Professional Division Graduates, 1999-2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Valerie Roche ARAD Director Momix and the Omaha Ballet
Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002. -
[email protected] OB
PRESS CONTACT: Natasha Kautsky Director of Marketing & Communications PHONE: 503.227.0977 EMAIL: [email protected] OBT’S 25TH ANNIVERSARY SEASON ENDS ON A DRAMATIC NOTE WITH IMPACT Four Powerful Works, Including a World Premiere from Darrell Grand Moultrie, set to music by Portland’s Kenji Bunch of fEARnoMUSIC FOR IMMEDIATE RELEASE - Portland, OR (March 4, 2015) - In the final program of Oregon Ballet Theatre’s 25th Anniversary Season, IMPACT, the company shows how the emotional, social, and artistic aspects of dance can create an experience that moves the audience and transcends the art form. Running April 16th through 25th, 2015 at the intimate Newmark Theatre, IMPACT opens with a world premiere work by one of the most sought-after choreographers in dance right now: Princess Grace Fellowship winner Darrell Grand Moultrie. The piece will be set to music by acclaimed composer and Artistic Director of Portland’s fEARnoMUSIC, Kenji Bunch. Moultrie’s work brings an innate sense of timing and theatricality that defies categorization, as shown by past commissions from renowned ballet companies, as well as superstars like Savion Glover and Beyoncé. Referring to his approach as “genre jumping,” Moultrie explains that it is the residue from his unique background growing up in New York City, where he was exposed to so many dance forms and forced to respect them. He finds that classically trained dancers welcome this versatility. “Ballet dancers now are not just one thing anymore,” Moultrie explains. “They really want to explore!” Following Moultrie’s premiere, the IMPACT program celebrates founding OBT Resident Choreographer Dennis Spaight, with the return of Crayola to the OBT stage for the first time in nearly 2 decades. -
2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021
FOR IMMEDIATE RELEASE Media Contact: Nick Harkin Carol Fox and Associates [email protected] HUBBARD STREET DANCE CHICAGO AND FINAL BOW FOR YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining The Nutcracker’s Tea Variation, May 10, 17 and 24, 2021 Chicago, IL — Hubbard Street Dance (HSDC) in partnership with Final Bow for Yellowface presents Unboxed, three works that rewrite the future of a tradition. Unboxed features choreographers Yin Yue, Edwaard Liang, and Peter Chu using their voices and vocabularies to imagine their own versions of the Chinese Tea variation from The Nutcracker. These Asian and Asian-American dance-makers engaged in three-day workshops with Hubbard Street dancers exploring the questions: “What are the traditions we want to protect?” and “What do we want to leave behind?” Unboxed welcomes viewers to tear free from the confines of tradition and invites audiences to glimpse the promise of a future rewritten. HSDC is challenging what is known as canon, in this case, the Chinese Tea variation from The Nutcracker to ask, “Can a dance, only a minute long but fraught with stereotypes, exist within a more inclusive future?” Hubbard Street Dance Associate Artistic Director, Jessica Tong says “the idea for Unboxed was always about challenging conventions and stereotypes. But my main focus initially was really to create a fun way for Hubbard Street to interact with great choreographers while playfully researching this one-minute variation. I couldn't have foreseen how meaningful and timely this project would eventually become, as people of Asian descent in this country are now fighting more than ever for acceptance and visibility.” Founders of Final Bow for Yellowface Phil Chan and Georgina Pazcoguin share more about this partnership, "At a time when big ballet companies routinely revive orientalist ballets from a European perspective, they seldom include choreographers of Asian descent. -
Sarah Brooks
Sarah Brooks Brooks Family Homeschool 17236 NE 144th St Redmond, WA 98052 425-408-0205 [email protected] 5’6” DOB: 05/04/2003 Grade 12; GPA 4.0/4.0; CLT EXAM 94/120 Training Pacific Northwest Ballet School 2011-2020 Classical Ballet Levels I-VIII (Pointe, Pas, Variations, Repertory, Conditioning) Abbie Siegel, Marjorie Thompson, Marisa Albee, Nancy Crowley, Meg Potter, Dana Hanson New Voices: Choreography and Process for Young Women in Dance I and II 2018-2020 Eva Stone, Michelle Curtis Modern V-VIII 2015-2020 Eva Stone Summer Courses Alonzo King LINES Ballet Online Advanced program 2020 School of American Ballet 2019 Pacific Northwest Ballet 2017, 2018, 2020 Oregon Ballet Theater 2016 Master Classes Kidd Pivot Master Classes 2020 Tiffany Tregarthen Chop Shop Bodies of Work Contemporary Dance Festival 2017, 2018, 2019 Adam Barruch, Alicia Mullikin, others Gaga master class at Gibney Dance, Velocity Dance Center 2017, 2019 Performance Experience School of American Ballet Summer Choreography Workshop 2019 Pacific Northwest Ballet School Bruce Wells’ Beauty and the Beast – (performances cancelled due to Covid19) 2020 Bruce Wells’ Pinocchio 2019 New Voices Choreographic Showcases 2019 Spring Fling Fundraiser Performances 2019 Next Step: Outside/In 2019 End of Year School Performance 2012-2019 Virtual School Celebration 2020 Pacific Northwest Ballet (with PNB School) Coppélia (Alexandra Danilova and George Balanchine)- Waltz girl 2016 George Balanchine’s The Nutcracker- Candy Cane 2015 Don Quixote (Marius Petipa/Alexander Gorsky/Alexi Ratamansky)- -
Pdfaboutnews To-The-Pointe-Spring12.Pdf
To the Pointe the To ISSUE 54 SPRING 2012 Message from the Executive Director As I reflect on my first quarter at Canada’s So too, the building is alive after hours, the support from our government National Ballet School, I’m drawn to the through our Adult and Associates partners, and will continue to connect spring scenes around the School. This is programs. It is a source of inspiration to them with NBS. a season of renewal, a time to anticipate see the Celia Franca Centre is alive with the summer ahead. In particular, the dancers at night. Two attributes characterize NBS from my spring brings something that is dear to perspective—passion and excellence. I me—the return of baseball! What does One item on my agenda is the completion want to acknowledge Mavis Staines for baseball have to do with ballet? Good of a new NBS Strategic Plan. There has her support during my transition, and for question—more on that later. been superb planning work done in modelling those attributes. I’d also like to past years, including a trend analysis of recognize our talented staff for the same Since joining NBS, I have found it to be the dance industry and an articulation reasons, and to thank our committed as stimulating and rewarding as I had of three strategic initiatives to address friends who attended the For the Love hoped. Coming from the museum world, these. We are facilitating a process for of Ballet Gala. I am a strong supporter of culture and the soliciting and refining staff contributions, role that knowledge plays in advancing with a goal of completing the plan in And so, how do my first few months at our society. -
An Exciting Year Ahead How Your Generosity Gives Ballet Arizona the Ability to Strive for Continued Excellence
BALLET ARIZONA DONOR IMPACT Corporate Spotlight: Donor Spotlight: Letter From the Q&A: Wells Fargo Mary and David Patino Executive Director: Artistic Director REPORT Samantha Turner Ib Andersen TURNING POINTE An Exciting Year Ahead How your generosity gives Ballet Arizona the ability to strive for continued excellence Ballet Arizona dancers Nayon Iovino and Jillian Barrell in Romeo & Juliet. Choreography by Ib Andersen. Photo by Rosalie O’Connor. WINTER 2017 I thank you for your continued generosity, support and passion ... Happy New Year! Welcome to 2017. On behalf of everyone at Ballet Arizona, I wish you good health and happiness coupled BEHIND THE SCENES with some spectacular ballet performances. I hope you’ll join with Ib Andersen us this February as we celebrate the return of Romeo & Juliet. Accompanied by The Phoenix Symphony, you have a unique opportunity to hear the Prokofiev score performed in its entirety. Q: What is your experience and history with In this issue, Executive Director Samantha Turner shares the Romeo & Juliet? news about an incredible legacy gift endowed to us by the A: I danced Romeo in Romeo & Juliet at the Royal Danish Ballet with late Hazel A. S. Hare. This gift is the largest one-time gift ever Mette-Ida Kirk. We were about 20 years old. It was choreographer received in the history of Ballet Arizona. We are deeply honored John Neumeier's premiere and it became such a huge success, to be the beneficiaries of such a transformational gift and to they are still doing that version today. This ballet was very crucial be among the few beneficiaries of such a generous woman. -
Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op
Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 Item Type text; Electronic Dissertation Authors Stavrianou, Eleni Persefoni Citation Stavrianou, Eleni Persefoni. (2021). Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 (Doctoral dissertation, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 04:39:03 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660266 ADAPTING PIANO MUSIC FOR BALLET: TCHAIKOVSKY’S CHILDREN’S ALBUM, OP. 39 by Eleni Persefoni Stavrianou ____________________________________ Copyright © Eleni Persefoni Stavrianou 2021 A DMA Critical Essay Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Creative Project and Lecture-Recital Committee, we certify that we have read the Critical Essay prepared by: titled: and recommend that it be accepted as fulfilling the Critical Essay requirement for the Degree of Doctor of Musical Arts. _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ submission of the final copies of the essay to the Graduate College. I hereby certify that I have read this Critical Essay prepared under my direction and recommend that it be accepted as fulfilling the Critical Essay requirement. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
BEYOND BALLET a Town Hall on the State of Ballet and Diversity
FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory. -
The Portland Ballet Dances a Fairytale Holiday
Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience. -
IATSE and Labor Movement News
FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M.