DOCSLIB.ORG

Handing Over Their Hearts…

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Handing Over Their Hearts… HANDING OVER THEIR HEARTS... continually experiment, The Last Tango, Vincent Simone Handing over challenging one another and Flavia Cacace’s third and to reach new heights. fi nal stage show, opens next month The real leap of faith their hearts… comes in trusting that work to your dancers. “It’s a bit like removing your We asked Dance heart and handing it off to Today readers to tell someone else,” says British us their favourite choreographer Tom Ridley. “But when you succeed, choreograpahers. Who the joy you get from that made our list – and who shared accomplishment did you pick? Marianka is extraordinary. I’m not Swain reveals all dancing one part or one show: I get to be part of that dance experience forever.” he body says what “ words cannot,” Here are some of the T proclaimed best in the business... contemporary legend Martha Graham. Dancers Ballroom act as intercessors between choreographers and Fred Astaire audiences, communicating Astaire, working with the former’s ideas to the collaborators such as Eleanor latter, but in appreciating the Powell (pictured below) and performers in front of us, we Hermes Pan, gave dance musical through his dazzling, honouring all the ballroom sometimes forget to honour a starring role in the fi lm seemingly effortless routines. fundamentals, with the creators upon whose interesting choreography. visionary work they rely. Gene Kelly at work on Jason Gilkison We’ll forgive her Dollgate!” Every dance medium Invitation to the Dance “Burn The Floor got me into Emma Barnett needs choreography ballroom – Jason makes for constant reinvention it look so cool and sexy. I “I can’t see past Flavia and and redefi nition in order So You Think You Can emotions that inspire pieces, didn’t think it was for me Vincent. The choreography to stay vital. New ideas Dance (which sadly didn’t or explaining the technical before I saw the show.” in their shows is unbeatable.” in the rehearsal room take off here) has made challenges and innovations Holly K @Dilly4 can change not just stars of its choreographers of a particular routine. movement type or modes and encouraged viewers to Of course, explanations Strictly the best “I miss Darren and Lilia. of storytelling, but infl uence engage with the process are futile if audiences simply Their routines were always wider issues: introducing of creation, rather than don’t respond to what’s on Who are your Strictly so musical, clever and had diversity, challenging just the end result. It also offer, but some of the most favourites? a clear story to them, and traditional gender roles, or provides a way into more celebrated choreographers they shaped traditional creating new relationships esoteric performances, are those who make bold, “Erin combines being moves around their with other art forms. sharing the stories or divisive statements – and a brilliant teacher, celebrities. No gimmicks, ➤ 12 \ WWW.DANCE-TODAY.CO.UK Photographs (from right): Hugo Glendinning/the Dancing Times collection AUGUST 2015 \ DANCE TODAY 13 CHOREOGRAPHY HANDING OVER THEIR HEARTS... just great entertainment.” slick, but always feels also the choreographic force “It’s a bit like removing your heart and street dance with engaging Roger Widdicomb natural and relaxed.” behind such extraordinary long-form drama. @BRThomas projects as Singin’ in the Rain handing it off to someone else,” says “Artem was a major and An American in Paris. British choreographer Tom Ridley Contemporary asset because he always Irish pushed the boundaries. Jerome Robbins Martha Graham Len might not approve, Michael Flatley Robbins seamlessly Bob Fosse fi lms is Annie, and we Her weighted, angular but you need someone Through Riverdance, Flatley integrated movement Through extraordinary work just love Arlene’s great work ushered in a keeping things fresh. I hope created an exhilarating into story, and was also in shows like Chicago, choreography in it. My new era of dance and the new pros do the same. theatrical outlet for Irish a major innovator in the The Pajama Game, Sweet children are all studying crossed boundaries, (Without props, please!)” dance that brought it American ballet world. Charity and Cabaret, dance and they love learning with a wide variety of Erika Hutchinson to a wider audience. his legend lives on. the routines and performing performers and artists Busby Berkeley them just like I did as a kid!” lining up to collaborate. Salsa Musicals/drama “My go-to YouTube clips Kenny Ortega Lucy Braga are Busby Berkeley’s “Two words: Dirty Dancing. Lloyd Newson Richard Marcel Gene Kelly incredible kaleidoscopic Sexy, organic, and tells a Indian DV8’s hard-hitting dance “I’m a big fan of Richard Beloved as one of the great dance numbers. Pure joy.” whole story through dance. theatre uses expressive Marcel’s salsa. Very musical performers, Kelly was Samantha Els You could take out the Shiamak Davar movement to tackle big dialogue and still be crying “Shiamak Davar introduced issues like abuse, addiction and cheering at the end.” Western styles to give and multiculturalism. Melanie Payne Indian dance a modern fl avour. Love his work.” Pina Bausch Gillian Lynne @salim42 “Truly radical and mind- Swapping Sadler’s Wells blowing. Her work really for the West End, Gillian Hip hop stays with you.” raised the level of dance in Andrea Georgio musicals with the technically Kate Prince demanding Cats. Prince’s company ZooNation Akram Khan brilliantly combines energetic Known for exciting Michael Bennett “A Chorus Line is the most amazing example of choreography growing out of emotion. No one takes a step without it coming from their soul.” Jules Young Susan Stroman Broadway’s current leading choreographer has revitalised Jerome Robbins, who the classic musical tradition. choreographed West Side Story, moved easily between Arlene Phillips Kate Prince ballet and Broadway “One of my family’s favourite of ZooNation 14 \ WWW.DANCE-TODAY.CO.UK Photograph: the Dancing Times collection Photograph: Ross Ferguson AUGUST 2015 \ DANCE TODAY 15 CHOREOGRAPHY Matthew Bourne’s The Car Man is at Sadler’s Wells until August 9 experimental projects that past greats but also bringing established a wonderfully fuse styles like South Asian something new. Who British mode of expression kathak and fl amenco. doesn’t love Happy Feet?!” for the Royal Ballet, @AvaGeorge focusing on nuances of Matthew Bourne character and emotion. Renowned for putting a witty Ballet contemporary twist on the Christopher Wheeldon classics, most famously with Marius Petipa The Royal Ballet star his all-male Swan Lake. The French master won this year’s Tony created or revived works choreography award for Tap like The Sleeping Beauty his gorgeous screen-to- that are the mainstays of stage translation of Kelly’s Savion Glover companies to this day. An American in Paris. ● “He’s so funky and grounded, and he’s helped keep tap Frederick Ashton If there’s somone you alive by paying tribute to His lyrical choreography think we’ve missed out, do drop us a line at the “I can’t see past Flavia and address on page 5, email [email protected] Vincent. The choreography in or get in touch through their shows is unbeatable” Facebook or Twitter. 16 \ WWW.DANCE-TODAY.CO.UK Photograph: Johan Persson.
Load more

Recommended publications
  • Rosena Hill Jackson Resume
    ROSENA M. HILL JACKSON 941-350-8566 [email protected] www.RosenaHill.com BROADWAY/New York Carousel Nettie Jack O’Brien/Justin Peck Prince of Broadway swing Harold Prince/ Susan Stroman After Midnight Rosena Warren Carlyle/Daryl Waters/Wynton Marsalis Carousel Ensemble Avery Fisher Hall/PBS “Live at Lincoln Center” Cotton Club Parade Rosena Encores City Center Lost in the Stars Mrs. Mckenzie Encores Z City Center Come Fly Away Featured Vocalist Marriott Marqui Theatre/Twyla Tharp The Tin Pan Alley Rag Monisha/Miss Lee Roundabout Theatre Co./Stafford arima,dir Oscar Hammerstein II: The Song is You Soloist Carnegie Hall/New York Pops Color Purple Church Lady Broadway Theatre Spamalot Lady of the Lake/Standby Mike Nichols dir. Imaginary Friends Mrs. Stillman & others Jack O'Brien dir. Oklahoma Ellen Trevor Nunn mus dir./Susan Stroman chor. Riverdance on Broadway Amanzi Soloist Gershwin Theater Marie Christine Ozelia Graciela Daniele dir. Ragtime Sarah’s Friend u/s Frank Galati, Graciela Daniele/Ford’s Center REGIONAL The Toymaker Sarah NYMF/Lawrence Edelson,dir The World Goes Round Woman #1 Pittsburgh Public Theater/Marcia Milgrom Dodge,dir Ragtime Sarah White Plains Performing Arts Center Man of Lamancha Aldonza White Plains Performning Arts Center Baby Pam/s Papermill Playhouse Dreamgirls Michelle North Carolina Theater Ain’t Misbehavin’ Armelia Playhouse on the Green Imaginary Friends Smart women soloist Globe Theater 1001 Nights Sophie George Street Playhouse Mandela (with Avery Brooks) Winnie Steven Fisher dir./Crossroads Brief History
    [Show full text]
  • The Evolution of Musical Theatre Dance
    Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama.
    [Show full text]
  • 407637-Question-Paper-Unit-F504-01
    2 Document 1 Photo manipulation: acceptable or not? (a) Photoshopped: friend Original replaced with glamorous holiday building, double chin photograph. removed and lips darkened. (b) One of Stalin’s enemies removed from a photo around 1930. © OCR 2016 F504/01/RB Jun16 3 Document 2 L’Oréal’s Julia Roberts and Christy Turlington ad campaigns banned The cosmetic company, L’Oréal, was forced to withdraw advertisement campaigns featuring Pretty Woman star Julia Roberts and supermodel Christy Turlington, after the advertising watchdog 1 upheld complaints that the images were overly airbrushed. L’Oréal admitted that Turlington’s image had been ‘digitally retouched to lighten the skin, clean up makeup, reduce dark shadows and shading around the eyes, smooth the lips and darken the 2 eyebrows’. The company also admitted that digital post-production techniques had been used on Roberts but maintained that the changes were not ‘directly relevant’ and that the ad was an ‘aspirational 3 picture’. Source: The Guardian Document 3 Dr D Elliott and Professor PM Lester, Ethical Matters: The Word We Love to Hate, News Photographer Magazine. Removed due to third party copyright restrictions. © OCR 2016 F504/01/RB Jun16 Turn over 4 Document 4 Reclaiming photography for the artist A photograph is one moment, frozen in time. The artist David Hockney creates ‘joiners’ – photo- collages that depict several points of view over a period of time. Hockney thinks of his ‘joiners’ as drawings, ‘because there is no single way to join the photographs. If you make a decision about 1 something like that, isn’t that exactly what you are doing when you are drawing? So collage itself is a form of drawing.
    [Show full text]
  • Whats-On-September-2017-Web.Pdf
    WHAT’S ON AUTUMN / WINTER 2017 WHAT’S ON AUTUMN / WINTER 2017 Auditorium Contents Appeal The Little Mermaid 4 Thu 21 – Sat 23 September 2017 Beautiful 5 Thank you to everyone who has supported Tue 26 – Sat 30 September 2017 We are delighted to thank our our auditorium appeal so far. Cilla the Musical 6 Mayflower 90 Patrons for supporting Tue 3 – Sat 7 October 2017 our auditorium appeal: Plans are moving forward for our £3.9m Julia Bland, Mrs Rita Boxall, Robert and Dance Show: Rambert 7 refurbishment in 2018, which will see Tue 10 & Wed 11 October 2017 Judith Dowdall, Roger and Tina Harrison, our auditorium repainted, new seating Sally Louise Hillyear Bsc, Amanda and Martyn The Railway Children 8 in our Stalls and Circle, the orchestra pit Thu 12 – Sun 15 October 2017 Hole, Gary and Jane Joyce, Mrs Denise Pope, repositioned, new environmentally-friendly Ian and Linda Ritchie, Cameron & MacKenzie Welsh National Opera 9 LED lighting and accessibility improvements. Ritchie-Cox, Andy and Cindy Taylor, Wed 18 – Sat 21 October 2017 Mr David and Mrs Eva Wilson Dance Show: Acosta Danza 10 This work is essential not just to preserve Mon 23 & Tue 24 October 2017 the building, but to the benefit of over To find out more about becoming All or Nothing 11 500,000 people each year who enjoy an individual or corporate Patron, Fri 27 & Sat 28 October 2017 visiting our theatre. please contact us on: 02380 711834 The Band 12 or [email protected] Tue 31 Oct – Sat 11 November 2017 We need your help toward Legally Blonde 14 the cost of this project We have a fantastic programme of shows Tue 14 – Sat 18 November 2017 running up to June 2018 including Sunset Crazy For You 15 We have secured £2.54 million towards our Boulevard, Miss Saigon, War Horse, The Kite Tue 21 – Sat 25 November 2017 refurbishment so far, but as an unsubsidised Runner and launching the UK tour of Titanic and independent charitable trust we need the Musical to name a few so read on… Nutcracker 16 Wed 29 Nov – Sat 2 December 2017 your help to raise the remaining £1.35 million needed.
    [Show full text]
  • A-Level Dance Resource List Resource List
    Resource list A-level Dance (2230) Teaching and learning resources Resource list AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Contents Performance – books Performance - DVDs, CD ROMs Choreography – books Choreography - DVDs, CD ROMs General contextual and historical books General DVDs, videos and CD ROMs linked with areas of study, the three set works and the three dance genres General DVDs Jazz and Musicals – DVDs and videos Jazz dance - books American Musicals (30s and 40s mainly) Alvin Ailey and Revelations (1960): a set work for 2010 Modern dance – general: books Modern dance – general: resource packs Modern dance in Britain 1965-1985: books and resource packs Modern dance in Britain 1965-1985: DVDs or videos Beach Birds for Camera, Merce Cunningham (1991): a set work for 2010 Ballet – general: books and resource packs Cinderella, Ashton (1948): a set work for 2010 Diaghilev and the Ballets Russes: an area of study for 2010 Useful websites and organisations AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in 2 of 26 England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Books, DVDs, videos and resource packs for specific areas of the new GCE Dance specification for examination in 2009 (AS) and 2010 (A Level) Performance – books [OP] = Out of Print Blakey, W.P. (1992) The Muscle Book Stafford: Bibliotek Blakey, W.P. (1994) Stretching Without Pain Stafford: Bibliotek Cohan, R.
    [Show full text]
  • Jane Eve Photo: M.A.D
    Room 403, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Jane Eve Photo: M.A.D. Photography Appearance: White Hertfordshire, England, United Kingdom Nationality: British Location: Greater London, England, United Kingdom Eye Colour: Hazel Cambridgeshire, England, United Kingdom Hair Colour: Light/Mid Brown Height: 5'3" (160cm) Hair Length: Mid Length Weight: 9st. 4lb. (59kg) Voice Character: Friendly Playing Age: 50 - 65 years Voice Quality: Warm Credits Documentary, Dancer, The Sex Clinic: Artist in Residence Bryony Kimmings, All 4, Producer: Hannah Keep Television, Dancer, Cuckoo series 4:1, BBC 3 Site Specific, Dancer, Under the Vaulted Sky, Rosemary Lee Dance, Dance Artist, DanceBase 2010-2017, ActOne, Suzie Birchwood Music Video, Dancer, Cliff Richard - Some People, Choregrapher: Chrissy wickham Music Video, Dancer, Tina Turner live at Camden Palace, David Mallet, Choreographer: Arlene Phillips Commercial, Dancer, Kellogs Cornflakes, Kellogs, Choregrapher: Bruno Tonioli Musical, Assistant choreographer to Arlene Phillips, Starlight Express Apollo Victoria 1984-1985, Andrew Lloyd Webber, Trevor Nunn Commercial, Dancer, British Rail, Choreographer: Bruno Tonioli Feature Film, Dancer, The Meaning of Life, Monty Python, Terry Jones Music Video, Dancer, Bucks Fizz London Town, Sony BMG music, Choreographer: Chrissy Wickham Television, Dancer, The Main Attraction, BBC, Choreographer: Brian Rogers Feature Film, Dancer, Can't Stop the Music, Village People, Allan Carr Television, Dancer, Hot Gossip 1979-1983
    [Show full text]
  • Cast Biographies Chris Mann
    CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • Bringing More Choice to Your Cinema About More2screen
    PRESENTS THE GRADELINNIT COMPANY PRODUCTION OF ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s Swan Lake and 42nd Street The Musical. FILMED LIVE AT THEATRE ROYAL, DRURY LANE, LONDON For more information visit More2Screen.com RUNNING TIME: 144 Minutes (PART 1 72 Minutes / INTERVAL 10 minutes / PART 2 62 minutes) BBFC: 12A BRINGING MORE CHOICE TO YOUR CINEMA Share your thoughts after the screening Live and recorded theatre, opera, #42ndStreetCinema @more2screen ballet, music & exhibitions @42ndStreetLDN / @More2Screen In Memory of Mark Bramble Director & Co-Author December 7th 1950 - February 20th 2019 PRODUCTION Book by Michael Stewart & Mark Bramble Music & Lyrics by Harry Warren & Al Dubin Based on the novel by Bradford Ropes CAST Director Mark Bramble Dorothy Brock Bonnie Langford Set Designer Douglas W. Schmidt Julian Marsh Tom Lister Costume Designer Roger Kirk Peggy Sawyer Clare Halse Lighting Designer Peter Mumford Sound Designer
    [Show full text]
  • Charlie Stemp and Danielle Hope to Play the Prince and Snow White in S N O W W H I T E at T H E L O N D O N P a L L a D I U M
    CHARLIE STEMP AND DANIELLE HOPE TO PLAY THE PRINCE AND SNOW WHITE IN S N O W W H I T E AT T H E L O N D O N P A L L A D I U M Qdos Entertainment today (12 October 2018) announced that Charlie Stemp will return to the London Palladium to play The Prince in this year’s Pantomime, Snow White at the London Palladium along with Danielle Hope who will play the title role of Snow White. They join the previously announced Dawn French as The Wicked Queen, Julian Clary as The Man in The Mirror, Paul Zerdin as Muddles, Nigel Havers as The Understudy, Gary Wilmot as Mrs Crumble with Vincent and Flavia as The King and The Queen for this strictly limited 5 week run. They are joined by Josh Bennett, Simeon Dyer, Craig Garner, Ben Goffe, Jamie John, Blake Lisle and Andrew Martin as The Magnificent Seven and ensemble members Faye Best, Myles Brown, Darragh Cowley, Ivan De Freitas, Scott English, Liz Ewing, Ross Finnie, Diana Girbau, Matt Holland, Abigayle Honeywill, Stevie Hutchinson, Jemima Loddy, Megan Louch, Mollie McGugan, James Paterson, Leanne Pinder, Oliver Roll, Jordan Rose, Aaron J Smith, Lucie-Mae Sumner, Carrie Sutton, Grant Thresh and Charlotte Wilmot along with The Palladium Pantoloons. Performances of Snow White at the London Palladium begin on Saturday 8 December 2018 with Gala Night on 12 December with the run concluding on Sunday 13 January 2019. Produced by the Olivier Award-winning team behind last year’s Dick Whittington, Snow White at the London Palladium will again be directed by Michael Harrison, with choreography by Karen Bruce, scenery designed by Ian Westbrook, costumes designed by Hugh Durrant, speciality costumes designed by Mike Coltman, visual special effects by The Twins FX, lighting by Ben Cracknell, sound design by Gareth Owen, video and projection design by Duncan McLean, and original music by Gary Hind.
    [Show full text]
  • Performing Arts, Dance & Drama Courses
    World class thinking. World class achieving. St Mary’s College PERFORMING ARTS Level 3 suite Pre-course reading and guidance Performing Arts Instagram: SMCperformingarts Level 3 Performing Arts WHY SHOULD I CHOOSE PERFORMING ARTS? The Performing Arts qualifications are an exciting and challenging journey from GCSE to Vocational College or University. Performances throughout the year in varying styles will satisfy your desire for ‘stage-time’ and theory elements will broaden your knowledge and appreciation of cultural, social and historical influences in the world of theatre. We offer independent qualifications in Acting and Dance (both worth 1.5 A level Equivalent) and our impressive full time course (3 A level Equivalent). World class thinking. World class achieving. Level 3 Performing Arts The courses we offer ➢Level 3 Foundation Diploma in Performing Arts (Dance) (1.5 A-Level Equivalent) Click here for the specification ➢Level 3 Foundation Diploma in Performing Arts (Acting) (1.5 A-Level equivalent) Click here for the specification ➢Level 3 Extended Diploma in Performing Arts (3 A-Level Equivalent) Click here for the specification World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level 84 UCAS Points) Four internally assessed units covering: › Jazz › Street dance › Contemporary › Community Theatre Two externally assessed examinations – 1 written theory (Unit 1) – 1 written & performance based (Unit 3) World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level – 84 UCAS Points) Practioner studies: • Matthew Bourne • Christopher Bruce • Andrew Winghart • Martha Graham • Bob Fosse • Street Dance styles Click to learn more about each person World class thinking.
    [Show full text]
  • Strictly Dating Gossip
    Jul 20, · Go behind the glitterball with all of the latest news, features and interviews from BBC One’s award-winning Strictly Come Dancing Along with all the gossip from hosts Tess Daly and Claudia. Strictly Come Dancing is a British TV dance contest where celebrities partner with professional dancers. They compete mainly with ballroom and Latin dance. Each . Nov 27, · Of course, it's not unheard of for couples to find love on Strictly Come Dancing; winners Stacey Dooley and Kevin Clifton are currently dating, as . Get the latest updates on Strictly Come Dancing here, from the judges to when it kicks off on BBC One. Strictly Come Dancing: the hottest romances. 11 Jul , am Comment: Alan Bennett's joyful humour hasn't dated in the least – so why did Talking Heads feel so nostalgic? Nov 27, · Strictly Come Dancing has had its fair share of romances since its inception in Last year, many contestants and professional dancers hit the headlines both during and after the show. Strictly Come Dancing can be unpredictable at times but one thing is guaranteed every year: there will always be rumours about backstage romances and the 'Strictly curse'.. But one couple who have. Famous Strictly Gossip, Facts And Mishaps. Strictly has been remade in other 40 countries around the world and the reality show was named the world’s most successful reality television format in the Guinness Book of Records. Ratings for the show are incredibly high and it’s been reported that electricity use in the country rises. Soon after Strictly finished, Cacace announced her separation from fellow dancer Vincent Simone and confirmed she and Di Angelo were dating.
    [Show full text]