The Nutcracker
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Valerie Roche ARAD Director Momix and the Omaha Ballet
Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002. -
Meet Devon Teuscher
A Dancer’s Journey—I Up close with ABT Principal Dancer Devon Teuscher Beginnings My journey with dance began when I was 8 years old. I started taking dance Summer Intensives class because one of my best friends was taking lessons. I was hooked after my first ballet class. I tried many other JKO School forms of dance like jazz, tap, and hip- hop but I loved ballet the most. I trained Studio Company rigorously for many years including at ABT’s Summer Intensives, before moving to New York at age fifteen to Apprentice attend the inaugural year of the JKO School at ABT. I was accepted into ABT Studio Company and the Main Company Corps de ballet shortly thereafter. Soloist Fun Facts First Ever Role: How many pairs of pointe shoes My first role in a full length ballet do you go through each week? Principal Dancer was with my home school in Vermont, I can go through up to 5 pairs of where I danced the role of Chinese pointe shoes a week. in The Nutcracker. I remember being so excited!! Favorite Ballet: My favorite ballet is Romeo and Juliet. First Role with ABT: My first role with the main company at Most Challenging Role: ABT was a flower and a snowflake in The most challenging role I have the corps de ballet of The Nutcracker. performed is Myrtha in Giselle. Favorite Role: One item in your dance bag that My favorite role is Odette/Odile in you can’t go without: Swan Lake. I have a dog named Riley that I like to bring to work with me. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Company Dancer Nichola Montt Photography by Stephen Stinson
Company Dancer Nichola Montt Photography by Stephen Stinson IndividualIndividual HealthplansIndividualIndividualIndividual Healthplans Healthplans HealthplansHealthplans rownrownrownrownrownMedicareMedicare SupplementMedicareMedicareMedicare Supplement Supplement SupplementSupplement BB& BB&&Life& InsuranceLife LifeInsuranceLifeLife • Insurance InsuranceLong Insurance Term • • Long •Care Long LongLong Term Term Term Care CareCare Care rown& rownrownFor a Quote Contact:For a Quote Contact: B BBBrown ForFor aa Quote Contact: Contact: rown Laura LynnFor Meador aLL auraQuoteaura Lynn Lynn Contact: Meador Meador INSURANCEB INSURANCEINSURANCE® ®® Laura Lynn Meador INSURANCE ® (864) 208-0648Laura(864) Lynn(864) 208-0648 208-0648 Meador INSURANCE ® (864) 208-0648 [email protected]@[email protected](864) 208-0648 Brown & Brown,BrownBrown Inc. & & Brown, Brown, Inc. Inc. [email protected] Individual & ShopIndividual Certified,Individual & & Shop Shop Certified, Certified, 103 N. PineBrown St.103 Suite103 & N. Brown,N. A Pine Pine St. St. Inc.Suite Suite A A [email protected] America’s Health America’sInsuranceAmerica’s HealthPlans Health Insurance Insurance Plans Plans BrownP.O. Box 103 &5139 Brown, N. P.O.P.O. Pine Box Box Inc.St. 5139 5139 Suite A Individual & Shop Certified, Spartanburg, S.C.Spartanburg, 29304 S.C.(AHIP) 29304 Certified, (AHIP)Long(AHIP) Term Certified, Certified, Care Certified Long Long Term Term Care Care Certified Certified 103 N. P.O.Pine BoxSt.Spartanburg, Suite5139 A S.C. 29304 IndividualAmerica’s & Health Shop InsuranceCertified, Plans P.O. BoxSpartanburg, 5139 S.C. 29304 America’s(AHIP) Certified, Health Long Insurance Term Care Plans Certified Spartanburg, S.C. 29304 (AHIP) Certified, Long Term Care Certified In this moment . It doesn’t matter if you saved money in 15 minutes. It doesn’t matter if your neighbor has the same insurance you do. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
ABT Across America Playbill
Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Outdoors ontheHancher Green July 4,2021, 8:00pm Sunday, Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Hancher is grateful to our wonderful partners for this event: Anonymous Family Foundation Jeffrey and Kristine Nielsen Bill Rubright in loving memory of Karen G. Rubright and Emilie J. Rubright Joseph Markey in Indestructible Light. Photo: Todd Rosenberg Photography Kevin McKenzie Kara Medoff Barnett Artistic Director Executive Director David G. Lansky General Manager LAUREN BONFIGLIO* · JACOB CLERICO · MICHAEL DE LA NUEZ CARLOS GONZALEZ · KIELY GROENEWEGEN · SUNG WOO HAN · CATHERINE HURLIN ANABEL KATSNELSON · KANON KIMURA · MELVIN LAWOVI · TYLER MALONEY JOSEPH MARKEY · ABBEY MARRISON · HANNAH MARSHALL · BETSY MCBRIDE DUNCAN MCILWAINE · JOÃO MENEGUSSI · CHLOE MISSELDINE CORY STEARNS · DEVON TEUSCHER Clinton Luckett Associate Artistic Director Irina Kolpakova Principal Répétiteur Carlos Lopez Director of Repertoire *2021 Jennifer Alexander Dancer ABT Across America is generously supported by Bloomberg Philanthropies. American Ballet Theatre recognizes Dalio Philanthropies and one anonymous donor for their champion support of ABT Across America. Additional major support provided by John Rallis and Mary Lynn Bergman-Rallis. ABT ACROSS AMERICA 20 dancers. 8 cities. 21 days. 3,100 miles. In the 1950s, American Ballet Theatre’s tour bus, “The Pioneer,” introduced world-class ballet to cities and towns across America. In Summer 2021, ABT’s extraordinary artists will continue that tradition. American Ballet Theatre is delighted to share ABT Across America, a unique tour traveling by a caravan of six sleeper buses and three production trucks, bringing the artistry and vitality of ABT’s dancers to outdoor venues. After months of virtual performances and digital channels, ABT will inspire audiences across the country through the joy of live performance. -
2018-Abtkids-Guide.Pdf
ABTKids Guide Welcome to American Ballet Theatre! ABT is America’s National Ballet Company. Our mission is to create, to present, to preserve, and to extend the great repertoire of classical dancing, through exciting performances and educational programming of the highest quality, presented to the widest possible audience. Thank you for joining us for today’s performance. Attending the ballet can be a magical experience for children of all ages. Princesses turn into Swans, Romeo falls in love with Juliet, and even cupcakes come to life before our very eyes. Watching the beautiful artistry of ABT’s dancers, listening to the harmonious sounds of the orchestra and marveling at the magnificent scenery and costumes can create memories that last a lifetime. It can also leave you with a lot of questions. This guide is designed to offer a window into the world of American Ballet Theatre and answer some of those questions you may have about ballet, the dancers, and the hundreds of people who bring a ballet to the stage. We hope you have a wonderful day at the ballet and enjoy the ABT Kids Guide! Please visit www.abt.org to learn more about ABT’s educational offerings, workshops and training programs. Cover: Scene from Whipped Cream. Opposite page: Daniil Simkin in Whipped Cream. Photos: Gene Schiavone. Over 75 Years of American Ballet Theatre In 1940, American Ballet Theatre emerged onto the American cultural landscape with a unique and exciting vision of a ballet company that functioned like an art museum. Just as a museum presents paintings by different artists to showcase a wide range of beauty and art, the company would present ballets by diverse choreographers to showcase all the variety the ballet world had to offer. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
American Ballet Theatre Returns to New York City Center for Digital Program Filmed Live on Stage
FOR IMMEDIATE RELEASE: American Ballet Theatre returns to New York City Center for digital program filmed live on stage Four works by ABT Artist in Residence Alexei Ratmansky; including a World Premiere created in a “ballet bubble” Available on demand March 23 – April 18 $25 Digital Access on sale March 1 at noon Patrick Frenette, Skylar Brandt, and Tyler Maloney in Bernstein in a Bubble. Photo by Christopher Duggan Photography February 26, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a new digital program, ABT Live from City Center | A Ratmansky Celebration, featuring American Ballet Theatre (ABT) premiering Tuesday, March 23 at 7 PM, and available on demand through Sunday, April 18. Filmed live on the City Center stage, the program marks ABT’s much anticipated return to the historic theater for their first full evening program at City Center since 2012. Co-presented by American Ballet Theatre and New York City Center, the program will feature many of the company’s renowned dancers in works by acclaimed choreographer and ABT Artist in Residence Alexei Ratmansky. Hosted by author and American Ballet Theatre Co-Chair of the Trustees Emeriti Susan Fales-Hill, highlights include excerpts from The Seasons (2019), Seven Sonatas (2009), and The Sleeping Beauty (2015), and Bernstein in a Bubble, a World Premiere set to the music of legendary composer Leonard Bernstein. The new work, Ratmansky’s first since March 2020, was created in January and February of this year during a quarantined “ballet bubble” in Silver Bay, New York. The program features ABT dancers Aran Bell, Isabella Boylston, Skylar Brandt, Herman Cornejo, Patrick Frenette, Carlos Gonzalez, Blaine Hoven, Catherine Hurlin, Tyler Maloney, Luciana Paris, Devon Teuscher, Cassandra Trenary, and James Whiteside. -
Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download This Media Kit in Printable PDF Format
! FOR IMMEDIATE RELEASE September 21, 2018 Contact: Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download this media kit in printable PDF format. Among this year’s Momentum works: Matthew Lovegood’s French Songs (left); Erika Overturff’s Connemara; and Overturff’s Rhapsody in Blue. More full-resolution photos... NEW BRAND, NEW DANCERS, NEW WORKS IN AMERICAN MIDWEST BALLET'S MOMENTUM OMAHA — The freshly rebranded American Midwest Ballet — formerly known as Ballet Nebraska — will open its ninth season in October with a fresh crop of works, artistic director Erika Overturff said. “Our mixed repertory program, Momentum, has been a must-see since our earliest seasons, because it showcases the exciting range of dance as an expressive art,” Overturff said. “For its first American Midwest Ballet edition, we're mixing some past favorites with works that will be new experiences for our audiences.” Headlining the selection is Overturff's Rhapsody in Blue, to the iconic music of George Gershwin. “When I choreographed it, I listened to the music many times until I knew all of the rhythms and notes by heart,” Overturff said. “The music is so expressive; within one piece it conveys so many different moods. It is flirty, jazzy, big and bold, whiny and sad, sweeping and romantic, daring and quick – lots of personality! “I see the dancers as a personification of the musical notes themselves, as if they floated out of the instruments and onto the stage for us to see.” ! Among the program’s other highlights are three guest works: Frank Chaves’ sultry, flirtatious At Last, is a duet set to lyrics sung by the incomparable Etta James. -
The Nutcracker
THE NUTCRACKER CHAMPAIGN URBANA BALLET | CHAMPAIGN-URBANA SYMPHONY ORCHESTRA Thursday-Friday, December 1-2, 2016, at 7:30pm Saturday, December 3, 2016, at 2pm and 7:30pm Sunday, December 4, 2016, at 2pm and 6pm Tryon Festival Theatre PROGRAM THE NUTCRACKER A ballet in two acts after the story The Nutcracker and the Mouse King by E. T. A. Hoffmann Music by Piotr Ilyich Tchaikovsky Choreography by Deanna Doty Presented by Champaign Urbana Ballet Deanna Doty, Artistic Director Champaign-Urbana Symphony Orchestra Stephen Alltop, Music Director and Conductor Matthew Sheppard, Guest Conductor Krannert Center for the Performing Arts Mike Ross, Director The Nutcracker Overture ACT I The Party The Battle The Land of Snow 20-minute intermission ACT II The Land of Sweets A classical ballet in two acts, The Nutcracker is based on E. T. A. Hoffmann’s tale The Nutcracker and the Mouse King (1816). Piotr Ilyich Tchaikovsky created the music for the ballet of this charming story in close collaboration with Marius Petipa, the renowned choreographer who, due to illness, turned the project over to his assistant, Lev Ivanov. The Nutcracker was first performed in 1892. Flying effects provided by ZFX, Inc. Note: this production uses controlled special effects in the form of lighting, fog, and smoke. THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE This Champaign Urbana Ballet presentation of The Nutcracker, in cooperation with the Champaign-Urbana Symphony Orchestra and Krannert Center for the Performing Arts, is made possible with support from promotional sponsors including Area-Wide Technologies; The Bill Bass Foundation; Carlton Bruett Design; Champaign Ballet Academy; Champaign Telephone Company; Chifan Cheng DDS, Vickie Hemann DDS, and Leah Davis DMD, MSD; Christie Clinic | Department of Foot & Ankle Surgery; Hilton Garden Inn; Iroquois Federal; Kam’s; Merrill Lynch; R Rentals; Scott Machin Remodeling; Stone Ridge Dairy; and Two Men and a Truck.