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Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Belvoir Terrace Staff 2018
Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University -
The Music of John Williams
Dear Friends of Our New Philharmonic, On behalf of my colleagues in the orchestra, we are hoping that you are all safe, healthy, and we certainly miss seeing you! Recent months have set out challenges that I had never before seen in my lifetime. This period, however, reminds me greatly not only of what I learned from my parents’ lives, but also of my grandparents/great grandparents’ lives and the obstacles that they overcame in their overwhelmingly hard times. These people somehow though came through it all - with courage, grit, kindness, good spirits, good hearts. I have a sign on my fridge that says: “Wallace Hartley.” It is to remind me that this violinist on the Titanic was sharing music with his fellow passengers even in The most extraordinary moment for any musician in history. The calling that each of our musicians has felt in their lives is just that - music. We may not be good at flying airplanes, fixing teeth, or playing for the Hawks, but what we look to give the world is music. This coming year we have monster-great season, opening with the astonishing music of John Williams - a concert that celebrates Mr. Williams’ 66th year of composing music for film. And, for the first time we can offer you a Holiday Pops concert that is full of praise, fun and joy. New Year’s Eve and the opera/ Broadway concerts are both BLASTS with some of your favorite singers! In April, I have programmed something that I believe has never been done anywhere in the world before. -
BARBARA LANDIS • Mezzo Soprano BIOGRAPHY
BARBARA LANDIS • Mezzo Soprano Representation: Leota Arts Management Leota Bauman 404 Sturdy Rd., Suite B3 • Valparaiso, IN 46383 • 630-235-8676 BIOGRAPHY Barbara Landis, mezzo - soprano, recently covered and studied the role of Baba in The Medium with Gian Carlo Menotti at the Spoleto Festival in Italy. She has sung the title role in Carmen with the National Symphony Orchestra of the Dominican Republic, in a modern adaptation at Pegasus Playhouse of Chicago, with the American Opera Group, Highland Park Opera Studio, Illinois, and with other operatic companies in the Chicago area and San Francisco. She has received critical praise for her portrayal of Carmen. “Ms. Landis as Carmen, wasn't afraid to play the role with the seductiveness and even raunchiness it requires. She was outstanding...” (Wheaton Daily Journal, IL). “Miss Landis can weave a spell over the audience.” “...a dynamic mezzo-soprano voice.” (Naperville Sun, IL). Last year, she sang Carmen with the Golden Gate Opera in San Francisco's Golden Gate Park. Barbara specializes in music and drama with a Spanish flair. Besides Carmen, she has portrayed the role of Aldonza in Man of LaMancha in the Midwest with Whitewater Opera, Sorg Opera, and in the Colorado Lyric Theatre Festival. Barbara has also portrayed Carmen in La Tragedie de Carmen. Barbara has been active in the art of Zarzuela with Opera Factory of Chicago. She has performed the gypsy La Cantadora in La Verbena de la Paloma with Jarvis Conservatory Zarzuela Festival in Napa, CA. She has been a dance student of Pascual Olivera and Angela Del Moral and has danced in local theater and on NBC and WELD television. -
Newbev202003 FRONT
General Admission: $12.00 March 2020 Seniors / Children / Matinees: $8.00 NEW Cartoon Club: $8.00 / Midnights: $10.00 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON INSTAGRAM AND TWITTER! SUN MON TUE WED THU FRI SAT March 1 & 2 Directed by Randal Kleiser March 3 March 4 & 5 March 6 & 7 Blake Edwards / Peter Sellers THE THE RETURN PINK OF THE PANTHER PINK STRIKES PANTHER AGAIN DIRECTED BY DIRECTED BY BLAKE EDWARDS BLAKE EDWARDS STARRING STARRING BROOKE SHIELDS PETER PETER CHRISTOPHER ATKINS SELLERS SELLERS CHRISTOPHER HERBERT LOM JOHN HUSTON’S PLUMMER COLIN BLAKELY CATHERINE SCHELL LEONARD ROSSITER HERBERT LOM LESLEY-ANNE DOWN March 8 & 9 Directed by Blake Edwards March 10 March 11 & 12 March 13 & 14 SIMON PEGG NICK FROST TIMOTHY DALTON DIRECTED BY EDGAR WRIGHT PLUS! BIGLAU CHING-WAN BULLET JORDAN CHAN THERESA LEE UGO TOGNAZZI MICHEL SERRAULT DIRECTED BY BENNY CHAN March 15 & 16 Barbara Stanwyck Double Feature March 17 March 18 & 19 March 20 & 21 Blake Edwards / Dudley Moore DUDLEY MOORE AMY IRVING ANN REINKING DUDLEY MOORE JULIE ANDREWS BO DEREK March 22 & 23 Directed by François Truffaut March 24 March 25 & 26 March 27 & 28 Quentin’s Birthday Double Feature JIMMY WANG YU Written, Directed by, and Starring Written & Directed by JIMMY WANG YU LO WEI March 29 & 30 March 31 Join us in March as we celebrate owner/programmer/fi lmmaker Quentin Tarantino’s birthday with a Jimmy Wang Yu double IB Tech Print feature that includes one of Quentin’s all-time favorite fi lms, IB Tech Print Master of the Flying Guillotine! We also have double features show- casing the works of Blake Edwards, François Truff aut, Randal Kleiser and Edgar Wright. -
CSO on Strike!
By-Law Meeting: Membership Meeting: April 2019 Tuesday, April 9th, 2019 Tuesday, May 14th, 2019 Vol. 79 No. 4 @ 1:00 pm @ 1:00 pm CSO on Strike! See Pages 4-5 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President Terryl Jares B.J. Levy Secretary-Treasurer Leo Murphy BOARD OF DIRECTORS Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat A Couple of Things Chicago Symphony Strike Report Jeff Handley As you read this, we hope that the union and the Chicago Symphony Orchestra CONTRACT DEPARTMENT I want to start this article with a thank you to all of you The committee is meeting three times in May: May 16 from Association have reached an agreement on a successor contract for the musicians. Leo Murphy – Vice-President who have shown your support for the members of the Chicago 10 AM-1 PM, May 21 from 1 PM-4 PM and May 30 from 10 Nancy Van Aacken As of today, March 17th, there is no end in sight. Symphony Orchestra during the current strike. Your presence AM-1 PM. These are the tentative meeting times as of now. If On March 6th, Maestro Riccardo Muti issued a statement. “As Music Director and a ASSISTANTS TO THE on the picket line, your letters of support and your postings on you want to appear before this committee to discuss an issue of PRESIDENT - JURISDICTIONS social media are all greatly appreciated. If the strike continues, concern, please contact me. -
Ratnerd Revised
CARL J. RATNER • Stage Director Representation: Leota Arts Management Leota Bauman 404 Sturdy Rd., Suite B3 • Valparaiso, IN 46383 • 630-235-8676 BIOGRAPHY Carl J. Ratner’s career includes over two decades of experience as an opera director. He learned his craft assisting directors at major opera houses including Covent Garden, the Metropolitan Opera, Munich Opera, San Francisco Opera, English National Opera, New York City Opera, Lyric Opera of Chicago, Santa Fe Opera, and the Spoleto Festival in Italy, where he worked with eminent composer Gian Carlo Menotti. He is the recipient of a 2010-2011 Fulbright lecture-research grant to the Russian Federation; he will direct Menotti’s opera The Old Maid and the Thief, lecture on American art song, lead master classes and appear in recital at the St. Petersburg Conservatory of Music. In 2010, he returned to Opera Naples to direct The Magic Flute, conducted by Lucy Arner of the Metropolitan Opera. He has previously directed Rigoletto, Madama Butterfly, L’enfant prodigue, and Amahl and the Night Visitors for the company. In 2009, he served as resident opera director for the Bay View Music Festival, staging a critically acclaimed production of The Marriage of Figaro. His much-admired staging of Madama Butterfly has been presented by Cedar Rapids Opera Opera Theatre, the Battle Creek Symphony, Opera at the Acorn in Three Oaks Michigan, and Bellissima Opera as well as Opera Naples. Other recent productions include The Marriage of Figaro and La Bohème for Cedar Rapids Opera Theater and Susannah for -
Carnegie Hall Rental
Friday Evening, October 26, 2012, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents 50th Birthday Celebration LEON BOTSTEIN, Conductor JOHN STAFFORD SMITH The Star-Spangled Banner Arr. by LEOPOLD STOKOWSKI CHARLES IVES Symphony No. 4 Prelude: Maestoso Allegretto Fugue: Andante moderato Largo maestoso BLAIR MCMILLEN, Piano THE COLLEGIATE CHORALE Intermission GUSTAV MAHLER Symphony No. 8 in E-flat Major (“Symphony of a Thousand”) Part 1: Hymnus: Veni, Creator Spiritus Part 2: Final scene from Goethe’s Faust Part 2 Magna Peccatrix: REBECCA DAVIS, Soprano Una Poenitentium: ABBIE FURMANSKY, Soprano Mater Gloriosa: KATHERINE WHYTE, Soprano Mulier Samaritana: SUSAN PLATTS, Mezzo-soprano Maria Aegyptiaca: FREDRIKA BRILLEMBOURG, Mezzo-soprano (continued) This evening’s concerT will run approximaTely Two and a half hours, inlcuding one 20-minuTe inTermission. The Empire State Building is liT red and white this evening in honor of American Symphony Orchestra’s 50th Birthday. We would like to Thank the Empire State Building for This special honor. American Symphony Orchestra welcomes students and teachers from ASO’s arts education program, Music Notes. For information on how you can support Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. Dr. Marianus: CLAY HILLEY, Tenor Pater EcsTaticus: TYLER DUNCAN, Baritone Pater Profundus: DENIS SEDOV, Bass THE COLLEGIATE CHORALE JAMES BAGWELL, Director THE BROOKLYN YOUTH CHORUS DIANNE BERKUN, Director THE Program JOHN STAFFORD SMITH (Arr. by LEOPOLD STOKOWSKI) The Star-Spangled Banner Smith: Born March 30, 1750 in Gloucester, England Died September 21, 1836 in London Stokowski: Born April 18, 1882 in London Died September 13, 1977 in Nether Wallop, Hampshire, England Composed by Smith as “The Anacreontic Song” in 1775 in London Stokowski first arranged the song in 1940. -
A Report from Depaul University School of Music 2009–10
Sound Investment A Report from DePaul University School of Music10 2009–10 letter from the dean Contents september, 2010 Donald E. Casey Dean of the School of Music Of Note: 2009-2010 Highlights 4-5 Dear Friend of our School of Music, Faculty News 6-9 It has taken us 98 years to get here. Ninety-eight years to have built the strength and New Faculty Members reputation of the DePaul School of Music to where it can confidently stand toe-to-toe Applause with the most celebrated schools in the country, and yet we believe that our best years Community Music Division are still to come. Master Classes This past year has been wonderful in almost every way, including hundreds of exciting performances, some stellar recordings, several noteworthy collaborations, and a vast and Student News 10-11 impressive array of student accomplishment in virtually every program. We hope you’ll Honorary Degree Recipient, Samuel Magad come to campus often to hear for yourself the music that we are making here. Our School remains a very special place—one that is at once ambitious and humane—and as we strive Class Notes 12-13 to serve every student to the best of their and our ability, we also hope to make you, our alumni and patrons, proud of what we are creating here. Advancement Report 14-15 On the near horizon are two milestones. First, we’ll be celebrating our centennial in 2009-10 2012-2013 with a grand array of commissions and special events culminating in a jubilee 2010 Spring Concert & Gala 16-17 performance of Beethoven’s Ninth Symphony and the world premiere of a new orchestral overture by Augusta Read Thomas in Orchestra Hall in May of 2013. -
2008 Schedule
2008 SCHEDULE *Titles in BOLD are TCM Premieres Friday, February 1 Theme of the Day: Adventure Films 6:00 AM The Adventures of Robin Hood (’38) 7:45 AM Mogambo (’53) 9:45 AM King Solomon’s Mines (’50) 11:30 AM The Treasure of the Sierra Madre (’48) 1:45 PM Krakatoa, East of Java (’69) 4:00 PM The Naked Prey (’66) 5:45 PM Northwest Passage (’40) ‘70s 8:00 PM Jaws (’75) 10:15 PM The Hospital (’71) 12:15 AM Network (’77) 2:30 PM Five Easy Pieces (’70) 4:45 PM Darling Lili (’70) Saturday, February 2 Theme of the Day: Sci Fi 7:15 AM 2010 (’84) 9:15 AM Forbidden Planet (’56) 11:00 AM Them! (’54) 12:45 PM The Time Machine (’60) 2:30 PM The Black Hole (’79) 4:15 PM 20,000 Leagues Under the Sea (’54) 6:30 PM The War of the Worlds (’53) ‘80s 8:00 PM Gandhi (’82) 11:15 PM Atlantic City (’81) 1:15 AM The Trip to Bountiful (’85) 3:15 AM Mephisto (’82) Sunday, February 3 Theme of the Day: Musicals 6:00 AM Anchors Aweigh (’45) 8:30 AM Brigadoon (’54) 10:30 AM The Harvey Girls (’46) 12:15 PM The Band Wagon (’53) 2:15 PM Seven Brides for Seven Brothers (’54) 4:00 PM Gigi (’58) 6:00 PM An American in Paris (’51) ‘90s/’00s 8:00 PM Sense and Sensibility (’95) 10:30 PM Quiz Show (’94) 12:45 PM Kundun (’97) 3:15 AM The Wings of the Dove (’97) Monday, February 4 Theme of the Day: Biopics 5:30 AM The Story of Louis Pasteur (’35) 7:00 AM The Life of Emile Zola (’37) 9:00 AM The Adventures of Mark Twain (’44) 11:15 AM The Eddy Duchin Story (’56) 1:30 PM The Joker is Wild (’57) 3:45 PM Night and Day (’46) 6:00 PM The Glenn Miller Story (’54) ‘20s/’30s 8:00 PM Wings -
OUR TOWN Houston Premiere
LEON WILSON CLARK OPERA SERIES SHEPHERD SCHOOL OPERA and the SHEPHERD SCHOOL CHAMBER ORCHESTRA l present OUR TOWN Houston Premiere Music by NED ROREM Libretto by J. D. McCLATCHY r. Based on the play by Thornton Wilder Richard Bado, conductor Mary Duncan, stage director Wortham Opera Theatre March 17, 19, 21 and 23, 2011 at 7:30 p.m. CZ) 1975-20 lO Ce l e b rating 'j / r Years THE SHEPHERD SCHOOL OF USIC RICE UNIVERSITY Our Town Music by Ned Rorem (born Oct. 23, 1923) Libretto by J. D. McClatchy (born 1945) Based on the play by Thornton Wilder Premiere in 2006 Grover's Corners, New Hampshire, 1901 CAST (in order of vocal appearance) Stage Manager . Tyson Miller Dr. Gibbs, the town doctor . Christopher Besch Mrs. Soames . Erin Johnson George Gibbs, son ofDr. and Mrs. Gibbs Brenton Ryan Emily Webb, daughter ofMr. and Mrs. Webb . Chelsea Morris Joe Crowell, friend of George . Paul Wilt Frank, friend of George . Geordie Alexander Sam, friend of George Joseph Eletto Mrs. Webb Elisabeth Rosenberg Lady in the Audience Abigail Dock Mr. Webb, the newspaper editor . Shea Owens Man in the Audience Samuel Schultz Simon Stimson, the choirmaster . Daniel Sherrill Mrs. Gibbs . .Carolyn Sproule CHORUS Geordie Alexander Lauren Iezzi Amy Owens Julia Sterner-Holder. Abbey Curzon SaraLemesh Stephen Ray Manfreddi Thimote Joseph Eletto Robert Lilly Erika Rodden Paul Wilt Maria Failla Joseph Mishler Erica Schoelkopf Rachel Womble SUPERNUMERARIES Miles Dolney Sophie Parker SHEPHERD SCHOOL CHAMBER ORCHESTRA Larry Rachleff, Music Director Violin I Viola Flute Trumpet -
Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006
Clark 1 Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006 Clark 2 Introduction What scares you? Fear manifests in many different ways for every being on this earth. However diverse these horrific episodes may be, there is one universal element common to every human experience: We all have fears. One avenue through which we can explore, identify and even vicariously experience our most primal fears is through horror fiction. H.P. Lovecraft said: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their truth must establish for all time the genuineness and dignity of the weirdly horrible tale as literary form (www.quotationspage.com). Coupled with Lovecraft's fear of the unknown is the fear of any threat to our fragile mortality, fear of anything that may potentially cause physical harm to our being. This is a phobia innate to every person. The most precious and frail endowment of human existence is our ability to sustain and promote our humanity. When this gift is threatened in any way, shape or form, a fear is created. There are several ways through which we can more concretely define these fears, subcategories to the dread of any danger to our delicate subsistence. For example, fear of the unexplained. This phobia can be defined as dread of that which we cannot rationalize with existing or obtainable evidence. Another is the fear of the unseen. This phobia could be described as fright of something that is intangible or concealed.