche M. Touhill Performing Arts Center on the campus of University of Missouri, St. Louis. $20 each/ $15 Group Discount B�� O�����: (850) 729-6000 (for 10 or more) ���.M�����K����A���C�����.��� Plus $2 per ti cket processing fee JEFFREY TAMBOR: Arti st Series Performing Your Life “Jeff rey gets right to the heart of the matt er . exhilarati ng, a litt le scary, brilliant, engaging, he ulti mately takes you to the next level as an arti st and person . .” – Jill Clayburgh, Academy Award nominee TUESDAY JAN. 26TH 7:30 pm Golden-Globe winner Jeff rey Tambor appears in an Arti st Series event that’s part one-man show, part seminar, part questi on & answer, and endlessly entertaining! A sti mulati ng and humorous evening with the stage/screen star that’s interacti ve, humorous, real, and most importantly, relatable. Call or Click for Tickets! $35 adult/$20 youth & NWF State Students Group Discount B�� O�����: (850) 729-6000 (10 or more ti ckets): $30/$15 (plus $2 per ti cket Box Offi ce ���.M�����K����A���C�����.��� processing fee) 2015/ 2016 Dear Friends, Northwest Florida Ballet is a non-profit 501(c)(3) arts organization that is celebrating its 46th year on the Emerald Coast.