Gershwinalone Programv2:George Gershwin
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Belvoir Terrace Staff 2018
Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
The Music of John Williams
Dear Friends of Our New Philharmonic, On behalf of my colleagues in the orchestra, we are hoping that you are all safe, healthy, and we certainly miss seeing you! Recent months have set out challenges that I had never before seen in my lifetime. This period, however, reminds me greatly not only of what I learned from my parents’ lives, but also of my grandparents/great grandparents’ lives and the obstacles that they overcame in their overwhelmingly hard times. These people somehow though came through it all - with courage, grit, kindness, good spirits, good hearts. I have a sign on my fridge that says: “Wallace Hartley.” It is to remind me that this violinist on the Titanic was sharing music with his fellow passengers even in The most extraordinary moment for any musician in history. The calling that each of our musicians has felt in their lives is just that - music. We may not be good at flying airplanes, fixing teeth, or playing for the Hawks, but what we look to give the world is music. This coming year we have monster-great season, opening with the astonishing music of John Williams - a concert that celebrates Mr. Williams’ 66th year of composing music for film. And, for the first time we can offer you a Holiday Pops concert that is full of praise, fun and joy. New Year’s Eve and the opera/ Broadway concerts are both BLASTS with some of your favorite singers! In April, I have programmed something that I believe has never been done anywhere in the world before. -
2019 Summer Season Announcement
1 Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] Please embargo until: Thursday, February 14 at 5pm Berkshire Theatre Group Announces 2019 Summer Season The Fitzpatrick Main Stage Pulitzer Prize-Winner Thornton Wilder’s American Classic The Skin of Our Teeth Kathleen Clark’s World Premiere of What We May Be The Unicorn Theatre Pulitzer Prize and Tony Award-Winner Edward Albee’s The Goat or, Who is Sylvia? Pulitzer Prize and Tony Award-Winner John Patrick Shanley’s Outside Mullingar Tony Award-Nominated Musical Featuring Music By Lin-Manuel Miranda and James Taylor Working: A Musical Mark Harelik’s Touching Drama What The Jews Believe The Colonial Theatre In Association with Tony Award-Winning Caiola Productions 2 New Musical Rock and Roll Man: The Alan Freed Story Based on Oscar-Winning Film Tony Award-Nominated Shrek The Musical Hershey Felder’s Celebrated Musical Play George Gershwin Alone Delightful Musical Adventure Roald Dahl's Willy Wonka KIDS Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are thrilled to announce Berkshire Theatre’s 2019 Summer Season. BTG will be releasing a season cast announcement at a later date. According to Maguire, “Coming in on the heels of last year’s 90th celebration, I found myself looking at how we love and care for each other. Which means our 91st season is eclectic and wide open to all kinds of interpretations because we love in so many different ways.” Maguire continues, “We find love in the strangest and most bizarre places in our first play of the 2019 season at The Unicorn Theatre, The Goat or, Who is Sylvia by one of our greatest playwrights, Edward Albee. -
BARBARA LANDIS • Mezzo Soprano BIOGRAPHY
BARBARA LANDIS • Mezzo Soprano Representation: Leota Arts Management Leota Bauman 404 Sturdy Rd., Suite B3 • Valparaiso, IN 46383 • 630-235-8676 BIOGRAPHY Barbara Landis, mezzo - soprano, recently covered and studied the role of Baba in The Medium with Gian Carlo Menotti at the Spoleto Festival in Italy. She has sung the title role in Carmen with the National Symphony Orchestra of the Dominican Republic, in a modern adaptation at Pegasus Playhouse of Chicago, with the American Opera Group, Highland Park Opera Studio, Illinois, and with other operatic companies in the Chicago area and San Francisco. She has received critical praise for her portrayal of Carmen. “Ms. Landis as Carmen, wasn't afraid to play the role with the seductiveness and even raunchiness it requires. She was outstanding...” (Wheaton Daily Journal, IL). “Miss Landis can weave a spell over the audience.” “...a dynamic mezzo-soprano voice.” (Naperville Sun, IL). Last year, she sang Carmen with the Golden Gate Opera in San Francisco's Golden Gate Park. Barbara specializes in music and drama with a Spanish flair. Besides Carmen, she has portrayed the role of Aldonza in Man of LaMancha in the Midwest with Whitewater Opera, Sorg Opera, and in the Colorado Lyric Theatre Festival. Barbara has also portrayed Carmen in La Tragedie de Carmen. Barbara has been active in the art of Zarzuela with Opera Factory of Chicago. She has performed the gypsy La Cantadora in La Verbena de la Paloma with Jarvis Conservatory Zarzuela Festival in Napa, CA. She has been a dance student of Pascual Olivera and Angela Del Moral and has danced in local theater and on NBC and WELD television. -
CSO on Strike!
By-Law Meeting: Membership Meeting: April 2019 Tuesday, April 9th, 2019 Tuesday, May 14th, 2019 Vol. 79 No. 4 @ 1:00 pm @ 1:00 pm CSO on Strike! See Pages 4-5 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President Terryl Jares B.J. Levy Secretary-Treasurer Leo Murphy BOARD OF DIRECTORS Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat A Couple of Things Chicago Symphony Strike Report Jeff Handley As you read this, we hope that the union and the Chicago Symphony Orchestra CONTRACT DEPARTMENT I want to start this article with a thank you to all of you The committee is meeting three times in May: May 16 from Association have reached an agreement on a successor contract for the musicians. Leo Murphy – Vice-President who have shown your support for the members of the Chicago 10 AM-1 PM, May 21 from 1 PM-4 PM and May 30 from 10 Nancy Van Aacken As of today, March 17th, there is no end in sight. Symphony Orchestra during the current strike. Your presence AM-1 PM. These are the tentative meeting times as of now. If On March 6th, Maestro Riccardo Muti issued a statement. “As Music Director and a ASSISTANTS TO THE on the picket line, your letters of support and your postings on you want to appear before this committee to discuss an issue of PRESIDENT - JURISDICTIONS social media are all greatly appreciated. If the strike continues, concern, please contact me. -
Ratnerd Revised
CARL J. RATNER • Stage Director Representation: Leota Arts Management Leota Bauman 404 Sturdy Rd., Suite B3 • Valparaiso, IN 46383 • 630-235-8676 BIOGRAPHY Carl J. Ratner’s career includes over two decades of experience as an opera director. He learned his craft assisting directors at major opera houses including Covent Garden, the Metropolitan Opera, Munich Opera, San Francisco Opera, English National Opera, New York City Opera, Lyric Opera of Chicago, Santa Fe Opera, and the Spoleto Festival in Italy, where he worked with eminent composer Gian Carlo Menotti. He is the recipient of a 2010-2011 Fulbright lecture-research grant to the Russian Federation; he will direct Menotti’s opera The Old Maid and the Thief, lecture on American art song, lead master classes and appear in recital at the St. Petersburg Conservatory of Music. In 2010, he returned to Opera Naples to direct The Magic Flute, conducted by Lucy Arner of the Metropolitan Opera. He has previously directed Rigoletto, Madama Butterfly, L’enfant prodigue, and Amahl and the Night Visitors for the company. In 2009, he served as resident opera director for the Bay View Music Festival, staging a critically acclaimed production of The Marriage of Figaro. His much-admired staging of Madama Butterfly has been presented by Cedar Rapids Opera Opera Theatre, the Battle Creek Symphony, Opera at the Acorn in Three Oaks Michigan, and Bellissima Opera as well as Opera Naples. Other recent productions include The Marriage of Figaro and La Bohème for Cedar Rapids Opera Theater and Susannah for -
2016|17 Season
2016| 17 SEASON LYRIC OPERA OF CHICAGO Table of Contents ROBERT KUSEL ROBERT IN THIS ISSUE Eugene Onegin – pp. 20-35 4 From the General Director 21 Synopsis 40 Patron Salute 6 From the Chairman 23 Cast 43 Aria Society 10 24 Artist Profiles Board of Directors 52 Breaking New Ground 11 Women’s Board/Guild Board/Chapters’ 29 Opera Notes 53 Look to the Future Executive Board/Young Professionals/ 34 A Talk with the Director Ryan Opera Center Board 54 Major Contributors – Special Events 35 After the Curtain Falls 12 Administration/Administrative Staff/ and Project Support Production and Technical Staff 36 Musical Staff/Orchestra/Chorus 55 Lyric Unlimited Contributors 37 14 Why I Love Opera… Backstage Life and Why I Love Lyric – Part 4 38 Artistic Roster 57 Ryan Opera Center 20 Tonight’s Performance 39 Lyric and Social Media 58 Ryan Opera Center Alumni Around the World 59 Ryan Opera Center Contributors 60 Planned Giving: The Overture Society TODD ROSENBERG TODD MORE FROM 61 Commemorative Gifts THE LYRIC 62 Corporate Partnerships AUDIENCE, 63 Matching Gifts, Special Thanks and pp. 14-18 Acknowledgements 64 Annual Individual and Foundation Support 70 Facilities and Services/Theater Staff On the cover: “An Unknown Man in a Frock Coat,” artist unknown. ©Victoria and Albert Museum, London. 2 | February 26 - March 20, 2017 vvvv 2017/18 SEASON Orphée & Eurydice GLUCK Featuring The Joffrey Ballet Sep 23 – Oct 15, 2017 Subscriptions on sale now — Rigoletto VERDI SAVE UP TO 50% Oct 7 – Nov 3, 2017 Die Walküre WAGNER Nov 1 – 30, 2017 The Pearl Fishers BIZET -
Gemze De Lappe Career Highlights
DATE END (if avail) LOCATION SHOW/EVENT ROLE (if applicable) COMPANY NOTES 1922/02/28 Portsmouth, VA Born Gemze Mary de Lappe BORN Performed during the summer - would do ballets during intermission of productions of 1931/00/00 1939/00/00 Lewisohn Stadium, NY Michael Fokine Ballet dancer Michael Folkine recent Broadway shows. 1941/11/05 1941/11/11 New York La Vie Parisienne Ballet 44th St. New Opera Company 1943/11/15 1945/01/00 Chicago Oklahoma! Aggie National Tour with John Raitt Premiere at the old Metropolitan Opera House - Jerome Robbins choreographed Fancy Free, which was later developed into 1944/04/18 New York Fancy Free [Jerome Robbins] dancer Ballet Theatre On the Town 1945/01/08 St. Louis Oklahoma! Aggie 1945/01/29 1945/02/10 Milwaukee Oklahoma! Aggie 1945/03/05 Detroit Oklahoma! Aggie 1945/04/09 Pittsburgh Oklahoma! Aggie 1945/06/18 Philadelphia Oklahoma! Aggie National Tour 1946/01/22 Minneapolis Oklahoma! Ellen/Dream Laurey National Tour Ellen/Dream Laurey 1946/08/19 New York Oklahoma! (replacement) St. James 1947/04/30 London Oklahoma! Dream Laurey Theatre Royal Drury Lane with Howard Keel Melbourne, Victoria, Recreated 1949/02/19 Australia Oklahoma! Choreography Australia Premiere 1951/03/29 New York The King and I King Simon of Legree St. James 1951/10/01 Philadelphia Paint Your Wagon Yvonne Pre-Broadway Tryout 1951/10/08 Boston Paint Your Wagon Yvonne Pre-Broadway Tryout 1951/11/12 1952/07/19 New York Paint Your Wagon Yvonne Shubert The Donaldson Awards were a set of theatre awards established in 1944 by the drama critic Robert Francis in honor of W. -
George Gershwin Alone May 30 – June 10, 2012
FOR IMMEDIATE RELEASE Contact: Joyce Linehan for ArtsEmerson, 617-282-2510, [email protected] ArtsEmerson: The World On Stage PRESENTS HERSHEY FELDER AS GEORGE GERSHWIN ALONE MAY 30 – JUNE 10, 2012 High resolution photos available on request Press opening is Wednesday, May 30 at 7 p.m. Please respond to this email with requests. (BOSTON) ArtsEmerson: The World On Stage presents Hershey Felder’s George Gershwin Alone . Hot on the heels of the Boston premiere of his Maestro: Leonard Bernstein , Felder will reprise his one-man George Gershwin show. Performances will take place May 30 – June 10, 2012 at the Paramount Center (559 Washington Street, in Boston’s Theatre District). Tickets, from $25 – $89, go on sale to members on April 27 and to the public on April 28. They can be purchased at www.artsemerson.org or by phone at (617) 824-8400. Steinway concert artist, composer and actor Hershey Felder spent five years researching George Gershwin’s life and works. He spoke with family members, biographers and Gershwin intimates and secured the rights from the late composer’s estate to develop a solo performance. Felder used Gershwin’s personal correspondences, original manuscripts, and personal belongings to construct a one- man show in which he brings George Gershwin to life. Audiences will experience with the actor Gershwin’s childhood, parents and siblings, as well as his musical triumphs and defeats. Not only is Felder’s appearance strikingly similar to Gershwin’s, but Felder drew on old radio archives to recreate Gershwin’s voice. He also used songs, letters and conversations to recreate the life and times of the great American composer. -
Factbook201112.Pdf
New York Philharmonic Contents 2 2011–12 Season: The Big Picture Stats Alan Gilbert Conducts Artistic Partners Onstage Guests Principals, Center Stage 24 Learning Around the Globe For Kids and Teens Stand-Outs Lectures and Discussions Media Leonard Bernstein Scholar-in-Residence Online 20 The Players For Schools 22 Leadership 26 Premieres and Commissions Music Director 2011–12 Season Chairman Notable 21st Century President and Executive Director Notable 20th Century Notable 19th Century 28 The Legacy The Story Memorable Moments Former Music Directors and Advisors 32 Behind the Scenes Archives Volunteer Council nyphil.org The Philharmonic-Symphony Ticket Information Society of New York, Inc. Online: nyphil.org By phone: (212) 875 - 5656 Alan Gilbert, Music Director, In person: Avery Fisher Hall Box Office The partnership between the New York Philharmonic and The Yoko Nagae Ceschina Chair For group sales: (212) 875 - 5672 Credit Suisse — the Orchestra’s exclusive Global Sponsor Gary W. Parr, Chairman Accessibility Information: since 2007 — has led to inspiring performances both at Zarin Mehta, President (212) 875 - 5380 home and abroad through acclaimed tours across the and Executive Director United States, Europe, and Asia. In the 2011–12 season, Avery Fisher Hall Box Office Hours Credit Suisse’s dynamic support of the Orchestra’s Avery Fisher Hall Opens 10:00 a.m., Monday through programs helps to forge the Philharmonic’s central role in 10 Lincoln Center Plaza Saturday, noon on Sunday. the cultural life of New York, and to share Music Director New York, NY 10023 -6970 On performance evenings Alan Gilbert’s vision with the world. -
The Nutcracker
THE NUTCRACKER CHAMPAIGN URBANA BALLET | CHAMPAIGN-URBANA SYMPHONY ORCHESTRA Thursday-Friday, December 1-2, 2016, at 7:30pm Saturday, December 3, 2016, at 2pm and 7:30pm Sunday, December 4, 2016, at 2pm and 6pm Tryon Festival Theatre PROGRAM THE NUTCRACKER A ballet in two acts after the story The Nutcracker and the Mouse King by E. T. A. Hoffmann Music by Piotr Ilyich Tchaikovsky Choreography by Deanna Doty Presented by Champaign Urbana Ballet Deanna Doty, Artistic Director Champaign-Urbana Symphony Orchestra Stephen Alltop, Music Director and Conductor Matthew Sheppard, Guest Conductor Krannert Center for the Performing Arts Mike Ross, Director The Nutcracker Overture ACT I The Party The Battle The Land of Snow 20-minute intermission ACT II The Land of Sweets A classical ballet in two acts, The Nutcracker is based on E. T. A. Hoffmann’s tale The Nutcracker and the Mouse King (1816). Piotr Ilyich Tchaikovsky created the music for the ballet of this charming story in close collaboration with Marius Petipa, the renowned choreographer who, due to illness, turned the project over to his assistant, Lev Ivanov. The Nutcracker was first performed in 1892. Flying effects provided by ZFX, Inc. Note: this production uses controlled special effects in the form of lighting, fog, and smoke. THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE This Champaign Urbana Ballet presentation of The Nutcracker, in cooperation with the Champaign-Urbana Symphony Orchestra and Krannert Center for the Performing Arts, is made possible with support from promotional sponsors including Area-Wide Technologies; The Bill Bass Foundation; Carlton Bruett Design; Champaign Ballet Academy; Champaign Telephone Company; Chifan Cheng DDS, Vickie Hemann DDS, and Leah Davis DMD, MSD; Christie Clinic | Department of Foot & Ankle Surgery; Hilton Garden Inn; Iroquois Federal; Kam’s; Merrill Lynch; R Rentals; Scott Machin Remodeling; Stone Ridge Dairy; and Two Men and a Truck.