Bourne, Matthew (B
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DANCER of the WEEK – Dominic North Fri 5 August
DANCER OF THE WEEK – Dominic North Fri 5 August Matthew Bourne’s Sleeping Beauty is in Singapore this week at the Esplanade Theatre before heading to Shanghai, China next week. Nick Kyprianou, our Audience Engagement Coordinator got the chance to speak to Dominic this week. Dominic has been with New Adventures since 2004 and has generated quite a following worldwide, performing in many principal roles for the Company. He was first seen in Swan Lake as a Swan and is currently performing as Leo in Sleeping Beauty. You can also catch Dominic as Angelo in cinemas worldwide in the 2015 film recording of The Car Man. Later this year, Dominic will also be playing the role of Julian Craster, who leading lady Victoria Page falls in love with, in the World Premiere of Matthew’s production of The Red Shoes, inspired by the Powell and Pressburger film. A young Dominic being jazzy! When did you start taking dance classes? I started dancing when I was about 9 I think. My twin sister was already taking classes, then this new girl joined the school and started dancing in the same class as her. I fancied her and thought that dance was a good way in. The relationship ended when we went to different secondary schools, it was very sad – haha! Where did your formal training take place? I was at the Nydza School of Dance in Bingley, just outside of Bradford, from when I started dancing until I was 18. I then auditioned for full time dance courses at Laines Theatre Arts, Bird College, Central School of Ballet and Northern School of Contemporary Dance. -
Executive Assistant
Executive Assistant (fixed term contract) August 2021 Thank you for your interest in the post of Executive Assistant at New Adventures. This post is being recruited via Creative Access. The contents of the pack include: • information about the company • a job description • a personal specification Recruitment Timeline Application deadline: Monday 30 Aug Interviews: w/c 13 Sept Successful candidate joins team: ASAP from offer date Travel expenses will only be available to candidates who make the second round of interviews. New Adventures, Matthew Bourne’s award-winning company New Adventures is proud to be a truly national dance-theatre company, touring across the UK and is Britain’s leading exporter of dance. For over 30 years Matthew Bourne and his company New Adventures have changed the popularity of dance in Britain, creating works that have altered the public perception of what is possible when it comes to telling stories without words. New Adventures is passionate about diversifying the dance landscape and investing in the future of dance, through delivering inclusive projects for people of all ages, abilities and backgrounds, and developing and inspiring emerging artists. In 2015 New Adventures became an Arts Council England National Portfolio Organisation enabling us to grow and develop our work on and offstage. Since 1986 Matthew Bourne has created 12 full-length productions and a triple bill of short works. This award-winning repertoire has inspired and thrilled millions of people worldwide. Perhaps best- known for its now legendary Swan Lake with its corps de ballet of menacing male swans, New Adventures’ intriguing twists on the ballet classics also include Nutcracker!, Sleeping Beauty, Cinderella, The Car Man based on the opera Carmen and Highland Fling based on La Sylphide set in contemporary Glasgow. -
2014-2015 Fine Arts Mid-Season Brochure
Deana Martin Photo credit: Pat Lambert The Fab Four NORTH CENTRAL COLLEGE Russian National SEASON Ballet Theatre 2015 WINTER/SPRING Natalie Cole Robert Irvine 630-637-SHOW (7469) | 3 | JA NUARY 2015 Event Price Page # January 8, 9, 10, 11 “October Mourning” $10, $8 4 North Central College January 16 An Evening with Jazz Trumpeter Art Davis $20, $15 4 January 18 Chicago Sinfonietta “Annual Tribute to Dr. Martin Luther King Jr.” $58, $46 4 January 24 27th Annual Gospel Extravaganza $15, $10 4 Friends of the Arts January 24 Jim Peterik & World Stage $60, $50 4 January 25 Janis Siegel “Nightsongs” $35, $30 4 Thanks to our many contributors, world-renowned artists such as Yo-Yo Ma, the Chicago FEbrUARY 2015 Event Price Page # Symphony Orchestra, Vienna Boys Choir, Wynton Marsalis, Celtic Woman and many more have February 5, 6, 7 “True West” $5, $3 5 performed in our venues. But the cost of performance tickets only covers half our expenses to February 6, 7 DuPage Symphony Orchestra “Gallic Glory” $35 - $12 5 February 7 Natalie Cole $95, $85, $75 5 bring these great artists to the College’s stages. The generous support from the Friends of the February 13 An Evening with Jazz Vocalist Janice Borla $20, $15 5 Arts ensures the College can continue to bring world-class performers to our world-class venues. February 14 Blues at the Crossroads $65, $50 5 February 21 Béla Fleck and Abigail Washburn $65, $50 6 northcentralcollege.edu/shows February 22 Robin Spielberg $35, $30 6 Join Friends of the Arts today and receive exclusive benefits. -
A Closer Look at the Effects of Matthew Bourne╎s Swan Lake
Dance Department Best Student Papers Dance Spring 2015 Transcending Conventions: A Closer Look at the Effects of Matthew Bourne’s Swan Lake Khayla J. Golucke Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/dance_students Part of the Dance Commons Repository Citation Golucke, Khayla J., "Transcending Conventions: A Closer Look at the Effects of Matthew Bourne’s Swan Lake" (2015). Dance Department Best Student Papers. 7. https://digitalcommons.lmu.edu/dance_students/7 This Article is brought to you for free and open access by the Dance at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Dance Department Best Student Papers by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Transcending Conventions: A Closer Look at the Effects of Matthew Bourne’s Swan Lake Khayla J. Golucke DANC 281 History of Dance Theatre Professor Dr. Jill Nunes Jensen Loyola Marymount University February 6, 2015 Golucke 1 The ballet Swan Lake has proven itself to not only be visually enchanting and beautifully choreographed, but also a timeless story, becoming one of the most well known classical ballets of all time. It has endured constant retellings and re-imaginings, but the original story’s core revolves around the transcendent value of true love, beginning of course with a prince who falls in love with a princess, though she is under a spell that turns her into a swan in the daytime. Reminiscent of other such classical ballets as Sleeping Beauty, only the prince has the power to break the spell, while the princess awaits her fate beautifully, and in the case of Swan Lake, tragically. -
A-Level Dance Resource List Resource List
Resource list A-level Dance (2230) Teaching and learning resources Resource list AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Contents Performance – books Performance - DVDs, CD ROMs Choreography – books Choreography - DVDs, CD ROMs General contextual and historical books General DVDs, videos and CD ROMs linked with areas of study, the three set works and the three dance genres General DVDs Jazz and Musicals – DVDs and videos Jazz dance - books American Musicals (30s and 40s mainly) Alvin Ailey and Revelations (1960): a set work for 2010 Modern dance – general: books Modern dance – general: resource packs Modern dance in Britain 1965-1985: books and resource packs Modern dance in Britain 1965-1985: DVDs or videos Beach Birds for Camera, Merce Cunningham (1991): a set work for 2010 Ballet – general: books and resource packs Cinderella, Ashton (1948): a set work for 2010 Diaghilev and the Ballets Russes: an area of study for 2010 Useful websites and organisations AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in 2 of 26 England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Books, DVDs, videos and resource packs for specific areas of the new GCE Dance specification for examination in 2009 (AS) and 2010 (A Level) Performance – books [OP] = Out of Print Blakey, W.P. (1992) The Muscle Book Stafford: Bibliotek Blakey, W.P. (1994) Stretching Without Pain Stafford: Bibliotek Cohan, R. -
Recital Theme: So You Think You Can Dance
Recital Theme: So You Think You Can Dance GENRE LEVEL SONG ALBUM / ARTIST Ballet Baby Age 2-3 Hooray For Chasse Wake Up And Wiggle/Marie Barnett Ballet Baby Age 2-3 Wacky Wallaby Waltz Put On Your Dancing Shoes/Joanie Bartels Ballet I - II Age 8-12 9 Dancing Princesses Ballet I - II Teen/Adult Dance Of The Hours From the opera La Gioconda/Amilcare Ponchielli Ballet II Age 8-10 7 Dancing Princesses Ballet II - III Age 10-12 Copelia Waltz Coppelia/Delibes Ballet II - III Teen/Adult Danse Napolitiane Swan Lake/Tchaikovsky Ballet III - IV Teen/Adult Dance of The Reed Flutes Nutcracker Suite/Tchaikovsky Ballet IV Teen/Adult Paquita Allegro Paquita/La Bayadere Ballet IV - V Teen/Adult Paquita Coda Paquita/La Bayadere Pre-Ballet I - II Age 5-6 Sugar Plum Fairies Nutcracker Suite/Tchaikovsky Pre-Ballet I - II Age 6-8 Little Swans Swan Lake/Tchaikovsky Hip Hop I Age 6-8 Pon De Replay Music of the Sun/Rihanna Hip Hop I Age 9-12 Get Up Step Up Soundtrack/Ciara Hip Hop I - II Age 6-8 Move It Like This Move It Like This/Baja Men Hip Hop I - II Age 8-12 1,2 Step Goodies/Ciara and Missy Elliott Hip Hop I - II Age 10-12 Get Up "Step Up" Soundtrack/Ciara Hip Hop "The Longest Yard" Soundtrack/Jung Tru,King Jacob I - II Teen/Adult Errtime and Nelly Hip Hop I - II Teen/Adult Switch Lost and Found/Will Smith Hip Hop I - II Adult Yeah Confessions/Usher Hip Hop II Adult Let It Go Heaven Sent/Keyshia Cole feat. -
SWAN LAKE Dear Educators in the Winter Show of Oregon Ballet Theatre’S Student Performance Series (SPS) Students Will Be Treated to an Excerpt from Swan Lake
STUDENT PERFORMANCE SERIES STUDY GUIDE / Feburary 21, 2013 / Keller Auditorium / Noon - 1:00 pm, doors open at 11:30am SWAN LAKE Dear Educators In the winter show of Oregon Ballet Theatre’s Student Performance Series (SPS) students will be treated to an excerpt from Swan Lake. It is a quintessential ballet based on a heart-wrenching fable of true love heroically won and tragically Photo by Joni Kabana by Photo squandered. With virtuoso solos and an achingly beautiful score, it is emblematic of the opulent grandeur of the greatest of all 19th-Century story ballets. This study guide is designed to help teachers prepare students for their trip to the theatre where they will see Swan Lake Act III. In this Study Guide we will: • Provide the entire synopsis for Christopher Stowell’sSwan Lake, consider some of the stories that inspired the ballet, Principal Dancer Yuka Iino and Guest Artist Ruben Martin in Christopher and touch on its history Stowell’s Swan Lake. Photo by Blaine Truitt Covert. • Look closely at Act III • Learn some facts about the music for Swan Lake • Consider the way great dances are passed on to future generations and compare that to how students come to know other great works of art or literature • Describe some ballet vocabulary, steps and choreographic elements seen in Swan Lake • Include internet links to articles and video that will enhance learning At the theatre: • While seating takes place, the audience will enjoy a “behind the scenes” look at the scenic transformation of the stage • Oregon Ballet Theatre will perform Act III from Christopher Stowell’s Swan Lake where Odile’s evil double tricks the Prince into breaking his vow of love for the Swan Queen. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Bringing More Choice to Your Cinema About More2screen
PRESENTS THE GRADELINNIT COMPANY PRODUCTION OF ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s Swan Lake and 42nd Street The Musical. FILMED LIVE AT THEATRE ROYAL, DRURY LANE, LONDON For more information visit More2Screen.com RUNNING TIME: 144 Minutes (PART 1 72 Minutes / INTERVAL 10 minutes / PART 2 62 minutes) BBFC: 12A BRINGING MORE CHOICE TO YOUR CINEMA Share your thoughts after the screening Live and recorded theatre, opera, #42ndStreetCinema @more2screen ballet, music & exhibitions @42ndStreetLDN / @More2Screen In Memory of Mark Bramble Director & Co-Author December 7th 1950 - February 20th 2019 PRODUCTION Book by Michael Stewart & Mark Bramble Music & Lyrics by Harry Warren & Al Dubin Based on the novel by Bradford Ropes CAST Director Mark Bramble Dorothy Brock Bonnie Langford Set Designer Douglas W. Schmidt Julian Marsh Tom Lister Costume Designer Roger Kirk Peggy Sawyer Clare Halse Lighting Designer Peter Mumford Sound Designer -
Performing Arts, Dance & Drama Courses
World class thinking. World class achieving. St Mary’s College PERFORMING ARTS Level 3 suite Pre-course reading and guidance Performing Arts Instagram: SMCperformingarts Level 3 Performing Arts WHY SHOULD I CHOOSE PERFORMING ARTS? The Performing Arts qualifications are an exciting and challenging journey from GCSE to Vocational College or University. Performances throughout the year in varying styles will satisfy your desire for ‘stage-time’ and theory elements will broaden your knowledge and appreciation of cultural, social and historical influences in the world of theatre. We offer independent qualifications in Acting and Dance (both worth 1.5 A level Equivalent) and our impressive full time course (3 A level Equivalent). World class thinking. World class achieving. Level 3 Performing Arts The courses we offer ➢Level 3 Foundation Diploma in Performing Arts (Dance) (1.5 A-Level Equivalent) Click here for the specification ➢Level 3 Foundation Diploma in Performing Arts (Acting) (1.5 A-Level equivalent) Click here for the specification ➢Level 3 Extended Diploma in Performing Arts (3 A-Level Equivalent) Click here for the specification World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level 84 UCAS Points) Four internally assessed units covering: › Jazz › Street dance › Contemporary › Community Theatre Two externally assessed examinations – 1 written theory (Unit 1) – 1 written & performance based (Unit 3) World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level – 84 UCAS Points) Practioner studies: • Matthew Bourne • Christopher Bruce • Andrew Winghart • Martha Graham • Bob Fosse • Street Dance styles Click to learn more about each person World class thinking. -
Consumer Alert Regarding Ticket Purchasing
CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116. -
Out and About with the Vic-Wells
President: Vice President: No. 480 - September 2012 Simon Russell Beale CBE Nickolas Grace Price 50p when sold Out and About with the Vic-Wells Shakespeare at the British Museum There will be a Vic-Wells visit to the British Museum’s current exhibition Shakespeare: staging the world on Monday, 1st October 2012. The exhibition provides a new insight into the emerging role of London as a world city four hundred years ago, interpreted through the innovative perspective of Shakespeare’s plays - and features over 190 objects. The exhibition creates a unique dialogue between these objects drawn from the museum’s collection. Great paintings, rare manuscripts, maps, drawings, armour, coins and other intriguing objects are all examined through the lens of Shakespeare’s plays. Shakespeare: staging the world also explores the theatre-going experience at the time. The newly built playhouses were situated in the suburbs: Bankside was an area with a dangerous and notorious reputation. The theatres needed to attract large numbers of playgoers and so performances had to appeal to a wide spectrum of society, from groundlings to courtiers. Objects excavated from the sites of the Globe and Rose theatres, such as a sucket fork for sweetmeats and the skull of a bear, illustrate the Southwark of Shakespeare’s day, the cultural world inhabited by the playhouse, which rubbed shoulders with bear-baiting arenas as well as brothels and pubs. The British Museum has produced, working with the Royal Shakespeare Company, a series of new digital interventions which appear throughout the exhibition, allowing visitors to encounter Shakespeare’s words and characters alongside the objects on The Lyte Jewel display.