The Concept of This Guide Has Evolved From
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
-$ ' &$'' -.„ Love to Kill, P.16
SANCTUARY CITY, P.6*4.$)'0 +xxKISS IT CUPID, P.21 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. 02.11.09 :: #06, v.04 :: !- . -$'&$'' -. LOVE TO KILL, P.16 PUGETOPOLIS: BATTLE FOR THE SOUL OF SEATTLE, P. 8 * COMIX APOCALYPSE: NOT-SO-FUNNY FUNNY BUSINESS, P.12 cascadia 34 34 -$/$.#+$)$./PAUL FOOD ROBERTS TICKLES THE IVORIES AT THE FINAL SANFORD SERIES CONCERT OF THE YEAR 28 28 A glance at what’s happening this week FEB. 17 AT WWU’S PERFORMING ARTS CENTER CLASSIFIEDS 24 4*0''/#$)& YOU’RE IN A FILM FILM FRENCH CABARET WHEN THE MOULIN ROUGE-THEMED “BENEFIT X”—AN ANNUAL 20 FUNDRAISER THAT FUNNELS FUNDS TO A VARI- ETY OF LOCAL CHARITIES—COMMENCES FEB. 15 MUSIC AT THE LAKEWAY INN 18 18 ART ART 16 STAGE STAGE 14 GET OUT 12 WORDS 8 CURRENTS CURRENTS 02.11.09 MUSIC WORDS MUSIC 6 Collegium: 8pm, Performing Arts Center, WWU Knute Berger: 7m, Village Books Skagit Opera: 7:30pm, McIntyre Hall, Mount WEDNESDAY Vernon WORDS VIEWS VIEWS MUSIC Rosina Lippi: 7pm, Burlington Public Library COMMUNITY Hybrid Visions Concert: 7pm, Western Gallery Jamie Ford: 7pm, Village Books 02.14.09 Valentine’s Day Party: 7pm, Lincoln Theatre, 4 Community Chorus: 7pm, Moles Funeral Home SATURDAY Mount Vernon MAIL MAIL Linda Waterfall: 7:30pm, Roeder Home Fashion Fundraiser: 2pm, Cascadia Elementary 02. .09 3 WORDS 13 ON STAGE GET OUT Chuckanut Writers’ Theater: 7pm, Firehouse Beauty and the Beast: 2pm and 7:30pm, Lynden Two for the Road: 10am, Whatcom Falls Park DO IT IT DO Performing Arts Center FRIDAY High School DO IT 2 Greater Tuna: 6:30pm, RiverBelle Dinner Theatre, ON STAGE Mount Vernon 09 09 Greater Tuna: 6:30pm, RiverBelle Dinner Theatre, The Trip to Bountiful: 7pm, Alger Community 02.15.09 .11. -
Funciones Para Público 25 Foro Internacional De La Cineteca Del 1° De Sptiembre Al 6 De Octubre
ÍNDICE INTRODUCCIÓN 3 HOTEL 7 NUEVE ORGASMOS / NINE SONGS 14 TRES PASOS DE BAILE / BALLO A TRE PASSI 24 VIAJE HACIA EL MAR 31 CAMINANDO SOBRE EL AGUA / LALEHET AL HAMAYIM 41 LOS POSEIDOS / JANG-HWA, HONG-RYUN 48 EN EL MUNDO A CADA RATO 58 HISTORIAS DEL DESENCANTO 74 EL OTRO MURO 80 LA NOVIA SIRIA / HA-KALA HA-SURIT 86 EL VIOLINISTA QUE LLEGÓ DEL MAR / LADIES IN LAVENDER 95 MOACIR ARTE BRUTO / MOACIR ARTE BRUTA 104 EL CIELO GIRA 111 MUXES: AUTÉNTICAS INTRÉPIDAS Y BUSCADORAS DEL PELIGRO 122 FARMINGVILLE 129 FUNCIONES PARA PRENSA E INVITADOS ESPECIALES 140 EXHIBICIÓN EN CINETECA NACIONAL 141 CIRCUITO DE EXHIBICIÓN EN EL ÁREA METROPOLITANA 142 CIRCUITO DE EXHIBICIÓN DE RED NACIONAL 143 2 25 Foro Internacional de la Cineteca 2005 Cerca de 400 películas conforman la lista de cintas que han participado en las veinticinco ediciones del Foro Internacional de la Cineteca Nacional, evento fílmico que este año llega a un cuarto de siglo. Nacido en 1980, respondió desde un inicio a la necesidad de abrir un espacio para las propuestas cinematográficas poco convencionales, innovadoras, pioneras en el uso de tecnologías de punta y formalmente arriesgadas, así como para el lanzamiento de directores y directoras debutantes. El Foro Internacional de la Cineteca Nacional se caracteriza por ser un mar propicio para la exploración. A contracorriente de las fórmulas probadas, de las miradas fáciles o de los autores consagrados, se distingue también por darle cabida a películas que no tienen lugar dentro de las clasificaciones ortodoxas. En el 2005, el 25 Foro Internacional de la Cineteca Nacional nos ofrece 15 magníficas propuestas, originarias de diversas regiones del mundo, que nos permiten sumergirnos en las aguas de la producción cinematográfica mundial. -
A Case of Amnesia in British Heritage Cinema: Ladies in Lavender
BEATA PIĄTEK__________________________________ A Case of Amnesia in British Heritage Cinema: Ladies in Lavender This paper was inspired by some work I have started on history, mem ory and identity combined with my interest in film, which I have been trying to smuggle into our very literary English Department. For some one working on history and identity, heritage cinema is a special treat because it uses carefully selected and stylized images of the past in order to create a sense of identity in the present-day audiences. Heritage is a development in British culture which started in late 1970s with a set of government policies, when the Conservatives under the leadership of Mrs. Thatcher embarked on a campaign to make cul ture, as they understood it, more accessible to the public, and therefore more profitable (Weight 2002:577). In 1983 the National Heritage Act es tablished the Historic Buildings and Monuments Commission for Eng land, an executive public body commonly known as English Heritage. The Commission defines its goals in the website as follows: • to conserve and enhance the historic environment, • to broaden public access to the heritage, • to increase people’s understanding of the past. The Commission have taken it upon themselves to turn history in its various forms into a tourist attraction, hence the reconstructed Viking villages in York, Roman soldiers in the streets of Chester, but also the preservation of country houses and other historic buildings. As a result of A Case of Amnesia in British Heritage Cinema ... 355 their activities and substantial government funding, during the 1980s the number of listed buildings and museums increased more than ever be fore. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
2008 Schedule
2008 SCHEDULE *Titles in BOLD are TCM Premieres Friday, February 1 Theme of the Day: Adventure Films 6:00 AM The Adventures of Robin Hood (’38) 7:45 AM Mogambo (’53) 9:45 AM King Solomon’s Mines (’50) 11:30 AM The Treasure of the Sierra Madre (’48) 1:45 PM Krakatoa, East of Java (’69) 4:00 PM The Naked Prey (’66) 5:45 PM Northwest Passage (’40) ‘70s 8:00 PM Jaws (’75) 10:15 PM The Hospital (’71) 12:15 AM Network (’77) 2:30 PM Five Easy Pieces (’70) 4:45 PM Darling Lili (’70) Saturday, February 2 Theme of the Day: Sci Fi 7:15 AM 2010 (’84) 9:15 AM Forbidden Planet (’56) 11:00 AM Them! (’54) 12:45 PM The Time Machine (’60) 2:30 PM The Black Hole (’79) 4:15 PM 20,000 Leagues Under the Sea (’54) 6:30 PM The War of the Worlds (’53) ‘80s 8:00 PM Gandhi (’82) 11:15 PM Atlantic City (’81) 1:15 AM The Trip to Bountiful (’85) 3:15 AM Mephisto (’82) Sunday, February 3 Theme of the Day: Musicals 6:00 AM Anchors Aweigh (’45) 8:30 AM Brigadoon (’54) 10:30 AM The Harvey Girls (’46) 12:15 PM The Band Wagon (’53) 2:15 PM Seven Brides for Seven Brothers (’54) 4:00 PM Gigi (’58) 6:00 PM An American in Paris (’51) ‘90s/’00s 8:00 PM Sense and Sensibility (’95) 10:30 PM Quiz Show (’94) 12:45 PM Kundun (’97) 3:15 AM The Wings of the Dove (’97) Monday, February 4 Theme of the Day: Biopics 5:30 AM The Story of Louis Pasteur (’35) 7:00 AM The Life of Emile Zola (’37) 9:00 AM The Adventures of Mark Twain (’44) 11:15 AM The Eddy Duchin Story (’56) 1:30 PM The Joker is Wild (’57) 3:45 PM Night and Day (’46) 6:00 PM The Glenn Miller Story (’54) ‘20s/’30s 8:00 PM Wings -
Study Guide: the Elderquest in Today’S Movies and Novels
THE ElderquestIN TODAY'S MOVIES AND NOVELS A Study Guide Developed by the Osher Lifelong Learning Institute (OLLI) At the University of Massachusetts Boston Funded in part by a grant from The National Endowment for the Humanities Visit Our Website: www.olli.umb.edu\elderquest © Copyright, 2006, the Gerontology Institute, John W. McCormack Graduate School of Policy Studies, University of Massachusetts Boston. Gerontology Institute University of Massachusetts Boston 100 Morrissey Blvd. Boston, MA 02125-3393 Call: (617) 287-7300; fax: (617) 287-7080 e-mail: [email protected] Gerontology Institute website: http://www.geront.umb.edu/ Osher Life Long Learning Institute website: http://www.olli.umb.edu Study Guide: The Elderquest in Today’s Movies and Novels Introduction For Facilitators and Discussion Leaders The background information and many of the questions for discussion contained in this study guide seemed essential since the Elderquest, its history, its nature, and its implications are such new subjects, ones that have been researched, developed, and tested by Chuck Nicholas and the other members of the project staff. The insistence that all facilitators have doctorates in the humanities is, on the other hand, a requirement that the National Endowment for the Humanities builds into all its educational program grants. Some of you have had to ask for exceptions to this requirement, and in all instances, we have approved these exceptions because you have come up with people who are both experienced teachers and also have a special interest in film, literature, and/or aging. In short, we are fully confident that you will all do an excellent job introducing your students to this new, timely, entertaining and yet extremely important subject, one that promises to have a direct personal impact on its participants. -
KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798
KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798 FILM KNIVES OUT Department Head FilmNation Entertainment Director: Rian Johnson GEMENI MAN Department Head Jerry Bruckheimer Director: Ang Lee Cast: Mary Elizabeth Winstead, Clive Owen BUMBLEBEE Department Head Allspark Pictures Director: Travis Knight Cast: Hailee Steinfeld OPHELIA Department Head/ Covert Media Personal Hairstylist to Naomi Watts and Clive Owen Director: Claire McCarthy SUBURBICON Personal Hair Stylist to Matt Damon Black Bear Pictures Director: George Clooney THE KILLING OF A SACRED DEER Department Head/ Element Pictures Personal Hair Stylist to Nicole Kidman and Colin Farrell Director: Yorgos Lanthimos Cast: Nicole Kidman, Colin Farrell BABY DRIVER Department Head TriStar Pictures Director: Edgar Wright Cast: Ansel Elgort, Lily James, Jon Hamm BILLY LYNN’S LONG HALFTIME WALK Department Head Bona Film Group Director: Ang Lee Cast: Kristen Stewart, Garrett Hedlund, Joe Alwyn, Makenzie Leigh, Mason Lee TRUMBO Department Head Bleecker Street Films Director: Jay Roach Cast: Bryan Cranston, Helen Mirren, Diane Lane TRIPLE NINE Department Head Worldview Entertainment Director: John Hillcoat Cast: Chiwetel Ejiofor, Casey Affleck, Woody Harrelsen, Aaron Paul Gal Gadot, Clifton Collins ENDLESS LOVE Department Head Bluegrass Films Director: Shana Feste Cast: Alex Pettyfer, Gabriella Wilde, Bruce Greenwood, Rhys Wakefield THE MILTON AGENCY Kelvin R. Trahan 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 & 798 [email protected] www.miltonagency.com Page 1 of 6 SABOTAGE Department Head Open Road Films (II) Director: David Ayer Cast: Arnold Schwarzenegger, Sam Worthington, Mireille Enos, Terrance Howard, Joe Manganiello 42 Department Head Open Road Films (II) Director: Brian Helgeland Cast: Christopher Meloni, Chadwick Boseman, Nicole Beharie ARGO Department Head Warner Bros. -
Download PDF // Ladies in Lavender: (Violin and Piano) (Paperback
GI5QDKBM7VQL \\ Doc # Ladies in Lavender: (Violin and Piano) (Paperback) Ladies in Lavender: (V iolin and Piano) (Paperback) Filesize: 5.03 MB Reviews Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.) DISCLAIMER | DMCA 4VZUGFF0LTO9 > Kindle « Ladies in Lavender: (Violin and Piano) (Paperback) LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) To save Ladies in Lavender: (Violin and Piano) (Paperback) eBook, please refer to the button below and download the document or get access to additional information which might be relevant to LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) ebook. Faber Music Ltd, United Kingdom, 2009. Paperback. Condition: New. Language: English . Brand New Book. Nigel Hess most recent film score is for Ladies in Lavender , the feature film directed by Charles Dance and starring Dame Judi Dench and Dame Maggie Smith. Nigel has arranged the main theme from the film for violin and piano and it is available from this site as a pdf. The soundtrack, performed by virtuoso American violinist Joshua Bell and the Royal Philharmonic Orchestra, is now available on Sony Classics. Read Ladies in Lavender: (Violin and Piano) (Paperback) Online Download PDF Ladies in Lavender: (Violin and Piano) (Paperback) SIUUT0TLEMMC Book > Ladies in Lavender: (Violin and Piano) (Paperback) Oth er PDFs [PDF] Sea Pictures, Op. 37: Vocal Score Click the web link listed below to read "Sea Pictures, Op. 37: Vocal Score" PDF document. Save Document » [PDF] Piano Concerto, Op.33 / B.63: Study Score Click the web link listed below to read "Piano Concerto, Op.33 / B.63: Study Score" PDF document. -
Best Actor Oscar Winners Best Actress Oscar Winners Year Actor Age Movie Year Actress Age Movie 1980 Dustin Hoffman 42 Kramer Vs
Best Actor Oscar Winners Best Actress Oscar Winners Year Actor Age Movie Year Actress Age Movie 1980 Dustin Hoffman 42 Kramer vs. Kramer 1980 Sally Field 33 Norma Rae 1981 Robert De Niro 37 Raging Bull 1981 Sissy Spacek 31 Coal Miners Daughter 1982 Henry Fonda 76 On Golden Pond 1982 Katharine Hepburn 74 On Golden Pond 1983 Ben Kingsley 39 Gandhi 1983 Meryl Streep 33 Sophies Choice 1984 Robert Duvall 53 Tender Mercies 1984 Shirley MacLaine 49 Terms of Endearment 1985 F. Murray Abraham 45 Amadeus 1985 Sally Field 38 Places In The Heart 1986 William Hurt 36 Kiss of the Spider Woman 1986 Geraldine Page 61 The Trip to Bountiful 1987 Paul Newman 62 The Color of Money 1987 Marlee Matlin 21 Children Of A Lesser God 1988 Michael Douglas 43 Wall Street 1988 Cher 41 Moonstruck 1989 Dustin Hoffman 51 Rain Man 1989 Jodie Foster 26 The Accused 1990 Daniel Day-Lewis 32 My Left Foot 1990 Jessica Tandy 80 Driving Miss Daisy 1991 Jeremy Irons 42 Reversal of Fortune 1991 Kathy Bates 42 Misery 1992 Anthony Hopkins 54 The Silence of the Lambs 1992 Jodie Foster 29 The Silence of the Lambs 1993 Al Pacino 52 Scent of a Woman 1993 Emma Thompson 33 Howards End 1994 Tom Hanks 37 Philadelphia 1994 Holly Hunter 36 The Piano 1995 Tom Hanks 38 Forrest Gump 1995 Jessica Lange 45 Blue Sky 1996 Nicolas Cage 32 Leaving Las Vegas 1996 Susan Sarandon 49 Dead Man Walking 1997 Geoffrey Rush 45 Shine 1997 Frances McDormand 39 Fargo 1998 Jack Nicholson 60 As Good as It Gets 1998 Helen Hunt 34 As Good As It Gets 1999 Roberto Benigni 46 Life Is Beautiful 1999 Gwyneth Paltrow 26 -
Chris & Martin's Movies Seen
Chris & Martin’s Movies Seen Date movie Actors Rating (bad 1 2 3 4 5 good) 10 Items or less 8/17/2015 A Single Man American Beauty 5/23/2020 “10” Ten A Star Is Born Barbra 5/5/2018 American Graffiti 4/19/2014 12 Years A Slave 2/24/2019 A Star Is Born Bradley Gaga 3/24/2014 American Hustle 3/16/2014 20 Feet From Stardom 6/21/2010 A Star Is Born w Judy Garland 5/22/2017 American Mustang 2001 A Space Odessey 2/11/2012 A Summer in Genoa 6/8/2015 American Sniper 2012 12/11/2015 A Very Murray Christmas (:-( 7/8/2015 Amy (Winehouse) 10/5/2014 3 Days to Kill 020521 M exer 5/20/2016 A Walk In the Woods 4/29/2012 An Ideal Husband 3 to Tango 5/20/2016 A Walk In the Woods An Officer and a Gentlman 6/3/2011 30 Seconds Over Tokyo About A Boy 5/19/2015 And So It Goes 1/6/2011 $5 A Day 6/21/2020 Absence of Malice 6/1/2015 And the Oscar Goes To 8/9/2015 5 Flights Up 7/9/2010 Accidental Husband Angel Eyes 50 1st dates 8/4/2021 Acts Of Vengence Banderas Exercise 4/21/2020 Angel Has Fallen 11/15/2010 500 Days of Summer 11/5/2013 Admission 7/15/2011 Angela Landbury bio 11/25/2010 6th Sense 3/25/2020 Aeronuts 11/29/2010 Angelina Jolie 12/26/2020 7500 3/4/2012 Air Force 7/18/2013 Anna Katerina 8 1/2 Air Force One Martin Annie Hall 3/13/2011 9 Months Airplane! Apocalypse Now 12/22/2011 A Christmas Carol (1938) & Alien Apollo 13 7/2/2016 A Country Called Home 9/29/2011 All About Steve Sandra 12/27/2012 Arbitrage Richard 9/1/2019 A Dog’s Journey 5/4/2014 All Is Lost 3/3/2013 Argo 9/2/2019 A Dog’s Purpose 7/21/2016 All Roads Lead to Rome 10/9/2011 Around the Bend -
G*Ł5í'îi}Êù˘Iâ
556814bk CC2005 14/5/05 8:56 PM Page 8 Also available from Naxos … RIMSKY-KORSAKOV: Flight of the Bumble Bee ROSSINI: William Tell Overture SATIE: Gnossienne No.4 DELIBES: Flower Duet from Lakmé HAYDN: Piano Concerto No.11 (2nd movement) MOZART: Eine kleine Nachtmusik (Romance) MOMPOU: Cançons i danses No.6 HANDEL: Zadok the Priest BACH/GOUNOD: Ave Maria BEETHOVEN: Moonlight Sonata (1st movement) CHOPIN: ‘Raindrop’ Prelude BIZET: Habanera from Carmen JOHANN STRAUSS II: Wiener Blut HANDEL: Concerto Grosso Op.6, No.12 J. S. BACH: Piano Concerto No.5 (2nd movement) (Third movement) BRAHMS: Hungarian Dance No.5 BERNSTEIN: I Feel Pretty from West Side Story BEETHOVEN: Moonlight Sonata (1st movement) VAUGHAN WILLIAMS: Fantasia on a PUCCINI: Nessun dorma from Turandot Theme of Thomas Tallis (excerpt) CHOPIN: Ballade No.1 in G minor WAGNER: Bridal Chorus from Lohengrin MOZART: Der Hölle Rache from Die Zauberflöte TCHAIKOVSKY: 1812 Overture MOZART: Piano Sonata No.11 (1st movement) 8.556813 8.556696 556814bk CC2005 14/5/05 8:55 PM Page 2 ”He doesn’t care if you’re naughty or nice” “In search of wine. In search of women. In search of themselves.” 1 BAD SANTA @ SIDEWAYS Director: Terry Zwigoff Director: Alexander Payne Cast: Billy Bob Thornton (Willy), Tony Cox (Marcus), Brett Kelly (The Kid), Lauren Graham Cast: Paul Giamatti (Miles Raymond), Thomas Haden Church (Jack), Virginia Madsen (Maya), (Sue), Lauten Thom (Lois), Bernie Mac (Gin). Sandra Oh (Stephanie), Marylouise Burke (Miles’ Mother), Jessica Hecht (Victoria), Missi Doty Story: A down-on-his luck conman and his pint-size buddy go on the road as Santa and his (Cammi), M. -
'Missing Persons'? Representations of Mature Female Sexuality in British
This is a peer-reviewed, final published version of the following document and is licensed under All Rights Reserved license: Liddy, Susan (2014) ‘Missing Persons’? Representations of Mature Female Sexuality in British and Irish Film 1998-2011. Postgraduate Journal of Women, Ageing and Media (1). Official URL: http://wamuog.co.uk/wp-content/uploads/2015/08/PGWAM-Issue-One_2014.pdf EPrint URI: http://eprints.glos.ac.uk/id/eprint/3918 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. ‘MISSING PERSONS’? REPRESENTATIONS OF MATURE FEMALE SEXUALITY IN BRITISH AND IRISH FILM 1998-2011 Dr Susan Liddy Mary Immaculate College, University of Limerick, Ireland [email protected] ABSTRACT Research has indicated that a number of recent US films have challenged hegemonic definitions of mature women as asexual by validating the sexual pleasure and sexual agency of female characters over forty five years of age.