Bridge of Spies December 2015
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Funciones Para Público 25 Foro Internacional De La Cineteca Del 1° De Sptiembre Al 6 De Octubre
ÍNDICE INTRODUCCIÓN 3 HOTEL 7 NUEVE ORGASMOS / NINE SONGS 14 TRES PASOS DE BAILE / BALLO A TRE PASSI 24 VIAJE HACIA EL MAR 31 CAMINANDO SOBRE EL AGUA / LALEHET AL HAMAYIM 41 LOS POSEIDOS / JANG-HWA, HONG-RYUN 48 EN EL MUNDO A CADA RATO 58 HISTORIAS DEL DESENCANTO 74 EL OTRO MURO 80 LA NOVIA SIRIA / HA-KALA HA-SURIT 86 EL VIOLINISTA QUE LLEGÓ DEL MAR / LADIES IN LAVENDER 95 MOACIR ARTE BRUTO / MOACIR ARTE BRUTA 104 EL CIELO GIRA 111 MUXES: AUTÉNTICAS INTRÉPIDAS Y BUSCADORAS DEL PELIGRO 122 FARMINGVILLE 129 FUNCIONES PARA PRENSA E INVITADOS ESPECIALES 140 EXHIBICIÓN EN CINETECA NACIONAL 141 CIRCUITO DE EXHIBICIÓN EN EL ÁREA METROPOLITANA 142 CIRCUITO DE EXHIBICIÓN DE RED NACIONAL 143 2 25 Foro Internacional de la Cineteca 2005 Cerca de 400 películas conforman la lista de cintas que han participado en las veinticinco ediciones del Foro Internacional de la Cineteca Nacional, evento fílmico que este año llega a un cuarto de siglo. Nacido en 1980, respondió desde un inicio a la necesidad de abrir un espacio para las propuestas cinematográficas poco convencionales, innovadoras, pioneras en el uso de tecnologías de punta y formalmente arriesgadas, así como para el lanzamiento de directores y directoras debutantes. El Foro Internacional de la Cineteca Nacional se caracteriza por ser un mar propicio para la exploración. A contracorriente de las fórmulas probadas, de las miradas fáciles o de los autores consagrados, se distingue también por darle cabida a películas que no tienen lugar dentro de las clasificaciones ortodoxas. En el 2005, el 25 Foro Internacional de la Cineteca Nacional nos ofrece 15 magníficas propuestas, originarias de diversas regiones del mundo, que nos permiten sumergirnos en las aguas de la producción cinematográfica mundial. -
A Case of Amnesia in British Heritage Cinema: Ladies in Lavender
BEATA PIĄTEK__________________________________ A Case of Amnesia in British Heritage Cinema: Ladies in Lavender This paper was inspired by some work I have started on history, mem ory and identity combined with my interest in film, which I have been trying to smuggle into our very literary English Department. For some one working on history and identity, heritage cinema is a special treat because it uses carefully selected and stylized images of the past in order to create a sense of identity in the present-day audiences. Heritage is a development in British culture which started in late 1970s with a set of government policies, when the Conservatives under the leadership of Mrs. Thatcher embarked on a campaign to make cul ture, as they understood it, more accessible to the public, and therefore more profitable (Weight 2002:577). In 1983 the National Heritage Act es tablished the Historic Buildings and Monuments Commission for Eng land, an executive public body commonly known as English Heritage. The Commission defines its goals in the website as follows: • to conserve and enhance the historic environment, • to broaden public access to the heritage, • to increase people’s understanding of the past. The Commission have taken it upon themselves to turn history in its various forms into a tourist attraction, hence the reconstructed Viking villages in York, Roman soldiers in the streets of Chester, but also the preservation of country houses and other historic buildings. As a result of A Case of Amnesia in British Heritage Cinema ... 355 their activities and substantial government funding, during the 1980s the number of listed buildings and museums increased more than ever be fore. -
The Concept of This Guide Has Evolved From
OLDER WOMEN IN FEATURE FILMS A RESEARCH GUIDE ABOUT REPRESENTATIONS OF WOMEN OVER 60 CONTENTS Introduction......................................................................................................... 1 CASE STUDIES Central Station................................................................................... 5 Driving Miss Daisy ............................................................................. 7 Harold and Maude ............................................................................. 8 Ladies in Lavender .......................................................................... 10 The Mother ...................................................................................... 12 Tatie Danielle................................................................................... 14 Tokyo Story ..................................................................................... 16 The Trip To Bountiful ....................................................................... 17 The Whales Of August..................................................................... 19 General references on Ageism in the Film Industry………………………………21 Searching For Debra Winger ........................................................... 23 Appendix 1a : Background Research ............................................................... 24 Appendix 1b: References to Background Research........................................ 27 Appendix 2a : Research Questionnaire ............................................................ 29 Appendix -
Download PDF // Ladies in Lavender: (Violin and Piano) (Paperback
GI5QDKBM7VQL \\ Doc # Ladies in Lavender: (Violin and Piano) (Paperback) Ladies in Lavender: (V iolin and Piano) (Paperback) Filesize: 5.03 MB Reviews Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.) DISCLAIMER | DMCA 4VZUGFF0LTO9 > Kindle « Ladies in Lavender: (Violin and Piano) (Paperback) LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) To save Ladies in Lavender: (Violin and Piano) (Paperback) eBook, please refer to the button below and download the document or get access to additional information which might be relevant to LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) ebook. Faber Music Ltd, United Kingdom, 2009. Paperback. Condition: New. Language: English . Brand New Book. Nigel Hess most recent film score is for Ladies in Lavender , the feature film directed by Charles Dance and starring Dame Judi Dench and Dame Maggie Smith. Nigel has arranged the main theme from the film for violin and piano and it is available from this site as a pdf. The soundtrack, performed by virtuoso American violinist Joshua Bell and the Royal Philharmonic Orchestra, is now available on Sony Classics. Read Ladies in Lavender: (Violin and Piano) (Paperback) Online Download PDF Ladies in Lavender: (Violin and Piano) (Paperback) SIUUT0TLEMMC Book > Ladies in Lavender: (Violin and Piano) (Paperback) Oth er PDFs [PDF] Sea Pictures, Op. 37: Vocal Score Click the web link listed below to read "Sea Pictures, Op. 37: Vocal Score" PDF document. Save Document » [PDF] Piano Concerto, Op.33 / B.63: Study Score Click the web link listed below to read "Piano Concerto, Op.33 / B.63: Study Score" PDF document. -
G*Ł5í'îi}Êù˘Iâ
556814bk CC2005 14/5/05 8:56 PM Page 8 Also available from Naxos … RIMSKY-KORSAKOV: Flight of the Bumble Bee ROSSINI: William Tell Overture SATIE: Gnossienne No.4 DELIBES: Flower Duet from Lakmé HAYDN: Piano Concerto No.11 (2nd movement) MOZART: Eine kleine Nachtmusik (Romance) MOMPOU: Cançons i danses No.6 HANDEL: Zadok the Priest BACH/GOUNOD: Ave Maria BEETHOVEN: Moonlight Sonata (1st movement) CHOPIN: ‘Raindrop’ Prelude BIZET: Habanera from Carmen JOHANN STRAUSS II: Wiener Blut HANDEL: Concerto Grosso Op.6, No.12 J. S. BACH: Piano Concerto No.5 (2nd movement) (Third movement) BRAHMS: Hungarian Dance No.5 BERNSTEIN: I Feel Pretty from West Side Story BEETHOVEN: Moonlight Sonata (1st movement) VAUGHAN WILLIAMS: Fantasia on a PUCCINI: Nessun dorma from Turandot Theme of Thomas Tallis (excerpt) CHOPIN: Ballade No.1 in G minor WAGNER: Bridal Chorus from Lohengrin MOZART: Der Hölle Rache from Die Zauberflöte TCHAIKOVSKY: 1812 Overture MOZART: Piano Sonata No.11 (1st movement) 8.556813 8.556696 556814bk CC2005 14/5/05 8:55 PM Page 2 ”He doesn’t care if you’re naughty or nice” “In search of wine. In search of women. In search of themselves.” 1 BAD SANTA @ SIDEWAYS Director: Terry Zwigoff Director: Alexander Payne Cast: Billy Bob Thornton (Willy), Tony Cox (Marcus), Brett Kelly (The Kid), Lauren Graham Cast: Paul Giamatti (Miles Raymond), Thomas Haden Church (Jack), Virginia Madsen (Maya), (Sue), Lauten Thom (Lois), Bernie Mac (Gin). Sandra Oh (Stephanie), Marylouise Burke (Miles’ Mother), Jessica Hecht (Victoria), Missi Doty Story: A down-on-his luck conman and his pint-size buddy go on the road as Santa and his (Cammi), M. -
'Missing Persons'? Representations of Mature Female Sexuality in British
This is a peer-reviewed, final published version of the following document and is licensed under All Rights Reserved license: Liddy, Susan (2014) ‘Missing Persons’? Representations of Mature Female Sexuality in British and Irish Film 1998-2011. Postgraduate Journal of Women, Ageing and Media (1). Official URL: http://wamuog.co.uk/wp-content/uploads/2015/08/PGWAM-Issue-One_2014.pdf EPrint URI: http://eprints.glos.ac.uk/id/eprint/3918 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. ‘MISSING PERSONS’? REPRESENTATIONS OF MATURE FEMALE SEXUALITY IN BRITISH AND IRISH FILM 1998-2011 Dr Susan Liddy Mary Immaculate College, University of Limerick, Ireland [email protected] ABSTRACT Research has indicated that a number of recent US films have challenged hegemonic definitions of mature women as asexual by validating the sexual pleasure and sexual agency of female characters over forty five years of age. -
UK Film Council Report
UKFC 3 Year Plan v6 26/4/05 10:15 am Page ii Our Second Three Year Plan Funding and policy priorities April 2004 to March 2007 UKFC 3 Year Plan v6 26/4/05 10:15 am Page iii About the UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring that the economic, cultural and educational aspects of film are represented effectively at home and abroad. Creativity Enterprise Imagination Encouraging the development of new talent, skills, Supporting the creation and growth of sustainable Promoting learning and an appreciation and creative and technological innovation in UK film businesses in the film sector, providing access to enjoyment of cinema by giving UK audiences and assisting new and established filmmakers to finance and helping the UK film industry compete access to the widest range of UK and international produce successful and distinctive British films. successfully in the domestic and global cinema, and by supporting film culture and marketplace. heritage. UKFC 3 Year Plan v6 26/4/05 10:15 am Page 1 Our Second Three Year Plan Funding and policy priorities April 2004 to March 2007 UKFC 3 Year Plan v6 26/4/05 10:15 am Page 2 Contents 1 Foreword . 4 5 Policy priorities 6 Funding priorities Fiscal support . 22 Development Fund . 30 2 Executive summary . 6 International . 22 Premiere Fund . 31 Anti-piracy . 26 New Cinema Fund . 31 3 Introduction . 10 Film and broadcasting . 26 Lottery franchises . 32 4 Digest of consultation responses Diversity and inclusion . 27 Nations . 32 Background . -
LADIES in LAVENDER in an Impressive Directorial
LADIES IN LAVENDER Director: Charles Dance Distributor: Odeon Films Cast: judi D ench, Mag gie Sm ith, Na tascha McE lhone , Dan iel Bruh l Distributor Estimates Availability As: Current Runtime: 103 minu tes Video: November 2005 Country: United Kingdom Ratings: ON PG / BC G / AB PG / SK G / MB NR / QC G / Maritimes PG Language: Eng lish, German and Polish w ith English subtitles In an impressive directorial debut, writer and actor Charles Dance (SWIMMING POOL, GOSFORD PARK) brings to the screen William J. Locke's short story about the effects of a young Polish man's arrival at a seaside English village in the thirties. After his attempt to reach America is thwarted, Andrea (Daniel Bruhl, GOODBYE, LENIN!) ends up in Cornwall, where he is taken in by two elderly sisters: Ursula (Judi Dench, THE SHIPPING NEWS, IRIS, CHOCOLAT) and Janet (Maggie Smith, HARRY POTTER, GOSFORD PARK). At first, Andrea's presence arouses curiosity among the villagers, who are unable to find a plausible explanation for his arrival. Their concerns begin to mount, however, when they learn he is Polish and has befriended a visiting Russian woman (Natascha McElhone, THE TRUMAN SHOW, SURVIVING PICASSO). Dance's acting background is keenly felt in the film's lush textures; he allows the characters to genuinely develop, artfully capturing the tension that arises between the sisters due to Andrea's presence. Smith's flawless portrayal of the elder, more practical sister is beautifully complemented by Dench's performance as a spinster who finds herself in unfamiliar territory, experiencing illogical yet powerful emotions for the much younger Andrea. -
3 What Music Does
3 What music does GRAMMAR: could / was able to / managed to; past continuous; past perfect; past conclusions UNIT VOCABULARY: musical instruments; body metaphors; where to put things; saying what you like FOCUS FUNCTION: complimenting someone’s performance Introduction p27 Tip: If students have difficulty guessing where the stress is (they often do), tell them to Aims just hum the word instead. It takes the The focus of this lesson is to introduce the topic of emphasis off the word and focuses on music and the effect that it has on people’s lives. the sound and rhythm, making the stress Students learn the names of musical instruments much easier to hear. and are encouraged to think about a wide variety of musical styles, not just mainstream types. Extra idea: Find out if anyone plays any of You first! the instruments listed. Do any students play Students discuss in pairs how important music is instruments that are not listed (eg clarinet, to them. Write extra questions on the board to oboe, French horn)? Expand the lexical set increase speaking and learner interaction (eg How to ensure that students can describe their often do you listen to music? Where do you listen own musical interests. Remind students to it? How do you listen to it? Do you use an mp3 that the collocation is play an instrument – player, CD player, laptop or listen to songs on your no preposition is needed. smartphone or tablet? Do you like listening to music on the radio? Do you ever go to concerts? 3 GUESS Students work in pairs and guess the Do you prefer live music?). -
Hc 573 Sg/2014/139 British Film Institute Group and Lottery
BRITISH FILM INSTITUTE GROUP AND LOTTERY ANNUAL REPORT AND FINANCIAL STATEMENTS 2013‐14 HC 573 SG/2014/139 BRITISH FILM INSTITUTE Group and Lottery Annual Report and Financial Statements 2013‐14 Presented to Parliament pursuant to Section 34(3) and 35(5) of the National Lottery etc. Act 1993 (as amended by the National Lottery Act 1998 and the National Lottery Act 2006). ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 21 JULY 2014 Presented to the Scottish Parliament pursuant to the Scotland Act 1998 Section 88 Charity Registration no: 287780 HC 573 SG/2014/139 © British Film Institute copyright 2014 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Film Institute copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at: [email protected]. You can download this publication from our website at www.bfi.org.uk. This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474109673 Web ISBN 9781474109680 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID 14071401 07/14 Printed on paper containing 75% recycled fibre content minimum CONTENTS BFI ANNUAL -
FSU ETD Template
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 Violin and the Cinema: The Pedagogical Study of Violin Repertoire from the Cinema Jared Matthew Starr Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC VIOLIN AND THE CINEMA: THE PEDAGOGICAL STUDY OF VIOLIN REPERTOIRE FROM THE CINEMA By JARED STARR A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Jared Starr defended this treatise on April 3, 2017. The members of the supervisory committee were: Benjamin Sung Professor Directing Treatise Steven Kelly University Representative Corinne Stillwell Committee Member Alexander Jiménez Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii Dedicated to Anita Wright, James Starr, LeeAnn Morgan, Alex Woods, Corinne Stillwell, and Ben Sung iii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES ............................................................................................vii ABSTRACT .............................................................................................................................. xi INTRODUCTION ...................................................................................................................... 1 1. THE ORIGINS -
Bibliography
BIbLIOGRAPHY Abeel, Erica (2007) “Red Road” Film Journal International Vol. 110 Issue 3 p. 37. Adler, Tim (2009) “Mamma Mia! Rakes in the Money, Money, Money” Screen Finance Vol. 22 Part 7 p. 3. Aitken, Ian (1993) Film and Reform: John Grierson and the Documentary Film Movement London, New York: Routledge. Aitken, Ian (1994) “Stop the Serbian Juggernaut” New Statesman and Society 30 December Vol. 16 p. 15. Aitken, Stuart (2007) “Poetic Child Realism: Scottish Film and the Construction of Childhood” Scottish Geographical Journal Vol. 123 Issue 1 pp. 68–86. Akbar, Arifa (2008) “Hollywood Embraces Britain’s Black Film Talent” The Independent 10 May p. 8. Amber Online http://www.amber-online.com/sections/about-us/pages/the- workshop-agreement (Accessed 23/06/2015). Ames, Katrine (2008) “The Surprising Career of Penny Woolcock” Opera News Vol. 10 pp. 38–39. Andrews, Nigel (2014) “The Riot Club: Film Review” FT.comhttp://search.pro- quest.com.ezproxy.wlv.ac.uk/docview/1613632296?pq-origsite=summon (Accessed 07/07/2015). Annesley, Claire, Gains, Francesca, and Rummery, Kirstein (eds) (2007) Women and New Labour: Engendering Politics and Policy? Bristol: Policy Press. Annesley, Claire, and Gains, Francesca (2007) “Feminising Politics and Policy: The Impact of New Labour” in Claire Annesley, Francesca Gains, and Kirstein Rummery (eds) Women and New Labour: Engendering Politics and Policy? Bristol: Policy Press, pp. 3–24. © The Author(s) 2017 219 S. Hockenhull, British Women Film Directors in the New Millennium, DOI 10.1057/978-1-137-48992-0 220 BIBLIOGRAPHY Annual Report Creative Skillset creativeskillset.org/assets/0000/0256/Annual_ Report_2009-10.pdf (Accessed 08/09/2015).