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-$ ' &$'' -.„ Love to Kill, P.16
SANCTUARY CITY, P.6*4.$)'0 +xxKISS IT CUPID, P.21 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. 02.11.09 :: #06, v.04 :: !- . -$'&$'' -. LOVE TO KILL, P.16 PUGETOPOLIS: BATTLE FOR THE SOUL OF SEATTLE, P. 8 * COMIX APOCALYPSE: NOT-SO-FUNNY FUNNY BUSINESS, P.12 cascadia 34 34 -$/$.#+$)$./PAUL FOOD ROBERTS TICKLES THE IVORIES AT THE FINAL SANFORD SERIES CONCERT OF THE YEAR 28 28 A glance at what’s happening this week FEB. 17 AT WWU’S PERFORMING ARTS CENTER CLASSIFIEDS 24 4*0''/#$)& YOU’RE IN A FILM FILM FRENCH CABARET WHEN THE MOULIN ROUGE-THEMED “BENEFIT X”—AN ANNUAL 20 FUNDRAISER THAT FUNNELS FUNDS TO A VARI- ETY OF LOCAL CHARITIES—COMMENCES FEB. 15 MUSIC AT THE LAKEWAY INN 18 18 ART ART 16 STAGE STAGE 14 GET OUT 12 WORDS 8 CURRENTS CURRENTS 02.11.09 MUSIC WORDS MUSIC 6 Collegium: 8pm, Performing Arts Center, WWU Knute Berger: 7m, Village Books Skagit Opera: 7:30pm, McIntyre Hall, Mount WEDNESDAY Vernon WORDS VIEWS VIEWS MUSIC Rosina Lippi: 7pm, Burlington Public Library COMMUNITY Hybrid Visions Concert: 7pm, Western Gallery Jamie Ford: 7pm, Village Books 02.14.09 Valentine’s Day Party: 7pm, Lincoln Theatre, 4 Community Chorus: 7pm, Moles Funeral Home SATURDAY Mount Vernon MAIL MAIL Linda Waterfall: 7:30pm, Roeder Home Fashion Fundraiser: 2pm, Cascadia Elementary 02. .09 3 WORDS 13 ON STAGE GET OUT Chuckanut Writers’ Theater: 7pm, Firehouse Beauty and the Beast: 2pm and 7:30pm, Lynden Two for the Road: 10am, Whatcom Falls Park DO IT IT DO Performing Arts Center FRIDAY High School DO IT 2 Greater Tuna: 6:30pm, RiverBelle Dinner Theatre, ON STAGE Mount Vernon 09 09 Greater Tuna: 6:30pm, RiverBelle Dinner Theatre, The Trip to Bountiful: 7pm, Alger Community 02.15.09 .11. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Rescue Mission Workers Over 2000Hear Governor
FOR QUALITY PRINTING SEASON HOTEL. t r y t h e t im e s ANNOUNCEMENTS JOB PRINTING DEPT PAGES 6 and 7 AND THE, NEPTUNE TIMES Vol LXXVII No. OCEAN GROVE, TIMES, TOWNSHIP OF NEPTUNE, NEW JERSEY, F R ID A Y AUGUST 3, 195G ~ of the Independence of the - - ■ ' :_Unlted SUtes o fAmerica the 181st year SEVEN CENTS Rescue Mission Workers Over 2,000Hear Governor Praise Grove, Defend Self The Rescue:Mission workers from the New York, Phila delphia, Niagara'and N ew‘England Districts of the Interna tional'Union of Gospel Missions will conduct their 34th annual conference here in the Young People’s: Temple from Monday, New Jersey’s Chief Executive, Aug. 6» to Friday the lOtti, inclusive.;: ''V Rev. Lawrence Sutherland, su Robert B. Meyneiy Here Tues perintendent of the Goodwill Home and Rescue Mission, • Newark, N. J„ and a : past, president o f,the CANCEL" HOBBY SHOW , day Night, Founders’ Day Union is chairman bf‘the commit . PLAN 1957 EXHIBITS tee; Among the'.speakers will b6 v Rev. Clifford Hartzell of Philadel The Ocean , Grove Hobby . High respect for the office of governor was paid by an phia, International: President, and Show which had been sched audience of more than 2000 attending the Founders’ Day District President, Rev, William J; uled for the third week in exercises in the Ocean Grove Auditorium Tuesday night, As Kouwe -who is superintendent of August will be postponed to Pres. Kinsey N. Merritt rose to announce the appearance on the Star of Hope Mission!' Pater next year, sincejhe former As- • son; Rev. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Preston Sawyer Film and Theater Collection MS.404
http://oac.cdlib.org/findaid/ark:/13030/c8w66sh5 No online items Preston Sawyer Film and Theater Collection MS.404 Debra Roussopoulos University of California, Santa Cruz 2019 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Preston Sawyer Film and Theater MS.404 1 Collection MS.404 Language of Material: English Contributing Institution: University of California, Santa Cruz Title: Preston Sawyer Film and Theater Collection creator: Sawyer, Preston, 1899-1968 Identifier/Call Number: MS.404 Physical Description: 8 Linear Feet27 boxes Date (inclusive): 1907-1959 Abstract: This collection contains photographs, lobby cards, correspondence, ephemera, and realia. Storage Unit: 1-27 Access Collection is open for research. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication. Preferred Citation Preston Sawyer Film and Theater Collection. MS 404. Special Collections and Archives, University Library, University of California, Santa Cruz. Biographical / Historical The Sawyer family of Santa Cruz, California, were avid movie and theater aficionados. The materials in this collection were gathered mainly by Preston Sawyer, and contributed to by Ariel and Gertrude Sawyer. Ariel Sawyer spent time working in Hollywood from 1922-1925. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
Farragut's Press
Farragut’s Press NEWSLETTER OF THE MARE ISLAND MUSEUM, 1100 Railroad Ave, Vallejo CA 94592 Mare Island Historic Park, a 501(c) (3) Charitable Organization June 2014 Mare Island and the Movies on its seventh patrol in in the fall of 1943 somewhere In the last issue of Farragut’s Press there was an article off the coast of Japan. Remains were located in 2005 on the actors of movies and television who served in and finally in 2006 the U.S. Navy verified that it was, the armed services, but few people are aware of how indeed, the Wahoo. Morton Field on Mare Island is directly involved Mare Island was with the movie named after Commander Morton. community. The second film made at Mare Island and filmed First and foremost was the procession of celebrities primarily on the shipyard was entitled Submarine who came to Mare Island as participants in the war Command, starred William Holden and William Bendix bond programs during WWII. It included such and told the story of a submarine’s executive officer performers as Jack Benny, Bob Hope, Joe E. Brown, who on the last day of the war took his submarine June Allyson, Eddie Cantor, Gabby Hayes, Cary Grant down leaving the captain and several severely injured and many others. Most of these performers also crewman on the bridge. It goes on to explore his guilt visited the wounded at Mare Island Hospital. as he discovers upon surfacing that Japan has The first actual movie with which Mare Island was surrendered and he did not have to sacrifice those involved was Destination Tokyo which starred Cary men. -
Newbev202003 FRONT
General Admission: $12.00 March 2020 Seniors / Children / Matinees: $8.00 NEW Cartoon Club: $8.00 / Midnights: $10.00 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON INSTAGRAM AND TWITTER! SUN MON TUE WED THU FRI SAT March 1 & 2 Directed by Randal Kleiser March 3 March 4 & 5 March 6 & 7 Blake Edwards / Peter Sellers THE THE RETURN PINK OF THE PANTHER PINK STRIKES PANTHER AGAIN DIRECTED BY DIRECTED BY BLAKE EDWARDS BLAKE EDWARDS STARRING STARRING BROOKE SHIELDS PETER PETER CHRISTOPHER ATKINS SELLERS SELLERS CHRISTOPHER HERBERT LOM JOHN HUSTON’S PLUMMER COLIN BLAKELY CATHERINE SCHELL LEONARD ROSSITER HERBERT LOM LESLEY-ANNE DOWN March 8 & 9 Directed by Blake Edwards March 10 March 11 & 12 March 13 & 14 SIMON PEGG NICK FROST TIMOTHY DALTON DIRECTED BY EDGAR WRIGHT PLUS! BIGLAU CHING-WAN BULLET JORDAN CHAN THERESA LEE UGO TOGNAZZI MICHEL SERRAULT DIRECTED BY BENNY CHAN March 15 & 16 Barbara Stanwyck Double Feature March 17 March 18 & 19 March 20 & 21 Blake Edwards / Dudley Moore DUDLEY MOORE AMY IRVING ANN REINKING DUDLEY MOORE JULIE ANDREWS BO DEREK March 22 & 23 Directed by François Truffaut March 24 March 25 & 26 March 27 & 28 Quentin’s Birthday Double Feature JIMMY WANG YU Written, Directed by, and Starring Written & Directed by JIMMY WANG YU LO WEI March 29 & 30 March 31 Join us in March as we celebrate owner/programmer/fi lmmaker Quentin Tarantino’s birthday with a Jimmy Wang Yu double IB Tech Print feature that includes one of Quentin’s all-time favorite fi lms, IB Tech Print Master of the Flying Guillotine! We also have double features show- casing the works of Blake Edwards, François Truff aut, Randal Kleiser and Edgar Wright. -
T“Lniuro ‘NO on the Come En- BULLET." Will Be the Second French Star
THE EVENING STAN THIS SUN.—3:OO C-2 Amusements ?. WHERE P.M. x .TONIGHT IN LISNES AUDITORIUM (.) II llf 1 li I II AND WHEN UNTMSIItII 11 m HOLLYWOOD! THE PASSING Current Theater Attractions ROSALYN SHOW Tune To CHANNEL 410:30 P.M and Time of Showing Returning by Popular Demand TURECK "Mary Stuart** April 25 Stage opens ALL BACH PIANO KECTTAL at the National Theatre <2 wks) 'Room Close Arena Stage—Dark. SEATS AVAILABLE LAST 2 DAYS at Top' “Ring Round the Moon” starts to- HAYES CONCERT BUREAU I If morrow. (In Compb.ll->', 1101 G St. N.W. MORRISON PAPER CO. National—Dark. “The Dark |E. ' NAfionol 8-7131 St.inway Piano But That'lf' Is So 1009 Prana. Ava. N.W. Big at the Top of the Stairs” starts ’j' ( Home April 11. ot fmpaco froducti TONYCUrtis # By HARRY MarARTHUR Screen DEAN Star Staff Writer BUR MARTIN TV Ambassador—“ Guns of the &WI9ht I -SS.I zZ BIG NIGHT—OnIy the dogs and horses of Hollywood—- Timberland,” 1:15, 2:50, 4:30, X-Jll JANET LEIGH and possibly that pigeon named Herman in “The Gazebo”— zx For Your < 6:10, 7:50 and 9:30 pjn. 7/ tunatnc blase about the fact that Cys 'nus ! Siolioaurv and /nV | are remaining tonight is Oscar night. "Heller Capitol in Pink Office Supplies M The Patsy Award (for animals) winners will not be announced ‘TODAYS 1 / , Tights,” 11:50 a.m., 1:50, 3:50, 'II Com. to U Until the of 12. \ i evening Tuesday, April 7:50 5:50, and 9:50 p.m. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
The Concept of This Guide Has Evolved From
OLDER WOMEN IN FEATURE FILMS A RESEARCH GUIDE ABOUT REPRESENTATIONS OF WOMEN OVER 60 CONTENTS Introduction......................................................................................................... 1 CASE STUDIES Central Station................................................................................... 5 Driving Miss Daisy ............................................................................. 7 Harold and Maude ............................................................................. 8 Ladies in Lavender .......................................................................... 10 The Mother ...................................................................................... 12 Tatie Danielle................................................................................... 14 Tokyo Story ..................................................................................... 16 The Trip To Bountiful ....................................................................... 17 The Whales Of August..................................................................... 19 General references on Ageism in the Film Industry………………………………21 Searching For Debra Winger ........................................................... 23 Appendix 1a : Background Research ............................................................... 24 Appendix 1b: References to Background Research........................................ 27 Appendix 2a : Research Questionnaire ............................................................ 29 Appendix -
Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006
Clark 1 Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006 Clark 2 Introduction What scares you? Fear manifests in many different ways for every being on this earth. However diverse these horrific episodes may be, there is one universal element common to every human experience: We all have fears. One avenue through which we can explore, identify and even vicariously experience our most primal fears is through horror fiction. H.P. Lovecraft said: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their truth must establish for all time the genuineness and dignity of the weirdly horrible tale as literary form (www.quotationspage.com). Coupled with Lovecraft's fear of the unknown is the fear of any threat to our fragile mortality, fear of anything that may potentially cause physical harm to our being. This is a phobia innate to every person. The most precious and frail endowment of human existence is our ability to sustain and promote our humanity. When this gift is threatened in any way, shape or form, a fear is created. There are several ways through which we can more concretely define these fears, subcategories to the dread of any danger to our delicate subsistence. For example, fear of the unexplained. This phobia can be defined as dread of that which we cannot rationalize with existing or obtainable evidence. Another is the fear of the unseen. This phobia could be described as fright of something that is intangible or concealed.