Bridge of Spies December 2015

Total Page:16

File Type:pdf, Size:1020Kb

Bridge of Spies December 2015 PROGRAMME BRIDGE OF SPIES DECEMBER 2015 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 DECEMBER 2015 • ISSUE 129 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm 11th ANNIVERSARY WEEKEND CONTENTS Films At A Glance 18-19 Rants and Pants 28-29 BOX OFFICE: 01442 877759 Lady In The Van Mon to Sat 10.30-6.30 A sad funny and fabulous Rex Anniversary film. Sun 4.30-5.30 Page 10 SEAT PRICES FILMS OF THE MONTH Circle £9.00 Concessions £7.50 Table £11.00 Concessions £9.50 PARTIES WEDDINGS EVENTS Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 HO! HO All matinees £5, £6.50, £10 (box) HO! !...WHET HER IT ’S A SNOW WHITE FANTASY LAND, A COMPANY GET TOGETHER OR A TRADITIONAL PARTY WITH Disabled and flat access: through the gate on High Street (right of ALL THE TRIMMINGS, IT’S NEVER TO0 EARLY TO START PLANNING apartments) YOUR CHRISTMAS BASH…BONNIE MAY HAS BEEN CREATING EXCEPTIONAL Ladies In Lavender He Named Me Malala A beautiful film and our first best A heart-lifting story of courage CELEBRATIONS FOR THE LAST 26 YEARS. Director: James Hannaway 01442 877999 seller Dec 2004. grace and stubbornness. Page 11 Page 15 CALL BONNIE NOW TO TALK ABOUT YOUR FESTIVE PARTY! Advertising: Lynn Hendry BONNIE MAY FOOD + EVENTS. PARTYING & PLANNING SINCE 1989 01442 877999 Artwork: Demiurge Design 01296 668739 01494 790 777 The Rex High Street (Three Close Lane) [email protected] Berkhamsted, Herts HP4 2FG WWW.BONNIEMAYEVENTS.COM www.therexberkhamsted.com Mississippi Grind The Dressmaker “ Unhesitatingly The Rex A surprisingly good pairing Titivation torsos and twists. @BONNIEMAYEVENTS /BONNIEMAYEVENTS #PARTYWITHBONNIE is the best cinema I have dodging the bad guys and bad Surprisingly good yarn, with ever..” (STimes Culture) luck. Page 19 delicious characters. Page 21 DECEMBEROCTOBER FILMS FILMS 8 THE REX - DECEMBER BOX OFFICE: 01442 877759 Suffragette After a dramatic opening to the London Film Festival where feminist protesters set off smoke bombs, Suffragette is a film directed by a woman, written by a woman, produced by women and with a cast fronted by women. Director Sarah Gavron and screenwriter Abi Morgan reunite after 2007’s Brick Lane for a film set during the height of the uprising. It begins in London in 1912 when the leaders of the women’s suffrage movement, including Emmeline Pankhurst (cue: Meryl Streep) call for a national Director: Sarah Gavron campaign of civil disobedience after decades of Cast: Carey Mulligan, Meryl Streep peaceful protest have born no fruit. We follow foot Duration: 106 mins soldier Maud Watts (the mesmerising Carey Mulligan) Origin: UK 2015 a wrung-out laundress drawn into the struggle by her Certificate: 12A feisty colleague Violet (Anne-Marie Duff). Company: Twentieth Century Fox “Suffragette is a tart reminder to those who are casual about democratic gender equality that votes for women were not something that naturally evolved due to the ruling class’s innate decency; they had to be fought for.” (Guardian) “Mulligan is on seriously good form here, showing When... Maud’s gradual transformation from bystander to activist with riveting emotional precision.” Tue 1 2.00, 7.30 (Telegraph) “Without an ounce of flounce or make-up, Mulligan Wed 2 2.00, 7.30 gives everything to the part.” (Times) Here’s to a Thu 3 7.30 good film not a sermon. www.therexberkhamsted.com THE REX - DECEMBER 9 Spectre Paper Planes We’ve been expecting you Mr. Bond… At least, When we were young, we all dreamt of building we’ve been anticipating SPECTRE. The legalities the perfect paper plane which would soar into the are settled, and the nefarious organisation makes a air, not just plummet towards the ground. welcome return to our screen. This is the dream of 12-year-old Dylan (Ed All the ingredients are in place to make this a Bond Oxenbould) whose passion for flight leads him classic, for better or worse. We’ve got a new M to want to compete in the World Paper Plane (Ralph Fiennes) with a returning Q (Ben Wishaw) and Championships in Tokyo, but with a father grieving Moneypenny (Naomie Harris). There are gadgets, the loss of his wife, and a school bully tormenting chases and quips. Skyfall showed, with its insane box him and his dream, he is surrounded by distractions office haul, that there’s no slowing down for 007 and trying to hold him back. it helps that a lean Daniel Craig doesn’t look remotely But with the help of his best friend and his middle-aged, even though you’ll have to grit your granddad, he masters the art of flight and his epic teeth whenever he delivers a double entendre (leave journey begins. that to the experts Dan: Connery and Moore). Winning the title of the most feel good, uplifting Christoph Waltz’s Hanz Oberhauser is almost too film ever made, this Australian children’s film is one good a choice for Bond’s foil, yet their dark, tangled for the kids and the parents alike, one to see for past forms the yin and yang of the story, and by plenty of harmless fun and some fantastic paper keeping the stakes personal it ups the action. Spectre plane designs. never buckles under its own weight. ‘Kudos to this bright and breezy Aussie kid’s flick Casino Royale may still be the ace in the hole for for realising that competitive paper plane flying can Craig’s era (and one of the best in the entire series) unleash young imaginations.’ (Time Out) but Spectre hits the target. (research Jack Whiting) ‘Parents are likely to find it a welcome reprieve You will have to be the judge of that. Next Bond: from dancing penguins, cuddly safari animals and Alan Bennett. merchandise tie-ins.’ (Guardian) (research Matt Snowden) Director: Sam Mendes It sounds fantastic. Don’t miss. Cast: Daniel Craig, Monica Bellucci Duration: 150 mins Director: Robert Connolly Origin: USA/UK 2015 Cast: Sam Worthington, Ed Oxenbould Certificate: 12A Duration: 97 mins Company: Sony Pictures Releasing Origin: Australia 2015 Certificate: U Company: Lionsgate UK Ltd When... Thu 3 2.00 When... Fri 4 7.30 Tue 29 2.00 Sat 5 2.00 10 THE REX - DECEMBER BOX OFFICE: 01442 877759 Illustration Mary Casserley Illustration ANNIVERSARY EVENT Lady In The Van As with The History Boys, Nicholas Hytner has adapted a stage hit for the big screen from his time as the artistic director of the National Theatre. The Lady in the Van sees Maggie Smith reprise the role she first played in the 1999 stage production of the Alan Bennett play. She is Miss Shepherd, who lived in a van on the driveway of Alan Bennett’s north London home between 1974 and 1989. If the set looks authentic, that’s because the movie was shot on location in the Director: Nicholas Hytner real street and Bennett’s real house. Cast: Maggie Smith, Alex Jennings Bennett is simultaneously irritated, kindly and secretly Duration: 104 mins delighted to have such a rich and pungent source of Origin: UK 2015 material on his doorstep. Miss Shepherd’s mysterious Certificate: 12A past, her fear of policemen and the rumour that she Company: Columbia Pictures Corporation Ltd was a pianist or a nun, all fascinate him. The excellent Alex Jennings plays two versions of Bennett the One screening will literary observer and the participant. “I live, you write, include a Q&A and that’s how it works,” says Bennett to Bennett. introduction. “This is a lavish gift of a role for Ms Smith, a layered When... In aid of the gateau handed to her on a plate. She makes this hardy actor’s retirement troglodyte a tottering, staggering force of nature, Sat 5 7.00 home, Denville determined to owe nothing to anybody.” (Telegraph) Mon 7 7.00 Hall Oh shut up Telegraph. www.therexberkhamsted.com THE REX - DECEMBER 11 REX CLASSIC Burnt Ladies In Lavender For Adam Jones (Bradley Cooper) life outside the kitchen is much like life in it: a continuous, This ran and ran when we first opened and clattering storm of heat and meat. Jones, the lead introduced us to the most feared of audiences. character in Burnt, is a Michelin-starred chef with Charles Dance was one of our first Q&A guests, an impossible temper and a reputation that can no who later and unforgettably, brought Judi Dench to longer justify it. our stage. He came across this short story while on A few years ago, things were very different: Jones filming on location in a library. was a member of a sainted circle of young cooks The interminable waiting on-set allowed him to read working in an haute Paris kitchen under Jean-Luc, and absorb it. their gastronomic mentor. But then came drugs, After a thousand set-backs and the usual ups drink and dramatic self-combustion followed by a and downs, it stubbornly emerged as this small, self-imposed penance preparing oysters in a Louisi- beautifully shot, independent film. It cleverly transcends the sentimental through its warm ana gumbo joint. sketches of genuine people. In exquisitely judged As the film begins, Adam is splitting his millionth mol- performances, Dame Judy tries to suppress carnal lusc: a spiritual milestone that means he’s ready for a desires and Dame Maggie tuts in sisterly disdain. comeback. His stage will be London, and his enabler Their world is simple and uncomplicated. Their his old maître d’ (Daniel Brühl) now gliding serenely words are measured, manners perfect and repression around the restaurant floor at the Langham hotel, in absolute.
Recommended publications
  • Funciones Para Público 25 Foro Internacional De La Cineteca Del 1° De Sptiembre Al 6 De Octubre
    ÍNDICE INTRODUCCIÓN 3 HOTEL 7 NUEVE ORGASMOS / NINE SONGS 14 TRES PASOS DE BAILE / BALLO A TRE PASSI 24 VIAJE HACIA EL MAR 31 CAMINANDO SOBRE EL AGUA / LALEHET AL HAMAYIM 41 LOS POSEIDOS / JANG-HWA, HONG-RYUN 48 EN EL MUNDO A CADA RATO 58 HISTORIAS DEL DESENCANTO 74 EL OTRO MURO 80 LA NOVIA SIRIA / HA-KALA HA-SURIT 86 EL VIOLINISTA QUE LLEGÓ DEL MAR / LADIES IN LAVENDER 95 MOACIR ARTE BRUTO / MOACIR ARTE BRUTA 104 EL CIELO GIRA 111 MUXES: AUTÉNTICAS INTRÉPIDAS Y BUSCADORAS DEL PELIGRO 122 FARMINGVILLE 129 FUNCIONES PARA PRENSA E INVITADOS ESPECIALES 140 EXHIBICIÓN EN CINETECA NACIONAL 141 CIRCUITO DE EXHIBICIÓN EN EL ÁREA METROPOLITANA 142 CIRCUITO DE EXHIBICIÓN DE RED NACIONAL 143 2 25 Foro Internacional de la Cineteca 2005 Cerca de 400 películas conforman la lista de cintas que han participado en las veinticinco ediciones del Foro Internacional de la Cineteca Nacional, evento fílmico que este año llega a un cuarto de siglo. Nacido en 1980, respondió desde un inicio a la necesidad de abrir un espacio para las propuestas cinematográficas poco convencionales, innovadoras, pioneras en el uso de tecnologías de punta y formalmente arriesgadas, así como para el lanzamiento de directores y directoras debutantes. El Foro Internacional de la Cineteca Nacional se caracteriza por ser un mar propicio para la exploración. A contracorriente de las fórmulas probadas, de las miradas fáciles o de los autores consagrados, se distingue también por darle cabida a películas que no tienen lugar dentro de las clasificaciones ortodoxas. En el 2005, el 25 Foro Internacional de la Cineteca Nacional nos ofrece 15 magníficas propuestas, originarias de diversas regiones del mundo, que nos permiten sumergirnos en las aguas de la producción cinematográfica mundial.
    [Show full text]
  • A Case of Amnesia in British Heritage Cinema: Ladies in Lavender
    BEATA PIĄTEK__________________________________ A Case of Amnesia in British Heritage Cinema: Ladies in Lavender This paper was inspired by some work I have started on history, mem­ ory and identity combined with my interest in film, which I have been trying to smuggle into our very literary English Department. For some­ one working on history and identity, heritage cinema is a special treat because it uses carefully selected and stylized images of the past in order to create a sense of identity in the present-day audiences. Heritage is a development in British culture which started in late 1970s with a set of government policies, when the Conservatives under the leadership of Mrs. Thatcher embarked on a campaign to make cul­ ture, as they understood it, more accessible to the public, and therefore more profitable (Weight 2002:577). In 1983 the National Heritage Act es­ tablished the Historic Buildings and Monuments Commission for Eng­ land, an executive public body commonly known as English Heritage. The Commission defines its goals in the website as follows: • to conserve and enhance the historic environment, • to broaden public access to the heritage, • to increase people’s understanding of the past. The Commission have taken it upon themselves to turn history in its various forms into a tourist attraction, hence the reconstructed Viking villages in York, Roman soldiers in the streets of Chester, but also the preservation of country houses and other historic buildings. As a result of A Case of Amnesia in British Heritage Cinema ... 355 their activities and substantial government funding, during the 1980s the number of listed buildings and museums increased more than ever be­ fore.
    [Show full text]
  • The Concept of This Guide Has Evolved From
    OLDER WOMEN IN FEATURE FILMS A RESEARCH GUIDE ABOUT REPRESENTATIONS OF WOMEN OVER 60 CONTENTS Introduction......................................................................................................... 1 CASE STUDIES Central Station................................................................................... 5 Driving Miss Daisy ............................................................................. 7 Harold and Maude ............................................................................. 8 Ladies in Lavender .......................................................................... 10 The Mother ...................................................................................... 12 Tatie Danielle................................................................................... 14 Tokyo Story ..................................................................................... 16 The Trip To Bountiful ....................................................................... 17 The Whales Of August..................................................................... 19 General references on Ageism in the Film Industry………………………………21 Searching For Debra Winger ........................................................... 23 Appendix 1a : Background Research ............................................................... 24 Appendix 1b: References to Background Research........................................ 27 Appendix 2a : Research Questionnaire ............................................................ 29 Appendix
    [Show full text]
  • Download PDF // Ladies in Lavender: (Violin and Piano) (Paperback
    GI5QDKBM7VQL \\ Doc # Ladies in Lavender: (Violin and Piano) (Paperback) Ladies in Lavender: (V iolin and Piano) (Paperback) Filesize: 5.03 MB Reviews Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.) DISCLAIMER | DMCA 4VZUGFF0LTO9 > Kindle « Ladies in Lavender: (Violin and Piano) (Paperback) LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) To save Ladies in Lavender: (Violin and Piano) (Paperback) eBook, please refer to the button below and download the document or get access to additional information which might be relevant to LADIES IN LAVENDER: (VIOLIN AND PIANO) (PAPERBACK) ebook. Faber Music Ltd, United Kingdom, 2009. Paperback. Condition: New. Language: English . Brand New Book. Nigel Hess most recent film score is for Ladies in Lavender , the feature film directed by Charles Dance and starring Dame Judi Dench and Dame Maggie Smith. Nigel has arranged the main theme from the film for violin and piano and it is available from this site as a pdf. The soundtrack, performed by virtuoso American violinist Joshua Bell and the Royal Philharmonic Orchestra, is now available on Sony Classics. Read Ladies in Lavender: (Violin and Piano) (Paperback) Online Download PDF Ladies in Lavender: (Violin and Piano) (Paperback) SIUUT0TLEMMC Book > Ladies in Lavender: (Violin and Piano) (Paperback) Oth er PDFs [PDF] Sea Pictures, Op. 37: Vocal Score Click the web link listed below to read "Sea Pictures, Op. 37: Vocal Score" PDF document. Save Document » [PDF] Piano Concerto, Op.33 / B.63: Study Score Click the web link listed below to read "Piano Concerto, Op.33 / B.63: Study Score" PDF document.
    [Show full text]
  • G*Ł5í'îi}Êù˘Iâ
    556814bk CC2005 14/5/05 8:56 PM Page 8 Also available from Naxos … RIMSKY-KORSAKOV: Flight of the Bumble Bee ROSSINI: William Tell Overture SATIE: Gnossienne No.4 DELIBES: Flower Duet from Lakmé HAYDN: Piano Concerto No.11 (2nd movement) MOZART: Eine kleine Nachtmusik (Romance) MOMPOU: Cançons i danses No.6 HANDEL: Zadok the Priest BACH/GOUNOD: Ave Maria BEETHOVEN: Moonlight Sonata (1st movement) CHOPIN: ‘Raindrop’ Prelude BIZET: Habanera from Carmen JOHANN STRAUSS II: Wiener Blut HANDEL: Concerto Grosso Op.6, No.12 J. S. BACH: Piano Concerto No.5 (2nd movement) (Third movement) BRAHMS: Hungarian Dance No.5 BERNSTEIN: I Feel Pretty from West Side Story BEETHOVEN: Moonlight Sonata (1st movement) VAUGHAN WILLIAMS: Fantasia on a PUCCINI: Nessun dorma from Turandot Theme of Thomas Tallis (excerpt) CHOPIN: Ballade No.1 in G minor WAGNER: Bridal Chorus from Lohengrin MOZART: Der Hölle Rache from Die Zauberflöte TCHAIKOVSKY: 1812 Overture MOZART: Piano Sonata No.11 (1st movement) 8.556813 8.556696 556814bk CC2005 14/5/05 8:55 PM Page 2 ”He doesn’t care if you’re naughty or nice” “In search of wine. In search of women. In search of themselves.” 1 BAD SANTA @ SIDEWAYS Director: Terry Zwigoff Director: Alexander Payne Cast: Billy Bob Thornton (Willy), Tony Cox (Marcus), Brett Kelly (The Kid), Lauren Graham Cast: Paul Giamatti (Miles Raymond), Thomas Haden Church (Jack), Virginia Madsen (Maya), (Sue), Lauten Thom (Lois), Bernie Mac (Gin). Sandra Oh (Stephanie), Marylouise Burke (Miles’ Mother), Jessica Hecht (Victoria), Missi Doty Story: A down-on-his luck conman and his pint-size buddy go on the road as Santa and his (Cammi), M.
    [Show full text]
  • 'Missing Persons'? Representations of Mature Female Sexuality in British
    This is a peer-reviewed, final published version of the following document and is licensed under All Rights Reserved license: Liddy, Susan (2014) ‘Missing Persons’? Representations of Mature Female Sexuality in British and Irish Film 1998-2011. Postgraduate Journal of Women, Ageing and Media (1). Official URL: http://wamuog.co.uk/wp-content/uploads/2015/08/PGWAM-Issue-One_2014.pdf EPrint URI: http://eprints.glos.ac.uk/id/eprint/3918 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. ‘MISSING PERSONS’? REPRESENTATIONS OF MATURE FEMALE SEXUALITY IN BRITISH AND IRISH FILM 1998-2011 Dr Susan Liddy Mary Immaculate College, University of Limerick, Ireland [email protected] ABSTRACT Research has indicated that a number of recent US films have challenged hegemonic definitions of mature women as asexual by validating the sexual pleasure and sexual agency of female characters over forty five years of age.
    [Show full text]
  • UK Film Council Report
    UKFC 3 Year Plan v6 26/4/05 10:15 am Page ii Our Second Three Year Plan Funding and policy priorities April 2004 to March 2007 UKFC 3 Year Plan v6 26/4/05 10:15 am Page iii About the UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring that the economic, cultural and educational aspects of film are represented effectively at home and abroad. Creativity Enterprise Imagination Encouraging the development of new talent, skills, Supporting the creation and growth of sustainable Promoting learning and an appreciation and creative and technological innovation in UK film businesses in the film sector, providing access to enjoyment of cinema by giving UK audiences and assisting new and established filmmakers to finance and helping the UK film industry compete access to the widest range of UK and international produce successful and distinctive British films. successfully in the domestic and global cinema, and by supporting film culture and marketplace. heritage. UKFC 3 Year Plan v6 26/4/05 10:15 am Page 1 Our Second Three Year Plan Funding and policy priorities April 2004 to March 2007 UKFC 3 Year Plan v6 26/4/05 10:15 am Page 2 Contents 1 Foreword . 4 5 Policy priorities 6 Funding priorities Fiscal support . 22 Development Fund . 30 2 Executive summary . 6 International . 22 Premiere Fund . 31 Anti-piracy . 26 New Cinema Fund . 31 3 Introduction . 10 Film and broadcasting . 26 Lottery franchises . 32 4 Digest of consultation responses Diversity and inclusion . 27 Nations . 32 Background .
    [Show full text]
  • LADIES in LAVENDER in an Impressive Directorial
    LADIES IN LAVENDER Director: Charles Dance Distributor: Odeon Films Cast: judi D ench, Mag gie Sm ith, Na tascha McE lhone , Dan iel Bruh l Distributor Estimates Availability As: Current Runtime: 103 minu tes Video: November 2005 Country: United Kingdom Ratings: ON PG / BC G / AB PG / SK G / MB NR / QC G / Maritimes PG Language: Eng lish, German and Polish w ith English subtitles In an impressive directorial debut, writer and actor Charles Dance (SWIMMING POOL, GOSFORD PARK) brings to the screen William J. Locke's short story about the effects of a young Polish man's arrival at a seaside English village in the thirties. After his attempt to reach America is thwarted, Andrea (Daniel Bruhl, GOODBYE, LENIN!) ends up in Cornwall, where he is taken in by two elderly sisters: Ursula (Judi Dench, THE SHIPPING NEWS, IRIS, CHOCOLAT) and Janet (Maggie Smith, HARRY POTTER, GOSFORD PARK). At first, Andrea's presence arouses curiosity among the villagers, who are unable to find a plausible explanation for his arrival. Their concerns begin to mount, however, when they learn he is Polish and has befriended a visiting Russian woman (Natascha McElhone, THE TRUMAN SHOW, SURVIVING PICASSO). Dance's acting background is keenly felt in the film's lush textures; he allows the characters to genuinely develop, artfully capturing the tension that arises between the sisters due to Andrea's presence. Smith's flawless portrayal of the elder, more practical sister is beautifully complemented by Dench's performance as a spinster who finds herself in unfamiliar territory, experiencing illogical yet powerful emotions for the much younger Andrea.
    [Show full text]
  • 3 What Music Does
    3 What music does GRAMMAR: could / was able to / managed to; past continuous; past perfect; past conclusions UNIT VOCABULARY: musical instruments; body metaphors; where to put things; saying what you like FOCUS FUNCTION: complimenting someone’s performance Introduction p27 Tip: If students have difficulty guessing where the stress is (they often do), tell them to Aims just hum the word instead. It takes the The focus of this lesson is to introduce the topic of emphasis off the word and focuses on music and the effect that it has on people’s lives. the sound and rhythm, making the stress Students learn the names of musical instruments much easier to hear. and are encouraged to think about a wide variety of musical styles, not just mainstream types. Extra idea: Find out if anyone plays any of You first! the instruments listed. Do any students play Students discuss in pairs how important music is instruments that are not listed (eg clarinet, to them. Write extra questions on the board to oboe, French horn)? Expand the lexical set increase speaking and learner interaction (eg How to ensure that students can describe their often do you listen to music? Where do you listen own musical interests. Remind students to it? How do you listen to it? Do you use an mp3 that the collocation is play an instrument – player, CD player, laptop or listen to songs on your no preposition is needed. smartphone or tablet? Do you like listening to music on the radio? Do you ever go to concerts? 3 GUESS Students work in pairs and guess the Do you prefer live music?).
    [Show full text]
  • Hc 573 Sg/2014/139 British Film Institute Group and Lottery
    BRITISH FILM INSTITUTE GROUP AND LOTTERY ANNUAL REPORT AND FINANCIAL STATEMENTS 2013‐14 HC 573 SG/2014/139 BRITISH FILM INSTITUTE Group and Lottery Annual Report and Financial Statements 2013‐14 Presented to Parliament pursuant to Section 34(3) and 35(5) of the National Lottery etc. Act 1993 (as amended by the National Lottery Act 1998 and the National Lottery Act 2006). ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 21 JULY 2014 Presented to the Scottish Parliament pursuant to the Scotland Act 1998 Section 88 Charity Registration no: 287780 HC 573 SG/2014/139 © British Film Institute copyright 2014 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Film Institute copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at: [email protected]. You can download this publication from our website at www.bfi.org.uk. This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474109673 Web ISBN 9781474109680 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID 14071401 07/14 Printed on paper containing 75% recycled fibre content minimum CONTENTS BFI ANNUAL
    [Show full text]
  • FSU ETD Template
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 Violin and the Cinema: The Pedagogical Study of Violin Repertoire from the Cinema Jared Matthew Starr Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC VIOLIN AND THE CINEMA: THE PEDAGOGICAL STUDY OF VIOLIN REPERTOIRE FROM THE CINEMA By JARED STARR A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Jared Starr defended this treatise on April 3, 2017. The members of the supervisory committee were: Benjamin Sung Professor Directing Treatise Steven Kelly University Representative Corinne Stillwell Committee Member Alexander Jiménez Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii Dedicated to Anita Wright, James Starr, LeeAnn Morgan, Alex Woods, Corinne Stillwell, and Ben Sung iii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES ............................................................................................vii ABSTRACT .............................................................................................................................. xi INTRODUCTION ...................................................................................................................... 1 1. THE ORIGINS
    [Show full text]
  • Bibliography
    BIbLIOGRAPHY Abeel, Erica (2007) “Red Road” Film Journal International Vol. 110 Issue 3 p. 37. Adler, Tim (2009) “Mamma Mia! Rakes in the Money, Money, Money” Screen Finance Vol. 22 Part 7 p. 3. Aitken, Ian (1993) Film and Reform: John Grierson and the Documentary Film Movement London, New York: Routledge. Aitken, Ian (1994) “Stop the Serbian Juggernaut” New Statesman and Society 30 December Vol. 16 p. 15. Aitken, Stuart (2007) “Poetic Child Realism: Scottish Film and the Construction of Childhood” Scottish Geographical Journal Vol. 123 Issue 1 pp. 68–86. Akbar, Arifa (2008) “Hollywood Embraces Britain’s Black Film Talent” The Independent 10 May p. 8. Amber Online http://www.amber-online.com/sections/about-us/pages/the-­ workshop-­agreement (Accessed 23/06/2015). Ames, Katrine (2008) “The Surprising Career of Penny Woolcock” Opera News Vol. 10 pp. 38–39. Andrews, Nigel (2014) “The Riot Club: Film Review” FT.comhttp://search.pro- quest.com.ezproxy.wlv.ac.uk/docview/1613632296?pq-origsite=summon (Accessed 07/07/2015). Annesley, Claire, Gains, Francesca, and Rummery, Kirstein (eds) (2007) Women and New Labour: Engendering Politics and Policy? Bristol: Policy Press. Annesley, Claire, and Gains, Francesca (2007) “Feminising Politics and Policy: The Impact of New Labour” in Claire Annesley, Francesca Gains, and Kirstein Rummery (eds) Women and New Labour: Engendering Politics and Policy? Bristol: Policy Press, pp. 3–24. © The Author(s) 2017 219 S. Hockenhull, British Women Film Directors in the New Millennium, DOI 10.1057/978-1-137-48992-0 220 BIBLIOGRAPHY Annual Report Creative Skillset creativeskillset.org/assets/0000/0256/Annual_ Report_2009-­10.pdf (Accessed 08/09/2015).
    [Show full text]