The Nutcracker
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Meet Devon Teuscher
A Dancer’s Journey—I Up close with ABT Principal Dancer Devon Teuscher Beginnings My journey with dance began when I was 8 years old. I started taking dance Summer Intensives class because one of my best friends was taking lessons. I was hooked after my first ballet class. I tried many other JKO School forms of dance like jazz, tap, and hip- hop but I loved ballet the most. I trained Studio Company rigorously for many years including at ABT’s Summer Intensives, before moving to New York at age fifteen to Apprentice attend the inaugural year of the JKO School at ABT. I was accepted into ABT Studio Company and the Main Company Corps de ballet shortly thereafter. Soloist Fun Facts First Ever Role: How many pairs of pointe shoes My first role in a full length ballet do you go through each week? Principal Dancer was with my home school in Vermont, I can go through up to 5 pairs of where I danced the role of Chinese pointe shoes a week. in The Nutcracker. I remember being so excited!! Favorite Ballet: My favorite ballet is Romeo and Juliet. First Role with ABT: My first role with the main company at Most Challenging Role: ABT was a flower and a snowflake in The most challenging role I have the corps de ballet of The Nutcracker. performed is Myrtha in Giselle. Favorite Role: One item in your dance bag that My favorite role is Odette/Odile in you can’t go without: Swan Lake. I have a dog named Riley that I like to bring to work with me. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
ABT Across America Playbill
Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Outdoors ontheHancher Green July 4,2021, 8:00pm Sunday, Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Hancher is grateful to our wonderful partners for this event: Anonymous Family Foundation Jeffrey and Kristine Nielsen Bill Rubright in loving memory of Karen G. Rubright and Emilie J. Rubright Joseph Markey in Indestructible Light. Photo: Todd Rosenberg Photography Kevin McKenzie Kara Medoff Barnett Artistic Director Executive Director David G. Lansky General Manager LAUREN BONFIGLIO* · JACOB CLERICO · MICHAEL DE LA NUEZ CARLOS GONZALEZ · KIELY GROENEWEGEN · SUNG WOO HAN · CATHERINE HURLIN ANABEL KATSNELSON · KANON KIMURA · MELVIN LAWOVI · TYLER MALONEY JOSEPH MARKEY · ABBEY MARRISON · HANNAH MARSHALL · BETSY MCBRIDE DUNCAN MCILWAINE · JOÃO MENEGUSSI · CHLOE MISSELDINE CORY STEARNS · DEVON TEUSCHER Clinton Luckett Associate Artistic Director Irina Kolpakova Principal Répétiteur Carlos Lopez Director of Repertoire *2021 Jennifer Alexander Dancer ABT Across America is generously supported by Bloomberg Philanthropies. American Ballet Theatre recognizes Dalio Philanthropies and one anonymous donor for their champion support of ABT Across America. Additional major support provided by John Rallis and Mary Lynn Bergman-Rallis. ABT ACROSS AMERICA 20 dancers. 8 cities. 21 days. 3,100 miles. In the 1950s, American Ballet Theatre’s tour bus, “The Pioneer,” introduced world-class ballet to cities and towns across America. In Summer 2021, ABT’s extraordinary artists will continue that tradition. American Ballet Theatre is delighted to share ABT Across America, a unique tour traveling by a caravan of six sleeper buses and three production trucks, bringing the artistry and vitality of ABT’s dancers to outdoor venues. After months of virtual performances and digital channels, ABT will inspire audiences across the country through the joy of live performance. -
2018-Abtkids-Guide.Pdf
ABTKids Guide Welcome to American Ballet Theatre! ABT is America’s National Ballet Company. Our mission is to create, to present, to preserve, and to extend the great repertoire of classical dancing, through exciting performances and educational programming of the highest quality, presented to the widest possible audience. Thank you for joining us for today’s performance. Attending the ballet can be a magical experience for children of all ages. Princesses turn into Swans, Romeo falls in love with Juliet, and even cupcakes come to life before our very eyes. Watching the beautiful artistry of ABT’s dancers, listening to the harmonious sounds of the orchestra and marveling at the magnificent scenery and costumes can create memories that last a lifetime. It can also leave you with a lot of questions. This guide is designed to offer a window into the world of American Ballet Theatre and answer some of those questions you may have about ballet, the dancers, and the hundreds of people who bring a ballet to the stage. We hope you have a wonderful day at the ballet and enjoy the ABT Kids Guide! Please visit www.abt.org to learn more about ABT’s educational offerings, workshops and training programs. Cover: Scene from Whipped Cream. Opposite page: Daniil Simkin in Whipped Cream. Photos: Gene Schiavone. Over 75 Years of American Ballet Theatre In 1940, American Ballet Theatre emerged onto the American cultural landscape with a unique and exciting vision of a ballet company that functioned like an art museum. Just as a museum presents paintings by different artists to showcase a wide range of beauty and art, the company would present ballets by diverse choreographers to showcase all the variety the ballet world had to offer. -
American Ballet Theatre Returns to New York City Center for Digital Program Filmed Live on Stage
FOR IMMEDIATE RELEASE: American Ballet Theatre returns to New York City Center for digital program filmed live on stage Four works by ABT Artist in Residence Alexei Ratmansky; including a World Premiere created in a “ballet bubble” Available on demand March 23 – April 18 $25 Digital Access on sale March 1 at noon Patrick Frenette, Skylar Brandt, and Tyler Maloney in Bernstein in a Bubble. Photo by Christopher Duggan Photography February 26, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a new digital program, ABT Live from City Center | A Ratmansky Celebration, featuring American Ballet Theatre (ABT) premiering Tuesday, March 23 at 7 PM, and available on demand through Sunday, April 18. Filmed live on the City Center stage, the program marks ABT’s much anticipated return to the historic theater for their first full evening program at City Center since 2012. Co-presented by American Ballet Theatre and New York City Center, the program will feature many of the company’s renowned dancers in works by acclaimed choreographer and ABT Artist in Residence Alexei Ratmansky. Hosted by author and American Ballet Theatre Co-Chair of the Trustees Emeriti Susan Fales-Hill, highlights include excerpts from The Seasons (2019), Seven Sonatas (2009), and The Sleeping Beauty (2015), and Bernstein in a Bubble, a World Premiere set to the music of legendary composer Leonard Bernstein. The new work, Ratmansky’s first since March 2020, was created in January and February of this year during a quarantined “ballet bubble” in Silver Bay, New York. The program features ABT dancers Aran Bell, Isabella Boylston, Skylar Brandt, Herman Cornejo, Patrick Frenette, Carlos Gonzalez, Blaine Hoven, Catherine Hurlin, Tyler Maloney, Luciana Paris, Devon Teuscher, Cassandra Trenary, and James Whiteside. -
2016|17 Season
2016| 17 SEASON LYRIC OPERA OF CHICAGO Table of Contents ROBERT KUSEL ROBERT IN THIS ISSUE Eugene Onegin – pp. 20-35 4 From the General Director 21 Synopsis 40 Patron Salute 6 From the Chairman 23 Cast 43 Aria Society 10 24 Artist Profiles Board of Directors 52 Breaking New Ground 11 Women’s Board/Guild Board/Chapters’ 29 Opera Notes 53 Look to the Future Executive Board/Young Professionals/ 34 A Talk with the Director Ryan Opera Center Board 54 Major Contributors – Special Events 35 After the Curtain Falls 12 Administration/Administrative Staff/ and Project Support Production and Technical Staff 36 Musical Staff/Orchestra/Chorus 55 Lyric Unlimited Contributors 37 14 Why I Love Opera… Backstage Life and Why I Love Lyric – Part 4 38 Artistic Roster 57 Ryan Opera Center 20 Tonight’s Performance 39 Lyric and Social Media 58 Ryan Opera Center Alumni Around the World 59 Ryan Opera Center Contributors 60 Planned Giving: The Overture Society TODD ROSENBERG TODD MORE FROM 61 Commemorative Gifts THE LYRIC 62 Corporate Partnerships AUDIENCE, 63 Matching Gifts, Special Thanks and pp. 14-18 Acknowledgements 64 Annual Individual and Foundation Support 70 Facilities and Services/Theater Staff On the cover: “An Unknown Man in a Frock Coat,” artist unknown. ©Victoria and Albert Museum, London. 2 | February 26 - March 20, 2017 vvvv 2017/18 SEASON Orphée & Eurydice GLUCK Featuring The Joffrey Ballet Sep 23 – Oct 15, 2017 Subscriptions on sale now — Rigoletto VERDI SAVE UP TO 50% Oct 7 – Nov 3, 2017 Die Walküre WAGNER Nov 1 – 30, 2017 The Pearl Fishers BIZET -
Alexander Ekman
CONTENTS INTRODUCTION What is a Student Matinee? 3 Learning Outcomes 5 TEKS Addressed 6 PRE-PERFORMANCE INFORMATION Attending A Ballet Performance 16 Rock, Roll & Tutus: Program 17 What’s That?!: Mixed Repertory 19 Meet the Creators: Choreographers & Composers 20 Rock, Roll & Tutus: Tutu Exhibit 28 It Takes Teamwork: Pas de Deux 29 My Predictions: Pre-Performance Activity 30 POST-PERFORMANCE ACTIVITIES Dancing Shapes 32 Found Sound 34 Show What You Know 35 Word Search/Crossword 36 Review & Reflect/Discussion Questions 39 LEARN MORE! All About Arms 41 All About Legs 42 Why Do They Wear That? 43 Houston Ballet: A Brief History 44 Glossary 45 2 WHAT IS A STUDENT MATINEE? Student Matinees are full length performances by Houston Ballet with live orchestra held during school hours. Your students experience these professional performances with interactive intermissions at significantly discounted ticket prices. This study guide has information and activities for before and after the performance that are intended to extend the learning experience. WHAT TO EXPECT Arrival and Departure As a result of the damage from Hurricane Harvey, Houston Ballet’s performance home, the Wortham Theater, has been closed until further notice. Consequently, Houston Ballet is on a “Hometown Tour” for its 2017-18 season. The Rock, Roll & Tutus Student Matinee will be held in Hall A at: George R. Brown Convention Center 1001 Avenida De Las Americas Houston, TX 77010. Your bus will drop off and pick up students in the bus depot in theNorth Garage on Rusk Street. 3 If you are arriving by bus: You will enter bus parking on the north side of Rusk Street. -
Cecchetti Ballet Workshop C/O Calyn Carbery 1934 Dempster Street Evanston, IL 60202
Photo by Matt Glavin Midwest Committee of the Cecchetti Council of America hosts Cecchetti Ballet Workshop October 28-29, 2017 Saturday, October 28, 2017 - Diploma syllabus class only Sunday, October 29, 2017 -- Classes available for all levels at Dance Center Evanston 1934 Dempster Street, Evanston IL, 60202 Follow us on social media! social on us Follow AND www.cecchettimidwest.org Midwest Committee website at at website Committee Midwest Be sure to check out the the out check to sure Be Evanston, IL 60202 IL Evanston, 1934 Dempster Street Dempster 1934 c/o Calyn Carbery Carbery Calyn c/o Cecchetti Ballet Workshop Workshop Ballet Cecchetti New Cecchetti Wear will be on sale at the workshop! Dancers, please remember that proper dance attire should be worn, with hair secured in a bun for girls. MAP 94 Dodge Dance Center to 294 DEMPSTER McCormick Evanston is located at: Parking N DCE Evanston Plaza Lot 1934 Dempster St. Photo by Matt Glavin Evanston, IL 60202 847.328.6683 Approx. Drive Times: I-94 to DCE, 12 mins. I-294 to DCE, 22 mins. SCHEDULE BY STUDIO SCHEDULE BY LEVEL SATURDAY, October 28 PRIMARY 3 STUDIO Please pack healthy snacks or a 4:30-6:30 Diploma Syllabus Studio 3 3:15-4:30 Syllabus 1 lunch for your dancer. 4:30-5:15 Latin Jazz 1 SUNDAY, October 29 GRADE I will be divided into Groups A & B at workshop. STUDIO 1 STUDIO 3 STUDIO 4 STUDIO 5A STUDIO 5B 1:00-2:30 Syllabus (Groups A OR B) 5A OR 5B Advanced VII Elementary V 2:45-3:30 Pilates (Groups A&B) 5B Syllabus & Pointe Syllabus & Pointe Grade III 3:30-4:30 Latin Jazz (Groups A&B) 5B 9:00-11:00 9:00-11:00 Latin Jazz GRADE II will be divided into Groups A & B at workshop. -
CUB Fall2010(2)
reporter once asked if I was proud of a particular student Creative Therapy Champaign Urbana Ballet who had gone on to dance professionally. I found it a Michelle Ziegler literally grew up at in to the Athletico office for treatment. (When That first year back in Chicago, she didn’t Ballet. “I was in shock when I got that role,” she A perform. “The running joke in Champaign was strange question, and difficult to answer because it implied that CU Ballet. There from the company’s very we spoke, she was going to be backstage for remembers. “It was my first time ever really beginning, she started at age 13 and worked opening night!) that every show was going to be my last,” she partnering and I was so scared to do the lifts!” I was not equally proud of my other students. I wanted to tell the her way through her high school and college Of course, she works too with non-dancers recalls. “This is my last Nutcracker. This is my last reporter about all of the wonderful children I have taught over years from the corps to her last hurrah as a of different patient ages. “I enjoy working with spring show…and it just kept going.” Ironically, Common Truths the years, and how each of them is fulfilling their potential in Sugar Plum Fairy with an independent streak the older population,” she says. One of her older in the last few years she has performed with the Even in their variety of careers, these women The different fields. -
Lyric Unlimited
Pearl Fishers.indd 1 10/10/2017 4:12:18 PM LYRIC OPERA OF CHICAGO Table of Contents ELISE BAKKETUN/SEATTLE OPERA BAKKETUN/SEATTLE ELISE IN THIS ISSUE The Pearl Fishers – pp. 20-38 6 From the General Director 23 Cast 43 Aria Society 8 From the Chairman 24 Artist Profiles 52 Breaking New Ground 10 Board of Directors 30 Opera Notes 53 Look to the Future 11 Women’s Board/Guild Board/Chapters’ 34 Director's Note 54 Major Contributors – Special Events Executive Board/Young Professionals/ and Project Support Ryan Opera Center Board 35 After the Curtain Falls 55 Lyric Unlimited Contributors 12 Administration/Administrative Staff/ 36 Musical Staff/Orchestra/Chorus Production and Technical Staff 57 Ryan Opera Center 37 Backstage Life 14 An Opera-tunity to Remember: 58 Ryan Opera Center Alumni 38 Lyric's Interns Artistic Roster Around the World 39 20 Tonight’s Performance Lyric and Social Media 59 Ryan Opera Center Contributors 21 Synopsis 40 Patron Salute 60 Planned Giving: The Overture Society ALL ABOUT LYRIC’S INTERNS pp. 14-18 61 Commemorative Gifts 62 Corporate Partnerships 63 Matching Gifts, Special Thanks and Acknowledgements 64 Annual Individual and Foundation Support 71 Facilities and Services/Theater Staff On the cover: photo © Suranga Weetunga 2 | November 19 - December 10, 2017 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. -
World Premiere of New Work By
MET BOX OFFICE OPENS SUNDAY, MARCH 24 – Page 2 WORLD PREMIERE OF NEW WORK BY ALEXEI RATMANSKY AND COMPANY PREMIERES OF DEUCE COUPE BY TWYLA THARP AND JANE EYRE BY CATHY MARSTON TO HIGHLIGHT AMERICAN BALLET THEATRE’S 2019 SPRING SEASON, MAY 13–JULY 6, 2019, AT METROPOLITAN OPERA HOUSE ROBERTO BOLLE TO GIVE FAREWELL PERFORMANCE WITH ABT ON JUNE 20 BROOKLYN MACK TO APPEAR AS GUEST ARTIST BOX OFFICE OPENS SUNDAY, MARCH 24 AT NOON American Ballet Theatre’s 2019 Spring season at the Metropolitan Opera House, May 13–July 6, will feature a World Premiere work by ABT Artist in Residence Alexei Ratmansky in programs dedicated entirely to his works in honor of the choreographer’s 10th year with the Company. The eight-week season will also include the Company Premieres of Deuce Coupe by Twyla Tharp and the full-length Jane Eyre by Cathy Marston. Tickets for ABT’s 2019 Spring season at the Metropolitan Opera House go on sale at the box office on Sunday, March 24 at 12 Noon. Principal Dancers for the 2019 Metropolitan Opera House season are Stella Abrera, Roberto Bolle, Isabella Boylston, Misty Copeland, Herman Cornejo, David Hallberg, Sarah Lane, Hee Seo, Christine Shevchenko, Daniil Simkin, Cory Stearns, Devon Teuscher and James Whiteside. Brooklyn Mack will appear as a Guest Artist during the Spring season. 2019 Spring Gala Performance and World Premiere American Ballet Theatre’s 2019 Spring Gala on Monday evening, May 20 will pay tribute to the 10th Anniversary year of Alexei Ratmansky as ABT Artist in Residence. Ratmansky, who was named ABT’s first Artist in Residence in 2009, has created 15 (more) MET BOX OFFICE OPENS SUNDAY, MARCH 24 – Page 2 works for the Company.